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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAA1FE it is the complementary color #155E01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAA1FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAA1FE shade: #EFA1F9, #FFB3FF, #FFC5FF, #FFD7FF and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAA1FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAA1FE shade: #EAA1FE, #D98FEB, #C87DD8, #B76BC5 and #A659B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAA1FE shade: #EA9FFE, #FE9FF9, #FE9FDF, #FE9FC6 and #FE9FAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAA1FE shade: #EA9FFE, #D09FFE, #B69FFE and #9F9FFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAA1FE shade matches the following richer shades: #EA9FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAA1FE shade: #EA9FFE, #E5A7F6, #E1AFEE, #DCB7E7 and #D8BEDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAA1FE shade: #B79FFE, #D09FFE, #E99FFE, #FE9FF9 and #FE9FE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAA1FE shade: #D74DFD, #E176FE, #EA9FFE, #F3C8FE and #FCF1FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAA1FE shade: #EAA1FE, #FE9FA1 and #9FFEC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAA1FE shade: #EAA1FE, #FEE99F and #9FFEE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAA1FE shade: #EAA1FE, #FE9FA1, #B4FE9F and #9FFEFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAA1FE shade: #EAA1FE, #FEBA9F, #B4FE9F and #9FE3FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 37 / 0 / 0

HEX #EAA1FE

RGB 234 161 254

HSL 287.1, 0.98%, 0.81%

LAB 76.15, 42.32, -35.55

 

Complementary color

CMYK 78 / 0 / 99 / 63

HEX #155E01

RGB 21 94 1

HSL 107.1, 0.98%, 0.19%

LAB 34.33, -38.53, 40.17

 

CMYK 4 / 35 / 0 / 2

HEX #EFA1F9

RGB 239 161 249

HSL 293.18, 0.88%, 0.8%

LAB 76.48, 42.87, -32.29

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 8 / 37 / 0 / 0

HEX #EAA1FE

RGB 234 161 254

HSL 287.1, 0.98%, 0.81%

LAB 76.15, 42.32, -35.55

 

CMYK 8 / 39 / 0 / 8

HEX #D98FEB

RGB 217 143 235

HSL 288.26, 0.7%, 0.74%

LAB 69.75, 43.05, -35.28

 

CMYK 7 / 42 / 0 / 15

HEX #C87DD8

RGB 200 125 216

HSL 289.45, 0.54%, 0.67%

LAB 63.26, 43.81, -34.98

 

CMYK 7 / 46 / 0 / 23

HEX #B76BC5

RGB 183 107 197

HSL 290.67, 0.44%, 0.6%

LAB 56.7, 44.57, -34.65

 

CMYK 7 / 50 / 0 / 30

HEX #A659B2

RGB 166 89 178

HSL 291.91, 0.37%, 0.52%

LAB 50.06, 45.31, -34.24

 

CMYK 8 / 37 / 0 / 0

HEX #EA9FFE

RGB 234 159 254

HSL 287.37, 0.98%, 0.81%

LAB 75.73, 43.37, -36.21

 

CMYK 0 / 37 / 2 / 0

HEX #FE9FF9

RGB 254 159 249

HSL 303.16, 0.98%, 0.81%

LAB 77.7, 48.44, -30.28

 

CMYK 0 / 37 / 12 / 0

HEX #FE9FDF

RGB 254 159 223

HSL 319.58, 0.98%, 0.81%

LAB 76.8, 44.09, -17.56

 

CMYK 0 / 37 / 22 / 0

HEX #FE9FC6

RGB 254 159 198

HSL 335.37, 0.98%, 0.81%

LAB 76.04, 40.32, -5.03

 

CMYK 0 / 37 / 32 / 0

HEX #FE9FAC

RGB 254 159 172

HSL 351.79, 0.98%, 0.81%

LAB 75.36, 36.85, 8.25

 

CMYK 8 / 37 / 0 / 0

HEX #EA9FFE

RGB 234 159 254

HSL 287.37, 0.98%, 0.81%

LAB 75.73, 43.37, -36.21

 

CMYK 18 / 37 / 0 / 0

HEX #D09FFE

RGB 208 159 254

HSL 270.95, 0.98%, 0.81%

LAB 73.13, 35.73, -40.45

 

CMYK 28 / 37 / 0 / 0

HEX #B69FFE

RGB 182 159 254

HSL 254.53, 0.98%, 0.81%

LAB 70.8, 28.35, -44.26

 

CMYK 37 / 37 / 0 / 0

HEX #9F9FFE

RGB 159 159 254

HSL 240, 0.98%, 0.81%

LAB 68.98, 22.19, -47.23

 

CMYK 8 / 37 / 0 / 0

HEX #EA9FFE

RGB 234 159 254

HSL 287.37, 0.98%, 0.81%

LAB 75.73, 43.37, -36.21

 

CMYK 8 / 37 / 0 / 0

HEX #EA9FFE

RGB 234 159 254

HSL 287.37, 0.98%, 0.81%

LAB 75.73, 43.37, -36.21

 

CMYK 7 / 32 / 0 / 4

HEX #E5A7F6

RGB 229 167 246

HSL 287.09, 0.81%, 0.81%

LAB 76.65, 36.07, -30.51

 

CMYK 5 / 26 / 0 / 7

HEX #E1AFEE

RGB 225 175 238

HSL 287.62, 0.65%, 0.81%

LAB 77.78, 28.97, -24.49

 

CMYK 5 / 21 / 0 / 9

HEX #DCB7E7

RGB 220 183 231

HSL 286.25, 0.5%, 0.81%

LAB 78.96, 21.69, -18.97

 

CMYK 3 / 15 / 0 / 13

HEX #D8BEDF

RGB 216 190 223

HSL 287.27, 0.34%, 0.81%

LAB 80.04, 15.07, -13.06

 

CMYK 28 / 37 / 0 / 0

HEX #B79FFE

RGB 183 159 254

HSL 255.16, 0.98%, 0.81%

LAB 70.88, 28.63, -44.12

 

CMYK 18 / 37 / 0 / 0

HEX #D09FFE

RGB 208 159 254

HSL 270.95, 0.98%, 0.81%

LAB 73.13, 35.73, -40.45

 

CMYK 8 / 37 / 0 / 0

HEX #E99FFE

RGB 233 159 254

HSL 286.74, 0.98%, 0.81%

LAB 75.62, 43.07, -36.38

 

CMYK 0 / 37 / 2 / 0

HEX #FE9FF9

RGB 254 159 249

HSL 303.16, 0.98%, 0.81%

LAB 77.7, 48.44, -30.28

 

CMYK 0 / 37 / 12 / 0

HEX #FE9FE0

RGB 254 159 224

HSL 318.95, 0.98%, 0.81%

LAB 76.83, 44.25, -18.05

 

CMYK 15 / 70 / 0 / 1

HEX #D74DFD

RGB 215 77 253

HSL 287.05, 0.98%, 0.65%

LAB 58.83, 76.74, -62.46

 

CMYK 11 / 54 / 0 / 0

HEX #E176FE

RGB 225 118 254

HSL 287.21, 0.99%, 0.73%

LAB 66.61, 61.63, -50.55

 

CMYK 8 / 37 / 0 / 0

HEX #EA9FFE

RGB 234 159 254

HSL 287.37, 0.98%, 0.81%

LAB 75.73, 43.37, -36.21

 

CMYK 4 / 21 / 0 / 0

HEX #F3C8FE

RGB 243 200 254

HSL 287.78, 0.96%, 0.89%

LAB 85.77, 24.43, -20.76

 

CMYK 1 / 5 / 0 / 0

HEX #FCF1FF

RGB 252 241 255

HSL 287.14, 1%, 0.97%

LAB 96.34, 6.13, -5.41

 

CMYK 8 / 37 / 0 / 0

HEX #EAA1FE

RGB 234 161 254

HSL 287.1, 0.98%, 0.81%

LAB 76.15, 42.32, -35.55

 

CMYK 0 / 37 / 37 / 0

HEX #FE9FA1

RGB 254 159 161

HSL 358.74, 0.98%, 0.81%

LAB 75.1, 35.53, 13.93

 

CMYK 37 / 0 / 23 / 0

HEX #9FFEC3

RGB 159 254 195

HSL 142.74, 0.98%, 0.81%

LAB 92.66, -40.43, 19.5

 

CMYK 8 / 37 / 0 / 0

HEX #EAA1FE

RGB 234 161 254

HSL 287.1, 0.98%, 0.81%

LAB 76.15, 42.32, -35.55

 

CMYK 0 / 8 / 37 / 0

HEX #FEE99F

RGB 254 233 159

HSL 46.74, 0.98%, 0.81%

LAB 92.51, -3.08, 38.57

 

CMYK 37 / 0 / 8 / 0

HEX #9FFEE9

RGB 159 254 233

HSL 166.74, 0.98%, 0.81%

LAB 93.51, -32.76, 1.16

 

CMYK 8 / 37 / 0 / 0

HEX #EAA1FE

RGB 234 161 254

HSL 287.1, 0.98%, 0.81%

LAB 76.15, 42.32, -35.55

 

CMYK 0 / 37 / 37 / 0

HEX #FE9FA1

RGB 254 159 161

HSL 358.74, 0.98%, 0.81%

LAB 75.1, 35.53, 13.93

 

CMYK 29 / 0 / 37 / 0

HEX #B4FE9F

RGB 180 254 159

HSL 106.74, 0.98%, 0.81%

LAB 93.05, -39.9, 38.34

 

CMYK 37 / 0 / 1 / 0

HEX #9FFEFC

RGB 159 254 252

HSL 178.74, 0.98%, 0.81%

LAB 94, -28.48, -7.94

 

CMYK 8 / 37 / 0 / 0

HEX #EAA1FE

RGB 234 161 254

HSL 287.1, 0.98%, 0.81%

LAB 76.15, 42.32, -35.55

 

CMYK 0 / 27 / 37 / 0

HEX #FEBA9F

RGB 254 186 159

HSL 17.05, 0.98%, 0.81%

LAB 81.12, 21.19, 23.36

 

CMYK 29 / 0 / 37 / 0

HEX #B4FE9F

RGB 180 254 159

HSL 106.74, 0.98%, 0.81%

LAB 93.05, -39.9, 38.34

 

CMYK 37 / 11 / 0 / 0

HEX #9FE3FE

RGB 159 227 254

HSL 197.05, 0.98%, 0.81%

LAB 86.73, -14.72, -19.86

 

Description

Color code: HEX #EAA1FE | qconv.com Color code: HEX #EAA1FE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 161 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 161 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 37 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 37% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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