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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAA890 it is the complementary color #15576F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAA890. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAA890 shade: #EFA88B, #FFBA9E, #FFCCB1, #FFDEC4 and #FFF0D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAA890. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAA890 shade: #EAA890, #D9967D, #C8846A, #B77257 and #A66044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAA890 shade: #EAA890 and #EA9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAA890 shade: #EAA890, #EAC090, #EAD890, #E3EA90 and #CBEA90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAA890 shade matches the following richer shades: #EAA890 and #F5A385

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAA890 shade: #EAA890, #DFAD9A, #D4B2A5, #CAB7B0 and #BFBCBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAA890 shade: #EA90A8, #EA9090, #EAA890, #EAC090 and #EAD890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAA890 shade: #DD714A, #E38C6D, #EAA890, #F0C3B2 and #F7DED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAA890 shade: #EAA890, #C0EA90 and #909CEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAA890 shade: #EAA890, #90EAA8 and #A890EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAA890 shade: #EAA890, #C0EA90, #90D2EA and #BA90EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAA890 shade: #EAA890, #A5EA90, #90D2EA and #D590EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

Complementary color

CMYK 81 / 22 / 0 / 56

HEX #15576F

RGB 21 87 111

HSL 196, 0.68%, 0.26%

LAB 34.24, -11.17, -19.49

 

CMYK 0 / 30 / 42 / 6

HEX #EFA88B

RGB 239 168 139

HSL 17.4, 0.76%, 0.74%

LAB 74.96, 22.69, 25.44

 

CMYK 0 / 27 / 38 / 0

HEX #FFBA9E

RGB 255 186 158

HSL 17.32, 1%, 0.81%

LAB 81.21, 21.45, 24.02

 

CMYK 0 / 20 / 31 / 0

HEX #FFCCB1

RGB 255 204 177

HSL 20.77, 1%, 0.85%

LAB 85.82, 14.32, 20.31

 

CMYK 0 / 13 / 23 / 0

HEX #FFDEC4

RGB 255 222 196

HSL 26.44, 1%, 0.88%

LAB 90.55, 7.51, 16.95

 

CMYK 0 / 6 / 16 / 0

HEX #FFF0D7

RGB 255 240 215

HSL 37.5, 1%, 0.92%

LAB 95.37, 1.07, 13.89

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 0 / 31 / 42 / 15

HEX #D9967D

RGB 217 150 125

HSL 16.3, 0.55%, 0.67%

LAB 68.05, 22.2, 23.33

 

CMYK 0 / 34 / 47 / 22

HEX #C8846A

RGB 200 132 106

HSL 16.6, 0.46%, 0.6%

LAB 61.5, 23.2, 24.75

 

CMYK 0 / 38 / 52 / 28

HEX #B77257

RGB 183 114 87

HSL 16.88, 0.4%, 0.53%

LAB 54.86, 24.35, 26.33

 

CMYK 0 / 42 / 59 / 35

HEX #A66044

RGB 166 96 68

HSL 17.14, 0.42%, 0.46%

LAB 48.12, 25.66, 28.12

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 0 / 38 / 38 / 8

HEX #EA9090

RGB 234 144 144

HSL 0, 0.68%, 0.74%

LAB 69.08, 34.04, 14.52

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 0 / 18 / 38 / 8

HEX #EAC090

RGB 234 192 144

HSL 32, 0.68%, 0.74%

LAB 80.29, 8.58, 29.84

 

CMYK 0 / 8 / 38 / 8

HEX #EAD890

RGB 234 216 144

HSL 48, 0.68%, 0.74%

LAB 86.31, -3.86, 37.75

 

CMYK 3 / 0 / 38 / 8

HEX #E3EA90

RGB 227 234 144

HSL 64.67, 0.68%, 0.74%

LAB 90.41, -15.59, 42.9

 

CMYK 13 / 0 / 38 / 8

HEX #CBEA90

RGB 203 234 144

HSL 80.67, 0.68%, 0.74%

LAB 88.71, -24.62, 40.39

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 0 / 33 / 46 / 4

HEX #F5A385

RGB 245 163 133

HSL 16.07, 0.85%, 0.74%

LAB 74.38, 27.05, 28.01

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 0 / 22 / 31 / 13

HEX #DFAD9A

RGB 223 173 154

HSL 16.52, 0.52%, 0.74%

LAB 74.77, 15.61, 16.78

 

CMYK 0 / 16 / 22 / 17

HEX #D4B2A5

RGB 212 178 165

HSL 16.6, 0.35%, 0.74%

LAB 75.17, 10.27, 11.21

 

CMYK 0 / 9 / 13 / 21

HEX #CAB7B0

RGB 202 183 176

HSL 16.15, 0.2%, 0.74%

LAB 75.8, 5.59, 6

 

CMYK 0 / 2 / 2 / 25

HEX #BFBCBB

RGB 191 188 187

HSL 15, 0.03%, 0.74%

LAB 76.45, 0.87, 0.87

 

CMYK 0 / 38 / 28 / 8

HEX #EA90A8

RGB 234 144 168

HSL 344, 0.68%, 0.74%

LAB 69.66, 37.01, 1.95

 

CMYK 0 / 38 / 38 / 8

HEX #EA9090

RGB 234 144 144

HSL 0, 0.68%, 0.74%

LAB 69.08, 34.04, 14.52

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 0 / 18 / 38 / 8

HEX #EAC090

RGB 234 192 144

HSL 32, 0.68%, 0.74%

LAB 80.29, 8.58, 29.84

 

CMYK 0 / 8 / 38 / 8

HEX #EAD890

RGB 234 216 144

HSL 48, 0.68%, 0.74%

LAB 86.31, -3.86, 37.75

 

CMYK 0 / 49 / 67 / 13

HEX #DD714A

RGB 221 113 74

HSL 15.92, 0.68%, 0.58%

LAB 59.6, 39.11, 40.49

 

CMYK 0 / 38 / 52 / 11

HEX #E38C6D

RGB 227 140 109

HSL 15.76, 0.68%, 0.66%

LAB 66.67, 29.93, 30.48

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 0 / 19 / 26 / 6

HEX #F0C3B2

RGB 240 195 178

HSL 16.45, 0.67%, 0.82%

LAB 82.25, 13.56, 14.59

 

CMYK 0 / 10 / 14 / 3

HEX #F7DED5

RGB 247 222 213

HSL 15.88, 0.68%, 0.9%

LAB 90.24, 7.15, 7.53

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 18 / 0 / 38 / 8

HEX #C0EA90

RGB 192 234 144

HSL 88, 0.68%, 0.74%

LAB 88, -28.62, 39.33

 

CMYK 38 / 33 / 0 / 8

HEX #909CEA

RGB 144 156 234

HSL 232, 0.68%, 0.74%

LAB 66.25, 14.6, -40.67

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 38 / 0 / 28 / 8

HEX #90EAA8

RGB 144 234 168

HSL 136, 0.68%, 0.74%

LAB 85.81, -40.67, 23.78

 

CMYK 28 / 38 / 0 / 8

HEX #A890EA

RGB 168 144 234

HSL 256, 0.68%, 0.74%

LAB 65.13, 28.01, -42.29

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 18 / 0 / 38 / 8

HEX #C0EA90

RGB 192 234 144

HSL 88, 0.68%, 0.74%

LAB 88, -28.62, 39.33

 

CMYK 38 / 10 / 0 / 8

HEX #90D2EA

RGB 144 210 234

HSL 196, 0.68%, 0.74%

LAB 80.72, -14.88, -18.42

 

CMYK 21 / 38 / 0 / 8

HEX #BA90EA

RGB 186 144 234

HSL 268, 0.68%, 0.74%

LAB 66.77, 33.15, -39.61

 

CMYK 0 / 28 / 38 / 8

HEX #EAA890

RGB 234 168 144

HSL 16, 0.68%, 0.74%

LAB 74.52, 21.31, 22.04

 

CMYK 29 / 0 / 38 / 8

HEX #A5EA90

RGB 165 234 144

HSL 106, 0.68%, 0.74%

LAB 86.43, -37.97, 36.99

 

CMYK 38 / 10 / 0 / 8

HEX #90D2EA

RGB 144 210 234

HSL 196, 0.68%, 0.74%

LAB 80.72, -14.88, -18.42

 

CMYK 9 / 38 / 0 / 8

HEX #D590EA

RGB 213 144 234

HSL 286, 0.68%, 0.74%

LAB 69.49, 41.13, -35.16

 

Description

Color code: HEX #EAA890 | qconv.com Color code: HEX #EAA890 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 168 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 168 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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