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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5FE1 it is the complementary color #15A01E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5FE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5FE1 shade: #EF5FDC, #FF71EF, #FF83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5FE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5FE1 shade: #EA5FE1, #D94DCE, #C83BBB, #B729A8 and #A61795

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5FE1 shade: #EA61E2, #EA61BD, #EA6197, #EA6172 and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5FE1 shade: #EA61E2, #CE61EA, #A961EA, #8461EA and #6161EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5FE1 shade matches the following richer shades: #EA61E2 and #F953EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5FE1 shade: #EA61E2, #DC6FD5, #CE7EC8, #BF8CBC and #B19BAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5FE1 shade: #A861EA, #CD61EA, #EA61E4, #EA61BF and #EA619A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5FE1 shade: #DC1DD0, #E63DDB, #EA61E2, #EF86E8 and #F4AAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5FE1 shade: #EA5FE1, #EA8361 and #61EABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5FE1 shade: #EA5FE1, #E4EA61 and #61E4EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5FE1 shade: #EA5FE1, #EA8361, #61EA68 and #61C8EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5FE1 shade: #EA5FE1, #EAAD61, #61EA68 and #619FEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 4 / 8

HEX #EA5FE1

RGB 234 95 225

HSL 303.88, 0.77%, 0.65%

LAB 62.6, 69.12, -40.73

 

Complementary color

CMYK 87 / 0 / 81 / 37

HEX #15A01E

RGB 21 160 30

HSL 123.88, 0.77%, 0.35%

LAB 57.46, -58.26, 53

 

CMYK 0 / 60 / 8 / 6

HEX #EF5FDC

RGB 239 95 220

HSL 307.92, 0.82%, 0.65%

LAB 63.1, 69.59, -37.11

 

CMYK 0 / 56 / 6 / 0

HEX #FF71EF

RGB 255 113 239

HSL 306.76, 1%, 0.72%

LAB 68.97, 69.07, -38.33

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 59 / 4 / 8

HEX #EA5FE1

RGB 234 95 225

HSL 303.88, 0.77%, 0.65%

LAB 62.6, 69.12, -40.73

 

CMYK 0 / 65 / 5 / 15

HEX #D94DCE

RGB 217 77 206

HSL 304.71, 0.65%, 0.58%

LAB 56.6, 69.14, -39.6

 

CMYK 0 / 71 / 7 / 22

HEX #C83BBB

RGB 200 59 187

HSL 305.53, 0.56%, 0.51%

LAB 50.68, 68.74, -38.16

 

CMYK 0 / 78 / 8 / 28

HEX #B729A8

RGB 183 41 168

HSL 306.34, 0.63%, 0.44%

LAB 44.91, 67.7, -36.28

 

CMYK 0 / 86 / 10 / 35

HEX #A61795

RGB 166 23 149

HSL 307.13, 0.76%, 0.37%

LAB 39.39, 65.68, -33.77

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E2

RGB 234 97 226

HSL 303.5, 0.77%, 0.65%

LAB 62.95, 68.44, -40.74

 

CMYK 0 / 59 / 19 / 8

HEX #EA61BD

RGB 234 97 189

HSL 319.71, 0.77%, 0.65%

LAB 61.41, 62.83, -22.25

 

CMYK 0 / 59 / 35 / 8

HEX #EA6197

RGB 234 97 151

HSL 336.35, 0.77%, 0.65%

LAB 60.14, 58, -2.29

 

CMYK 0 / 59 / 51 / 8

HEX #EA6172

RGB 234 97 114

HSL 352.55, 0.77%, 0.65%

LAB 59.21, 54.35, 17.9

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E2

RGB 234 97 226

HSL 303.5, 0.77%, 0.65%

LAB 62.95, 68.44, -40.74

 

CMYK 12 / 59 / 0 / 8

HEX #CE61EA

RGB 206 97 234

HSL 287.74, 0.77%, 0.65%

LAB 59.54, 62.89, -50.85

 

CMYK 28 / 59 / 0 / 8

HEX #A961EA

RGB 169 97 234

HSL 271.53, 0.77%, 0.65%

LAB 54.99, 54.03, -58.36

 

CMYK 44 / 59 / 0 / 8

HEX #8461EA

RGB 132 97 234

HSL 255.33, 0.77%, 0.65%

LAB 51.15, 45.79, -64.76

 

CMYK 59 / 59 / 0 / 8

HEX #6161EA

RGB 97 97 234

HSL 240, 0.77%, 0.65%

LAB 48.3, 39.12, -69.51

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E2

RGB 234 97 226

HSL 303.5, 0.77%, 0.65%

LAB 62.95, 68.44, -40.74

 

CMYK 0 / 67 / 4 / 2

HEX #F953EE

RGB 249 83 238

HSL 303.98, 0.93%, 0.65%

LAB 63.75, 79.34, -46.02

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E2

RGB 234 97 226

HSL 303.5, 0.77%, 0.65%

LAB 62.95, 68.44, -40.74

 

CMYK 0 / 50 / 3 / 14

HEX #DC6FD5

RGB 220 111 213

HSL 303.85, 0.61%, 0.65%

LAB 62.83, 56.17, -33.78

 

CMYK 0 / 39 / 3 / 19

HEX #CE7EC8

RGB 206 126 200

HSL 304.5, 0.45%, 0.65%

LAB 63.52, 42.09, -25.56

 

CMYK 0 / 27 / 2 / 25

HEX #BF8CBC

RGB 191 140 188

HSL 303.53, 0.28%, 0.65%

LAB 64.53, 27.38, -17.41

 

CMYK 0 / 12 / 1 / 31

HEX #B19BAF

RGB 177 155 175

HSL 305.45, 0.12%, 0.65%

LAB 66.43, 11.71, -7.4

 

CMYK 28 / 59 / 0 / 8

HEX #A861EA

RGB 168 97 234

HSL 271.09, 0.77%, 0.65%

LAB 54.88, 53.8, -58.55

 

CMYK 12 / 59 / 0 / 8

HEX #CD61EA

RGB 205 97 234

HSL 287.3, 0.77%, 0.65%

LAB 59.41, 62.65, -51.07

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E4

RGB 234 97 228

HSL 302.63, 0.77%, 0.65%

LAB 63.05, 68.77, -41.71

 

CMYK 0 / 59 / 18 / 8

HEX #EA61BF

RGB 234 97 191

HSL 318.83, 0.77%, 0.65%

LAB 61.48, 63.11, -23.27

 

CMYK 0 / 59 / 34 / 8

HEX #EA619A

RGB 234 97 154

HSL 335.04, 0.77%, 0.65%

LAB 60.23, 58.34, -3.9

 

CMYK 0 / 87 / 5 / 14

HEX #DC1DD0

RGB 220 29 208

HSL 303.77, 0.77%, 0.49%

LAB 52.56, 83.3, -47.1

 

CMYK 0 / 73 / 5 / 10

HEX #E63DDB

RGB 230 61 219

HSL 303.91, 0.77%, 0.57%

LAB 57.34, 79.5, -45.68

 

CMYK 0 / 59 / 3 / 8

HEX #EA61E2

RGB 234 97 226

HSL 303.5, 0.77%, 0.65%

LAB 62.95, 68.44, -40.74

 

CMYK 0 / 44 / 3 / 6

HEX #EF86E8

RGB 239 134 232

HSL 304, 0.77%, 0.73%

LAB 70.33, 53.63, -32.52

 

CMYK 0 / 30 / 2 / 4

HEX #F4AAEF

RGB 244 170 239

HSL 304.05, 0.77%, 0.81%

LAB 78.59, 37.87, -23.62

 

CMYK 0 / 59 / 4 / 8

HEX #EA5FE1

RGB 234 95 225

HSL 303.88, 0.77%, 0.65%

LAB 62.6, 69.12, -40.73

 

CMYK 0 / 44 / 59 / 8

HEX #EA8361

RGB 234 131 97

HSL 14.89, 0.77%, 0.65%

LAB 65.43, 36.41, 35.61

 

CMYK 59 / 0 / 21 / 8

HEX #61EABA

RGB 97 234 186

HSL 158.98, 0.77%, 0.65%

LAB 84.45, -48.49, 12.27

 

CMYK 0 / 59 / 4 / 8

HEX #EA5FE1

RGB 234 95 225

HSL 303.88, 0.77%, 0.65%

LAB 62.6, 69.12, -40.73

 

CMYK 3 / 0 / 59 / 8

HEX #E4EA61

RGB 228 234 97

HSL 62.63, 0.77%, 0.65%

LAB 89.95, -19.42, 64.14

 

CMYK 59 / 3 / 0 / 8

HEX #61E4EA

RGB 97 228 234

HSL 182.63, 0.77%, 0.65%

LAB 83.95, -33.96, -13.75

 

CMYK 0 / 59 / 4 / 8

HEX #EA5FE1

RGB 234 95 225

HSL 303.88, 0.77%, 0.65%

LAB 62.6, 69.12, -40.73

 

CMYK 0 / 44 / 59 / 8

HEX #EA8361

RGB 234 131 97

HSL 14.89, 0.77%, 0.65%

LAB 65.43, 36.41, 35.61

 

CMYK 59 / 0 / 56 / 8

HEX #61EA68

RGB 97 234 104

HSL 123.07, 0.77%, 0.65%

LAB 83.12, -62.64, 51.45

 

CMYK 59 / 15 / 0 / 8

HEX #61C8EA

RGB 97 200 234

HSL 194.89, 0.77%, 0.65%

LAB 75.94, -20.25, -25.87

 

CMYK 0 / 59 / 4 / 8

HEX #EA5FE1

RGB 234 95 225

HSL 303.88, 0.77%, 0.65%

LAB 62.6, 69.12, -40.73

 

CMYK 0 / 26 / 59 / 8

HEX #EAAD61

RGB 234 173 97

HSL 33.28, 0.77%, 0.65%

LAB 74.98, 14.24, 47.23

 

CMYK 59 / 0 / 56 / 8

HEX #61EA68

RGB 97 234 104

HSL 123.07, 0.77%, 0.65%

LAB 83.12, -62.64, 51.45

 

CMYK 59 / 32 / 0 / 8

HEX #619FEA

RGB 97 159 234

HSL 212.85, 0.77%, 0.65%

LAB 64.39, 1.99, -43.79

 

Description

Color code: HEX #EA5FE1 | qconv.com Color code: HEX #EA5FE1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 95 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 95 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 4 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 4% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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