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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB01E it is the complementary color #154FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB01E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB01E shade: #EFB019, #FFC22C, #FFD43F, #FFE652 and #FFF865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB01E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB01E shade: #EAB01E, #D99E0B, #C88C00, #B77A00 and #A66800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB01E shade: #EAB01F, #EA7A1F, #EA431F and #EA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB01E shade: #EAB01F, #EAE71F, #B6EA1F, #80EA1F and #49EA1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB01E shade matches the following richer shades: #EAB01F and #FEB90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB01E shade: #EAB01F, #D6A833, #C39F47, #AF975A and #9B8E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB01E shade: #EA411F, #EA771F, #EAAD1F, #EAE31F and #BBEA1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB01E shade: #A77C10, #CD9813, #EAB01F, #EEBE45 and #F1CB6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB01E shade: #EAB01E, #33EA1F and #5C1FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB01E shade: #EAB01E, #1FEAAD and #AD1FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB01E shade: #EAB01E, #33EA1F, #1F5CEA and #D61FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB01E shade: #EAB01E, #1FEA48, #1F5CEA and #EA1FC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 87 / 8

HEX #EAB01E

RGB 234 176 30

HSL 42.94, 0.83%, 0.52%

LAB 75.22, 9.58, 73.53

 

Complementary color

CMYK 91 / 65 / 0 / 12

HEX #154FE1

RGB 21 79 225

HSL 222.94, 0.83%, 0.48%

LAB 39.89, 39.1, -78.29

 

CMYK 0 / 26 / 90 / 6

HEX #EFB019

RGB 239 176 25

HSL 42.34, 0.87%, 0.52%

LAB 75.74, 11.64, 75.24

 

CMYK 0 / 24 / 83 / 0

HEX #FFC22C

RGB 255 194 44

HSL 42.65, 1%, 0.59%

LAB 81.85, 9.48, 76.26

 

CMYK 0 / 17 / 75 / 0

HEX #FFD43F

RGB 255 212 63

HSL 46.56, 1%, 0.62%

LAB 86.36, 0.85, 74.34

 

CMYK 0 / 10 / 68 / 0

HEX #FFE652

RGB 255 230 82

HSL 51.33, 1%, 0.66%

LAB 90.99, -7.37, 71.96

 

CMYK 0 / 3 / 60 / 0

HEX #FFF865

RGB 255 248 101

HSL 57.27, 1%, 0.7%

LAB 95.72, -15.13, 69.36

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01E

RGB 234 176 30

HSL 42.94, 0.83%, 0.52%

LAB 75.22, 9.58, 73.53

 

CMYK 0 / 27 / 95 / 15

HEX #D99E0B

RGB 217 158 11

HSL 42.82, 0.9%, 0.45%

LAB 68.92, 11.47, 71.45

 

CMYK 0 / 30 / 100 / 22

HEX #C88C00

RGB 200 140 0

HSL 42, 1%, 0.39%

LAB 62.54, 13.6, 67.62

 

CMYK 0 / 33 / 100 / 28

HEX #B77A00

RGB 183 122 0

HSL 40, 1%, 0.36%

LAB 56.07, 15.93, 62.33

 

CMYK 0 / 37 / 100 / 35

HEX #A66800

RGB 166 104 0

HSL 37.59, 1%, 0.33%

LAB 49.51, 18.36, 56.97

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01F

RGB 234 176 31

HSL 42.86, 0.83%, 0.52%

LAB 75.23, 9.61, 73.29

 

CMYK 0 / 48 / 87 / 8

HEX #EA7A1F

RGB 234 122 31

HSL 26.9, 0.83%, 0.52%

LAB 62.94, 37.97, 63.49

 

CMYK 0 / 71 / 87 / 8

HEX #EA431F

RGB 234 67 31

HSL 10.64, 0.83%, 0.52%

LAB 53.61, 62.36, 56.06

 

CMYK 0 / 87 / 87 / 8

HEX #EA1F1F

RGB 234 31 31

HSL 0, 0.83%, 0.52%

LAB 50.18, 71.98, 53.34

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01F

RGB 234 176 31

HSL 42.86, 0.83%, 0.52%

LAB 75.23, 9.61, 73.29

 

CMYK 0 / 1 / 87 / 8

HEX #EAE71F

RGB 234 231 31

HSL 59.11, 0.83%, 0.52%

LAB 89.27, -18.38, 84.52

 

CMYK 22 / 0 / 87 / 8

HEX #B6EA1F

RGB 182 234 31

HSL 75.37, 0.83%, 0.52%

LAB 86.45, -40.78, 80.71

 

CMYK 45 / 0 / 87 / 8

HEX #80EA1F

RGB 128 234 31

HSL 91.33, 0.83%, 0.52%

LAB 83.72, -59.66, 77.32

 

CMYK 69 / 0 / 87 / 8

HEX #49EA1F

RGB 73 234 31

HSL 107.59, 0.83%, 0.52%

LAB 82.03, -73.22, 75.21

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01F

RGB 234 176 31

HSL 42.86, 0.83%, 0.52%

LAB 75.23, 9.61, 73.29

 

CMYK 0 / 27 / 96 / 0

HEX #FEB90B

RGB 254 185 11

HSL 42.96, 0.99%, 0.52%

LAB 79.5, 13.17, 80.83

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01F

RGB 234 176 31

HSL 42.86, 0.83%, 0.52%

LAB 75.23, 9.61, 73.29

 

CMYK 0 / 21 / 76 / 16

HEX #D6A833

RGB 214 168 51

HSL 43.07, 0.67%, 0.52%

LAB 71.24, 5.8, 62.94

 

CMYK 0 / 18 / 64 / 24

HEX #C39F47

RGB 195 159 71

HSL 42.58, 0.51%, 0.52%

LAB 67.17, 3.42, 49.75

 

CMYK 0 / 14 / 49 / 31

HEX #AF975A

RGB 175 151 90

HSL 43.06, 0.35%, 0.52%

LAB 63.33, 0.71, 35.27

 

CMYK 0 / 8 / 29 / 39

HEX #9B8E6E

RGB 155 142 110

HSL 42.67, 0.18%, 0.52%

LAB 59.38, -0.32, 18.84

 

CMYK 0 / 72 / 87 / 8

HEX #EA411F

RGB 234 65 31

HSL 10.05, 0.83%, 0.52%

LAB 53.35, 63.05, 55.86

 

CMYK 0 / 49 / 87 / 8

HEX #EA771F

RGB 234 119 31

HSL 26.01, 0.83%, 0.52%

LAB 62.33, 39.49, 63

 

CMYK 0 / 26 / 87 / 8

HEX #EAAD1F

RGB 234 173 31

HSL 41.97, 0.83%, 0.52%

LAB 74.49, 11.19, 72.71

 

CMYK 0 / 3 / 87 / 8

HEX #EAE31F

RGB 234 227 31

HSL 57.93, 0.83%, 0.52%

LAB 88.22, -16.43, 83.68

 

CMYK 20 / 0 / 87 / 8

HEX #BBEA1F

RGB 187 234 31

HSL 73.89, 0.83%, 0.52%

LAB 86.76, -38.85, 81.09

 

CMYK 0 / 26 / 90 / 35

HEX #A77C10

RGB 167 124 16

HSL 42.91, 0.83%, 0.36%

LAB 54.73, 7.78, 57.51

 

CMYK 0 / 26 / 91 / 20

HEX #CD9813

RGB 205 152 19

HSL 42.9, 0.83%, 0.44%

LAB 66.12, 9.53, 67.48

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01F

RGB 234 176 31

HSL 42.86, 0.83%, 0.52%

LAB 75.23, 9.61, 73.29

 

CMYK 0 / 20 / 71 / 7

HEX #EEBE45

RGB 238 190 69

HSL 42.96, 0.83%, 0.6%

LAB 79.29, 5.28, 64.7

 

CMYK 0 / 16 / 56 / 5

HEX #F1CB6B

RGB 241 203 107

HSL 42.99, 0.83%, 0.68%

LAB 83.16, 2.16, 52.22

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01E

RGB 234 176 30

HSL 42.94, 0.83%, 0.52%

LAB 75.22, 9.58, 73.53

 

CMYK 78 / 0 / 87 / 8

HEX #33EA1F

RGB 51 234 31

HSL 114.09, 0.83%, 0.52%

LAB 81.65, -76.59, 74.72

 

CMYK 61 / 87 / 0 / 8

HEX #5C1FEA

RGB 92 31 234

HSL 258.03, 0.83%, 0.52%

LAB 36.36, 70.49, -89.12

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01E

RGB 234 176 30

HSL 42.94, 0.83%, 0.52%

LAB 75.22, 9.58, 73.53

 

CMYK 87 / 0 / 26 / 8

HEX #1FEAAD

RGB 31 234 173

HSL 161.97, 0.83%, 0.52%

LAB 83, -59.88, 16.84

 

CMYK 26 / 87 / 0 / 8

HEX #AD1FEA

RGB 173 31 234

HSL 281.97, 0.83%, 0.52%

LAB 46.72, 79.57, -71.72

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01E

RGB 234 176 30

HSL 42.94, 0.83%, 0.52%

LAB 75.22, 9.58, 73.53

 

CMYK 78 / 0 / 87 / 8

HEX #33EA1F

RGB 51 234 31

HSL 114.09, 0.83%, 0.52%

LAB 81.65, -76.59, 74.72

 

CMYK 87 / 61 / 0 / 8

HEX #1F5CEA

RGB 31 92 234

HSL 221.97, 0.83%, 0.52%

LAB 44.07, 34.68, -76.53

 

CMYK 9 / 87 / 0 / 8

HEX #D61FEA

RGB 214 31 234

HSL 294.09, 0.83%, 0.52%

LAB 53.19, 85.84, -60.93

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01E

RGB 234 176 30

HSL 42.94, 0.83%, 0.52%

LAB 75.22, 9.58, 73.53

 

CMYK 87 / 0 / 69 / 8

HEX #1FEA48

RGB 31 234 72

HSL 132.12, 0.83%, 0.52%

LAB 81.62, -76.03, 62.79

 

CMYK 87 / 61 / 0 / 8

HEX #1F5CEA

RGB 31 92 234

HSL 221.97, 0.83%, 0.52%

LAB 44.07, 34.68, -76.53

 

CMYK 0 / 87 / 17 / 8

HEX #EA1FC2

RGB 234 31 194

HSL 311.82, 0.83%, 0.52%

LAB 54.41, 83.74, -35.95

 

Description

Color code: HEX #EAB01E | qconv.com Color code: HEX #EAB01E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 176 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 176 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 87 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 87% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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