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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAA7CD it is the complementary color #155832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAA7CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAA7CD shade: #EFA7C8, #FFB9DB, #FFCBEE, #FFDDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAA7CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAA7CD shade: #EAA7CD, #D995BA, #C883A7, #B77194 and #A65F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAA7CD shade: #EAA9CE, #EAA9BC, #EAA9AB and #EAA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAA7CD shade: #EAA9CE, #EAA9DF, #E3A9EA, #D2A9EA and #C0A9EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAA7CD shade matches the following richer shades: #EAA9CE, #F3A0CF and #FB97D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAA7CD shade: #EAA9CE, #E1B1CD, #D9BACC, #D0C3CA and #C7CBC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAA7CD shade: #E2A9EA, #EAA9E0, #EAA9CF, #EAA9BD and #EAA9AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAA7CD shade: #DA66A8, #E288BB, #EAA9CE, #F2CAE1 and #FAEBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAA7CD shade: #EAA7CD, #EAD1A9 and #A9E9EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAA7CD shade: #EAA7CD, #CFEAA9 and #A9CFEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAA7CD shade: #EAA7CD, #EAD1A9, #A9EAC4 and #A9C2EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAA7CD shade: #EAA7CD, #EAE5A9, #A9EAC4 and #A9AEEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 12 / 8

HEX #EAA7CD

RGB 234 167 205

HSL 325.97, 0.61%, 0.79%

LAB 75.78, 30.34, -9.48

 

Complementary color

CMYK 76 / 0 / 43 / 65

HEX #155832

RGB 21 88 50

HSL 145.97, 0.61%, 0.21%

LAB 32.63, -30.44, 16.22

 

CMYK 0 / 30 / 16 / 6

HEX #EFA7C8

RGB 239 167 200

HSL 332.5, 0.69%, 0.8%

LAB 76.17, 31.27, -6.12

 

CMYK 0 / 27 / 14 / 0

HEX #FFB9DB

RGB 255 185 219

HSL 330.86, 1%, 0.86%

LAB 82.42, 30.26, -6.98

 

CMYK 0 / 20 / 7 / 0

HEX #FFCBEE

RGB 255 203 238

HSL 319.62, 1%, 0.9%

LAB 87.07, 23.92, -10.21

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 29 / 12 / 8

HEX #EAA7CD

RGB 234 167 205

HSL 325.97, 0.61%, 0.79%

LAB 75.78, 30.34, -9.48

 

CMYK 0 / 31 / 14 / 15

HEX #D995BA

RGB 217 149 186

HSL 327.35, 0.47%, 0.72%

LAB 69.32, 31.03, -8.82

 

CMYK 0 / 35 / 17 / 22

HEX #C883A7

RGB 200 131 167

HSL 328.7, 0.39%, 0.65%

LAB 62.76, 31.77, -8.1

 

CMYK 0 / 38 / 19 / 28

HEX #B77194

RGB 183 113 148

HSL 330, 0.33%, 0.58%

LAB 56.1, 32.56, -7.3

 

CMYK 0 / 43 / 22 / 35

HEX #A65F81

RGB 166 95 129

HSL 331.27, 0.29%, 0.51%

LAB 49.35, 33.4, -6.39

 

CMYK 0 / 28 / 12 / 8

HEX #EAA9CE

RGB 234 169 206

HSL 325.85, 0.61%, 0.79%

LAB 76.27, 29.44, -9.3

 

CMYK 0 / 28 / 20 / 8

HEX #EAA9BC

RGB 234 169 188

HSL 342.46, 0.61%, 0.79%

LAB 75.76, 26.61, -0.22

 

CMYK 0 / 28 / 27 / 8

HEX #EAA9AB

RGB 234 169 171

HSL 358.15, 0.61%, 0.79%

LAB 75.33, 24.17, 8.47

 

CMYK 0 / 28 / 28 / 8

HEX #EAA9A9

RGB 234 169 169

HSL 0, 0.61%, 0.79%

LAB 75.28, 23.9, 9.49

 

CMYK 0 / 28 / 12 / 8

HEX #EAA9CE

RGB 234 169 206

HSL 325.85, 0.61%, 0.79%

LAB 76.27, 29.44, -9.3

 

CMYK 0 / 28 / 5 / 8

HEX #EAA9DF

RGB 234 169 223

HSL 310.15, 0.61%, 0.79%

LAB 76.8, 32.33, -17.77

 

CMYK 3 / 28 / 0 / 8

HEX #E3A9EA

RGB 227 169 234

HSL 293.54, 0.61%, 0.79%

LAB 76.46, 32.07, -24.31

 

CMYK 10 / 28 / 0 / 8

HEX #D2A9EA

RGB 210 169 234

HSL 277.85, 0.61%, 0.79%

LAB 74.84, 26.67, -26.95

 

CMYK 18 / 28 / 0 / 8

HEX #C0A9EA

RGB 192 169 234

HSL 261.23, 0.61%, 0.79%

LAB 73.23, 21.08, -29.54

 

CMYK 0 / 28 / 12 / 8

HEX #EAA9CE

RGB 234 169 206

HSL 325.85, 0.61%, 0.79%

LAB 76.27, 29.44, -9.3

 

CMYK 0 / 34 / 15 / 5

HEX #F3A0CF

RGB 243 160 207

HSL 326.02, 0.78%, 0.79%

LAB 75.27, 37.42, -11.24

 

CMYK 0 / 40 / 17 / 2

HEX #FB97D0

RGB 251 151 208

HSL 325.8, 0.93%, 0.79%

LAB 74.32, 44.89, -13.12

 

CMYK 0 / 28 / 12 / 8

HEX #EAA9CE

RGB 234 169 206

HSL 325.85, 0.61%, 0.79%

LAB 76.27, 29.44, -9.3

 

CMYK 0 / 21 / 9 / 12

HEX #E1B1CD

RGB 225 177 205

HSL 325, 0.44%, 0.79%

LAB 77.2, 21.88, -7.48

 

CMYK 0 / 14 / 6 / 15

HEX #D9BACC

RGB 217 186 204

HSL 325.16, 0.29%, 0.79%

LAB 78.6, 14.09, -4.95

 

CMYK 0 / 6 / 3 / 18

HEX #D0C3CA

RGB 208 195 202

HSL 327.69, 0.12%, 0.79%

LAB 80.01, 5.79, -1.87

 

CMYK 2 / 0 / 1 / 20

HEX #C7CBC9

RGB 199 203 201

HSL 150, 0.04%, 0.79%

LAB 81.33, -1.73, 0.51

HEX #C7CBC9

CMYK 3 / 28 / 0 / 8

HEX #E2A9EA

RGB 226 169 234

HSL 292.62, 0.61%, 0.79%

LAB 76.37, 31.75, -24.47

 

CMYK 0 / 28 / 4 / 8

HEX #EAA9E0

RGB 234 169 224

HSL 309.23, 0.61%, 0.79%

LAB 76.83, 32.51, -18.26

 

CMYK 0 / 28 / 12 / 8

HEX #EAA9CF

RGB 234 169 207

HSL 324.92, 0.61%, 0.79%

LAB 76.3, 29.61, -9.81

 

CMYK 0 / 28 / 19 / 8

HEX #EAA9BD

RGB 234 169 189

HSL 341.54, 0.61%, 0.79%

LAB 75.79, 26.76, -0.72

 

CMYK 0 / 28 / 26 / 8

HEX #EAA9AC

RGB 234 169 172

HSL 357.23, 0.61%, 0.79%

LAB 75.36, 24.31, 7.95

 

CMYK 0 / 53 / 23 / 15

HEX #DA66A8

RGB 218 102 168

HSL 325.86, 0.61%, 0.63%

LAB 59.19, 52.87, -13.78

 

CMYK 0 / 40 / 17 / 11

HEX #E288BB

RGB 226 136 187

HSL 326, 0.61%, 0.71%

LAB 67.55, 41.16, -11.91

 

CMYK 0 / 28 / 12 / 8

HEX #EAA9CE

RGB 234 169 206

HSL 325.85, 0.61%, 0.79%

LAB 76.27, 29.44, -9.3

 

CMYK 0 / 17 / 7 / 5

HEX #F2CAE1

RGB 242 202 225

HSL 325.5, 0.61%, 0.87%

LAB 85.28, 17.83, -6.09

 

CMYK 0 / 6 / 2 / 2

HEX #FAEBF4

RGB 250 235 244

HSL 324, 0.6%, 0.95%

LAB 94.43, 6.61, -2.53

 

CMYK 0 / 29 / 12 / 8

HEX #EAA7CD

RGB 234 167 205

HSL 325.97, 0.61%, 0.79%

LAB 75.78, 30.34, -9.48

 

CMYK 0 / 11 / 28 / 8

HEX #EAD1A9

RGB 234 209 169

HSL 36.92, 0.61%, 0.79%

LAB 84.97, 2.77, 23.05

 

CMYK 28 / 0 / 0 / 8

HEX #A9E9EA

RGB 169 233 234

HSL 180.92, 0.61%, 0.79%

LAB 88.28, -19.74, -6.98

 

CMYK 0 / 29 / 12 / 8

HEX #EAA7CD

RGB 234 167 205

HSL 325.97, 0.61%, 0.79%

LAB 75.78, 30.34, -9.48

 

CMYK 12 / 0 / 28 / 8

HEX #CFEAA9

RGB 207 234 169

HSL 84.92, 0.61%, 0.79%

LAB 89.38, -19.86, 28.72

 

CMYK 28 / 12 / 0 / 8

HEX #A9CFEA

RGB 169 207 234

HSL 204.92, 0.61%, 0.79%

LAB 81.29, -6.46, -17.42

 

CMYK 0 / 29 / 12 / 8

HEX #EAA7CD

RGB 234 167 205

HSL 325.97, 0.61%, 0.79%

LAB 75.78, 30.34, -9.48

 

CMYK 0 / 11 / 28 / 8

HEX #EAD1A9

RGB 234 209 169

HSL 36.92, 0.61%, 0.79%

LAB 84.97, 2.77, 23.05

 

CMYK 28 / 0 / 16 / 8

HEX #A9EAC4

RGB 169 234 196

HSL 144.92, 0.61%, 0.79%

LAB 87.61, -28.07, 11.95

 

CMYK 28 / 17 / 0 / 8

HEX #A9C2EA

RGB 169 194 234

HSL 216.92, 0.61%, 0.79%

LAB 77.85, 0.45, -22.63

 

CMYK 0 / 29 / 12 / 8

HEX #EAA7CD

RGB 234 167 205

HSL 325.97, 0.61%, 0.79%

LAB 75.78, 30.34, -9.48

 

CMYK 0 / 2 / 28 / 8

HEX #EAE5A9

RGB 234 229 169

HSL 55.38, 0.61%, 0.79%

LAB 90.04, -7.46, 29.94

 

CMYK 28 / 0 / 16 / 8

HEX #A9EAC4

RGB 169 234 196

HSL 144.92, 0.61%, 0.79%

LAB 87.61, -28.07, 11.95

 

CMYK 28 / 26 / 0 / 8

HEX #A9AEEA

RGB 169 174 234

HSL 235.38, 0.61%, 0.79%

LAB 72.66, 11.4, -30.58

 

Description

Color code: HEX #EAA7CD | qconv.com Color code: HEX #EAA7CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 167 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 167 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 12% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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