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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA671D it is the complementary color #1598E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA671D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA671D shade: #EF6718, #FF792B, #FF8B3E, #FF9D51 and #FFAF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA671D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA671D shade: #EA671D, #D9550A, #C84300, #B73100 and #A61F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA671D shade: #EA681F, #EA321F and #EA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA671D shade: #EA681F, #EA9F1F, #EAD61F, #C8EA1F and #91EA1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA671D shade matches the following richer shades: #EA681F and #FE630B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA671D shade: #EA681F, #D66E33, #C37347, #AF795A and #9B7E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA671D shade: #EA1F44, #EA301F, #EA661F, #EA9C1F and #EAD21F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA671D shade: #A74610, #CD5613, #EA681F, #EE8245 and #F19B6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA671D shade: #EA671D, #7AEA1F and #1F29EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA671D shade: #EA671D, #1FEA66 and #661FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA671D shade: #EA671D, #7AEA1F, #1FA3EA and #8F1FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA671D shade: #EA671D, #3DEA1F, #1FA3EA and #CC1FEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 88 / 8

HEX #EA671D

RGB 234 103 29

HSL 21.66, 0.83%, 0.52%

LAB 59.23, 47.27, 61.22

 

Complementary color

CMYK 91 / 33 / 0 / 11

HEX #1598E2

RGB 21 152 226

HSL 201.66, 0.83%, 0.48%

LAB 59.99, -6.04, -46.44

 

CMYK 0 / 57 / 90 / 6

HEX #EF6718

RGB 239 103 24

HSL 22.05, 0.87%, 0.52%

LAB 59.99, 49.03, 63.71

 

CMYK 0 / 53 / 83 / 0

HEX #FF792B

RGB 255 121 43

HSL 22.08, 1%, 0.58%

LAB 65.83, 46.86, 62.91

 

CMYK 0 / 45 / 76 / 0

HEX #FF8B3E

RGB 255 139 62

HSL 23.94, 1%, 0.62%

LAB 69.52, 38.58, 58.48

 

CMYK 0 / 38 / 68 / 0

HEX #FF9D51

RGB 255 157 81

HSL 26.21, 1%, 0.66%

LAB 73.52, 30.22, 53.96

 

CMYK 0 / 31 / 61 / 0

HEX #FFAF64

RGB 255 175 100

HSL 29.03, 1%, 0.7%

LAB 77.78, 21.98, 49.63

 

CMYK 0 / 56 / 88 / 8

HEX #EA671D

RGB 234 103 29

HSL 21.66, 0.83%, 0.52%

LAB 59.23, 47.27, 61.22

 

CMYK 0 / 61 / 95 / 15

HEX #D9550A

RGB 217 85 10

HSL 21.74, 0.91%, 0.45%

LAB 53.24, 49.07, 60.99

 

CMYK 0 / 67 / 100 / 22

HEX #C84300

RGB 200 67 0

HSL 20.1, 1%, 0.39%

LAB 47.36, 50.76, 58.44

 

CMYK 0 / 73 / 100 / 28

HEX #B73100

RGB 183 49 0

HSL 16.07, 1%, 0.36%

LAB 41.63, 52.05, 53.89

 

CMYK 0 / 81 / 100 / 35

HEX #A61F00

RGB 166 31 0

HSL 11.2, 1%, 0.33%

LAB 36.15, 52.52, 49.47

 

CMYK 0 / 56 / 87 / 8

HEX #EA681F

RGB 234 104 31

HSL 21.58, 0.83%, 0.52%

LAB 59.43, 46.84, 60.69

 

CMYK 0 / 79 / 87 / 8

HEX #EA321F

RGB 234 50 31

HSL 5.62, 0.83%, 0.52%

LAB 51.69, 67.69, 54.54

 

CMYK 0 / 87 / 87 / 8

HEX #EA1F1F

RGB 234 31 31

HSL 0, 0.83%, 0.52%

LAB 50.18, 71.98, 53.34

 

CMYK 0 / 56 / 87 / 8

HEX #EA681F

RGB 234 104 31

HSL 21.58, 0.83%, 0.52%

LAB 59.43, 46.84, 60.69

 

CMYK 0 / 32 / 87 / 8

HEX #EA9F1F

RGB 234 159 31

HSL 37.83, 0.83%, 0.52%

LAB 71.14, 18.61, 70.03

 

CMYK 0 / 9 / 87 / 8

HEX #EAD61F

RGB 234 214 31

HSL 54.09, 0.83%, 0.52%

LAB 84.84, -9.99, 80.97

 

CMYK 15 / 0 / 87 / 8

HEX #C8EA1F

RGB 200 234 31

HSL 70.05, 0.83%, 0.52%

LAB 87.59, -33.72, 82.13

 

CMYK 38 / 0 / 87 / 8

HEX #91EA1F

RGB 145 234 31

HSL 86.31, 0.83%, 0.52%

LAB 84.47, -54.19, 78.25

 

CMYK 0 / 56 / 87 / 8

HEX #EA681F

RGB 234 104 31

HSL 21.58, 0.83%, 0.52%

LAB 59.43, 46.84, 60.69

 

CMYK 0 / 61 / 96 / 0

HEX #FE630B

RGB 254 99 11

HSL 21.73, 0.99%, 0.52%

LAB 61.67, 56.05, 69.03

 

CMYK 0 / 56 / 87 / 8

HEX #EA681F

RGB 234 104 31

HSL 21.58, 0.83%, 0.52%

LAB 59.43, 46.84, 60.69

 

CMYK 0 / 49 / 76 / 16

HEX #D66E33

RGB 214 110 51

HSL 21.72, 0.67%, 0.52%

LAB 57.74, 36.77, 49.77

 

CMYK 0 / 41 / 64 / 24

HEX #C37347

RGB 195 115 71

HSL 21.29, 0.51%, 0.52%

LAB 56.41, 27.48, 37.44

 

CMYK 0 / 31 / 49 / 31

HEX #AF795A

RGB 175 121 90

HSL 21.88, 0.35%, 0.52%

LAB 55.61, 17.41, 25.43

 

CMYK 0 / 19 / 29 / 39

HEX #9B7E6E

RGB 155 126 110

HSL 21.33, 0.18%, 0.52%

LAB 55.09, 8.7, 12.92

 

CMYK 0 / 87 / 71 / 8

HEX #EA1F44

RGB 234 31 68

HSL 349.06, 0.83%, 0.52%

LAB 50.56, 73.07, 33.71

 

CMYK 0 / 79 / 87 / 8

HEX #EA301F

RGB 234 48 31

HSL 5.02, 0.83%, 0.52%

LAB 51.5, 68.23, 54.39

 

CMYK 0 / 56 / 87 / 8

HEX #EA661F

RGB 234 102 31

HSL 20.99, 0.83%, 0.52%

LAB 59.06, 47.78, 60.4

 

CMYK 0 / 33 / 87 / 8

HEX #EA9C1F

RGB 234 156 31

HSL 36.95, 0.83%, 0.52%

LAB 70.43, 20.2, 69.47

 

CMYK 0 / 10 / 87 / 8

HEX #EAD21F

RGB 234 210 31

HSL 52.91, 0.83%, 0.52%

LAB 83.8, -7.98, 80.15

 

CMYK 0 / 58 / 90 / 35

HEX #A74610

RGB 167 70 16

HSL 21.46, 0.83%, 0.36%

LAB 42.21, 37.41, 47.86

 

CMYK 0 / 58 / 91 / 20

HEX #CD5613

RGB 205 86 19

HSL 21.61, 0.83%, 0.44%

LAB 51.48, 44.3, 56.56

 

CMYK 0 / 56 / 87 / 8

HEX #EA681F

RGB 234 104 31

HSL 21.58, 0.83%, 0.52%

LAB 59.43, 46.84, 60.69

 

CMYK 0 / 45 / 71 / 7

HEX #EE8245

RGB 238 130 69

HSL 21.66, 0.83%, 0.6%

LAB 65.41, 36.79, 50.23

 

CMYK 0 / 36 / 56 / 5

HEX #F19B6B

RGB 241 155 107

HSL 21.49, 0.83%, 0.68%

LAB 71.69, 27.38, 38.31

 

CMYK 0 / 56 / 88 / 8

HEX #EA671D

RGB 234 103 29

HSL 21.66, 0.83%, 0.52%

LAB 59.23, 47.27, 61.22

 

CMYK 48 / 0 / 87 / 8

HEX #7AEA1F

RGB 122 234 31

HSL 93.1, 0.83%, 0.52%

LAB 83.49, -61.46, 77.03

 

CMYK 87 / 82 / 0 / 8

HEX #1F29EA

RGB 31 41 234

HSL 237.04, 0.83%, 0.52%

LAB 33.6, 63.48, -93.82

 

CMYK 0 / 56 / 88 / 8

HEX #EA671D

RGB 234 103 29

HSL 21.66, 0.83%, 0.52%

LAB 59.23, 47.27, 61.22

 

CMYK 87 / 0 / 56 / 8

HEX #1FEA66

RGB 31 234 102

HSL 140.99, 0.83%, 0.52%

LAB 81.89, -72.71, 50.6

 

CMYK 56 / 87 / 0 / 8

HEX #661FEA

RGB 102 31 234

HSL 260.99, 0.83%, 0.52%

LAB 37.38, 71.32, -87.39

 

CMYK 0 / 56 / 88 / 8

HEX #EA671D

RGB 234 103 29

HSL 21.66, 0.83%, 0.52%

LAB 59.23, 47.27, 61.22

 

CMYK 48 / 0 / 87 / 8

HEX #7AEA1F

RGB 122 234 31

HSL 93.1, 0.83%, 0.52%

LAB 83.49, -61.46, 77.03

 

CMYK 87 / 30 / 0 / 8

HEX #1FA3EA

RGB 31 163 234

HSL 200.99, 0.83%, 0.52%

LAB 63.69, -8.79, -45

 

CMYK 39 / 87 / 0 / 8

HEX #8F1FEA

RGB 143 31 234

HSL 273.1, 0.83%, 0.52%

LAB 42.4, 75.61, -78.95

 

CMYK 0 / 56 / 88 / 8

HEX #EA671D

RGB 234 103 29

HSL 21.66, 0.83%, 0.52%

LAB 59.23, 47.27, 61.22

 

CMYK 74 / 0 / 87 / 8

HEX #3DEA1F

RGB 61 234 31

HSL 111.13, 0.83%, 0.52%

LAB 81.8, -75.21, 74.92

 

CMYK 87 / 30 / 0 / 8

HEX #1FA3EA

RGB 31 163 234

HSL 200.99, 0.83%, 0.52%

LAB 63.69, -8.79, -45

 

CMYK 13 / 87 / 0 / 8

HEX #CC1FEA

RGB 204 31 234

HSL 291.13, 0.83%, 0.52%

LAB 51.56, 84.24, -63.63

 

Description

Color code: HEX #EA671D | qconv.com Color code: HEX #EA671D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 103 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 103 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 88 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 88% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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