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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA603F it is the complementary color #159FC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA603F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA603F shade: #EF603A, #FF724D, #FF8460, #FF9673 and #FFA886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA603F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA603F shade: #EA603F, #D94E2C, #C83C19, #B72A06 and #A61800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA603F shade: #EA5F3E and #EA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA603F shade: #EA5F3E, #EA8E3E, #EABC3E, #E9EA3E and #BBEA3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA603F shade matches the following richer shades: #EA5F3E and #FB552D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA603F shade: #EA5F3E, #D86A50, #C77561, #B67F72 and #A48A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA603F shade: #EA3E7A, #EA3E4C, #EA5E3E, #EA8B3E and #EAB93E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA603F shade: #C03615, #E54119, #EA5F3E, #EE7E63 and #F29D88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA603F shade: #EA603F, #A8EA3E and #3E63EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA603F shade: #EA603F, #3EEA5E and #5E3EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA603F shade: #EA603F, #A8EA3E, #3ECAEA and #803EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA603F shade: #EA603F, #74EA3E, #3ECAEA and #B33EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 73 / 8

HEX #EA603F

RGB 234 96 63

HSL 11.58, 0.8%, 0.58%

LAB 58.24, 51.57, 45.27

 

Complementary color

CMYK 89 / 17 / 0 / 25

HEX #159FC0

RGB 21 159 192

HSL 191.58, 0.8%, 0.42%

LAB 60.57, -22.02, -26.54

 

CMYK 0 / 60 / 76 / 6

HEX #EF603A

RGB 239 96 58

HSL 12.6, 0.85%, 0.58%

LAB 58.99, 53.13, 48.87

 

CMYK 0 / 55 / 70 / 0

HEX #FF724D

RGB 255 114 77

HSL 12.47, 1%, 0.65%

LAB 64.83, 51.42, 46.24

 

CMYK 0 / 48 / 62 / 0

HEX #FF8460

RGB 255 132 96

HSL 13.58, 1%, 0.69%

LAB 68.47, 43.82, 40.54

 

CMYK 0 / 41 / 55 / 0

HEX #FF9673

RGB 255 150 115

HSL 15, 1%, 0.73%

LAB 72.44, 36.08, 35.36

 

CMYK 0 / 34 / 47 / 0

HEX #FFA886

RGB 255 168 134

HSL 16.86, 1%, 0.76%

LAB 76.67, 28.39, 30.72

 

CMYK 0 / 59 / 73 / 8

HEX #EA603F

RGB 234 96 63

HSL 11.58, 0.8%, 0.58%

LAB 58.24, 51.57, 45.27

 

CMYK 0 / 64 / 80 / 15

HEX #D94E2C

RGB 217 78 44

HSL 11.79, 0.69%, 0.51%

LAB 52.27, 52.84, 47.84

 

CMYK 0 / 70 / 88 / 22

HEX #C83C19

RGB 200 60 25

HSL 12, 0.78%, 0.44%

LAB 46.42, 53.89, 50.2

 

CMYK 0 / 77 / 97 / 28

HEX #B72A06

RGB 183 42 6

HSL 12.2, 0.94%, 0.37%

LAB 40.79, 54.51, 51.48

 

CMYK 0 / 86 / 100 / 35

HEX #A61800

RGB 166 24 0

HSL 8.67, 1%, 0.33%

LAB 35.52, 54.32, 49.15

 

CMYK 0 / 59 / 74 / 8

HEX #EA5F3E

RGB 234 95 62

HSL 11.51, 0.8%, 0.58%

LAB 58.06, 51.98, 45.59

 

CMYK 0 / 74 / 74 / 8

HEX #EA3E3E

RGB 234 62 62

HSL 0, 0.8%, 0.58%

LAB 53.26, 64.97, 40.3

 

CMYK 0 / 59 / 74 / 8

HEX #EA5F3E

RGB 234 95 62

HSL 11.51, 0.8%, 0.58%

LAB 58.06, 51.98, 45.59

 

CMYK 0 / 39 / 74 / 8

HEX #EA8E3E

RGB 234 142 62

HSL 27.91, 0.8%, 0.58%

LAB 67.42, 28.62, 55.46

 

CMYK 0 / 20 / 74 / 8

HEX #EABC3E

RGB 234 188 62

HSL 43.95, 0.8%, 0.58%

LAB 78.35, 4.31, 66.35

 

CMYK 0 / 0 / 74 / 8

HEX #E9EA3E

RGB 233 234 62

HSL 60.35, 0.8%, 0.58%

LAB 90.1, -19.31, 77.48

 

CMYK 20 / 0 / 74 / 8

HEX #BBEA3E

RGB 187 234 62

HSL 76.4, 0.8%, 0.58%

LAB 86.88, -37.71, 73.3

 

CMYK 0 / 59 / 74 / 8

HEX #EA5F3E

RGB 234 95 62

HSL 11.51, 0.8%, 0.58%

LAB 58.06, 51.98, 45.59

 

CMYK 0 / 66 / 82 / 2

HEX #FB552D

RGB 251 85 45

HSL 11.65, 0.96%, 0.58%

LAB 59.16, 61.39, 55.92

 

CMYK 0 / 59 / 74 / 8

HEX #EA5F3E

RGB 234 95 62

HSL 11.51, 0.8%, 0.58%

LAB 58.06, 51.98, 45.59

 

CMYK 0 / 51 / 63 / 15

HEX #D86A50

RGB 216 106 80

HSL 11.47, 0.64%, 0.58%

LAB 57.55, 41.1, 34.6

 

CMYK 0 / 41 / 51 / 22

HEX #C77561

RGB 199 117 97

HSL 11.76, 0.48%, 0.58%

LAB 57.78, 30.09, 24.87

 

CMYK 0 / 30 / 37 / 29

HEX #B67F72

RGB 182 127 114

HSL 11.47, 0.32%, 0.58%

LAB 58.36, 19.62, 15.61

 

CMYK 0 / 16 / 20 / 36

HEX #A48A84

RGB 164 138 132

HSL 11.25, 0.15%, 0.58%

LAB 59.65, 8.84, 6.86

 

CMYK 0 / 74 / 48 / 8

HEX #EA3E7A

RGB 234 62 122

HSL 339.07, 0.8%, 0.58%

LAB 54.39, 68.68, 6.43

 

CMYK 0 / 74 / 68 / 8

HEX #EA3E4C

RGB 234 62 76

HSL 355.12, 0.8%, 0.58%

LAB 53.45, 65.6, 32.52

 

CMYK 0 / 60 / 74 / 8

HEX #EA5E3E

RGB 234 94 62

HSL 11.16, 0.8%, 0.58%

LAB 57.89, 52.43, 45.41

 

CMYK 0 / 41 / 74 / 8

HEX #EA8B3E

RGB 234 139 62

HSL 26.86, 0.8%, 0.58%

LAB 66.75, 30.2, 54.77

 

CMYK 0 / 21 / 74 / 8

HEX #EAB93E

RGB 234 185 62

HSL 42.91, 0.8%, 0.58%

LAB 77.6, 5.88, 65.63

 

CMYK 0 / 72 / 89 / 25

HEX #C03615

RGB 192 54 21

HSL 11.58, 0.8%, 0.42%

LAB 44.09, 53.45, 49.38

 

CMYK 0 / 72 / 89 / 10

HEX #E54119

RGB 229 65 25

HSL 11.76, 0.8%, 0.5%

LAB 52.41, 61.39, 57.1

 

CMYK 0 / 59 / 74 / 8

HEX #EA5F3E

RGB 234 95 62

HSL 11.51, 0.8%, 0.58%

LAB 58.06, 51.98, 45.59

 

CMYK 0 / 47 / 58 / 7

HEX #EE7E63

RGB 238 126 99

HSL 11.65, 0.8%, 0.66%

LAB 64.96, 40.64, 34.06

 

CMYK 0 / 35 / 44 / 5

HEX #F29D88

RGB 242 157 136

HSL 11.89, 0.8%, 0.74%

LAB 72.74, 29.35, 24.12

 

CMYK 0 / 59 / 73 / 8

HEX #EA603F

RGB 234 96 63

HSL 11.58, 0.8%, 0.58%

LAB 58.24, 51.57, 45.27

 

CMYK 28 / 0 / 74 / 8

HEX #A8EA3E

RGB 168 234 62

HSL 83.02, 0.8%, 0.58%

LAB 85.76, -44.83, 71.84

 

CMYK 74 / 58 / 0 / 8

HEX #3E63EA

RGB 62 99 234

HSL 227.09, 0.8%, 0.58%

LAB 46.83, 32.89, -71.99

 

CMYK 0 / 59 / 73 / 8

HEX #EA603F

RGB 234 96 63

HSL 11.58, 0.8%, 0.58%

LAB 58.24, 51.57, 45.27

 

CMYK 74 / 0 / 60 / 8

HEX #3EEA5E

RGB 62 234 94

HSL 131.16, 0.8%, 0.58%

LAB 82.21, -70.36, 54.62

 

CMYK 60 / 74 / 0 / 8

HEX #5E3EEA

RGB 94 62 234

HSL 251.16, 0.8%, 0.58%

LAB 40.84, 58.18, -81.71

 

CMYK 0 / 59 / 73 / 8

HEX #EA603F

RGB 234 96 63

HSL 11.58, 0.8%, 0.58%

LAB 58.24, 51.57, 45.27

 

CMYK 28 / 0 / 74 / 8

HEX #A8EA3E

RGB 168 234 62

HSL 83.02, 0.8%, 0.58%

LAB 85.76, -44.83, 71.84

 

CMYK 74 / 14 / 0 / 8

HEX #3ECAEA

RGB 62 202 234

HSL 191.16, 0.8%, 0.58%

LAB 75.58, -26.53, -26.5

 

CMYK 45 / 74 / 0 / 8

HEX #803EEA

RGB 128 62 234

HSL 263.02, 0.8%, 0.58%

LAB 44.2, 62.91, -76.08

 

CMYK 0 / 59 / 73 / 8

HEX #EA603F

RGB 234 96 63

HSL 11.58, 0.8%, 0.58%

LAB 58.24, 51.57, 45.27

 

CMYK 50 / 0 / 74 / 8

HEX #74EA3E

RGB 116 234 62

HSL 101.16, 0.8%, 0.58%

LAB 83.39, -61.72, 68.71

 

CMYK 74 / 14 / 0 / 8

HEX #3ECAEA

RGB 62 202 234

HSL 191.16, 0.8%, 0.58%

LAB 75.58, -26.53, -26.5

 

CMYK 24 / 74 / 0 / 8

HEX #B33EEA

RGB 179 62 234

HSL 280.81, 0.8%, 0.58%

LAB 50.65, 71.65, -65.29

 

Description

Color code: HEX #EA603F | qconv.com Color code: HEX #EA603F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 96 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 96 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 73 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 73% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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