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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA77C3 it is the complementary color #15883C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA77C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA77C3 shade: #EF77BE, #FF89D1, #FF9BE4, #FFADF7 and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA77C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA77C3 shade: #EA77C3, #D965B0, #C8539D, #B7418A and #A62F77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA77C3 shade: #EA76C3, #EA76A3, #EA7684 and #EA7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA77C3 shade: #EA76C3, #EA76E2, #D376EA, #B376EA and #9476EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA77C3 shade matches the following richer shades: #EA76C3 and #F669C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA77C3 shade: #EA76C3, #DD83BE, #D090BA, #C39DB6 and #B6A9B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA77C3 shade: #D376EA, #EA76E2, #EA76C3, #EA76A4 and #EA7686

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA77C3 shade: #DF2FA3, #E453B3, #EA76C3, #EF9AD2 and #F5BEE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA77C3 shade: #EA77C3, #EAB476 and #76EAE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA77C3 shade: #EA77C3, #C3EA76 and #76C3EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA77C3 shade: #EA77C3, #EAB476, #76EA9D and #76ACEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA77C3 shade: #EA77C3, #EAD676, #76EA9D and #7689EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 17 / 8

HEX #EA77C3

RGB 234 119 195

HSL 320.35, 0.73%, 0.69%

LAB 65.46, 53.54, -19.47

 

Complementary color

CMYK 85 / 0 / 56 / 47

HEX #15883C

RGB 21 136 60

HSL 140.35, 0.73%, 0.31%

LAB 49.61, -47.32, 32.08

 

CMYK 0 / 50 / 21 / 6

HEX #EF77BE

RGB 239 119 190

HSL 324.5, 0.79%, 0.7%

LAB 65.95, 54.35, -15.84

 

CMYK 0 / 46 / 18 / 0

HEX #FF89D1

RGB 255 137 209

HSL 323.39, 1%, 0.77%

LAB 72.06, 53.33, -17.01

 

CMYK 0 / 39 / 11 / 0

HEX #FF9BE4

RGB 255 155 228

HSL 316.2, 1%, 0.8%

LAB 76.26, 47.26, -21.09

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF7

RGB 255 173 247

HSL 305.85, 1%, 0.84%

LAB 80.66, 41.19, -24.66

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 49 / 17 / 8

HEX #EA77C3

RGB 234 119 195

HSL 320.35, 0.73%, 0.69%

LAB 65.46, 53.54, -19.47

 

CMYK 0 / 53 / 19 / 15

HEX #D965B0

RGB 217 101 176

HSL 321.21, 0.6%, 0.62%

LAB 59.15, 54.18, -18.46

 

CMYK 0 / 59 / 22 / 22

HEX #C8539D

RGB 200 83 157

HSL 322.05, 0.52%, 0.55%

LAB 52.84, 54.69, -17.25

 

CMYK 0 / 64 / 25 / 28

HEX #B7418A

RGB 183 65 138

HSL 322.88, 0.48%, 0.49%

LAB 46.56, 54.96, -15.75

 

CMYK 0 / 72 / 28 / 35

HEX #A62F77

RGB 166 47 119

HSL 323.7, 0.56%, 0.42%

LAB 40.36, 54.8, -13.81

 

CMYK 0 / 50 / 17 / 8

HEX #EA76C3

RGB 234 118 195

HSL 320.17, 0.73%, 0.69%

LAB 65.27, 54.02, -19.75

 

CMYK 0 / 50 / 30 / 8

HEX #EA76A3

RGB 234 118 163

HSL 336.72, 0.73%, 0.69%

LAB 64.24, 49.6, -3.16

 

CMYK 0 / 50 / 44 / 8

HEX #EA7684

RGB 234 118 132

HSL 352.76, 0.73%, 0.69%

LAB 63.44, 46.06, 13.39

 

CMYK 0 / 50 / 50 / 8

HEX #EA7676

RGB 234 118 118

HSL 0, 0.73%, 0.69%

LAB 63.14, 44.72, 20.96

 

CMYK 0 / 50 / 17 / 8

HEX #EA76C3

RGB 234 118 195

HSL 320.17, 0.73%, 0.69%

LAB 65.27, 54.02, -19.75

 

CMYK 0 / 50 / 3 / 8

HEX #EA76E2

RGB 234 118 226

HSL 304.14, 0.73%, 0.69%

LAB 66.47, 58.97, -35.24

 

CMYK 10 / 50 / 0 / 8

HEX #D376EA

RGB 211 118 234

HSL 288.1, 0.73%, 0.69%

LAB 63.95, 54.07, -43.83

 

CMYK 24 / 50 / 0 / 8

HEX #B376EA

RGB 179 118 234

HSL 271.55, 0.73%, 0.69%

LAB 60.32, 45.48, -49.81

 

CMYK 37 / 50 / 0 / 8

HEX #9476EA

RGB 148 118 234

HSL 255.52, 0.73%, 0.69%

LAB 57.26, 37.55, -54.86

 

CMYK 0 / 50 / 17 / 8

HEX #EA76C3

RGB 234 118 195

HSL 320.17, 0.73%, 0.69%

LAB 65.27, 54.02, -19.75

 

CMYK 0 / 57 / 19 / 4

HEX #F669C7

RGB 246 105 199

HSL 320, 0.89%, 0.69%

LAB 64.82, 64.13, -22.55

 

CMYK 0 / 50 / 17 / 8

HEX #EA76C3

RGB 234 118 195

HSL 320.17, 0.73%, 0.69%

LAB 65.27, 54.02, -19.75

 

CMYK 0 / 41 / 14 / 13

HEX #DD83BE

RGB 221 131 190

HSL 320.67, 0.57%, 0.69%

LAB 66, 42.59, -15.99

 

CMYK 0 / 31 / 11 / 18

HEX #D090BA

RGB 208 144 186

HSL 320.63, 0.41%, 0.69%

LAB 67.2, 30.63, -12.08

 

CMYK 0 / 19 / 7 / 24

HEX #C39DB6

RGB 195 157 182

HSL 320.53, 0.24%, 0.69%

LAB 68.82, 18.26, -7.58

 

CMYK 0 / 7 / 2 / 29

HEX #B6A9B2

RGB 182 169 178

HSL 318.46, 0.08%, 0.69%

LAB 70.55, 6.31, -2.94

 

CMYK 10 / 50 / 0 / 8

HEX #D376EA

RGB 211 118 234

HSL 288.1, 0.73%, 0.69%

LAB 63.95, 54.07, -43.83

 

CMYK 0 / 50 / 3 / 8

HEX #EA76E2

RGB 234 118 226

HSL 304.14, 0.73%, 0.69%

LAB 66.47, 58.97, -35.24

 

CMYK 0 / 50 / 17 / 8

HEX #EA76C3

RGB 234 118 195

HSL 320.17, 0.73%, 0.69%

LAB 65.27, 54.02, -19.75

 

CMYK 0 / 50 / 30 / 8

HEX #EA76A4

RGB 234 118 164

HSL 336.21, 0.73%, 0.69%

LAB 64.27, 49.73, -3.69

 

CMYK 0 / 50 / 43 / 8

HEX #EA7686

RGB 234 118 134

HSL 351.72, 0.73%, 0.69%

LAB 63.48, 46.27, 12.32

 

CMYK 0 / 79 / 27 / 13

HEX #DF2FA3

RGB 223 47 163

HSL 320.45, 0.73%, 0.53%

LAB 52.25, 74.36, -21.36

 

CMYK 0 / 64 / 21 / 11

HEX #E453B3

RGB 228 83 179

HSL 320.28, 0.73%, 0.61%

LAB 57.98, 65.64, -21.84

 

CMYK 0 / 50 / 17 / 8

HEX #EA76C3

RGB 234 118 195

HSL 320.17, 0.73%, 0.69%

LAB 65.27, 54.02, -19.75

 

CMYK 0 / 36 / 12 / 6

HEX #EF9AD2

RGB 239 154 210

HSL 320.47, 0.73%, 0.77%

LAB 73.62, 39.71, -15.4

 

CMYK 0 / 22 / 8 / 4

HEX #F5BEE2

RGB 245 190 226

HSL 320.73, 0.73%, 0.85%

LAB 82.77, 25.36, -10.32

 

CMYK 0 / 49 / 17 / 8

HEX #EA77C3

RGB 234 119 195

HSL 320.35, 0.73%, 0.69%

LAB 65.46, 53.54, -19.47

 

CMYK 0 / 23 / 50 / 8

HEX #EAB476

RGB 234 180 118

HSL 32.07, 0.73%, 0.69%

LAB 76.95, 12.26, 39.02

 

CMYK 50 / 0 / 3 / 8

HEX #76EAE2

RGB 118 234 226

HSL 175.86, 0.73%, 0.69%

LAB 86.1, -34.8, -6.26

 

CMYK 0 / 49 / 17 / 8

HEX #EA77C3

RGB 234 119 195

HSL 320.35, 0.73%, 0.69%

LAB 65.46, 53.54, -19.47

 

CMYK 17 / 0 / 50 / 8

HEX #C3EA76

RGB 195 234 118

HSL 80.17, 0.73%, 0.69%

LAB 87.85, -30.48, 51.75

 

CMYK 50 / 17 / 0 / 8

HEX #76C3EA

RGB 118 195 234

HSL 200.17, 0.73%, 0.69%

LAB 75.34, -13.36, -26.71

 

CMYK 0 / 49 / 17 / 8

HEX #EA77C3

RGB 234 119 195

HSL 320.35, 0.73%, 0.69%

LAB 65.46, 53.54, -19.47

 

CMYK 0 / 23 / 50 / 8

HEX #EAB476

RGB 234 180 118

HSL 32.07, 0.73%, 0.69%

LAB 76.95, 12.26, 39.02

 

CMYK 50 / 0 / 33 / 8

HEX #76EA9D

RGB 118 234 157

HSL 140.17, 0.73%, 0.69%

LAB 84.55, -49.63, 27.54

 

CMYK 50 / 26 / 0 / 8

HEX #76ACEA

RGB 118 172 234

HSL 212.07, 0.73%, 0.69%

LAB 68.97, -0.9, -36.55

 

CMYK 0 / 49 / 17 / 8

HEX #EA77C3

RGB 234 119 195

HSL 320.35, 0.73%, 0.69%

LAB 65.46, 53.54, -19.47

 

CMYK 0 / 9 / 50 / 8

HEX #EAD676

RGB 234 214 118

HSL 49.66, 0.73%, 0.69%

LAB 85.45, -5.41, 49.54

 

CMYK 50 / 0 / 33 / 8

HEX #76EA9D

RGB 118 234 157

HSL 140.17, 0.73%, 0.69%

LAB 84.55, -49.63, 27.54

 

CMYK 50 / 41 / 0 / 8

HEX #7689EA

RGB 118 137 234

HSL 230.17, 0.73%, 0.69%

LAB 59.6, 19.29, -51.27

 

Description

Color code: HEX #EA77C3 | qconv.com Color code: HEX #EA77C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 119 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 119 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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