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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA74AE it is the complementary color #158B51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA74AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA74AE shade: #EF74A9, #FF86BC, #FF98CF, #FFAAE2 and #FFBCF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA74AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA74AE shade: #EA74AE, #D9629B, #C85088, #B73E75 and #A62C62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA74AE shade: #EA75AF, #EA758F and #EA7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA74AE shade: #EA75AF, #EA75CF, #E775EA, #C775EA and #A875EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA74AE shade matches the following richer shades: #EA75AF and #F769AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA74AE shade: #EA75AF, #DE82AF, #D18FAF, #C49CB0 and #B7A9B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA74AE shade: #E775EA, #EA75CF, #EA75B0, #EA7591 and #EA7975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA74AE shade: #E02E85, #E5529A, #EA75AF, #F099C4 and #F5BDD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA74AE shade: #EA74AE, #EAC775 and #75DFEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA74AE shade: #EA74AE, #B0EA75 and #75B0EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA74AE shade: #EA74AE, #EAC775, #75EAB0 and #7599EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA74AE shade: #EA74AE, #EAEA75, #75EAB0 and #7575EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 26 / 8

HEX #EA74AE

RGB 234 116 174

HSL 330.51, 0.74%, 0.69%

LAB 64.19, 52.01, -9.49

 

Complementary color

CMYK 85 / 0 / 42 / 45

HEX #158B51

RGB 21 139 81

HSL 150.51, 0.74%, 0.31%

LAB 50.94, -44.68, 22.52

 

CMYK 0 / 51 / 29 / 6

HEX #EF74A9

RGB 239 116 169

HSL 334.15, 0.79%, 0.7%

LAB 64.73, 52.96, -5.77

 

CMYK 0 / 47 / 26 / 0

HEX #FF86BC

RGB 255 134 188

HSL 333.22, 1%, 0.76%

LAB 70.83, 51.87, -7.19

 

CMYK 0 / 40 / 19 / 0

HEX #FF98CF

RGB 255 152 207

HSL 327.96, 1%, 0.8%

LAB 74.96, 45.54, -11.55

 

CMYK 0 / 33 / 11 / 0

HEX #FFAAE2

RGB 255 170 226

HSL 320.47, 1%, 0.83%

LAB 79.33, 39.22, -15.36

 

CMYK 0 / 26 / 4 / 0

HEX #FFBCF5

RGB 255 188 245

HSL 308.96, 1%, 0.87%

LAB 83.87, 33, -18.73

 

CMYK 0 / 50 / 26 / 8

HEX #EA74AE

RGB 234 116 174

HSL 330.51, 0.74%, 0.69%

LAB 64.19, 52.01, -9.49

 

CMYK 0 / 55 / 29 / 15

HEX #D9629B

RGB 217 98 155

HSL 331.26, 0.61%, 0.62%

LAB 57.9, 52.7, -8.21

 

CMYK 0 / 60 / 32 / 22

HEX #C85088

RGB 200 80 136

HSL 332, 0.52%, 0.55%

LAB 51.6, 53.27, -6.68

 

CMYK 0 / 66 / 36 / 28

HEX #B73E75

RGB 183 62 117

HSL 332.73, 0.49%, 0.48%

LAB 45.35, 53.58, -4.78

 

CMYK 0 / 73 / 41 / 35

HEX #A62C62

RGB 166 44 98

HSL 333.44, 0.58%, 0.41%

LAB 39.22, 53.45, -2.36

 

CMYK 0 / 50 / 25 / 8

HEX #EA75AF

RGB 234 117 175

HSL 330.26, 0.74%, 0.69%

LAB 64.41, 51.66, -9.73

 

CMYK 0 / 50 / 39 / 8

HEX #EA758F

RGB 234 117 143

HSL 346.67, 0.74%, 0.69%

LAB 63.51, 47.72, 7.2

 

CMYK 0 / 50 / 50 / 8

HEX #EA7575

RGB 234 117 117

HSL 0, 0.74%, 0.69%

LAB 62.93, 45.13, 21.23

 

CMYK 0 / 50 / 25 / 8

HEX #EA75AF

RGB 234 117 175

HSL 330.26, 0.74%, 0.69%

LAB 64.41, 51.66, -9.73

 

CMYK 0 / 50 / 12 / 8

HEX #EA75CF

RGB 234 117 207

HSL 313.85, 0.74%, 0.69%

LAB 65.53, 56.35, -26.1

 

CMYK 1 / 50 / 0 / 8

HEX #E775EA

RGB 231 117 234

HSL 298.46, 0.74%, 0.69%

LAB 66.25, 60, -40.05

 

CMYK 15 / 50 / 0 / 8

HEX #C775EA

RGB 199 117 234

HSL 282.05, 0.74%, 0.69%

LAB 62.34, 51.34, -46.46

 

CMYK 28 / 50 / 0 / 8

HEX #A875EA

RGB 168 117 234

HSL 266.15, 0.74%, 0.69%

LAB 58.96, 43.15, -52.03

 

CMYK 0 / 50 / 25 / 8

HEX #EA75AF

RGB 234 117 175

HSL 330.26, 0.74%, 0.69%

LAB 64.41, 51.66, -9.73

 

CMYK 0 / 57 / 29 / 3

HEX #F769AF

RGB 247 105 175

HSL 330.42, 0.9%, 0.69%

LAB 64.14, 61.27, -9.95

 

CMYK 0 / 50 / 25 / 8

HEX #EA75AF

RGB 234 117 175

HSL 330.26, 0.74%, 0.69%

LAB 64.41, 51.66, -9.73

 

CMYK 0 / 41 / 21 / 13

HEX #DE82AF

RGB 222 130 175

HSL 330.65, 0.58%, 0.69%

LAB 65.43, 41.14, -8.38

 

CMYK 0 / 32 / 16 / 18

HEX #D18FAF

RGB 209 143 175

HSL 330.91, 0.42%, 0.69%

LAB 66.74, 29.7, -6.59

 

CMYK 0 / 20 / 10 / 23

HEX #C49CB0

RGB 196 156 176

HSL 330, 0.25%, 0.69%

LAB 68.49, 18.11, -4.71

 

CMYK 0 / 8 / 4 / 28

HEX #B7A9B0

RGB 183 169 176

HSL 330, 0.09%, 0.69%

LAB 70.58, 6.3, -1.78

 

CMYK 1 / 50 / 0 / 8

HEX #E775EA

RGB 231 117 234

HSL 298.46, 0.74%, 0.69%

LAB 66.25, 60, -40.05

 

CMYK 0 / 50 / 12 / 8

HEX #EA75CF

RGB 234 117 207

HSL 313.85, 0.74%, 0.69%

LAB 65.53, 56.35, -26.1

 

CMYK 0 / 50 / 25 / 8

HEX #EA75B0

RGB 234 117 176

HSL 329.74, 0.74%, 0.69%

LAB 64.44, 51.79, -10.25

 

CMYK 0 / 50 / 38 / 8

HEX #EA7591

RGB 234 117 145

HSL 345.64, 0.74%, 0.69%

LAB 63.56, 47.94, 6.13

 

CMYK 0 / 48 / 50 / 8

HEX #EA7975

RGB 234 121 117

HSL 2.05, 0.74%, 0.69%

LAB 63.71, 43.13, 22.3

 

CMYK 0 / 79 / 41 / 12

HEX #E02E85

RGB 224 46 133

HSL 330.67, 0.74%, 0.53%

LAB 51.26, 71.68, -4.94

 

CMYK 0 / 64 / 33 / 10

HEX #E5529A

RGB 229 82 154

HSL 330.61, 0.74%, 0.61%

LAB 57.1, 63.2, -8.62

 

CMYK 0 / 50 / 25 / 8

HEX #EA75AF

RGB 234 117 175

HSL 330.26, 0.74%, 0.69%

LAB 64.41, 51.66, -9.73

 

CMYK 0 / 36 / 18 / 6

HEX #F099C4

RGB 240 153 196

HSL 330.34, 0.74%, 0.77%

LAB 73.08, 38.38, -8.48

 

CMYK 0 / 23 / 11 / 4

HEX #F5BDD9

RGB 245 189 217

HSL 330, 0.74%, 0.85%

LAB 82.28, 24.4, -6.22

 

CMYK 0 / 50 / 26 / 8

HEX #EA74AE

RGB 234 116 174

HSL 330.51, 0.74%, 0.69%

LAB 64.19, 52.01, -9.49

 

CMYK 0 / 15 / 50 / 8

HEX #EAC775

RGB 234 199 117

HSL 42.05, 0.74%, 0.69%

LAB 81.63, 2.21, 45.37

 

CMYK 50 / 5 / 0 / 8

HEX #75DFEA

RGB 117 223 234

HSL 185.64, 0.74%, 0.69%

LAB 83.18, -27.73, -14.84

 

CMYK 0 / 50 / 26 / 8

HEX #EA74AE

RGB 234 116 174

HSL 330.51, 0.74%, 0.69%

LAB 64.19, 52.01, -9.49

 

CMYK 25 / 0 / 50 / 8

HEX #B0EA75

RGB 176 234 117

HSL 89.74, 0.74%, 0.69%

LAB 86.68, -37.52, 50.53

 

CMYK 50 / 25 / 0 / 8

HEX #75B0EA

RGB 117 176 234

HSL 209.74, 0.74%, 0.69%

LAB 70.02, -3.35, -34.92

 

CMYK 0 / 50 / 26 / 8

HEX #EA74AE

RGB 234 116 174

HSL 330.51, 0.74%, 0.69%

LAB 64.19, 52.01, -9.49

 

CMYK 0 / 15 / 50 / 8

HEX #EAC775

RGB 234 199 117

HSL 42.05, 0.74%, 0.69%

LAB 81.63, 2.21, 45.37

 

CMYK 50 / 0 / 25 / 8

HEX #75EAB0

RGB 117 234 176

HSL 150.26, 0.74%, 0.69%

LAB 84.87, -46.28, 18.18

 

CMYK 50 / 35 / 0 / 8

HEX #7599EA

RGB 117 153 234

HSL 221.54, 0.74%, 0.69%

LAB 63.76, 9.68, -44.7

 

CMYK 0 / 50 / 26 / 8

HEX #EA74AE

RGB 234 116 174

HSL 330.51, 0.74%, 0.69%

LAB 64.19, 52.01, -9.49

 

CMYK 0 / 0 / 50 / 8

HEX #EAEA75

RGB 234 234 117

HSL 60, 0.74%, 0.69%

LAB 90.61, -15.49, 56.16

 

CMYK 50 / 0 / 25 / 8

HEX #75EAB0

RGB 117 234 176

HSL 150.26, 0.74%, 0.69%

LAB 84.87, -46.28, 18.18

 

CMYK 50 / 50 / 0 / 8

HEX #7575EA

RGB 117 117 234

HSL 240, 0.74%, 0.69%

LAB 54.5, 30.99, -59.43

 

Description

Color code: HEX #EA74AE | qconv.com Color code: HEX #EA74AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 116 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 116 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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