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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA6793 it is the complementary color #15986C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA6793. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA6793 shade: #EF678E, #FF79A1, #FF8BB4, #FF9DC7 and #FFAFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA6793. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA6793 shade: #EA6793, #D95580, #C8436D, #B7315A and #A61F47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA6793 shade: #EA6692, #EA666F and #EA6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA6793 shade: #EA6692, #EA66B6, #EA66D9, #D766EA and #B366EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA6793 shade matches the following richer shades: #EA6692 and #F8588E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA6793 shade: #EA6692, #DC7497, #CE829B, #C090A0 and #B29EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA6793 shade: #EA66DA, #EA66B7, #EA6694, #EA6671 and #EA7E66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA6793 shade: #DF1E5F, #E54278, #EA6692, #EF8AAC and #F4AFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA6793 shade: #EA6793, #EAD666 and #66C9EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA6793 shade: #EA6793, #94EA66 and #6694EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA6793 shade: #EA6793, #EAD666, #66EABC and #667AEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA6793 shade: #EA6793, #D6EA66, #66EABC and #7A66EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 37 / 8

HEX #EA6793

RGB 234 103 147

HSL 339.85, 0.76%, 0.66%

LAB 61.05, 54.84, 1.35

 

Complementary color

CMYK 86 / 0 / 29 / 40

HEX #15986C

RGB 21 152 108

HSL 159.85, 0.76%, 0.34%

LAB 55.78, -43.83, 13.98

 

CMYK 0 / 57 / 41 / 6

HEX #EF678E

RGB 239 103 142

HSL 342.79, 0.81%, 0.67%

LAB 61.66, 55.91, 5.22

 

CMYK 0 / 53 / 37 / 0

HEX #FF79A1

RGB 255 121 161

HSL 342.09, 1%, 0.74%

LAB 67.66, 54.83, 3.32

 

CMYK 0 / 45 / 29 / 0

HEX #FF8BB4

RGB 255 139 180

HSL 338.79, 1%, 0.77%

LAB 71.57, 48.37, -1.64

 

CMYK 0 / 38 / 22 / 0

HEX #FF9DC7

RGB 255 157 199

HSL 334.29, 1%, 0.81%

LAB 75.76, 41.83, -5.98

 

CMYK 0 / 31 / 15 / 0

HEX #FFAFDA

RGB 255 175 218

HSL 327.75, 1%, 0.84%

LAB 80.17, 35.34, -9.78

 

CMYK 0 / 56 / 37 / 8

HEX #EA6793

RGB 234 103 147

HSL 339.85, 0.76%, 0.66%

LAB 61.05, 54.84, 1.35

 

CMYK 0 / 61 / 41 / 15

HEX #D95580

RGB 217 85 128

HSL 340.45, 0.63%, 0.59%

LAB 54.87, 55.47, 3.19

 

CMYK 0 / 67 / 46 / 22

HEX #C8436D

RGB 200 67 109

HSL 341.05, 0.55%, 0.52%

LAB 48.76, 55.87, 5.41

 

CMYK 0 / 73 / 51 / 28

HEX #B7315A

RGB 183 49 90

HSL 341.64, 0.58%, 0.45%

LAB 42.77, 55.87, 8.18

 

CMYK 0 / 81 / 57 / 35

HEX #A61F47

RGB 166 31 71

HSL 342.22, 0.69%, 0.39%

LAB 37.01, 55.17, 11.7

 

CMYK 0 / 56 / 38 / 8

HEX #EA6692

RGB 234 102 146

HSL 340, 0.76%, 0.66%

LAB 60.84, 55.19, 1.64

 

CMYK 0 / 56 / 53 / 8

HEX #EA666F

RGB 234 102 111

HSL 355.91, 0.76%, 0.66%

LAB 60.02, 51.82, 20.73

 

CMYK 0 / 56 / 56 / 8

HEX #EA6666

RGB 234 102 102

HSL 0, 0.76%, 0.66%

LAB 59.85, 51.11, 25.67

 

CMYK 0 / 56 / 38 / 8

HEX #EA6692

RGB 234 102 146

HSL 340, 0.76%, 0.66%

LAB 60.84, 55.19, 1.64

 

CMYK 0 / 56 / 22 / 8

HEX #EA66B6

RGB 234 102 182

HSL 323.64, 0.76%, 0.66%

LAB 61.97, 59.65, -17.39

 

CMYK 0 / 56 / 7 / 8

HEX #EA66D9

RGB 234 102 217

HSL 307.73, 0.76%, 0.66%

LAB 63.35, 64.84, -35.09

 

CMYK 8 / 56 / 0 / 8

HEX #D766EA

RGB 215 102 234

HSL 291.36, 0.76%, 0.66%

LAB 61.56, 62.83, -47.57

 

CMYK 24 / 56 / 0 / 8

HEX #B366EA

RGB 179 102 234

HSL 275, 0.76%, 0.66%

LAB 57.1, 53.87, -54.93

 

CMYK 0 / 56 / 38 / 8

HEX #EA6692

RGB 234 102 146

HSL 340, 0.76%, 0.66%

LAB 60.84, 55.19, 1.64

 

CMYK 0 / 65 / 43 / 3

HEX #F8588E

RGB 248 88 142

HSL 339.75, 0.92%, 0.66%

LAB 60.68, 65.09, 4

 

CMYK 0 / 56 / 38 / 8

HEX #EA6692

RGB 234 102 146

HSL 340, 0.76%, 0.66%

LAB 60.84, 55.19, 1.64

 

CMYK 0 / 47 / 31 / 14

HEX #DC7497

RGB 220 116 151

HSL 339.81, 0.6%, 0.66%

LAB 61.6, 44.36, -0.38

 

CMYK 0 / 37 / 25 / 19

HEX #CE829B

RGB 206 130 155

HSL 340.26, 0.44%, 0.66%

LAB 62.89, 32.62, -1

 

CMYK 0 / 25 / 17 / 25

HEX #C090A0

RGB 192 144 160

HSL 340, 0.28%, 0.66%

LAB 64.72, 20.61, -1.34

 

CMYK 0 / 11 / 7 / 30

HEX #B29EA5

RGB 178 158 165

HSL 339, 0.11%, 0.66%

LAB 67, 8.55, -0.96

 

CMYK 0 / 56 / 7 / 8

HEX #EA66DA

RGB 234 102 218

HSL 307.27, 0.76%, 0.66%

LAB 63.39, 65, -35.58

 

CMYK 0 / 56 / 22 / 8

HEX #EA66B7

RGB 234 102 183

HSL 323.18, 0.76%, 0.66%

LAB 62.01, 59.78, -17.91

 

CMYK 0 / 56 / 37 / 8

HEX #EA6694

RGB 234 102 148

HSL 339.09, 0.76%, 0.66%

LAB 60.9, 55.41, 0.56

 

CMYK 0 / 56 / 52 / 8

HEX #EA6671

RGB 234 102 113

HSL 355, 0.76%, 0.66%

LAB 60.06, 51.98, 19.63

 

CMYK 0 / 46 / 56 / 8

HEX #EA7E66

RGB 234 126 102

HSL 10.91, 0.76%, 0.66%

LAB 64.46, 39.36, 31.66

 

CMYK 0 / 87 / 57 / 13

HEX #DF1E5F

RGB 223 30 95

HSL 339.79, 0.76%, 0.5%

LAB 48.81, 71.92, 14.66

 

CMYK 0 / 71 / 48 / 10

HEX #E54278

RGB 229 66 120

HSL 340.12, 0.76%, 0.58%

LAB 53.93, 65.78, 6.86

 

CMYK 0 / 56 / 38 / 8

HEX #EA6692

RGB 234 102 146

HSL 340, 0.76%, 0.66%

LAB 60.84, 55.19, 1.64

 

CMYK 0 / 42 / 28 / 6

HEX #EF8AAC

RGB 239 138 172

HSL 339.8, 0.76%, 0.74%

LAB 69.12, 42.4, -1.01

 

CMYK 0 / 28 / 19 / 4

HEX #F4AFC6

RGB 244 175 198

HSL 340, 0.76%, 0.82%

LAB 78.44, 28.47, -1.62

 

CMYK 0 / 56 / 37 / 8

HEX #EA6793

RGB 234 103 147

HSL 339.85, 0.76%, 0.66%

LAB 61.05, 54.84, 1.35

 

CMYK 0 / 9 / 56 / 8

HEX #EAD666

RGB 234 214 102

HSL 50.91, 0.76%, 0.66%

LAB 85.27, -6.71, 56.84

 

CMYK 56 / 14 / 0 / 8

HEX #66C9EA

RGB 102 201 234

HSL 195, 0.76%, 0.66%

LAB 76.4, -19.81, -25.15

 

CMYK 0 / 56 / 37 / 8

HEX #EA6793

RGB 234 103 147

HSL 339.85, 0.76%, 0.66%

LAB 61.05, 54.84, 1.35

 

CMYK 37 / 0 / 56 / 8

HEX #94EA66

RGB 148 234 102

HSL 99.09, 0.76%, 0.66%

LAB 85.05, -48.66, 55.09

 

CMYK 56 / 37 / 0 / 8

HEX #6694EA

RGB 102 148 234

HSL 219.09, 0.76%, 0.66%

LAB 61.61, 9.37, -48.15

 

CMYK 0 / 56 / 37 / 8

HEX #EA6793

RGB 234 103 147

HSL 339.85, 0.76%, 0.66%

LAB 61.05, 54.84, 1.35

 

CMYK 0 / 9 / 56 / 8

HEX #EAD666

RGB 234 214 102

HSL 50.91, 0.76%, 0.66%

LAB 85.27, -6.71, 56.84

 

CMYK 56 / 0 / 20 / 8

HEX #66EABC

RGB 102 234 188

HSL 159.09, 0.76%, 0.66%

LAB 84.64, -47.06, 11.52

 

CMYK 56 / 48 / 0 / 8

HEX #667AEA

RGB 102 122 234

HSL 230.91, 0.76%, 0.66%

LAB 54.75, 24.92, -59.08

 

CMYK 0 / 56 / 37 / 8

HEX #EA6793

RGB 234 103 147

HSL 339.85, 0.76%, 0.66%

LAB 61.05, 54.84, 1.35

 

CMYK 9 / 0 / 56 / 8

HEX #D6EA66

RGB 214 234 102

HSL 69.09, 0.76%, 0.66%

LAB 88.97, -24.61, 60.62

 

CMYK 56 / 0 / 20 / 8

HEX #66EABC

RGB 102 234 188

HSL 159.09, 0.76%, 0.66%

LAB 84.64, -47.06, 11.52

 

CMYK 48 / 56 / 0 / 8

HEX #7A66EA

RGB 122 102 234

HSL 249.09, 0.76%, 0.66%

LAB 51.36, 40.87, -64.46

 

Description

Color code: HEX #EA6793 | qconv.com Color code: HEX #EA6793 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 103 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 103 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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