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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA7AFB it is the complementary color #158504. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA7AFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA7AFB shade: #EF7AF6, #FF8CFF, #FF9EFF, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA7AFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA7AFB shade: #EA7AFB, #D968E8, #C856D5, #B744C2 and #A632AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA7AFB shade: #EA79FB, #FB79E9, #FB79C6, #FB79A3 and #FB7980

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA7AFB shade: #EA79FB, #C779FB, #A479FB, #8179FB and #7979FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA7AFB shade matches the following richer shades: #EA79FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA7AFB shade: #EA79FB, #E285F0, #D990E5, #D19BD9 and #C9A6CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA7AFB shade: #A579FB, #C779FB, #EA79FB, #FB79EA and #FB79C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA7AFB shade: #DD29F8, #E351FA, #EA79FB, #F0A1FC and #F7C9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA7AFB shade: #EA7AFB, #FB8279 and #79FBB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA7AFB shade: #EA7AFB, #FBEA79 and #79FBEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA7AFB shade: #EA7AFB, #FB8279, #8BFB79 and #79F2FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA7AFB shade: #EA7AFB, #FBA979, #8BFB79 and #79CBFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 51 / 0 / 2

HEX #EA7AFB

RGB 234 122 251

HSL 292.09, 0.94%, 0.73%

LAB 68.3, 61.49, -46.17

 

Complementary color

CMYK 84 / 0 / 97 / 48

HEX #158504

RGB 21 133 4

HSL 112.09, 0.94%, 0.27%

LAB 48.19, -51.18, 50.77

 

CMYK 3 / 50 / 0 / 4

HEX #EF7AF6

RGB 239 122 246

HSL 296.61, 0.87%, 0.72%

LAB 68.7, 61.91, -42.76

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 7 / 51 / 0 / 2

HEX #EA7AFB

RGB 234 122 251

HSL 292.09, 0.94%, 0.73%

LAB 68.3, 61.49, -46.17

 

CMYK 6 / 55 / 0 / 9

HEX #D968E8

RGB 217 104 232

HSL 292.97, 0.74%, 0.66%

LAB 62.06, 62.05, -45.64

 

CMYK 6 / 60 / 0 / 16

HEX #C856D5

RGB 200 86 213

HSL 293.86, 0.6%, 0.59%

LAB 55.83, 62.45, -44.97

 

CMYK 6 / 65 / 0 / 24

HEX #B744C2

RGB 183 68 194

HSL 294.76, 0.51%, 0.51%

LAB 49.61, 62.59, -44.08

 

CMYK 5 / 71 / 0 / 31

HEX #A632AF

RGB 166 50 175

HSL 295.68, 0.56%, 0.44%

LAB 43.48, 62.27, -42.87

 

CMYK 7 / 52 / 0 / 2

HEX #EA79FB

RGB 234 121 251

HSL 292.15, 0.94%, 0.73%

LAB 68.12, 61.96, -46.45

 

CMYK 0 / 52 / 7 / 2

HEX #FB79E9

RGB 251 121 233

HSL 308.31, 0.94%, 0.73%

LAB 69.52, 63.45, -34.22

 

CMYK 0 / 52 / 21 / 2

HEX #FB79C6

RGB 251 121 198

HSL 324.46, 0.94%, 0.73%

LAB 68.21, 58.2, -16.76

 

CMYK 0 / 52 / 35 / 2

HEX #FB79A3

RGB 251 121 163

HSL 340.62, 0.94%, 0.73%

LAB 67.15, 53.75, 1.38

 

CMYK 0 / 52 / 49 / 2

HEX #FB7980

RGB 251 121 128

HSL 356.77, 0.94%, 0.73%

LAB 66.32, 50.18, 20.03

 

CMYK 7 / 52 / 0 / 2

HEX #EA79FB

RGB 234 121 251

HSL 292.15, 0.94%, 0.73%

LAB 68.12, 61.96, -46.45

 

CMYK 21 / 52 / 0 / 2

HEX #C779FB

RGB 199 121 251

HSL 276, 0.94%, 0.73%

LAB 63.98, 52.87, -53.26

 

CMYK 35 / 52 / 0 / 2

HEX #A479FB

RGB 164 121 251

HSL 259.85, 0.94%, 0.73%

LAB 60.37, 44.15, -59.24

 

CMYK 49 / 52 / 0 / 2

HEX #8179FB

RGB 129 121 251

HSL 243.69, 0.94%, 0.73%

LAB 57.37, 36.23, -64.2

 

CMYK 52 / 52 / 0 / 2

HEX #7979FB

RGB 121 121 251

HSL 240, 0.94%, 0.73%

LAB 56.79, 34.59, -65.17

 

CMYK 7 / 52 / 0 / 2

HEX #EA79FB

RGB 234 121 251

HSL 292.15, 0.94%, 0.73%

LAB 68.12, 61.96, -46.45

 

CMYK 7 / 52 / 0 / 2

HEX #EA79FB

RGB 234 121 251

HSL 292.15, 0.94%, 0.73%

LAB 68.12, 61.96, -46.45

 

CMYK 6 / 45 / 0 / 6

HEX #E285F0

RGB 226 133 240

HSL 292.15, 0.78%, 0.73%

LAB 68.92, 51.82, -39.23

 

CMYK 5 / 37 / 0 / 10

HEX #D990E5

RGB 217 144 229

HSL 291.53, 0.62%, 0.73%

LAB 69.72, 41.36, -32.02

 

CMYK 4 / 29 / 0 / 15

HEX #D19BD9

RGB 209 155 217

HSL 292.26, 0.45%, 0.73%

LAB 70.88, 30.61, -23.72

 

CMYK 2 / 19 / 0 / 19

HEX #C9A6CE

RGB 201 166 206

HSL 292.5, 0.29%, 0.73%

LAB 72.33, 19.83, -15.54

 

CMYK 34 / 52 / 0 / 2

HEX #A579FB

RGB 165 121 251

HSL 260.31, 0.94%, 0.73%

LAB 60.46, 44.39, -59.08

 

CMYK 21 / 52 / 0 / 2

HEX #C779FB

RGB 199 121 251

HSL 276, 0.94%, 0.73%

LAB 63.98, 52.87, -53.26

 

CMYK 7 / 52 / 0 / 2

HEX #EA79FB

RGB 234 121 251

HSL 292.15, 0.94%, 0.73%

LAB 68.12, 61.96, -46.45

 

CMYK 0 / 52 / 7 / 2

HEX #FB79EA

RGB 251 121 234

HSL 307.85, 0.94%, 0.73%

LAB 69.56, 63.61, -34.7

 

CMYK 0 / 52 / 21 / 2

HEX #FB79C7

RGB 251 121 199

HSL 324, 0.94%, 0.73%

LAB 68.25, 58.34, -17.27

 

CMYK 11 / 83 / 0 / 3

HEX #DD29F8

RGB 221 41 248

HSL 292.17, 0.94%, 0.57%

LAB 55.82, 87.36, -64.48

 

CMYK 9 / 68 / 0 / 2

HEX #E351FA

RGB 227 81 250

HSL 291.83, 0.94%, 0.65%

LAB 60.89, 77.21, -57.42

 

CMYK 7 / 52 / 0 / 2

HEX #EA79FB

RGB 234 121 251

HSL 292.15, 0.94%, 0.73%

LAB 68.12, 61.96, -46.45

 

CMYK 5 / 36 / 0 / 1

HEX #F0A1FC

RGB 240 161 252

HSL 292.09, 0.94%, 0.81%

LAB 76.71, 43.73, -33.56

 

CMYK 2 / 21 / 0 / 1

HEX #F7C9FD

RGB 247 201 253

HSL 293.08, 0.93%, 0.89%

LAB 86.33, 25, -19.35

 

CMYK 7 / 51 / 0 / 2

HEX #EA7AFB

RGB 234 122 251

HSL 292.09, 0.94%, 0.73%

LAB 68.3, 61.49, -46.17

 

CMYK 0 / 48 / 52 / 2

HEX #FB8279

RGB 251 130 121

HSL 4.15, 0.94%, 0.73%

LAB 67.91, 45.18, 26.09

 

CMYK 52 / 0 / 27 / 2

HEX #79FBB6

RGB 121 251 182

HSL 148.15, 0.94%, 0.73%

LAB 90.06, -51.33, 22.31

 

CMYK 7 / 51 / 0 / 2

HEX #EA7AFB

RGB 234 122 251

HSL 292.09, 0.94%, 0.73%

LAB 68.3, 61.49, -46.17

 

CMYK 0 / 7 / 52 / 2

HEX #FBEA79

RGB 251 234 121

HSL 52.15, 0.94%, 0.73%

LAB 92.01, -8.4, 56.32

 

CMYK 52 / 0 / 7 / 2

HEX #79FBEA

RGB 121 251 234

HSL 172.15, 0.94%, 0.73%

LAB 91.23, -39.99, -2.86

 

CMYK 7 / 51 / 0 / 2

HEX #EA7AFB

RGB 234 122 251

HSL 292.09, 0.94%, 0.73%

LAB 68.3, 61.49, -46.17

 

CMYK 0 / 48 / 52 / 2

HEX #FB8279

RGB 251 130 121

HSL 4.15, 0.94%, 0.73%

LAB 67.91, 45.18, 26.09

 

CMYK 45 / 0 / 52 / 2

HEX #8BFB79

RGB 139 251 121

HSL 111.69, 0.94%, 0.73%

LAB 89.8, -56.2, 52.02

 

CMYK 52 / 4 / 0 / 2

HEX #79F2FB

RGB 121 242 251

HSL 184.15, 0.94%, 0.73%

LAB 89.17, -31.57, -14.77

 

CMYK 7 / 51 / 0 / 2

HEX #EA7AFB

RGB 234 122 251

HSL 292.09, 0.94%, 0.73%

LAB 68.3, 61.49, -46.17

 

CMYK 0 / 33 / 52 / 2

HEX #FBA979

RGB 251 169 121

HSL 22.15, 0.94%, 0.73%

LAB 76.23, 25.13, 36.94

 

CMYK 45 / 0 / 52 / 2

HEX #8BFB79

RGB 139 251 121

HSL 111.69, 0.94%, 0.73%

LAB 89.8, -56.2, 52.02

 

CMYK 52 / 19 / 0 / 2

HEX #79CBFB

RGB 121 203 251

HSL 202.15, 0.94%, 0.73%

LAB 78.31, -12.1, -31.27

 

Description

Color code: HEX #EA7AFB | qconv.com Color code: HEX #EA7AFB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 122 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 122 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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