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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAAD6C it is the complementary color #155293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAAD6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAAD6C shade: #EFAD67, #FFBF7A, #FFD18D, #FFE3A0 and #FFF5B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAAD6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAAD6C shade: #EAAD6C, #D99B59, #C88946, #B77733 and #A66520

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAAD6C shade: #EAAD6C, #EA8B6C and #EA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAAD6C shade: #EAAD6C, #EACF6C, #E3EA6C, #C1EA6C and #9FEA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAAD6C shade matches the following richer shades: #EAAD6C and #F8AD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAAD6C shade: #EAAD6C, #DCAC79, #CFAC87, #C1AC95 and #B4ABA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAAD6C shade: #EA6C70, #EA896C, #EAAB6C, #EACD6C and #E6EA6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAAD6C shade: #E08524, #E59948, #EAAD6C, #EFC190 and #F4D5B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAAD6C shade: #EAAD6C, #92EA6C and #786CEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAAD6C shade: #EAAD6C, #6CEAAB and #AB6CEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAAD6C shade: #EAAD6C, #92EA6C, #6CABEA and #C46CEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAAD6C shade: #EAAD6C, #6CEA6C, #6CABEA and #EA6CEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

Complementary color

CMYK 86 / 44 / 0 / 42

HEX #155293

RGB 21 82 147

HSL 210.95, 0.75%, 0.33%

LAB 34.6, 6.3, -41.07

 

CMYK 0 / 28 / 57 / 6

HEX #EFAD67

RGB 239 173 103

HSL 30.88, 0.81%, 0.67%

LAB 75.59, 16.75, 45.1

 

CMYK 0 / 25 / 52 / 0

HEX #FFBF7A

RGB 255 191 122

HSL 31.13, 1%, 0.74%

LAB 81.8, 15.29, 43.53

 

CMYK 0 / 18 / 45 / 0

HEX #FFD18D

RGB 255 209 141

HSL 35.79, 1%, 0.78%

LAB 86.4, 7.68, 39.74

 

CMYK 0 / 11 / 37 / 0

HEX #FFE3A0

RGB 255 227 160

HSL 42.32, 1%, 0.81%

LAB 91.11, 0.45, 36.26

 

CMYK 0 / 4 / 30 / 0

HEX #FFF5B3

RGB 255 245 179

HSL 52.11, 1%, 0.85%

LAB 95.92, -6.38, 33.05

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 0 / 29 / 59 / 15

HEX #D99B59

RGB 217 155 89

HSL 30.94, 0.63%, 0.6%

LAB 68.69, 16.22, 43.32

 

CMYK 0 / 32 / 65 / 22

HEX #C88946

RGB 200 137 70

HSL 30.92, 0.54%, 0.53%

LAB 62.18, 17.5, 44.8

 

CMYK 0 / 35 / 72 / 28

HEX #B77733

RGB 183 119 51

HSL 30.91, 0.56%, 0.46%

LAB 55.58, 19.01, 46.23

 

CMYK 0 / 39 / 81 / 35

HEX #A66520

RGB 166 101 32

HSL 30.9, 0.68%, 0.39%

LAB 48.91, 20.76, 47.36

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 0 / 41 / 54 / 8

HEX #EA8B6C

RGB 234 139 108

HSL 14.76, 0.75%, 0.67%

LAB 67.31, 33.11, 32.03

 

CMYK 0 / 54 / 54 / 8

HEX #EA6C6C

RGB 234 108 108

HSL 0, 0.75%, 0.67%

LAB 61.05, 48.75, 23.83

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 0 / 12 / 54 / 8

HEX #EACF6C

RGB 234 207 108

HSL 47.14, 0.75%, 0.67%

LAB 83.55, -2.68, 52.04

 

CMYK 3 / 0 / 54 / 8

HEX #E3EA6C

RGB 227 234 108

HSL 63.33, 0.75%, 0.67%

LAB 89.98, -19, 59.37

 

CMYK 18 / 0 / 54 / 8

HEX #C1EA6C

RGB 193 234 108

HSL 79.52, 0.75%, 0.67%

LAB 87.61, -32.18, 56.03

 

CMYK 32 / 0 / 54 / 8

HEX #9FEA6C

RGB 159 234 108

HSL 95.71, 0.75%, 0.67%

LAB 85.65, -44.39, 53.24

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 0 / 30 / 62 / 3

HEX #F8AD5E

RGB 248 173 94

HSL 30.78, 0.92%, 0.67%

LAB 76.47, 19.79, 50.83

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 0 / 22 / 45 / 14

HEX #DCAC79

RGB 220 172 121

HSL 30.91, 0.59%, 0.67%

LAB 73.61, 11.14, 32.9

 

CMYK 0 / 17 / 35 / 19

HEX #CFAC87

RGB 207 172 135

HSL 30.83, 0.43%, 0.67%

LAB 72.57, 7.5, 23.81

 

CMYK 0 / 11 / 23 / 24

HEX #C1AC95

RGB 193 172 149

HSL 31.36, 0.26%, 0.67%

LAB 71.56, 3.92, 14.61

 

CMYK 0 / 5 / 10 / 29

HEX #B4ABA2

RGB 180 171 162

HSL 30, 0.11%, 0.67%

LAB 70.48, 1.64, 5.77

 

CMYK 0 / 54 / 52 / 8

HEX #EA6C70

RGB 234 108 112

HSL 358.1, 0.75%, 0.67%

LAB 61.12, 49.08, 21.65

 

CMYK 0 / 41 / 54 / 8

HEX #EA896C

RGB 234 137 108

HSL 13.81, 0.75%, 0.67%

LAB 66.87, 34.16, 31.47

 

CMYK 0 / 27 / 54 / 8

HEX #EAAB6C

RGB 234 171 108

HSL 30, 0.75%, 0.67%

LAB 74.64, 16.16, 41.28

 

CMYK 0 / 12 / 54 / 8

HEX #EACD6C

RGB 234 205 108

HSL 46.19, 0.75%, 0.67%

LAB 83.04, -1.66, 51.44

 

CMYK 2 / 0 / 54 / 8

HEX #E6EA6C

RGB 230 234 108

HSL 61.9, 0.75%, 0.67%

LAB 90.21, -17.81, 59.69

 

CMYK 0 / 41 / 84 / 12

HEX #E08524

RGB 224 133 36

HSL 30.96, 0.75%, 0.51%

LAB 63.96, 28.31, 62.13

 

CMYK 0 / 33 / 69 / 10

HEX #E59948

RGB 229 153 72

HSL 30.96, 0.75%, 0.59%

LAB 69.4, 21.21, 52.8

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 0 / 19 / 40 / 6

HEX #EFC190

RGB 239 193 144

HSL 30.95, 0.75%, 0.75%

LAB 81.02, 10.02, 30.88

 

CMYK 0 / 13 / 26 / 4

HEX #F4D5B4

RGB 244 213 180

HSL 30.94, 0.74%, 0.83%

LAB 87.05, 5.91, 20.29

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 38 / 0 / 54 / 8

HEX #92EA6C

RGB 146 234 108

HSL 101.9, 0.75%, 0.67%

LAB 85.02, -48.67, 52.33

 

CMYK 49 / 54 / 0 / 8

HEX #786CEA

RGB 120 108 234

HSL 245.71, 0.75%, 0.67%

LAB 52.57, 36.96, -62.51

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 54 / 0 / 27 / 8

HEX #6CEAAB

RGB 108 234 171

HSL 150, 0.75%, 0.67%

LAB 84.47, -49.35, 20.16

 

CMYK 27 / 54 / 0 / 8

HEX #AB6CEA

RGB 171 108 234

HSL 270, 0.75%, 0.67%

LAB 57.39, 48.78, -54.52

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 38 / 0 / 54 / 8

HEX #92EA6C

RGB 146 234 108

HSL 101.9, 0.75%, 0.67%

LAB 85.02, -48.67, 52.33

 

CMYK 54 / 27 / 0 / 8

HEX #6CABEA

RGB 108 171 234

HSL 210, 0.75%, 0.67%

LAB 68.21, -2.55, -37.77

 

CMYK 16 / 54 / 0 / 8

HEX #C46CEA

RGB 196 108 234

HSL 281.9, 0.75%, 0.67%

LAB 60.25, 55.11, -49.8

 

CMYK 0 / 26 / 54 / 8

HEX #EAAD6C

RGB 234 173 108

HSL 30.95, 0.75%, 0.67%

LAB 75.12, 15.1, 41.87

 

CMYK 54 / 0 / 54 / 8

HEX #6CEA6C

RGB 108 234 108

HSL 120, 0.75%, 0.67%

LAB 83.5, -59.54, 50.16

 

CMYK 54 / 27 / 0 / 8

HEX #6CABEA

RGB 108 171 234

HSL 210, 0.75%, 0.67%

LAB 68.21, -2.55, -37.77

 

CMYK 0 / 54 / 0 / 8

HEX #EA6CEA

RGB 234 108 234

HSL 300, 0.75%, 0.67%

LAB 65.09, 64.97, -41.85

 

Description

Color code: HEX #EAAD6C | qconv.com Color code: HEX #EAAD6C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 173 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 173 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 54 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 54% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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