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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA764F it is the complementary color #1589B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA764F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA764F shade: #EF764A, #FF885D, #FF9A70, #FFAC83 and #FFBE96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA764F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA764F shade: #EA764F, #D9643C, #C85229, #B74016 and #A62E03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA764F shade: #EA754D and #EA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA764F shade: #EA754D, #EA9F4D, #EAC94D, #E1EA4D and #B6EA4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA764F shade matches the following richer shades: #EA754D and #FA6D3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA764F shade: #EA754D, #DA7D5D, #CA856D, #BA8D7D and #AA948D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA764F shade: #EA4D7A, #EA4D50, #EA744D, #EA9E4D and #EAC84D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA764F shade: #CD4518, #E65828, #EA754D, #EE9172 and #F3AE97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA764F shade: #EA764F, #A3EA4D and #4D65EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA764F shade: #EA764F, #4DEA74 and #744DEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA764F shade: #EA764F, #A3EA4D, #4DC3EA and #944DEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA764F shade: #EA764F, #74EA4D, #4DC3EA and #C34DEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 66 / 8

HEX #EA764F

RGB 234 118 79

HSL 15.1, 0.79%, 0.61%

LAB 62.52, 41.85, 41.73

 

Complementary color

CMYK 88 / 22 / 0 / 31

HEX #1589B0

RGB 21 137 176

HSL 195.1, 0.79%, 0.39%

LAB 53.15, -15.85, -28.93

 

CMYK 0 / 51 / 69 / 6

HEX #EF764A

RGB 239 118 74

HSL 16, 0.84%, 0.61%

LAB 63.18, 43.47, 45.29

 

CMYK 0 / 47 / 64 / 0

HEX #FF885D

RGB 255 136 93

HSL 15.93, 1%, 0.68%

LAB 69.23, 41.64, 43.03

 

CMYK 0 / 40 / 56 / 0

HEX #FF9A70

RGB 255 154 112

HSL 17.62, 1%, 0.72%

LAB 73.25, 33.78, 37.99

 

CMYK 0 / 33 / 49 / 0

HEX #FFAC83

RGB 255 172 131

HSL 19.84, 1%, 0.76%

LAB 77.52, 26.02, 33.43

 

CMYK 0 / 25 / 41 / 0

HEX #FFBE96

RGB 255 190 150

HSL 22.86, 1%, 0.79%

LAB 81.99, 18.48, 29.32

 

CMYK 0 / 50 / 66 / 8

HEX #EA764F

RGB 234 118 79

HSL 15.1, 0.79%, 0.61%

LAB 62.52, 41.85, 41.73

 

CMYK 0 / 54 / 72 / 15

HEX #D9643C

RGB 217 100 60

HSL 15.29, 0.67%, 0.54%

LAB 56.28, 43.34, 43.92

 

CMYK 0 / 59 / 80 / 22

HEX #C85229

RGB 200 82 41

HSL 15.47, 0.66%, 0.47%

LAB 50.07, 44.87, 46.18

 

CMYK 0 / 65 / 88 / 28

HEX #B74016

RGB 183 64 22

HSL 15.65, 0.79%, 0.4%

LAB 43.93, 46.35, 48.15

 

CMYK 0 / 72 / 98 / 35

HEX #A62E03

RGB 166 46 3

HSL 15.83, 0.96%, 0.33%

LAB 37.96, 47.55, 49.18

 

CMYK 0 / 50 / 67 / 8

HEX #EA754D

RGB 234 117 77

HSL 15.29, 0.79%, 0.61%

LAB 62.3, 42.24, 42.52

 

CMYK 0 / 67 / 67 / 8

HEX #EA4D4D

RGB 234 77 77

HSL 0, 0.79%, 0.61%

LAB 55.42, 60.27, 34.34

 

CMYK 0 / 50 / 67 / 8

HEX #EA754D

RGB 234 117 77

HSL 15.29, 0.79%, 0.61%

LAB 62.3, 42.24, 42.52

 

CMYK 0 / 32 / 67 / 8

HEX #EA9F4D

RGB 234 159 77

HSL 31.34, 0.79%, 0.61%

LAB 71.44, 20.38, 52.84

 

CMYK 0 / 14 / 67 / 8

HEX #EAC94D

RGB 234 201 77

HSL 47.39, 0.79%, 0.61%

LAB 81.73, -1.69, 63.84

 

CMYK 4 / 0 / 67 / 8

HEX #E1EA4D

RGB 225 234 77

HSL 63.44, 0.79%, 0.61%

LAB 89.57, -21.87, 71.62

 

CMYK 22 / 0 / 67 / 8

HEX #B6EA4D

RGB 182 234 77

HSL 79.87, 0.79%, 0.61%

LAB 86.67, -38.75, 67.72

 

CMYK 0 / 50 / 67 / 8

HEX #EA754D

RGB 234 117 77

HSL 15.29, 0.79%, 0.61%

LAB 62.3, 42.24, 42.52

 

CMYK 0 / 56 / 76 / 2

HEX #FA6D3D

RGB 250 109 61

HSL 15.24, 0.95%, 0.61%

LAB 63.01, 51.25, 52.1

 

CMYK 0 / 50 / 67 / 8

HEX #EA754D

RGB 234 117 77

HSL 15.29, 0.79%, 0.61%

LAB 62.3, 42.24, 42.52

 

CMYK 0 / 43 / 57 / 15

HEX #DA7D5D

RGB 218 125 93

HSL 15.36, 0.63%, 0.61%

LAB 61.97, 33, 33

 

CMYK 0 / 34 / 46 / 21

HEX #CA856D

RGB 202 133 109

HSL 15.48, 0.47%, 0.61%

LAB 62.03, 23.77, 23.82

 

CMYK 0 / 24 / 33 / 27

HEX #BA8D7D

RGB 186 141 125

HSL 15.74, 0.31%, 0.61%

LAB 62.48, 14.82, 15.15

 

CMYK 0 / 13 / 17 / 33

HEX #AA948D

RGB 170 148 141

HSL 14.48, 0.15%, 0.61%

LAB 63.05, 7.01, 6.7

 

CMYK 0 / 67 / 48 / 8

HEX #EA4D7A

RGB 234 77 122

HSL 342.8, 0.79%, 0.61%

LAB 56.29, 63.39, 9.14

 

CMYK 0 / 67 / 66 / 8

HEX #EA4D50

RGB 234 77 80

HSL 358.85, 0.79%, 0.61%

LAB 55.46, 60.43, 32.68

 

CMYK 0 / 50 / 67 / 8

HEX #EA744D

RGB 234 116 77

HSL 14.9, 0.79%, 0.61%

LAB 62.1, 42.74, 42.29

 

CMYK 0 / 32 / 67 / 8

HEX #EA9E4D

RGB 234 158 77

HSL 30.96, 0.79%, 0.61%

LAB 71.2, 20.91, 52.58

 

CMYK 0 / 15 / 67 / 8

HEX #EAC84D

RGB 234 200 77

HSL 47.01, 0.79%, 0.61%

LAB 81.48, -1.18, 63.57

 

CMYK 0 / 66 / 88 / 20

HEX #CD4518

RGB 205 69 24

HSL 14.92, 0.79%, 0.45%

LAB 48.64, 51.97, 52.72

 

CMYK 0 / 62 / 83 / 10

HEX #E65828

RGB 230 88 40

HSL 15.16, 0.79%, 0.53%

LAB 56.04, 52.92, 54.02

 

CMYK 0 / 50 / 67 / 8

HEX #EA754D

RGB 234 117 77

HSL 15.29, 0.79%, 0.61%

LAB 62.3, 42.24, 42.52

 

CMYK 0 / 39 / 52 / 7

HEX #EE9172

RGB 238 145 114

HSL 15, 0.78%, 0.69%

LAB 69.21, 32.03, 31.33

 

CMYK 0 / 28 / 38 / 5

HEX #F3AE97

RGB 243 174 151

HSL 15, 0.79%, 0.77%

LAB 77.02, 22.39, 21.84

 

CMYK 0 / 50 / 66 / 8

HEX #EA764F

RGB 234 118 79

HSL 15.1, 0.79%, 0.61%

LAB 62.52, 41.85, 41.73

 

CMYK 30 / 0 / 67 / 8

HEX #A3EA4D

RGB 163 234 77

HSL 87.13, 0.79%, 0.61%

LAB 85.59, -45.7, 66.27

 

CMYK 67 / 57 / 0 / 8

HEX #4D65EA

RGB 77 101 234

HSL 230.83, 0.79%, 0.61%

LAB 48.04, 33.57, -69.98

 

CMYK 0 / 50 / 66 / 8

HEX #EA764F

RGB 234 118 79

HSL 15.1, 0.79%, 0.61%

LAB 62.52, 41.85, 41.73

 

CMYK 67 / 0 / 50 / 8

HEX #4DEA74

RGB 77 234 116

HSL 134.9, 0.79%, 0.61%

LAB 82.75, -65.09, 45.3

 

CMYK 50 / 67 / 0 / 8

HEX #744DEA

RGB 116 77 234

HSL 254.9, 0.79%, 0.61%

LAB 45.58, 53.67, -73.86

 

CMYK 0 / 50 / 66 / 8

HEX #EA764F

RGB 234 118 79

HSL 15.1, 0.79%, 0.61%

LAB 62.52, 41.85, 41.73

 

CMYK 30 / 0 / 67 / 8

HEX #A3EA4D

RGB 163 234 77

HSL 87.13, 0.79%, 0.61%

LAB 85.59, -45.7, 66.27

 

CMYK 67 / 17 / 0 / 8

HEX #4DC3EA

RGB 77 195 234

HSL 194.9, 0.79%, 0.61%

LAB 73.9, -21.02, -29.05

 

CMYK 37 / 67 / 0 / 8

HEX #944DEA

RGB 148 77 234

HSL 267.13, 0.79%, 0.61%

LAB 48.94, 59.45, -68.25

 

CMYK 0 / 50 / 66 / 8

HEX #EA764F

RGB 234 118 79

HSL 15.1, 0.79%, 0.61%

LAB 62.52, 41.85, 41.73

 

CMYK 50 / 0 / 67 / 8

HEX #74EA4D

RGB 116 234 77

HSL 105.1, 0.79%, 0.61%

LAB 83.49, -60.62, 63.43

 

CMYK 67 / 17 / 0 / 8

HEX #4DC3EA

RGB 77 195 234

HSL 194.9, 0.79%, 0.61%

LAB 73.9, -21.02, -29.05

 

CMYK 17 / 67 / 0 / 8

HEX #C34DEA

RGB 195 77 234

HSL 285.1, 0.79%, 0.61%

LAB 54.92, 69.05, -58.31

 

Description

Color code: HEX #EA764F | qconv.com Color code: HEX #EA764F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 118 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 118 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 66 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 66% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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