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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAA7E2 it is the complementary color #15581D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAA7E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAA7E2 shade: #EFA7DD, #FFB9F0, #FFCBFF, #FFDDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAA7E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAA7E2 shade: #EAA7E2, #D995CF, #C883BC, #B771A9 and #A65F96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAA7E2 shade: #EAA9E2, #EAA9D1, #EAA9BF, #EAA9AD and #EAA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAA7E2 shade: #EAA9E2, #E0A9EA, #CFA9EA, #BDA9EA and #ABA9EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAA7E2 shade matches the following richer shades: #EAA9E2, #F3A0E9 and #FB97F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAA7E2 shade: #EAA9E2, #E1B1DC, #D9BAD5, #D0C3CF and #C7CBC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAA7E2 shade: #CFA9EA, #E0A9EA, #EAA9E2, #EAA9D1 and #EAA9C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAA7E2 shade: #DA66CC, #E288D7, #EAA9E2, #F2CAED and #FAEBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAA7E2 shade: #EAA7E2, #EABDA9 and #A9EAD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAA7E2 shade: #EAA7E2, #E2EAA9 and #A9E2EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAA7E2 shade: #EAA7E2, #EABDA9, #A9EAB0 and #A9D5EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAA7E2 shade: #EAA7E2, #EAD1A9, #A9EAB0 and #A9C2EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 3 / 8

HEX #EAA7E2

RGB 234 167 226

HSL 307.16, 0.61%, 0.79%

LAB 76.45, 33.93, -19.93

 

Complementary color

CMYK 76 / 0 / 67 / 65

HEX #15581D

RGB 21 88 29

HSL 127.16, 0.61%, 0.21%

LAB 32.32, -34.06, 27.66

 

CMYK 0 / 30 / 8 / 6

HEX #EFA7DD

RGB 239 167 221

HSL 315, 0.69%, 0.8%

LAB 76.81, 34.69, -16.62

 

CMYK 0 / 27 / 6 / 0

HEX #FFB9F0

RGB 255 185 240

HSL 312.86, 1%, 0.86%

LAB 83.05, 33.71, -17.3

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 29 / 3 / 8

HEX #EAA7E2

RGB 234 167 226

HSL 307.16, 0.61%, 0.79%

LAB 76.45, 33.93, -19.93

 

CMYK 0 / 31 / 5 / 15

HEX #D995CF

RGB 217 149 207

HSL 308.82, 0.47%, 0.72%

LAB 70, 34.61, -19.46

 

CMYK 0 / 35 / 6 / 22

HEX #C883BC

RGB 200 131 188

HSL 310.43, 0.39%, 0.65%

LAB 63.46, 35.33, -18.95

 

CMYK 0 / 38 / 8 / 28

HEX #B771A9

RGB 183 113 169

HSL 312, 0.33%, 0.58%

LAB 56.82, 36.08, -18.39

 

CMYK 0 / 43 / 10 / 35

HEX #A65F96

RGB 166 95 150

HSL 313.52, 0.29%, 0.51%

LAB 50.09, 36.87, -17.75

 

CMYK 0 / 28 / 3 / 8

HEX #EAA9E2

RGB 234 169 226

HSL 307.38, 0.61%, 0.79%

LAB 76.9, 32.86, -19.25

 

CMYK 0 / 28 / 11 / 8

HEX #EAA9D1

RGB 234 169 209

HSL 323.08, 0.61%, 0.79%

LAB 76.36, 29.94, -10.81

 

CMYK 0 / 28 / 18 / 8

HEX #EAA9BF

RGB 234 169 191

HSL 339.69, 0.61%, 0.79%

LAB 75.84, 27.07, -1.74

 

CMYK 0 / 28 / 26 / 8

HEX #EAA9AD

RGB 234 169 173

HSL 356.31, 0.61%, 0.79%

LAB 75.38, 24.44, 7.44

 

CMYK 0 / 28 / 28 / 8

HEX #EAA9A9

RGB 234 169 169

HSL 0, 0.61%, 0.79%

LAB 75.28, 23.9, 9.49

 

CMYK 0 / 28 / 3 / 8

HEX #EAA9E2

RGB 234 169 226

HSL 307.38, 0.61%, 0.79%

LAB 76.9, 32.86, -19.25

 

CMYK 4 / 28 / 0 / 8

HEX #E0A9EA

RGB 224 169 234

HSL 290.77, 0.61%, 0.79%

LAB 76.17, 31.11, -24.79

 

CMYK 12 / 28 / 0 / 8

HEX #CFA9EA

RGB 207 169 234

HSL 275.08, 0.61%, 0.79%

LAB 74.56, 25.73, -27.39

 

CMYK 19 / 28 / 0 / 8

HEX #BDA9EA

RGB 189 169 234

HSL 258.46, 0.61%, 0.79%

LAB 72.98, 20.16, -29.95

 

CMYK 27 / 28 / 0 / 8

HEX #ABA9EA

RGB 171 169 234

HSL 241.85, 0.61%, 0.79%

LAB 71.54, 14.77, -32.3

 

CMYK 0 / 28 / 3 / 8

HEX #EAA9E2

RGB 234 169 226

HSL 307.38, 0.61%, 0.79%

LAB 76.9, 32.86, -19.25

 

CMYK 0 / 34 / 4 / 5

HEX #F3A0E9

RGB 243 160 233

HSL 307.23, 0.78%, 0.79%

LAB 76.12, 41.73, -24.15

 

CMYK 0 / 40 / 4 / 2

HEX #FB97F0

RGB 251 151 240

HSL 306.6, 0.93%, 0.79%

LAB 75.41, 50.04, -28.96

 

CMYK 0 / 28 / 3 / 8

HEX #EAA9E2

RGB 234 169 226

HSL 307.38, 0.61%, 0.79%

LAB 76.9, 32.86, -19.25

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DC

RGB 225 177 220

HSL 306.25, 0.44%, 0.79%

LAB 77.65, 24.52, -14.95

 

CMYK 0 / 14 / 2 / 15

HEX #D9BAD5

RGB 217 186 213

HSL 307.74, 0.29%, 0.79%

LAB 78.85, 15.7, -9.43

 

CMYK 0 / 6 / 0 / 18

HEX #D0C3CF

RGB 208 195 207

HSL 304.62, 0.12%, 0.79%

LAB 80.15, 6.69, -4.36

 

CMYK 2 / 0 / 1 / 20

HEX #C7CBC8

RGB 199 203 200

HSL 135, 0.04%, 0.79%

LAB 81.3, -1.92, 1

 

CMYK 12 / 28 / 0 / 8

HEX #CFA9EA

RGB 207 169 234

HSL 275.08, 0.61%, 0.79%

LAB 74.56, 25.73, -27.39

 

CMYK 4 / 28 / 0 / 8

HEX #E0A9EA

RGB 224 169 234

HSL 290.77, 0.61%, 0.79%

LAB 76.17, 31.11, -24.79

 

CMYK 0 / 28 / 3 / 8

HEX #EAA9E2

RGB 234 169 226

HSL 307.38, 0.61%, 0.79%

LAB 76.9, 32.86, -19.25

 

CMYK 0 / 28 / 11 / 8

HEX #EAA9D1

RGB 234 169 209

HSL 323.08, 0.61%, 0.79%

LAB 76.36, 29.94, -10.81

 

CMYK 0 / 28 / 18 / 8

HEX #EAA9C0

RGB 234 169 192

HSL 338.77, 0.61%, 0.79%

LAB 75.87, 27.22, -2.25

 

CMYK 0 / 53 / 6 / 15

HEX #DA66CC

RGB 218 102 204

HSL 307.24, 0.61%, 0.63%

LAB 60.58, 58.37, -32.24

 

CMYK 0 / 40 / 5 / 11

HEX #E288D7

RGB 226 136 215

HSL 307.33, 0.61%, 0.71%

LAB 68.52, 45.76, -26.06

 

CMYK 0 / 28 / 3 / 8

HEX #EAA9E2

RGB 234 169 226

HSL 307.38, 0.61%, 0.79%

LAB 76.9, 32.86, -19.25

 

CMYK 0 / 17 / 2 / 5

HEX #F2CAED

RGB 242 202 237

HSL 307.5, 0.61%, 0.87%

LAB 85.62, 19.92, -11.96

 

CMYK 0 / 6 / 1 / 2

HEX #FAEBF8

RGB 250 235 248

HSL 308, 0.6%, 0.95%

LAB 94.53, 7.31, -4.46

 

CMYK 0 / 29 / 3 / 8

HEX #EAA7E2

RGB 234 167 226

HSL 307.16, 0.61%, 0.79%

LAB 76.45, 33.93, -19.93

 

CMYK 0 / 19 / 28 / 8

HEX #EABDA9

RGB 234 189 169

HSL 18.46, 0.61%, 0.79%

LAB 80.04, 13.26, 16.21

 

CMYK 28 / 0 / 8 / 8

HEX #A9EAD8

RGB 169 234 216

HSL 163.38, 0.61%, 0.79%

LAB 88.08, -24.1, 2.17

 

CMYK 0 / 29 / 3 / 8

HEX #EAA7E2

RGB 234 167 226

HSL 307.16, 0.61%, 0.79%

LAB 76.45, 33.93, -19.93

 

CMYK 3 / 0 / 28 / 8

HEX #E2EAA9

RGB 226 234 169

HSL 67.38, 0.61%, 0.79%

LAB 90.72, -12.94, 30.76

 

CMYK 28 / 3 / 0 / 8

HEX #A9E2EA

RGB 169 226 234

HSL 187.38, 0.61%, 0.79%

LAB 86.39, -16.24, -9.79

 

CMYK 0 / 29 / 3 / 8

HEX #EAA7E2

RGB 234 167 226

HSL 307.16, 0.61%, 0.79%

LAB 76.45, 33.93, -19.93

 

CMYK 0 / 19 / 28 / 8

HEX #EABDA9

RGB 234 189 169

HSL 18.46, 0.61%, 0.79%

LAB 80.04, 13.26, 16.21

 

CMYK 28 / 0 / 25 / 8

HEX #A9EAB0

RGB 169 234 176

HSL 126.46, 0.61%, 0.79%

LAB 87.2, -31.68, 21.76

 

CMYK 28 / 9 / 0 / 8

HEX #A9D5EA

RGB 169 213 234

HSL 199.38, 0.61%, 0.79%

LAB 82.89, -9.59, -15.01

 

CMYK 0 / 29 / 3 / 8

HEX #EAA7E2

RGB 234 167 226

HSL 307.16, 0.61%, 0.79%

LAB 76.45, 33.93, -19.93

 

CMYK 0 / 11 / 28 / 8

HEX #EAD1A9

RGB 234 209 169

HSL 36.92, 0.61%, 0.79%

LAB 84.97, 2.77, 23.05

 

CMYK 28 / 0 / 25 / 8

HEX #A9EAB0

RGB 169 234 176

HSL 126.46, 0.61%, 0.79%

LAB 87.2, -31.68, 21.76

 

CMYK 28 / 17 / 0 / 8

HEX #A9C2EA

RGB 169 194 234

HSL 216.92, 0.61%, 0.79%

LAB 77.85, 0.45, -22.63

 

Description

Color code: HEX #EAA7E2 | qconv.com Color code: HEX #EAA7E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 167 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 167 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 3 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 3% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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