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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA9CBF it is the complementary color #156340. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA9CBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA9CBF shade: #EF9CBA, #FFAECD, #FFC0E0, #FFD2F3 and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA9CBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA9CBF shade: #EA9CBF, #D98AAC, #C87899, #B76686 and #A65473

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA9CBF shade: #EA9ABE, #EA9AA8 and #EA9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA9CBF shade: #EA9ABE, #EA9AD3, #EA9AE9, #D59AEA and #C09AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA9CBF shade matches the following richer shades: #EA9ABE, #F390BD and #FD86BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA9CBF shade: #EA9ABE, #E0A4BF, #D6AEC0, #CCB8C1 and #C2C2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA9CBF shade: #EA9AE8, #EA9AD3, #EA9ABE, #EA9AA9 and #EAA19A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA9CBF shade: #DB5692, #E278A8, #EA9ABE, #F1BCD4 and #F8DEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA9CBF shade: #EA9CBF, #EAD69A and #9ADEEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA9CBF shade: #EA9CBF, #BEEA9A and #9ABEEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA9CBF shade: #EA9CBF, #EAD69A, #9AEAC6 and #9AAEEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA9CBF shade: #EA9CBF, #E6EA9A, #9AEAC6 and #9E9AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 18 / 8

HEX #EA9CBF

RGB 234 156 191

HSL 333.08, 0.65%, 0.76%

LAB 72.91, 33.98, -6.05

 

Complementary color

CMYK 79 / 0 / 35 / 61

HEX #156340

RGB 21 99 64

HSL 153.08, 0.65%, 0.24%

LAB 36.84, -32.1, 13.45

 

CMYK 0 / 35 / 22 / 6

HEX #EF9CBA

RGB 239 156 186

HSL 338.31, 0.72%, 0.77%

LAB 73.33, 34.98, -2.61

 

CMYK 0 / 32 / 20 / 0

HEX #FFAECD

RGB 255 174 205

HSL 337.04, 1%, 0.84%

LAB 79.58, 33.88, -3.61

 

CMYK 0 / 25 / 12 / 0

HEX #FFC0E0

RGB 255 192 224

HSL 329.52, 1%, 0.88%

LAB 84.14, 27.38, -7.1

 

CMYK 0 / 18 / 5 / 0

HEX #FFD2F3

RGB 255 210 243

HSL 316, 1%, 0.91%

LAB 88.84, 21.1, -10.22

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 33 / 18 / 8

HEX #EA9CBF

RGB 234 156 191

HSL 333.08, 0.65%, 0.76%

LAB 72.91, 33.98, -6.05

 

CMYK 0 / 36 / 21 / 15

HEX #D98AAC

RGB 217 138 172

HSL 334.18, 0.51%, 0.7%

LAB 66.45, 34.75, -5.24

 

CMYK 0 / 40 / 24 / 22

HEX #C87899

RGB 200 120 153

HSL 335.25, 0.42%, 0.63%

LAB 59.9, 35.56, -4.33

 

CMYK 0 / 44 / 27 / 28

HEX #B76686

RGB 183 102 134

HSL 336.3, 0.36%, 0.56%

LAB 53.27, 36.42, -3.3

 

CMYK 0 / 49 / 31 / 35

HEX #A65473

RGB 166 84 115

HSL 337.32, 0.33%, 0.49%

LAB 46.56, 37.3, -2.08

 

CMYK 0 / 34 / 19 / 8

HEX #EA9ABE

RGB 234 154 190

HSL 333, 0.66%, 0.76%

LAB 72.44, 34.89, -6.2

 

CMYK 0 / 34 / 28 / 8

HEX #EA9AA8

RGB 234 154 168

HSL 349.5, 0.66%, 0.76%

LAB 71.85, 31.74, 5.11

 

CMYK 0 / 34 / 34 / 8

HEX #EA9A9A

RGB 234 154 154

HSL 0, 0.66%, 0.76%

LAB 71.51, 29.94, 12.39

 

CMYK 0 / 34 / 19 / 8

HEX #EA9ABE

RGB 234 154 190

HSL 333, 0.66%, 0.76%

LAB 72.44, 34.89, -6.2

 

CMYK 0 / 34 / 10 / 8

HEX #EA9AD3

RGB 234 154 211

HSL 317.25, 0.66%, 0.76%

LAB 73.09, 38.23, -16.8

 

CMYK 0 / 34 / 0 / 8

HEX #EA9AE9

RGB 234 154 233

HSL 300.75, 0.66%, 0.76%

LAB 73.86, 42.05, -27.69

 

CMYK 9 / 34 / 0 / 8

HEX #D59AEA

RGB 213 154 234

HSL 284.25, 0.66%, 0.76%

LAB 71.69, 35.76, -31.76

 

CMYK 18 / 34 / 0 / 8

HEX #C09AEA

RGB 192 154 234

HSL 268.5, 0.66%, 0.76%

LAB 69.65, 29.38, -35.08

 

CMYK 0 / 34 / 19 / 8

HEX #EA9ABE

RGB 234 154 190

HSL 333, 0.66%, 0.76%

LAB 72.44, 34.89, -6.2

 

CMYK 0 / 41 / 22 / 5

HEX #F390BD

RGB 243 144 189

HSL 332.73, 0.8%, 0.76%

LAB 71.33, 43.03, -7.17

 

CMYK 0 / 47 / 26 / 1

HEX #FD86BC

RGB 253 134 188

HSL 332.77, 0.97%, 0.76%

LAB 70.57, 51.22, -7.61

 

CMYK 0 / 34 / 19 / 8

HEX #EA9ABE

RGB 234 154 190

HSL 333, 0.66%, 0.76%

LAB 72.44, 34.89, -6.2

 

CMYK 0 / 27 / 15 / 12

HEX #E0A4BF

RGB 224 164 191

HSL 333, 0.49%, 0.76%

LAB 73.65, 26.21, -5.08

 

CMYK 0 / 19 / 10 / 16

HEX #D6AEC0

RGB 214 174 192

HSL 333, 0.33%, 0.76%

LAB 75.06, 17.44, -3.66

 

CMYK 0 / 10 / 5 / 20

HEX #CCB8C1

RGB 204 184 193

HSL 333, 0.16%, 0.76%

LAB 76.66, 8.67, -1.96

 

CMYK 0 / 0 / 0 / 24

HEX #C2C2C2

RGB 194 194 194

HSL 0, 0%, 0.76%

LAB 78.43, 0, -0.01

 

CMYK 0 / 34 / 1 / 8

HEX #EA9AE8

RGB 234 154 232

HSL 301.5, 0.66%, 0.76%

LAB 73.82, 41.87, -27.2

 

CMYK 0 / 34 / 10 / 8

HEX #EA9AD3

RGB 234 154 211

HSL 317.25, 0.66%, 0.76%

LAB 73.09, 38.23, -16.8

 

CMYK 0 / 34 / 19 / 8

HEX #EA9ABE

RGB 234 154 190

HSL 333, 0.66%, 0.76%

LAB 72.44, 34.89, -6.2

 

CMYK 0 / 34 / 28 / 8

HEX #EA9AA9

RGB 234 154 169

HSL 348.75, 0.66%, 0.76%

LAB 71.87, 31.88, 4.6

 

CMYK 0 / 31 / 34 / 8

HEX #EAA19A

RGB 234 161 154

HSL 5.25, 0.66%, 0.76%

LAB 73.1, 26.22, 14.62

 

CMYK 0 / 61 / 33 / 14

HEX #DB5692

RGB 219 86 146

HSL 332.93, 0.65%, 0.6%

LAB 55.88, 57.65, -5.92

 

CMYK 0 / 47 / 26 / 11

HEX #E278A8

RGB 226 120 168

HSL 332.83, 0.65%, 0.68%

LAB 63.7, 46.61, -6.93

 

CMYK 0 / 34 / 19 / 8

HEX #EA9ABE

RGB 234 154 190

HSL 333, 0.66%, 0.76%

LAB 72.44, 34.89, -6.2

 

CMYK 0 / 22 / 12 / 5

HEX #F1BCD4

RGB 241 188 212

HSL 332.83, 0.65%, 0.84%

LAB 81.52, 22.73, -4.69

 

CMYK 0 / 10 / 6 / 3

HEX #F8DEEA

RGB 248 222 234

HSL 332.31, 0.65%, 0.92%

LAB 90.84, 10.93, -2.59

 

CMYK 0 / 33 / 18 / 8

HEX #EA9CBF

RGB 234 156 191

HSL 333.08, 0.65%, 0.76%

LAB 72.91, 33.98, -6.05

 

CMYK 0 / 9 / 34 / 8

HEX #EAD69A

RGB 234 214 154

HSL 45, 0.66%, 0.76%

LAB 85.97, -1.69, 32.18

 

CMYK 34 / 5 / 0 / 8

HEX #9ADEEA

RGB 154 222 234

HSL 189, 0.66%, 0.76%

LAB 84.51, -18.36, -12.67

 

CMYK 0 / 33 / 18 / 8

HEX #EA9CBF

RGB 234 156 191

HSL 333.08, 0.65%, 0.76%

LAB 72.91, 33.98, -6.05

 

CMYK 19 / 0 / 34 / 8

HEX #BEEA9A

RGB 190 234 154

HSL 93, 0.66%, 0.76%

LAB 88.03, -28.01, 34.33

 

CMYK 34 / 19 / 0 / 8

HEX #9ABEEA

RGB 154 190 234

HSL 213, 0.66%, 0.76%

LAB 75.85, -1.65, -25.78

 

CMYK 0 / 33 / 18 / 8

HEX #EA9CBF

RGB 234 156 191

HSL 333.08, 0.65%, 0.76%

LAB 72.91, 33.98, -6.05

 

CMYK 0 / 9 / 34 / 8

HEX #EAD69A

RGB 234 214 154

HSL 45, 0.66%, 0.76%

LAB 85.97, -1.69, 32.18

 

CMYK 34 / 0 / 15 / 8

HEX #9AEAC6

RGB 154 234 198

HSL 153, 0.66%, 0.76%

LAB 86.9, -32.12, 9.78

 

CMYK 34 / 26 / 0 / 8

HEX #9AAEEA

RGB 154 174 234

HSL 225, 0.66%, 0.76%

LAB 71.61, 7.13, -32.29

 

CMYK 0 / 33 / 18 / 8

HEX #EA9CBF

RGB 234 156 191

HSL 333.08, 0.65%, 0.76%

LAB 72.91, 33.98, -6.05

 

CMYK 2 / 0 / 34 / 8

HEX #E6EA9A

RGB 230 234 154

HSL 63, 0.66%, 0.76%

LAB 90.78, -13.31, 38.46

 

CMYK 34 / 0 / 15 / 8

HEX #9AEAC6

RGB 154 234 198

HSL 153, 0.66%, 0.76%

LAB 86.9, -32.12, 9.78

 

CMYK 32 / 34 / 0 / 8

HEX #9E9AEA

RGB 158 154 234

HSL 243, 0.66%, 0.76%

LAB 66.76, 19.53, -39.79

 

Description

Color code: HEX #EA9CBF | qconv.com Color code: HEX #EA9CBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 156 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 156 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 18 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 18% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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