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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA9DA8 it is the complementary color #156257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA9DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA9DA8 shade: #EF9DA3, #FFAFB6, #FFC1C9, #FFD3DC and #FFE5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA9DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA9DA8 shade: #EA9DA8, #D98B95, #C87982, #B7676F and #A6555C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA9DA8 shade: #EA9EA9 and #EA9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA9DA8 shade: #EA9EA9, #EA9EBE, #EA9ED2, #EA9EE7 and #DA9EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA9DA8 shade matches the following richer shades: #EA9EA9, #F495A2 and #FD8B9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA9DA8 shade: #EA9EA9, #E1A8B0, #D7B1B7, #CEBBBD and #C5C4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA9DA8 shade: #EA9ED2, #EA9EBE, #EA9EAA, #EAA79E and #EABB9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA9DA8 shade: #DC5A6D, #E37C8B, #EA9EA9, #F2C0C7 and #F9E2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA9DA8 shade: #EA9DA8, #E7EA9E and #9EC8EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA9DA8 shade: #EA9DA8, #AAEA9E and #9EAAEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA9DA8 shade: #EA9DA8, #E7EA9E, #9EEADF and #A29EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA9DA8 shade: #EA9DA8, #D0EA9E, #9EEADF and #B99EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 28 / 8

HEX #EA9DA8

RGB 234 157 168

HSL 351.43, 0.65%, 0.77%

LAB 72.52, 30.15, 6.08

 

Complementary color

CMYK 79 / 0 / 11 / 62

HEX #156257

RGB 21 98 87

HSL 171.43, 0.65%, 0.23%

LAB 37.08, -25.42, -0.28

 

CMYK 0 / 34 / 32 / 6

HEX #EF9DA3

RGB 239 157 163

HSL 355.61, 0.72%, 0.78%

LAB 72.96, 31.33, 9.55

 

CMYK 0 / 31 / 29 / 0

HEX #FFAFB6

RGB 255 175 182

HSL 354.75, 1%, 0.84%

LAB 79.21, 30.15, 8.33

 

CMYK 0 / 24 / 21 / 0

HEX #FFC1C9

RGB 255 193 201

HSL 352.26, 1%, 0.88%

LAB 83.77, 23.33, 4.65

 

CMYK 0 / 17 / 14 / 0

HEX #FFD3DC

RGB 255 211 220

HSL 347.73, 1%, 0.91%

LAB 88.46, 16.78, 1.35

 

CMYK 0 / 10 / 6 / 0

HEX #FFE5EF

RGB 255 229 239

HSL 336.92, 1%, 0.95%

LAB 93.25, 10.53, -1.62

 

CMYK 0 / 33 / 28 / 8

HEX #EA9DA8

RGB 234 157 168

HSL 351.43, 0.65%, 0.77%

LAB 72.52, 30.15, 6.08

 

CMYK 0 / 36 / 31 / 15

HEX #D98B95

RGB 217 139 149

HSL 352.31, 0.51%, 0.7%

LAB 66.05, 30.99, 7.14

 

CMYK 0 / 40 / 35 / 22

HEX #C87982

RGB 200 121 130

HSL 353.16, 0.42%, 0.63%

LAB 59.49, 31.9, 8.33

 

CMYK 0 / 44 / 39 / 28

HEX #B7676F

RGB 183 103 111

HSL 354, 0.36%, 0.56%

LAB 52.86, 32.89, 9.69

 

CMYK 0 / 49 / 45 / 35

HEX #A6555C

RGB 166 85 92

HSL 354.81, 0.32%, 0.49%

LAB 46.15, 33.95, 11.28

 

CMYK 0 / 32 / 28 / 8

HEX #EA9EA9

RGB 234 158 169

HSL 351.32, 0.64%, 0.77%

LAB 72.77, 29.75, 5.89

 

CMYK 0 / 32 / 32 / 8

HEX #EA9E9E

RGB 234 158 158

HSL 0, 0.64%, 0.77%

LAB 72.5, 28.32, 11.58

 

CMYK 0 / 32 / 28 / 8

HEX #EA9EA9

RGB 234 158 169

HSL 351.32, 0.64%, 0.77%

LAB 72.77, 29.75, 5.89

 

CMYK 0 / 32 / 19 / 8

HEX #EA9EBE

RGB 234 158 190

HSL 334.74, 0.64%, 0.77%

LAB 73.33, 32.77, -4.89

 

CMYK 0 / 32 / 10 / 8

HEX #EA9ED2

RGB 234 158 210

HSL 318.95, 0.64%, 0.77%

LAB 73.93, 35.95, -14.99

 

CMYK 0 / 32 / 1 / 8

HEX #EA9EE7

RGB 234 158 231

HSL 302.37, 0.64%, 0.77%

LAB 74.65, 39.59, -25.39

 

CMYK 7 / 32 / 0 / 8

HEX #DA9EEA

RGB 218 158 234

HSL 287.37, 0.64%, 0.77%

LAB 73.09, 35.14, -29.56

 

CMYK 0 / 32 / 28 / 8

HEX #EA9EA9

RGB 234 158 169

HSL 351.32, 0.64%, 0.77%

LAB 72.77, 29.75, 5.89

 

CMYK 0 / 39 / 34 / 4

HEX #F495A2

RGB 244 149 162

HSL 351.79, 0.81%, 0.77%

LAB 71.78, 37.21, 8.5

 

CMYK 0 / 45 / 38 / 1

HEX #FD8B9C

RGB 253 139 156

HSL 351.05, 0.97%, 0.77%

LAB 70.7, 44.83, 10.45

 

CMYK 0 / 32 / 28 / 8

HEX #EA9EA9

RGB 234 158 169

HSL 351.32, 0.64%, 0.77%

LAB 72.77, 29.75, 5.89

 

CMYK 0 / 25 / 22 / 12

HEX #E1A8B0

RGB 225 168 176

HSL 351.58, 0.49%, 0.77%

LAB 74.28, 22.1, 4.1

 

CMYK 0 / 18 / 15 / 16

HEX #D7B1B7

RGB 215 177 183

HSL 350.53, 0.32%, 0.77%

LAB 75.64, 14.69, 2.12

 

CMYK 0 / 9 / 8 / 19

HEX #CEBBBD

RGB 206 187 189

HSL 353.68, 0.16%, 0.77%

LAB 77.48, 7.07, 1.43

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C4

RGB 197 196 196

HSL 0, 0.01%, 0.77%

LAB 79.23, 0.35, 0.11

 

CMYK 0 / 32 / 10 / 8

HEX #EA9ED2

RGB 234 158 210

HSL 318.95, 0.64%, 0.77%

LAB 73.93, 35.95, -14.99

 

CMYK 0 / 32 / 19 / 8

HEX #EA9EBE

RGB 234 158 190

HSL 334.74, 0.64%, 0.77%

LAB 73.33, 32.77, -4.89

 

CMYK 0 / 32 / 27 / 8

HEX #EA9EAA

RGB 234 158 170

HSL 350.53, 0.64%, 0.77%

LAB 72.79, 29.89, 5.37

 

CMYK 0 / 29 / 32 / 8

HEX #EAA79E

RGB 234 167 158

HSL 7.11, 0.64%, 0.77%

LAB 74.57, 23.52, 14.49

 

CMYK 0 / 20 / 32 / 8

HEX #EABB9E

RGB 234 187 158

HSL 22.89, 0.64%, 0.77%

LAB 79.33, 12.89, 21.11

 

CMYK 0 / 59 / 50 / 14

HEX #DC5A6D

RGB 220 90 109

HSL 351.23, 0.65%, 0.61%

LAB 55.72, 52.41, 15.67

 

CMYK 0 / 45 / 39 / 11

HEX #E37C8B

RGB 227 124 139

HSL 351.26, 0.65%, 0.69%

LAB 63.84, 41.3, 9.84

 

CMYK 0 / 32 / 28 / 8

HEX #EA9EA9

RGB 234 158 169

HSL 351.32, 0.64%, 0.77%

LAB 72.77, 29.75, 5.89

 

CMYK 0 / 21 / 18 / 5

HEX #F2C0C7

RGB 242 192 199

HSL 351.6, 0.66%, 0.85%

LAB 82.22, 18.91, 3.32

 

CMYK 0 / 9 / 8 / 2

HEX #F9E2E6

RGB 249 226 230

HSL 349.57, 0.66%, 0.93%

LAB 91.79, 8.52, 0.9

 

CMYK 0 / 33 / 28 / 8

HEX #EA9DA8

RGB 234 157 168

HSL 351.43, 0.65%, 0.77%

LAB 72.52, 30.15, 6.08

 

CMYK 1 / 0 / 32 / 8

HEX #E7EA9E

RGB 231 234 158

HSL 62.37, 0.64%, 0.77%

LAB 90.92, -12.46, 36.65

 

CMYK 32 / 15 / 0 / 8

HEX #9EC8EA

RGB 158 200 234

HSL 206.84, 0.64%, 0.77%

LAB 78.76, -5.9, -21.31

 

CMYK 0 / 33 / 28 / 8

HEX #EA9DA8

RGB 234 157 168

HSL 351.43, 0.65%, 0.77%

LAB 72.52, 30.15, 6.08

 

CMYK 27 / 0 / 32 / 8

HEX #AAEA9E

RGB 170 234 158

HSL 110.53, 0.64%, 0.77%

LAB 86.93, -34.27, 30.63

 

CMYK 32 / 27 / 0 / 8

HEX #9EAAEA

RGB 158 170 234

HSL 230.53, 0.64%, 0.77%

LAB 70.84, 10.48, -33.45

 

CMYK 0 / 33 / 28 / 8

HEX #EA9DA8

RGB 234 157 168

HSL 351.43, 0.65%, 0.77%

LAB 72.52, 30.15, 6.08

 

CMYK 1 / 0 / 32 / 8

HEX #E7EA9E

RGB 231 234 158

HSL 62.37, 0.64%, 0.77%

LAB 90.92, -12.46, 36.65

 

CMYK 32 / 0 / 5 / 8

HEX #9EEADF

RGB 158 234 223

HSL 171.32, 0.64%, 0.77%

LAB 87.7, -25.72, -2.13

 

CMYK 31 / 32 / 0 / 8

HEX #A29EEA

RGB 162 158 234

HSL 243.16, 0.64%, 0.77%

LAB 68.08, 18.37, -37.72

 

CMYK 0 / 33 / 28 / 8

HEX #EA9DA8

RGB 234 157 168

HSL 351.43, 0.65%, 0.77%

LAB 72.52, 30.15, 6.08

 

CMYK 11 / 0 / 32 / 8

HEX #D0EA9E

RGB 208 234 158

HSL 80.53, 0.64%, 0.77%

LAB 89.26, -21.01, 34.16

 

CMYK 32 / 0 / 5 / 8

HEX #9EEADF

RGB 158 234 223

HSL 171.32, 0.64%, 0.77%

LAB 87.7, -25.72, -2.13

 

CMYK 21 / 32 / 0 / 8

HEX #B99EEA

RGB 185 158 234

HSL 261.32, 0.64%, 0.77%

LAB 69.97, 25.06, -34.63

 

Description

Color code: HEX #EA9DA8 | qconv.com Color code: HEX #EA9DA8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 157 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 157 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 28 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 28% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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