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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA7690 it is the complementary color #15896F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA7690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA7690 shade: #EF768B, #FF889E, #FF9AB1, #FFACC4 and #FFBED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA7690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA7690 shade: #EA7690, #D9647D, #C8526A, #B74057 and #A62E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA7690 shade: #EA7690 and #EA7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA7690 shade: #EA7690, #EA76AF, #EA76CE, #E676EA and #C776EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA7690 shade matches the following richer shades: #EA7690 and #F66989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA7690 shade: #EA7690, #DD8397, #D0909E, #C39DA5 and #B6A9AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA7690 shade: #EA76CF, #EA76B0, #EA7691, #EA7A76 and #EA9976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA7690 shade: #DF2F56, #E45373, #EA7690, #EF9AAD and #F5BECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA7690 shade: #EA7690, #EAE676 and #76BFEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA7690 shade: #EA7690, #91EA76 and #7691EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA7690 shade: #EA7690, #EAE676, #76EACF and #767AEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA7690 shade: #EA7690, #CBEA76, #76EACF and #9576EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

Complementary color

CMYK 85 / 0 / 19 / 46

HEX #15896F

RGB 21 137 111

HSL 166.55, 0.73%, 0.31%

LAB 50.92, -36.75, 5.4

 

CMYK 0 / 51 / 42 / 6

HEX #EF768B

RGB 239 118 139

HSL 349.59, 0.79%, 0.7%

LAB 64.3, 48.52, 10.71

 

CMYK 0 / 47 / 38 / 0

HEX #FF889E

RGB 255 136 158

HSL 348.91, 1%, 0.77%

LAB 70.41, 47.24, 8.96

 

CMYK 0 / 40 / 31 / 0

HEX #FF9AB1

RGB 255 154 177

HSL 346.34, 1%, 0.8%

LAB 74.54, 40.41, 4.34

 

CMYK 0 / 33 / 23 / 0

HEX #FFACC4

RGB 255 172 196

HSL 342.65, 1%, 0.84%

LAB 78.9, 33.63, 0.27

 

CMYK 0 / 25 / 16 / 0

HEX #FFBED7

RGB 255 190 215

HSL 336.92, 1%, 0.87%

LAB 83.44, 27.01, -3.33

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 54 / 42 / 15

HEX #D9647D

RGB 217 100 125

HSL 347.18, 0.61%, 0.62%

LAB 57.41, 48.24, 8.59

 

CMYK 0 / 59 / 47 / 22

HEX #C8526A

RGB 200 82 106

HSL 347.8, 0.52%, 0.55%

LAB 51.1, 49.07, 10.55

 

CMYK 0 / 65 / 52 / 28

HEX #B74057

RGB 183 64 87

HSL 348.4, 0.48%, 0.48%

LAB 44.83, 49.74, 12.92

 

CMYK 0 / 72 / 59 / 35

HEX #A62E44

RGB 166 46 68

HSL 349, 0.57%, 0.42%

LAB 38.69, 50.05, 15.9

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 50 / 50 / 8

HEX #EA7676

RGB 234 118 118

HSL 0, 0.73%, 0.69%

LAB 63.14, 44.72, 20.96

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 50 / 25 / 8

HEX #EA76AF

RGB 234 118 175

HSL 330.52, 0.73%, 0.69%

LAB 64.6, 51.17, -9.45

 

CMYK 0 / 50 / 12 / 8

HEX #EA76CE

RGB 234 118 206

HSL 314.48, 0.73%, 0.69%

LAB 65.68, 55.71, -25.32

 

CMYK 2 / 50 / 0 / 8

HEX #E676EA

RGB 230 118 234

HSL 297.93, 0.73%, 0.69%

LAB 66.31, 59.25, -39.98

 

CMYK 15 / 50 / 0 / 8

HEX #C776EA

RGB 199 118 234

HSL 281.9, 0.73%, 0.69%

LAB 62.54, 50.82, -46.15

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 57 / 44 / 4

HEX #F66989

RGB 246 105 137

HSL 346.38, 0.89%, 0.69%

LAB 62.93, 56.78, 10.06

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 41 / 32 / 13

HEX #DD8397

RGB 221 131 151

HSL 346.67, 0.57%, 0.69%

LAB 64.83, 36.96, 4.33

 

CMYK 0 / 31 / 24 / 18

HEX #D0909E

RGB 208 144 158

HSL 346.88, 0.41%, 0.69%

LAB 66.39, 26.2, 2.43

 

CMYK 0 / 19 / 15 / 24

HEX #C39DA5

RGB 195 157 165

HSL 347.37, 0.24%, 0.69%

LAB 68.34, 15.35, 1.18

 

CMYK 0 / 7 / 5 / 29

HEX #B6A9AC

RGB 182 169 172

HSL 346.15, 0.08%, 0.69%

LAB 70.39, 5.21, 0.14

 

CMYK 0 / 50 / 12 / 8

HEX #EA76CF

RGB 234 118 207

HSL 313.97, 0.73%, 0.69%

LAB 65.71, 55.87, -25.82

 

CMYK 0 / 50 / 25 / 8

HEX #EA76B0

RGB 234 118 176

HSL 330, 0.73%, 0.69%

LAB 64.63, 51.31, -9.97

 

CMYK 0 / 50 / 38 / 8

HEX #EA7691

RGB 234 118 145

HSL 346.03, 0.73%, 0.69%

LAB 63.75, 47.45, 6.41

 

CMYK 0 / 48 / 50 / 8

HEX #EA7A76

RGB 234 122 118

HSL 2.07, 0.73%, 0.69%

LAB 63.93, 42.72, 22.03

 

CMYK 0 / 35 / 50 / 8

HEX #EA9976

RGB 234 153 118

HSL 18.1, 0.73%, 0.69%

LAB 70.58, 26.61, 30.86

 

CMYK 0 / 79 / 61 / 13

HEX #DF2F56

RGB 223 47 86

HSL 346.7, 0.73%, 0.53%

LAB 49.97, 67.52, 21.71

 

CMYK 0 / 64 / 50 / 11

HEX #E45373

RGB 228 83 115

HSL 346.76, 0.73%, 0.61%

LAB 56.01, 58.56, 12.73

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 36 / 28 / 6

HEX #EF9AAD

RGB 239 154 173

HSL 346.59, 0.73%, 0.77%

LAB 72.55, 34.21, 3.43

 

CMYK 0 / 22 / 18 / 4

HEX #F5BECA

RGB 245 190 202

HSL 346.91, 0.73%, 0.85%

LAB 82.11, 21.5, 1.59

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 2 / 50 / 8

HEX #EAE676

RGB 234 230 118

HSL 57.93, 0.73%, 0.69%

LAB 89.58, -13.44, 54.48

 

CMYK 50 / 18 / 0 / 8

HEX #76BFEA

RGB 118 191 234

HSL 202.24, 0.73%, 0.69%

LAB 74.22, -11.25, -28.43

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 38 / 0 / 50 / 8

HEX #91EA76

RGB 145 234 118

HSL 106.03, 0.73%, 0.69%

LAB 85.08, -47.84, 47.75

 

CMYK 50 / 38 / 0 / 8

HEX #7691EA

RGB 118 145 234

HSL 226.03, 0.73%, 0.69%

LAB 61.69, 14.57, -47.96

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 0 / 2 / 50 / 8

HEX #EAE676

RGB 234 230 118

HSL 57.93, 0.73%, 0.69%

LAB 89.58, -13.44, 54.48

 

CMYK 50 / 0 / 12 / 8

HEX #76EACF

RGB 118 234 207

HSL 166.03, 0.73%, 0.69%

LAB 85.61, -39.35, 3.01

 

CMYK 50 / 48 / 0 / 8

HEX #767AEA

RGB 118 122 234

HSL 237.93, 0.73%, 0.69%

LAB 55.8, 28.22, -57.34

 

CMYK 0 / 50 / 38 / 8

HEX #EA7690

RGB 234 118 144

HSL 346.55, 0.73%, 0.69%

LAB 63.72, 47.34, 6.94

 

CMYK 13 / 0 / 50 / 8

HEX #CBEA76

RGB 203 234 118

HSL 76.03, 0.73%, 0.69%

LAB 88.38, -27.46, 52.5

 

CMYK 50 / 0 / 12 / 8

HEX #76EACF

RGB 118 234 207

HSL 166.03, 0.73%, 0.69%

LAB 85.61, -39.35, 3.01

 

CMYK 36 / 50 / 0 / 8

HEX #9576EA

RGB 149 118 234

HSL 256.03, 0.73%, 0.69%

LAB 57.35, 37.79, -54.71

 

Description

Color code: HEX #EA7690 | qconv.com Color code: HEX #EA7690 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 118 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 118 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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