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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAAAB9 it is the complementary color #155546. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAAAB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAAAB9 shade: #EFAAB4, #FFBCC7, #FFCEDA, #FFE0ED and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAAAB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAAAB9 shade: #EAAAB9, #D998A6, #C88693, #B77480 and #A6626D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAAAB9 shade: #EAA9B8 and #EAA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAAAB9 shade: #EAA9B8, #EAA9CA, #EAA9DB, #E7A9EA and #D5A9EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAAAB9 shade matches the following richer shades: #EAA9B8, #F2A1B4 and #FB98AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAAAB9 shade: #EAA9B8, #E1B2BD, #D8BBC2, #D0C3C6 and #C7CCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAAAB9 shade: #EAA9DC, #EAA9CB, #EAA9B9, #EAAAA9 and #EABCA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAAAB9 shade: #D96782, #E1889D, #EAA9B8, #F2CAD4 and #FAEBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAAAB9 shade: #EAAAB9, #EAE6A9 and #A9D3EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAAAB9 shade: #EAAAB9, #B9EAA9 and #A9B9EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAAAB9 shade: #EAAAB9, #EAE6A9, #A9EADA and #A9ADEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAAAB9 shade: #EAAAB9, #DAEAA9, #A9EADA and #B9A9EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 21 / 8

HEX #EAAAB9

RGB 234 170 185

HSL 345.94, 0.6%, 0.79%

LAB 75.91, 25.63, 1.65

 

Complementary color

CMYK 75 / 0 / 18 / 67

HEX #155546

RGB 21 85 70

HSL 165.94, 0.6%, 0.21%

LAB 32.03, -23.98, 3

 

CMYK 0 / 29 / 25 / 6

HEX #EFAAB4

RGB 239 170 180

HSL 351.3, 0.68%, 0.8%

LAB 76.31, 26.71, 5.02

 

CMYK 0 / 26 / 22 / 0

HEX #FFBCC7

RGB 255 188 199

HSL 350.15, 1%, 0.87%

LAB 82.57, 25.67, 3.99

 

CMYK 0 / 19 / 15 / 0

HEX #FFCEDA

RGB 255 206 218

HSL 345.31, 1%, 0.9%

LAB 87.22, 19.08, 0.62

 

CMYK 0 / 12 / 7 / 0

HEX #FFE0ED

RGB 255 224 237

HSL 334.84, 1%, 0.94%

LAB 91.99, 12.78, -2.41

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 27 / 21 / 8

HEX #EAAAB9

RGB 234 170 185

HSL 345.94, 0.6%, 0.79%

LAB 75.91, 25.63, 1.65

 

CMYK 0 / 30 / 24 / 15

HEX #D998A6

RGB 217 152 166

HSL 347.08, 0.46%, 0.72%

LAB 69.44, 26.33, 2.51

 

CMYK 0 / 33 / 27 / 22

HEX #C88693

RGB 200 134 147

HSL 348.18, 0.38%, 0.65%

LAB 62.87, 27.11, 3.45

 

CMYK 0 / 37 / 30 / 28

HEX #B77480

RGB 183 116 128

HSL 349.25, 0.32%, 0.59%

LAB 56.2, 27.95, 4.5

 

CMYK 0 / 41 / 34 / 35

HEX #A6626D

RGB 166 98 109

HSL 350.29, 0.28%, 0.52%

LAB 49.43, 28.89, 5.7

 

CMYK 0 / 28 / 21 / 8

HEX #EAA9B8

RGB 234 169 184

HSL 346.15, 0.61%, 0.79%

LAB 75.66, 26.02, 1.82

 

CMYK 0 / 28 / 28 / 8

HEX #EAA9A9

RGB 234 169 169

HSL 0, 0.61%, 0.79%

LAB 75.28, 23.9, 9.49

 

CMYK 0 / 28 / 21 / 8

HEX #EAA9B8

RGB 234 169 184

HSL 346.15, 0.61%, 0.79%

LAB 75.66, 26.02, 1.82

 

CMYK 0 / 28 / 14 / 8

HEX #EAA9CA

RGB 234 169 202

HSL 329.54, 0.61%, 0.79%

LAB 76.15, 28.79, -7.3

 

CMYK 0 / 28 / 6 / 8

HEX #EAA9DB

RGB 234 169 219

HSL 313.85, 0.61%, 0.79%

LAB 76.67, 31.63, -15.79

 

CMYK 1 / 28 / 0 / 8

HEX #E7A9EA

RGB 231 169 234

HSL 297.23, 0.61%, 0.79%

LAB 76.86, 33.34, -23.67

 

CMYK 9 / 28 / 0 / 8

HEX #D5A9EA

RGB 213 169 234

HSL 280.62, 0.61%, 0.79%

LAB 75.12, 27.62, -26.49

 

CMYK 0 / 28 / 21 / 8

HEX #EAA9B8

RGB 234 169 184

HSL 346.15, 0.61%, 0.79%

LAB 75.66, 26.02, 1.82

 

CMYK 0 / 33 / 26 / 5

HEX #F2A1B4

RGB 242 161 180

HSL 345.93, 0.76%, 0.79%

LAB 74.61, 32.56, 2.6

 

CMYK 0 / 39 / 30 / 2

HEX #FB98AF

RGB 251 152 175

HSL 346.06, 0.93%, 0.79%

LAB 73.59, 39.78, 4

 

CMYK 0 / 28 / 21 / 8

HEX #EAA9B8

RGB 234 169 184

HSL 346.15, 0.61%, 0.79%

LAB 75.66, 26.02, 1.82

 

CMYK 0 / 21 / 16 / 12

HEX #E1B2BD

RGB 225 178 189

HSL 345.96, 0.44%, 0.79%

LAB 76.99, 18.72, 0.93

 

CMYK 0 / 13 / 10 / 15

HEX #D8BBC2

RGB 216 187 194

HSL 345.52, 0.27%, 0.79%

LAB 78.48, 11.48, 0.28

 

CMYK 0 / 6 / 5 / 18

HEX #D0C3C6

RGB 208 195 198

HSL 346.15, 0.12%, 0.79%

LAB 79.91, 5.07, 0.13

 

CMYK 2 / 0 / 0 / 20

HEX #C7CCCB

RGB 199 204 203

HSL 168, 0.05%, 0.79%

LAB 81.64, -1.89, -0.11

 

CMYK 0 / 28 / 6 / 8

HEX #EAA9DC

RGB 234 169 220

HSL 312.92, 0.61%, 0.79%

LAB 76.7, 31.81, -16.28

 

CMYK 0 / 28 / 13 / 8

HEX #EAA9CB

RGB 234 169 203

HSL 328.62, 0.61%, 0.79%

LAB 76.18, 28.95, -7.8

 

CMYK 0 / 28 / 21 / 8

HEX #EAA9B9

RGB 234 169 185

HSL 345.23, 0.61%, 0.79%

LAB 75.68, 26.16, 1.31

 

CMYK 0 / 27 / 28 / 8

HEX #EAAAA9

RGB 234 170 169

HSL 0.92, 0.61%, 0.79%

LAB 75.52, 23.36, 9.82

 

CMYK 0 / 20 / 28 / 8

HEX #EABCA9

RGB 234 188 169

HSL 17.54, 0.61%, 0.79%

LAB 79.8, 13.79, 15.87

 

CMYK 0 / 53 / 40 / 15

HEX #D96782

RGB 217 103 130

HSL 345.79, 0.6%, 0.63%

LAB 58.1, 47.32, 6.65

 

CMYK 0 / 40 / 30 / 12

HEX #E1889D

RGB 225 136 157

HSL 345.84, 0.6%, 0.71%

LAB 66.56, 36.54, 3.49

 

CMYK 0 / 28 / 21 / 8

HEX #EAA9B8

RGB 234 169 184

HSL 346.15, 0.61%, 0.79%

LAB 75.66, 26.02, 1.82

 

CMYK 0 / 17 / 12 / 5

HEX #F2CAD4

RGB 242 202 212

HSL 345, 0.61%, 0.87%

LAB 84.93, 15.67, 0.32

 

CMYK 0 / 6 / 4 / 2

HEX #FAEBEF

RGB 250 235 239

HSL 344, 0.6%, 0.95%

LAB 94.3, 5.75, -0.12

 

CMYK 0 / 27 / 21 / 8

HEX #EAAAB9

RGB 234 170 185

HSL 345.94, 0.6%, 0.79%

LAB 75.91, 25.63, 1.65

 

CMYK 0 / 2 / 28 / 8

HEX #EAE6A9

RGB 234 230 169

HSL 56.31, 0.61%, 0.79%

LAB 90.3, -7.97, 30.29

 

CMYK 28 / 10 / 0 / 8

HEX #A9D3EA

RGB 169 211 234

HSL 201.23, 0.61%, 0.79%

LAB 82.36, -8.55, -15.82

 

CMYK 0 / 27 / 21 / 8

HEX #EAAAB9

RGB 234 170 185

HSL 345.94, 0.6%, 0.79%

LAB 75.91, 25.63, 1.65

 

CMYK 21 / 0 / 28 / 8

HEX #B9EAA9

RGB 185 234 169

HSL 105.23, 0.61%, 0.79%

LAB 87.98, -27.55, 26.58

 

CMYK 28 / 21 / 0 / 8

HEX #A9B9EA

RGB 169 185 234

HSL 225.23, 0.61%, 0.79%

LAB 75.5, 5.34, -26.22

 

CMYK 0 / 27 / 21 / 8

HEX #EAAAB9

RGB 234 170 185

HSL 345.94, 0.6%, 0.79%

LAB 75.91, 25.63, 1.65

 

CMYK 0 / 2 / 28 / 8

HEX #EAE6A9

RGB 234 230 169

HSL 56.31, 0.61%, 0.79%

LAB 90.3, -7.97, 30.29

 

CMYK 28 / 0 / 7 / 8

HEX #A9EADA

RGB 169 234 218

HSL 165.23, 0.61%, 0.79%

LAB 88.13, -23.68, 1.19

 

CMYK 28 / 26 / 0 / 8

HEX #A9ADEA

RGB 169 173 234

HSL 236.31, 0.61%, 0.79%

LAB 72.4, 11.96, -30.98

 

CMYK 0 / 27 / 21 / 8

HEX #EAAAB9

RGB 234 170 185

HSL 345.94, 0.6%, 0.79%

LAB 75.91, 25.63, 1.65

 

CMYK 7 / 0 / 28 / 8

HEX #DAEAA9

RGB 218 234 169

HSL 74.77, 0.61%, 0.79%

LAB 90.14, -15.88, 29.88

 

CMYK 28 / 0 / 7 / 8

HEX #A9EADA

RGB 169 234 218

HSL 165.23, 0.61%, 0.79%

LAB 88.13, -23.68, 1.19

 

CMYK 21 / 28 / 0 / 8

HEX #B9A9EA

RGB 185 169 234

HSL 254.77, 0.61%, 0.79%

LAB 72.65, 18.94, -30.49

 

Description

Color code: HEX #EAAAB9 | qconv.com Color code: HEX #EAAAB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 170 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 170 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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