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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAA0EB it is the complementary color #155F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAA0EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAA0EB shade: #EFA0E6, #FFB2F9, #FFC4FF, #FFD6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAA0EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAA0EB shade: #EAA0EB, #D98ED8, #C87CC5, #B76AB2 and #A6589F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAA0EB shade: #E99EEA, #EA9ED7, #EA9EC2, #EA9EAE and #EA9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAA0EB shade: #E99EEA, #D59EEA, #C09EEA, #AC9EEA and #9E9EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAA0EB shade matches the following richer shades: #E99EEA, #F395F4 and #FC8BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAA0EB shade: #E99EEA, #E0A8E1, #D7B1D7, #CEBBCE and #C5C4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAA0EB shade: #C19EEA, #D59EEA, #E99EEA, #EA9ED7 and #EA9EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAA0EB shade: #DA5ADC, #E27CE3, #E99EEA, #F1C0F2 and #F9E2F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAA0EB shade: #EAA0EB, #EAAC9E and #9EEACB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAA0EB shade: #EAA0EB, #EAE99E and #9EEAE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAA0EB shade: #EAA0EB, #EAAC9E, #9FEA9E and #9EDCEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAA0EB shade: #EAA0EB, #EAC39E, #9FEA9E and #9EC6EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 0 / 8

HEX #EAA0EB

RGB 234 160 235

HSL 299.2, 0.65%, 0.77%

LAB 75.22, 39.26, -26.69

 

Complementary color

CMYK 78 / 0 / 79 / 63

HEX #155F14

RGB 21 95 20

HSL 119.2, 0.65%, 0.23%

LAB 34.79, -37.67, 34.42

 

CMYK 0 / 33 / 4 / 6

HEX #EFA0E6

RGB 239 160 230

HSL 306.84, 0.71%, 0.78%

LAB 75.58, 39.94, -23.38

 

CMYK 0 / 30 / 2 / 0

HEX #FFB2F9

RGB 255 178 249

HSL 304.68, 1%, 0.85%

LAB 81.81, 38.94, -24

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 32 / 0 / 8

HEX #EAA0EB

RGB 234 160 235

HSL 299.2, 0.65%, 0.77%

LAB 75.22, 39.26, -26.69

 

CMYK 0 / 35 / 0 / 15

HEX #D98ED8

RGB 217 142 216

HSL 300.8, 0.5%, 0.7%

LAB 68.79, 39.98, -26.28

 

CMYK 0 / 38 / 1 / 22

HEX #C87CC5

RGB 200 124 197

HSL 302.37, 0.41%, 0.64%

LAB 62.28, 40.72, -25.84

 

CMYK 0 / 42 / 3 / 28

HEX #B76AB2

RGB 183 106 178

HSL 303.9, 0.35%, 0.57%

LAB 55.67, 41.48, -25.34

 

CMYK 0 / 47 / 4 / 35

HEX #A6589F

RGB 166 88 159

HSL 305.38, 0.31%, 0.5%

LAB 48.99, 42.22, -24.75

 

CMYK 0 / 32 / 0 / 8

HEX #E99EEA

RGB 233 158 234

HSL 299.21, 0.64%, 0.77%

LAB 74.65, 39.82, -27.04

 

CMYK 0 / 32 / 8 / 8

HEX #EA9ED7

RGB 234 158 215

HSL 315, 0.64%, 0.77%

LAB 74.1, 36.79, -17.49

 

CMYK 0 / 32 / 17 / 8

HEX #EA9EC2

RGB 234 158 194

HSL 331.58, 0.64%, 0.77%

LAB 73.44, 33.38, -6.92

 

CMYK 0 / 32 / 26 / 8

HEX #EA9EAE

RGB 234 158 174

HSL 347.37, 0.64%, 0.77%

LAB 72.89, 30.44, 3.31

 

CMYK 0 / 32 / 32 / 8

HEX #EA9E9E

RGB 234 158 158

HSL 0, 0.64%, 0.77%

LAB 72.5, 28.32, 11.58

 

CMYK 0 / 32 / 0 / 8

HEX #E99EEA

RGB 233 158 234

HSL 299.21, 0.64%, 0.77%

LAB 74.65, 39.82, -27.04

 

CMYK 9 / 32 / 0 / 8

HEX #D59EEA

RGB 213 158 234

HSL 283.42, 0.64%, 0.77%

LAB 72.59, 33.59, -30.37

 

CMYK 18 / 32 / 0 / 8

HEX #C09EEA

RGB 192 158 234

HSL 266.84, 0.64%, 0.77%

LAB 70.59, 27.16, -33.62

 

CMYK 26 / 32 / 0 / 8

HEX #AC9EEA

RGB 172 158 234

HSL 251.05, 0.64%, 0.77%

LAB 68.87, 21.24, -36.43

 

CMYK 32 / 32 / 0 / 8

HEX #9E9EEA

RGB 158 158 234

HSL 240, 0.64%, 0.77%

LAB 67.77, 17.25, -38.22

 

CMYK 0 / 32 / 0 / 8

HEX #E99EEA

RGB 233 158 234

HSL 299.21, 0.64%, 0.77%

LAB 74.65, 39.82, -27.04

 

CMYK 0 / 39 / 0 / 4

HEX #F395F4

RGB 243 149 244

HSL 299.37, 0.81%, 0.77%

LAB 74.24, 49.36, -33.01

 

CMYK 0 / 45 / 0 / 1

HEX #FC8BFD

RGB 252 139 253

HSL 299.47, 0.97%, 0.77%

LAB 73.71, 58.55, -38.64

 

CMYK 0 / 32 / 0 / 8

HEX #E99EEA

RGB 233 158 234

HSL 299.21, 0.64%, 0.77%

LAB 74.65, 39.82, -27.04

 

CMYK 0 / 25 / 0 / 12

HEX #E0A8E1

RGB 224 168 225

HSL 298.95, 0.49%, 0.77%

LAB 75.63, 29.95, -20.72

 

CMYK 0 / 18 / 0 / 16

HEX #D7B1D7

RGB 215 177 215

HSL 300, 0.32%, 0.77%

LAB 76.56, 20.25, -13.97

 

CMYK 0 / 9 / 0 / 19

HEX #CEBBCE

RGB 206 187 206

HSL 300, 0.16%, 0.77%

LAB 77.95, 10.11, -7.1

 

CMYK 0 / 1 / 0 / 23

HEX #C5C4C5

RGB 197 196 197

HSL 300, 0.01%, 0.77%

LAB 79.26, 0.53, -0.39

 

CMYK 18 / 32 / 0 / 8

HEX #C19EEA

RGB 193 158 234

HSL 267.63, 0.64%, 0.77%

LAB 70.69, 27.47, -33.47

 

CMYK 9 / 32 / 0 / 8

HEX #D59EEA

RGB 213 158 234

HSL 283.42, 0.64%, 0.77%

LAB 72.59, 33.59, -30.37

 

CMYK 0 / 32 / 0 / 8

HEX #E99EEA

RGB 233 158 234

HSL 299.21, 0.64%, 0.77%

LAB 74.65, 39.82, -27.04

 

CMYK 0 / 32 / 8 / 8

HEX #EA9ED7

RGB 234 158 215

HSL 315, 0.64%, 0.77%

LAB 74.1, 36.79, -17.49

 

CMYK 0 / 32 / 17 / 8

HEX #EA9EC3

RGB 234 158 195

HSL 330.79, 0.64%, 0.77%

LAB 73.47, 33.53, -7.43

 

CMYK 1 / 59 / 0 / 14

HEX #DA5ADC

RGB 218 90 220

HSL 299.08, 0.65%, 0.61%

LAB 59.33, 66.41, -43.23

 

CMYK 0 / 45 / 0 / 11

HEX #E27CE3

RGB 226 124 227

HSL 299.42, 0.65%, 0.69%

LAB 66.62, 53.96, -35.65

 

CMYK 0 / 32 / 0 / 8

HEX #E99EEA

RGB 233 158 234

HSL 299.21, 0.64%, 0.77%

LAB 74.65, 39.82, -27.04

 

CMYK 0 / 21 / 0 / 5

HEX #F1C0F2

RGB 241 192 242

HSL 298.8, 0.66%, 0.85%

LAB 83.34, 25.8, -18.06

 

CMYK 0 / 9 / 0 / 2

HEX #F9E2F9

RGB 249 226 249

HSL 300, 0.66%, 0.93%

LAB 92.3, 11.81, -8.29

 

CMYK 0 / 32 / 0 / 8

HEX #EAA0EB

RGB 234 160 235

HSL 299.2, 0.65%, 0.77%

LAB 75.22, 39.26, -26.69

 

CMYK 0 / 26 / 32 / 8

HEX #EAAC9E

RGB 234 172 158

HSL 11.05, 0.64%, 0.77%

LAB 75.74, 20.86, 16.13

 

CMYK 32 / 0 / 13 / 8

HEX #9EEACB

RGB 158 234 203

HSL 155.53, 0.64%, 0.77%

LAB 87.21, -29.96, 7.63

 

CMYK 0 / 32 / 0 / 8

HEX #EAA0EB

RGB 234 160 235

HSL 299.2, 0.65%, 0.77%

LAB 75.22, 39.26, -26.69

 

CMYK 0 / 0 / 32 / 8

HEX #EAE99E

RGB 234 233 158

HSL 59.21, 0.64%, 0.77%

LAB 90.89, -10.83, 36.65

 

CMYK 32 / 0 / 0 / 8

HEX #9EEAE9

RGB 158 234 233

HSL 179.21, 0.64%, 0.77%

LAB 87.97, -23.47, -6.98

 

CMYK 0 / 32 / 0 / 8

HEX #EAA0EB

RGB 234 160 235

HSL 299.2, 0.65%, 0.77%

LAB 75.22, 39.26, -26.69

 

CMYK 0 / 26 / 32 / 8

HEX #EAAC9E

RGB 234 172 158

HSL 11.05, 0.64%, 0.77%

LAB 75.74, 20.86, 16.13

 

CMYK 32 / 0 / 32 / 8

HEX #9FEA9E

RGB 159 234 158

HSL 119.21, 0.64%, 0.77%

LAB 86.35, -37.82, 29.75

 

CMYK 32 / 6 / 0 / 8

HEX #9EDCEA

RGB 158 220 234

HSL 191.05, 0.64%, 0.77%

LAB 84.17, -16.27, -13.16

 

CMYK 0 / 32 / 0 / 8

HEX #EAA0EB

RGB 234 160 235

HSL 299.2, 0.65%, 0.77%

LAB 75.22, 39.26, -26.69

 

CMYK 0 / 17 / 32 / 8

HEX #EAC39E

RGB 234 195 158

HSL 29.21, 0.64%, 0.77%

LAB 81.29, 8.67, 23.79

 

CMYK 32 / 0 / 32 / 8

HEX #9FEA9E

RGB 159 234 158

HSL 119.21, 0.64%, 0.77%

LAB 86.35, -37.82, 29.75

 

CMYK 32 / 15 / 0 / 8

HEX #9EC6EA

RGB 158 198 234

HSL 208.42, 0.64%, 0.77%

LAB 78.23, -4.83, -22.13

 

Description

Color code: HEX #EAA0EB | qconv.com Color code: HEX #EAA0EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 160 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 160 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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