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Color name
HEX #EAAF25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAAF25 it is the complementary color #1550DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAAF25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAAF25 shade: #EFAF20, #FFC133, #FFD346, #FFE559 and #FFF76C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAAF25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAAF25 shade: #EAAF25, #D99D12, #C88B00, #B77900 and #A66700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAAF25 shade: #E9AF25, #E97A25, #E94525 and #E92525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAAF25 shade: #E9AF25, #E9E425, #BAE925, #85E925 and #50E925

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAAF25 shade matches the following richer shades: #E9AF25 and #FDB611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAAF25 shade: #E9AF25, #D6A738, #C39F4C, #AF975F and #9C8F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAAF25 shade: #E94625, #E97A25, #E9AE25, #E9E325 and #BCE925

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAAF25 shade: #AB7D11, #D09815, #E9AF25, #EDBC4A and #F1CA70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAAF25 shade: #EAAF25, #39E925 and #6025E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAAF25 shade: #EAAF25, #25E9AE and #AE25E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAAF25 shade: #EAAF25, #39E925, #2560E9 and #D625E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAAF25 shade: #EAAF25, #25E94C, #2560E9 and #E925C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 84 / 8

HEX #EAAF25

RGB 234 175 37

HSL 42.03, 0.82%, 0.53%

LAB 75, 10.27, 71.57

 

Complementary color

CMYK 90 / 63 / 0 / 15

HEX #1550DA

RGB 21 80 218

HSL 222.03, 0.82%, 0.47%

LAB 39.51, 35.84, -74.92

 

CMYK 0 / 27 / 87 / 6

HEX #EFAF20

RGB 239 175 32

HSL 41.45, 0.87%, 0.53%

LAB 75.52, 12.3, 73.51

 

CMYK 0 / 24 / 80 / 0

HEX #FFC133

RGB 255 193 51

HSL 41.76, 1%, 0.6%

LAB 81.64, 10.2, 73.99

 

CMYK 0 / 17 / 73 / 0

HEX #FFD346

RGB 255 211 70

HSL 45.73, 1%, 0.64%

LAB 86.15, 1.65, 71.66

 

CMYK 0 / 10 / 65 / 0

HEX #FFE559

RGB 255 229 89

HSL 50.6, 1%, 0.67%

LAB 90.79, -6.49, 69

 

CMYK 0 / 3 / 58 / 0

HEX #FFF76C

RGB 255 247 108

HSL 56.73, 1%, 0.71%

LAB 95.52, -14.18, 66.21

 

CMYK 0 / 25 / 84 / 8

HEX #EAAF25

RGB 234 175 37

HSL 42.03, 0.82%, 0.53%

LAB 75, 10.27, 71.57

 

CMYK 0 / 28 / 92 / 15

HEX #D99D12

RGB 217 157 18

HSL 41.91, 0.85%, 0.46%

LAB 68.69, 12.09, 70.19

 

CMYK 0 / 31 / 100 / 22

HEX #C88B00

RGB 200 139 0

HSL 41.7, 1%, 0.39%

LAB 62.29, 14.14, 67.45

 

CMYK 0 / 34 / 100 / 28

HEX #B77900

RGB 183 121 0

HSL 39.67, 1%, 0.36%

LAB 55.83, 16.48, 62.17

 

CMYK 0 / 38 / 100 / 35

HEX #A66700

RGB 166 103 0

HSL 37.23, 1%, 0.33%

LAB 49.26, 18.92, 56.81

 

CMYK 0 / 25 / 84 / 9

HEX #E9AF25

RGB 233 175 37

HSL 42.24, 0.82%, 0.53%

LAB 74.9, 9.84, 71.44

 

CMYK 0 / 48 / 84 / 9

HEX #E97A25

RGB 233 122 37

HSL 26.02, 0.82%, 0.53%

LAB 62.82, 37.72, 61.3

 

CMYK 0 / 70 / 84 / 9

HEX #E94525

RGB 233 69 37

HSL 9.8, 0.82%, 0.53%

LAB 53.72, 61.46, 53.5

 

CMYK 0 / 84 / 84 / 9

HEX #E92525

RGB 233 37 37

HSL 0, 0.82%, 0.53%

LAB 50.43, 70.68, 50.63

 

CMYK 0 / 25 / 84 / 9

HEX #E9AF25

RGB 233 175 37

HSL 42.24, 0.82%, 0.53%

LAB 74.9, 9.84, 71.44

 

CMYK 0 / 2 / 84 / 9

HEX #E9E425

RGB 233 228 37

HSL 58.47, 0.82%, 0.53%

LAB 88.42, -17.2, 82.63

 

CMYK 20 / 0 / 84 / 9

HEX #BAE925

RGB 186 233 37

HSL 74.39, 0.82%, 0.53%

LAB 86.43, -38.63, 79.61

 

CMYK 43 / 0 / 84 / 9

HEX #85E925

RGB 133 233 37

HSL 90.61, 0.82%, 0.53%

LAB 83.65, -57.52, 76.13

 

CMYK 66 / 0 / 84 / 9

HEX #50E925

RGB 80 233 37

HSL 106.84, 0.82%, 0.53%

LAB 81.9, -71.35, 73.91

 

CMYK 0 / 25 / 84 / 9

HEX #E9AF25

RGB 233 175 37

HSL 42.24, 0.82%, 0.53%

LAB 74.9, 9.84, 71.44

 

CMYK 0 / 28 / 93 / 1

HEX #FDB611

RGB 253 182 17

HSL 41.95, 0.98%, 0.53%

LAB 78.68, 14.36, 79.46

 

CMYK 0 / 25 / 84 / 9

HEX #E9AF25

RGB 233 175 37

HSL 42.24, 0.82%, 0.53%

LAB 74.9, 9.84, 71.44

 

CMYK 0 / 22 / 74 / 16

HEX #D6A738

RGB 214 167 56

HSL 42.15, 0.66%, 0.53%

LAB 71.02, 6.54, 60.83

 

CMYK 0 / 18 / 61 / 24

HEX #C39F4C

RGB 195 159 76

HSL 41.85, 0.5%, 0.53%

LAB 67.22, 3.77, 47.44

 

CMYK 0 / 14 / 46 / 31

HEX #AF975F

RGB 175 151 95

HSL 42, 0.33%, 0.53%

LAB 63.4, 1.22, 32.71

 

CMYK 0 / 8 / 27 / 39

HEX #9C8F72

RGB 156 143 114

HSL 41.43, 0.18%, 0.53%

LAB 59.82, 0.1, 17.21

 

CMYK 0 / 70 / 84 / 9

HEX #E94625

RGB 233 70 37

HSL 10.1, 0.82%, 0.53%

LAB 53.85, 61.1, 53.62

 

CMYK 0 / 48 / 84 / 9

HEX #E97A25

RGB 233 122 37

HSL 26.02, 0.82%, 0.53%

LAB 62.82, 37.72, 61.3

 

CMYK 0 / 25 / 84 / 9

HEX #E9AE25

RGB 233 174 37

HSL 41.94, 0.82%, 0.53%

LAB 74.65, 10.37, 71.24

 

CMYK 0 / 3 / 84 / 9

HEX #E9E325

RGB 233 227 37

HSL 58.16, 0.82%, 0.53%

LAB 88.16, -16.71, 82.41

 

CMYK 19 / 0 / 84 / 9

HEX #BCE925

RGB 188 233 37

HSL 73.78, 0.82%, 0.53%

LAB 86.55, -37.85, 79.77

 

CMYK 0 / 27 / 90 / 33

HEX #AB7D11

RGB 171 125 17

HSL 42.08, 0.82%, 0.37%

LAB 55.45, 9.07, 58.04

 

CMYK 0 / 27 / 90 / 18

HEX #D09815

RGB 208 152 21

HSL 42.03, 0.82%, 0.45%

LAB 66.46, 10.89, 67.47

 

CMYK 0 / 25 / 84 / 9

HEX #E9AF25

RGB 233 175 37

HSL 42.24, 0.82%, 0.53%

LAB 74.9, 9.84, 71.44

 

CMYK 0 / 21 / 69 / 7

HEX #EDBC4A

RGB 237 188 74

HSL 41.96, 0.82%, 0.61%

LAB 78.73, 6.16, 62.06

 

CMYK 0 / 16 / 54 / 5

HEX #F1CA70

RGB 241 202 112

HSL 41.86, 0.82%, 0.69%

LAB 82.97, 3.07, 49.6

 

CMYK 0 / 25 / 84 / 8

HEX #EAAF25

RGB 234 175 37

HSL 42.03, 0.82%, 0.53%

LAB 75, 10.27, 71.57

 

CMYK 76 / 0 / 84 / 9

HEX #39E925

RGB 57 233 37

HSL 113.88, 0.82%, 0.53%

LAB 81.45, -75.26, 73.33

 

CMYK 59 / 84 / 0 / 9

HEX #6025E9

RGB 96 37 233

HSL 258.06, 0.82%, 0.53%

LAB 37.29, 68.67, -87

 

CMYK 0 / 25 / 84 / 8

HEX #EAAF25

RGB 234 175 37

HSL 42.03, 0.82%, 0.53%

LAB 75, 10.27, 71.57

 

CMYK 84 / 0 / 25 / 9

HEX #25E9AE

RGB 37 233 174

HSL 161.94, 0.82%, 0.53%

LAB 82.77, -58.87, 16.01

 

CMYK 25 / 84 / 0 / 9

HEX #AE25E9

RGB 174 37 233

HSL 281.94, 0.82%, 0.53%

LAB 47.24, 78.2, -70.29

 

CMYK 0 / 25 / 84 / 8

HEX #EAAF25

RGB 234 175 37

HSL 42.03, 0.82%, 0.53%

LAB 75, 10.27, 71.57

 

CMYK 76 / 0 / 84 / 9

HEX #39E925

RGB 57 233 37

HSL 113.88, 0.82%, 0.53%

LAB 81.45, -75.26, 73.33

 

CMYK 84 / 59 / 0 / 9

HEX #2560E9

RGB 37 96 233

HSL 221.94, 0.82%, 0.53%

LAB 45.14, 32.13, -74.21

 

CMYK 8 / 84 / 0 / 9

HEX #D625E9

RGB 214 37 233

HSL 294.18, 0.82%, 0.53%

LAB 53.5, 84.59, -59.87

 

CMYK 0 / 25 / 84 / 8

HEX #EAAF25

RGB 234 175 37

HSL 42.03, 0.82%, 0.53%

LAB 75, 10.27, 71.57

 

CMYK 84 / 0 / 67 / 9

HEX #25E94C

RGB 37 233 76

HSL 131.94, 0.82%, 0.53%

LAB 81.4, -74.88, 61.04

 

CMYK 84 / 59 / 0 / 9

HEX #2560E9

RGB 37 96 233

HSL 221.94, 0.82%, 0.53%

LAB 45.14, 32.13, -74.21

 

CMYK 0 / 84 / 17 / 9

HEX #E925C2

RGB 233 37 194

HSL 311.94, 0.82%, 0.53%

LAB 54.6, 82.5, -35.68

 

Description

Color code: HEX #EAAF25 | qconv.com Color code: HEX #EAAF25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 175 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 175 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 84 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 84% 8% C M Y K

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Provide designers and agencies with accurate color values.

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