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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5FA54C it is the complementary color #15A05A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5FA54C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5FA54C shade: #EF5FA04C, #FF71B34C, #FF83C64C, #FF95D94C and #FFA7EC4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5FA54C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5FA54C shade: #EA5FA54C, #D94D924C, #C83B7F4C, #B7296C4C and #A617594C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5FA54C shade: #EA61A6, #EA6181 and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5FA54C shade: #EA61A6, #EA61CB, #E561EA, #BF61EA and #9A61EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5FA54C shade matches the following richer shades: #EA61A6 and #F953A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5FA54C shade: #EA61A6, #DC6FA6, #CE7EA6, #BF8CA6 and #B19BA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5FA54C shade: #E461EA, #EA61CD, #EA61A8, #EA6183 and #EA6361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5FA54C shade: #DC1D7D, #E63D92, #EA61A6, #EF86BB and #F4AACF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5FA54C shade: #EA5FA5, #EABF61 and #61DFEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5FA54C shade: #EA5FA5, #A8EA61 and #61A8EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5FA54C shade: #EA5FA5, #EABF61, #61EAA3 and #618DEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5FA54C shade: #EA5FA5, #EAE861, #61EAA3 and #6163EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 9 / 2

HEX #EA5FA54C

RGBA 234 95 165 0.3

HSLA 329.78, 0.77%, 0.65%, 0.3

LABA 60.24, 60.53, -10.24, 0.3

 

Complementary color

CMYK 26 / 0 / 13 / 11

HEX #15A05A4C

RGBA 21 160 90 0.3

HSLA 149.78, 0.77%, 0.35%, 0.3

LABA 58.07, -50.74, 26.95, 0.3

 

CMYK 0 / 18 / 10 / 2

HEX #EF5FA04C

RGBA 239 95 160 0.3

HSLA 332.92, 0.82%, 0.65%, 0.3

LABA 60.85, 61.43, -6.37, 0.3

 

CMYK 0 / 17 / 9 / 0

HEX #FF71B34C

RGBA 255 113 179 0.3

HSLA 332.11, 1%, 0.72%, 0.3

LABA 66.77, 60.61, -8.17, 0.3

 

CMYK 0 / 15 / 7 / 0

HEX #FF83C64C

RGBA 255 131 198 0.3

HSLA 327.58, 1%, 0.76%, 0.3

LABA 70.57, 54.68, -13.15, 0.3

 

CMYK 0 / 12 / 4 / 0

HEX #FF95D94C

RGBA 255 149 217 0.3

HSLA 321.51, 1%, 0.79%, 0.3

LABA 74.68, 48.56, -17.47, 0.3

 

CMYK 0 / 10 / 2 / 0

HEX #FFA7EC4C

RGBA 255 167 236 0.3

HSLA 312.95, 1%, 0.83%, 0.3

LABA 79.01, 42.42, -21.25, 0.3

 

CMYK 0 / 18 / 9 / 2

HEX #EA5FA54C

RGBA 234 95 165 0.3

HSLA 329.78, 0.77%, 0.65%, 0.3

LABA 60.24, 60.53, -10.24, 0.3

 

CMYK 0 / 19 / 10 / 4

HEX #D94D924C

RGBA 217 77 146 0.3

HSLA 330.43, 0.65%, 0.58%, 0.3

LABA 54.17, 60.83, -8.5, 0.3

 

CMYK 0 / 21 / 11 / 6

HEX #C83B7F4C

RGBA 200 59 127 0.3

HSLA 331.06, 0.56%, 0.51%, 0.3

LABA 48.18, 60.78, -6.36, 0.3

 

CMYK 0 / 23 / 12 / 8

HEX #B7296C4C

RGBA 183 41 108 0.3

HSLA 331.69, 0.63%, 0.44%, 0.3

LABA 42.36, 60.14, -3.65, 0.3

 

CMYK 0 / 26 / 14 / 10

HEX #A617594C

RGBA 166 23 89 0.3

HSLA 332.31, 0.76%, 0.37%, 0.3

LABA 36.82, 58.58, -0.16, 0.3

 

CMYK 0 / 59 / 29 / 8

HEX #EA61A6

RGB 234 97 166

HSL 329.78, 0.77%, 0.65%

LAB 60.6, 59.78, -10.28

 

CMYK 0 / 59 / 45 / 8

HEX #EA6181

RGB 234 97 129

HSL 345.99, 0.77%, 0.65%

LAB 59.55, 55.7, 9.65

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 59 / 29 / 8

HEX #EA61A6

RGB 234 97 166

HSL 329.78, 0.77%, 0.65%

LAB 60.6, 59.78, -10.28

 

CMYK 0 / 59 / 13 / 8

HEX #EA61CB

RGB 234 97 203

HSL 313.58, 0.77%, 0.65%

LAB 61.96, 64.85, -29.35

 

CMYK 2 / 59 / 0 / 8

HEX #E561EA

RGB 229 97 234

HSL 297.81, 0.77%, 0.65%

LAB 62.63, 68.53, -45.75

 

CMYK 18 / 59 / 0 / 8

HEX #BF61EA

RGB 191 97 234

HSL 281.17, 0.77%, 0.65%

LAB 57.62, 59.25, -54.01

 

CMYK 34 / 59 / 0 / 8

HEX #9A61EA

RGB 154 97 234

HSL 264.96, 0.77%, 0.65%

LAB 53.34, 50.58, -61.11

 

CMYK 0 / 59 / 29 / 8

HEX #EA61A6

RGB 234 97 166

HSL 329.78, 0.77%, 0.65%

LAB 60.6, 59.78, -10.28

 

CMYK 0 / 67 / 33 / 2

HEX #F953A6

RGB 249 83 166

HSL 330, 0.93%, 0.65%

LAB 60.85, 69.78, -9.66

 

CMYK 0 / 59 / 29 / 8

HEX #EA61A6

RGB 234 97 166

HSL 329.78, 0.77%, 0.65%

LAB 60.6, 59.78, -10.28

 

CMYK 0 / 50 / 25 / 14

HEX #DC6FA6

RGB 220 111 166

HSL 329.72, 0.61%, 0.65%

LAB 61.08, 48.85, -9.77

 

CMYK 0 / 39 / 19 / 19

HEX #CE7EA6

RGB 206 126 166

HSL 330, 0.45%, 0.65%

LAB 62.34, 36.41, -8.09

 

CMYK 0 / 27 / 13 / 25

HEX #BF8CA6

RGB 191 140 166

HSL 329.41, 0.28%, 0.65%

LAB 63.82, 23.45, -6.06

 

CMYK 0 / 12 / 6 / 31

HEX #B19BA6

RGB 177 155 166

HSL 330, 0.12%, 0.65%

LAB 66.17, 10.03, -2.75

 

CMYK 3 / 59 / 0 / 8

HEX #E461EA

RGB 228 97 234

HSL 297.37, 0.77%, 0.65%

LAB 62.49, 68.28, -45.98

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 59 / 28 / 8

HEX #EA61A8

RGB 234 97 168

HSL 328.91, 0.77%, 0.65%

LAB 60.67, 60.03, -11.33

 

CMYK 0 / 59 / 44 / 8

HEX #EA6183

RGB 234 97 131

HSL 345.11, 0.77%, 0.65%

LAB 59.6, 55.89, 8.55

 

CMYK 0 / 58 / 59 / 8

HEX #EA6361

RGB 234 99 97

HSL 0.88, 0.77%, 0.65%

LAB 59.23, 52.13, 27.72

 

CMYK 0 / 87 / 43 / 14

HEX #DC1D7D

RGB 220 29 125

HSL 329.84, 0.77%, 0.49%

LAB 48.98, 73.66, -3.56

 

CMYK 0 / 73 / 37 / 10

HEX #E63D92

RGB 230 61 146

HSL 329.82, 0.77%, 0.57%

LAB 54.28, 70.18, -8.11

 

CMYK 0 / 59 / 29 / 8

HEX #EA61A6

RGB 234 97 166

HSL 329.78, 0.77%, 0.65%

LAB 60.6, 59.78, -10.28

 

CMYK 0 / 44 / 22 / 6

HEX #EF86BB

RGB 239 134 187

HSL 329.71, 0.77%, 0.73%

LAB 68.74, 46.51, -9.96

 

CMYK 0 / 30 / 15 / 4

HEX #F4AACF

RGB 244 170 207

HSL 330, 0.77%, 0.81%

LAB 77.57, 32.5, -7.8

 

CMYK 0 / 59 / 29 / 8

HEX #EA5FA5

RGB 234 95 165

HSL 329.78, 0.77%, 0.65%

LAB 60.24, 60.53, -10.24

 

CMYK 0 / 18 / 59 / 8

HEX #EABF61

RGB 234 191 97

HSL 41.17, 0.77%, 0.65%

LAB 79.4, 4.76, 52.4

 

CMYK 59 / 5 / 0 / 8

HEX #61DFEA

RGB 97 223 234

HSL 184.82, 0.77%, 0.65%

LAB 82.52, -31.6, -15.9

 

CMYK 0 / 59 / 29 / 8

HEX #EA5FA5

RGB 234 95 165

HSL 329.78, 0.77%, 0.65%

LAB 60.24, 60.53, -10.24

 

CMYK 28 / 0 / 59 / 8

HEX #A8EA61

RGB 168 234 97

HSL 88.91, 0.77%, 0.65%

LAB 86.02, -42.33, 58.68

 

CMYK 59 / 28 / 0 / 8

HEX #61A8EA

RGB 97 168 234

HSL 208.91, 0.77%, 0.65%

LAB 66.89, -3.1, -39.86

 

CMYK 0 / 59 / 29 / 8

HEX #EA5FA5

RGB 234 95 165

HSL 329.78, 0.77%, 0.65%

LAB 60.24, 60.53, -10.24

 

CMYK 0 / 18 / 59 / 8

HEX #EABF61

RGB 234 191 97

HSL 41.17, 0.77%, 0.65%

LAB 79.4, 4.76, 52.4

 

CMYK 59 / 0 / 30 / 8

HEX #61EAA3

RGB 97 234 163

HSL 148.91, 0.77%, 0.65%

LAB 83.98, -53.28, 23.57

 

CMYK 59 / 40 / 0 / 8

HEX #618DEA

RGB 97 141 234

HSL 220.73, 0.77%, 0.65%

LAB 59.46, 12.51, -51.57

 

CMYK 0 / 59 / 29 / 8

HEX #EA5FA5

RGB 234 95 165

HSL 329.78, 0.77%, 0.65%

LAB 60.24, 60.53, -10.24

 

CMYK 0 / 1 / 59 / 8

HEX #EAE861

RGB 234 232 97

HSL 59.12, 0.77%, 0.65%

LAB 89.89, -16.03, 64.21

 

CMYK 59 / 0 / 30 / 8

HEX #61EAA3

RGB 97 234 163

HSL 148.91, 0.77%, 0.65%

LAB 83.98, -53.28, 23.57

 

CMYK 59 / 58 / 0 / 8

HEX #6163EA

RGB 97 99 234

HSL 239.12, 0.77%, 0.65%

LAB 48.77, 37.92, -68.75

 

Description

Color code: HEX #EA5FA54C | qconv.com Color code: HEX #EA5FA54C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 95 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 95 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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