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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5FBA it is the complementary color #15A045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5FBA shade: #EF5FB5, #FF71C8, #FF83DB, #FF95EE and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5FBA shade: #EA5FBA, #D94DA7, #C83B94, #B72981 and #A6176E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5FBA shade: #EA61BB, #EA6196, #EA6171 and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5FBA shade: #EA61BB, #EA61E0, #D061EA, #AB61EA and #8661EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5FBA shade matches the following richer shades: #EA61BB and #F953BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5FBA shade: #EA61BB, #DC6FB7, #CE7EB2, #BF8CAE and #B19BA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5FBA shade: #CF61EA, #EA61E1, #EA61BD, #EA6198 and #EA6173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5FBA shade: #DC1D9A, #E63DAB, #EA61BB, #EF86CB and #F4AADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5FBA shade: #EA5FBA, #EAAA61 and #61EAE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5FBA shade: #EA5FBA, #BDEA61 and #61BDEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5FBA shade: #EA5FBA, #EAAA61, #61EA8F and #61A1EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5FBA shade: #EA5FBA, #EAD461, #61EA8F and #6178EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 21 / 8

HEX #EA5FBA

RGB 234 95 186

HSL 320.72, 0.77%, 0.65%

LAB 60.98, 63.27, -21.19

 

Complementary color

CMYK 87 / 0 / 57 / 37

HEX #15A045

RGB 21 160 69

HSL 140.72, 0.77%, 0.35%

LAB 57.78, -54.25, 37.39

 

CMYK 0 / 60 / 24 / 6

HEX #EF5FB5

RGB 239 95 181

HSL 324.17, 0.82%, 0.65%

LAB 61.54, 64.02, -17.4

 

CMYK 0 / 56 / 22 / 0

HEX #FF71C8

RGB 255 113 200

HSL 323.24, 1%, 0.72%

LAB 67.46, 63.32, -18.97

 

CMYK 0 / 49 / 14 / 0

HEX #FF83DB

RGB 255 131 219

HSL 317.42, 1%, 0.76%

LAB 71.29, 57.72, -23.72

 

CMYK 0 / 42 / 7 / 0

HEX #FF95EE

RGB 255 149 238

HSL 309.62, 1%, 0.79%

LAB 75.41, 51.92, -27.83

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 59 / 21 / 8

HEX #EA5FBA

RGB 234 95 186

HSL 320.72, 0.77%, 0.65%

LAB 60.98, 63.27, -21.19

 

CMYK 0 / 65 / 23 / 15

HEX #D94DA7

RGB 217 77 167

HSL 321.43, 0.65%, 0.58%

LAB 54.92, 63.45, -19.71

 

CMYK 0 / 71 / 26 / 22

HEX #C83B94

RGB 200 59 148

HSL 322.13, 0.56%, 0.51%

LAB 48.94, 63.25, -17.86

 

CMYK 0 / 78 / 30 / 28

HEX #B72981

RGB 183 41 129

HSL 322.82, 0.63%, 0.44%

LAB 43.12, 62.44, -15.51

 

CMYK 0 / 86 / 34 / 35

HEX #A6176E

RGB 166 23 110

HSL 323.5, 0.76%, 0.37%

LAB 37.56, 60.69, -12.43

 

CMYK 0 / 59 / 20 / 8

HEX #EA61BB

RGB 234 97 187

HSL 320.58, 0.77%, 0.65%

LAB 61.33, 62.55, -21.22

 

CMYK 0 / 59 / 36 / 8

HEX #EA6196

RGB 234 97 150

HSL 336.79, 0.77%, 0.65%

LAB 60.11, 57.89, -1.75

 

CMYK 0 / 59 / 52 / 8

HEX #EA6171

RGB 234 97 113

HSL 352.99, 0.77%, 0.65%

LAB 59.19, 54.27, 18.45

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 59 / 20 / 8

HEX #EA61BB

RGB 234 97 187

HSL 320.58, 0.77%, 0.65%

LAB 61.33, 62.55, -21.22

 

CMYK 0 / 59 / 4 / 8

HEX #EA61E0

RGB 234 97 224

HSL 304.38, 0.77%, 0.65%

LAB 62.86, 68.12, -39.76

 

CMYK 11 / 59 / 0 / 8

HEX #D061EA

RGB 208 97 234

HSL 288.61, 0.77%, 0.65%

LAB 59.8, 63.38, -50.42

 

CMYK 27 / 59 / 0 / 8

HEX #AB61EA

RGB 171 97 234

HSL 272.41, 0.77%, 0.65%

LAB 55.22, 54.5, -57.98

 

CMYK 43 / 59 / 0 / 8

HEX #8661EA

RGB 134 97 234

HSL 256.2, 0.77%, 0.65%

LAB 51.33, 46.21, -64.45

 

CMYK 0 / 59 / 20 / 8

HEX #EA61BB

RGB 234 97 187

HSL 320.58, 0.77%, 0.65%

LAB 61.33, 62.55, -21.22

 

CMYK 0 / 67 / 23 / 2

HEX #F953BF

RGB 249 83 191

HSL 320.96, 0.93%, 0.65%

LAB 61.73, 72.75, -22.69

 

CMYK 0 / 59 / 20 / 8

HEX #EA61BB

RGB 234 97 187

HSL 320.58, 0.77%, 0.65%

LAB 61.33, 62.55, -21.22

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB7

RGB 220 111 183

HSL 320.37, 0.61%, 0.65%

LAB 61.66, 51.32, -18.62

 

CMYK 0 / 39 / 14 / 19

HEX #CE7EB2

RGB 206 126 178

HSL 321, 0.45%, 0.65%

LAB 62.72, 38.31, -14.33

 

CMYK 0 / 27 / 9 / 25

HEX #BF8CAE

RGB 191 140 174

HSL 320, 0.28%, 0.65%

LAB 64.07, 24.83, -10.22

 

CMYK 0 / 12 / 5 / 31

HEX #B19BA9

RGB 177 155 169

HSL 321.82, 0.12%, 0.65%

LAB 66.25, 10.58, -4.31

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 0 / 59 / 4 / 8

HEX #EA61E1

RGB 234 97 225

HSL 303.94, 0.77%, 0.65%

LAB 62.91, 68.28, -40.25

 

CMYK 0 / 59 / 19 / 8

HEX #EA61BD

RGB 234 97 189

HSL 319.71, 0.77%, 0.65%

LAB 61.41, 62.83, -22.25

 

CMYK 0 / 59 / 35 / 8

HEX #EA6198

RGB 234 97 152

HSL 335.91, 0.77%, 0.65%

LAB 60.17, 58.11, -2.83

 

CMYK 0 / 59 / 51 / 8

HEX #EA6173

RGB 234 97 115

HSL 352.12, 0.77%, 0.65%

LAB 59.23, 54.44, 17.35

 

CMYK 0 / 87 / 30 / 14

HEX #DC1D9A

RGB 220 29 154

HSL 320.73, 0.77%, 0.49%

LAB 50.01, 76.52, -19.5

 

CMYK 0 / 73 / 26 / 10

HEX #E63DAB

RGB 230 61 171

HSL 320.95, 0.77%, 0.57%

LAB 55.18, 72.99, -21.46

 

CMYK 0 / 59 / 20 / 8

HEX #EA61BB

RGB 234 97 187

HSL 320.58, 0.77%, 0.65%

LAB 61.33, 62.55, -21.22

 

CMYK 0 / 44 / 15 / 6

HEX #EF86CB

RGB 239 134 203

HSL 320.57, 0.77%, 0.73%

LAB 69.26, 48.89, -18.11

 

CMYK 0 / 30 / 11 / 4

HEX #F4AADA

RGB 244 170 218

HSL 321.08, 0.77%, 0.81%

LAB 77.9, 34.27, -13.29

 

CMYK 0 / 59 / 21 / 8

HEX #EA5FBA

RGB 234 95 186

HSL 320.72, 0.77%, 0.65%

LAB 60.98, 63.27, -21.19

 

CMYK 0 / 27 / 59 / 8

HEX #EAAA61

RGB 234 170 97

HSL 31.97, 0.77%, 0.65%

LAB 74.26, 15.83, 46.38

 

CMYK 59 / 0 / 4 / 8

HEX #61EAE1

RGB 97 234 225

HSL 176.06, 0.77%, 0.65%

LAB 85.41, -39.12, -6.82

 

CMYK 0 / 59 / 21 / 8

HEX #EA5FBA

RGB 234 95 186

HSL 320.72, 0.77%, 0.65%

LAB 60.98, 63.27, -21.19

 

CMYK 19 / 0 / 59 / 8

HEX #BDEA61

RGB 189 234 97

HSL 79.71, 0.77%, 0.65%

LAB 87.25, -34.65, 60.4

 

CMYK 59 / 19 / 0 / 8

HEX #61BDEA

RGB 97 189 234

HSL 199.71, 0.77%, 0.65%

LAB 72.81, -14.53, -30.67

 

CMYK 0 / 59 / 21 / 8

HEX #EA5FBA

RGB 234 95 186

HSL 320.72, 0.77%, 0.65%

LAB 60.98, 63.27, -21.19

 

CMYK 0 / 27 / 59 / 8

HEX #EAAA61

RGB 234 170 97

HSL 31.97, 0.77%, 0.65%

LAB 74.26, 15.83, 46.38

 

CMYK 59 / 0 / 39 / 8

HEX #61EA8F

RGB 97 234 143

HSL 140.15, 0.77%, 0.65%

LAB 83.64, -56.94, 33.3

 

CMYK 59 / 31 / 0 / 8

HEX #61A1EA

RGB 97 161 234

HSL 211.97, 0.77%, 0.65%

LAB 64.94, 0.85, -42.92

 

CMYK 0 / 59 / 21 / 8

HEX #EA5FBA

RGB 234 95 186

HSL 320.72, 0.77%, 0.65%

LAB 60.98, 63.27, -21.19

 

CMYK 0 / 9 / 59 / 8

HEX #EAD461

RGB 234 212 97

HSL 50.36, 0.77%, 0.65%

LAB 84.71, -6.06, 58.46

 

CMYK 59 / 0 / 39 / 8

HEX #61EA8F

RGB 97 234 143

HSL 140.15, 0.77%, 0.65%

LAB 83.64, -56.94, 33.3

 

CMYK 59 / 49 / 0 / 8

HEX #6178EA

RGB 97 120 234

HSL 229.93, 0.77%, 0.65%

LAB 53.94, 25.18, -60.4

 

Description

Color code: HEX #EA5FBA | qconv.com Color code: HEX #EA5FBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 95 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 95 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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