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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5ABF it is the complementary color #15A540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5ABF shade: #EF5ABA, #FF6CCD, #FF7EE0, #FF90F3 and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5ABF shade: #EA5ABF, #D948AC, #C83699, #B72486 and #A61273

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5ABF shade: #EA5DC0, #EA5D9A, #EA5D73 and #EA5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5ABF shade: #EA5DC0, #EA5DE6, #C85DEA, #A25DEA and #7C5DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5ABF shade matches the following richer shades: #EA5DC0 and #F94EC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5ABF shade: #EA5DC0, #DB6BBA, #CC7AB4, #BD89AE and #AE98A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5ABF shade: #C75DEA, #EA5DE8, #EA5DC2, #EA5D9C and #EA5D76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5ABF shade: #D81CA0, #E538B1, #EA5DC0, #EF81CE and #F3A6DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5ABF shade: #EA5ABF, #EAA15D and #5DEAD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5ABF shade: #EA5ABF, #C2EA5D and #5DC2EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5ABF shade: #EA5ABF, #EAA15D, #5DEA85 and #5DA6EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5ABF shade: #EA5ABF, #EACB5D, #5DEA85 and #5D7BEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 18 / 8

HEX #EA5ABF

RGB 234 90 191

HSL 317.92, 0.77%, 0.64%

LAB 60.4, 66.07, -24.94

 

Complementary color

CMYK 87 / 0 / 61 / 35

HEX #15A540

RGB 21 165 64

HSL 137.92, 0.77%, 0.36%

LAB 59.38, -56.58, 41.66

 

CMYK 0 / 62 / 22 / 6

HEX #EF5ABA

RGB 239 90 186

HSL 321.34, 0.82%, 0.65%

LAB 60.96, 66.75, -21.14

 

CMYK 0 / 58 / 20 / 0

HEX #FF6CCD

RGB 255 108 205

HSL 320.41, 1%, 0.71%

LAB 66.82, 66.2, -22.75

 

CMYK 0 / 51 / 12 / 0

HEX #FF7EE0

RGB 255 126 224

HSL 314.42, 1%, 0.75%

LAB 70.57, 60.85, -27.58

 

CMYK 0 / 44 / 5 / 0

HEX #FF90F3

RGB 255 144 243

HSL 306.49, 1%, 0.78%

LAB 74.62, 55.24, -31.76

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 62 / 18 / 8

HEX #EA5ABF

RGB 234 90 191

HSL 317.92, 0.77%, 0.64%

LAB 60.4, 66.07, -24.94

 

CMYK 0 / 67 / 21 / 15

HEX #D948AC

RGB 217 72 172

HSL 318.62, 0.66%, 0.57%

LAB 54.41, 66.06, -23.4

 

CMYK 0 / 73 / 24 / 22

HEX #C83699

RGB 200 54 153

HSL 319.32, 0.57%, 0.5%

LAB 48.53, 65.6, -21.48

 

CMYK 0 / 80 / 27 / 28

HEX #B72486

RGB 183 36 134

HSL 320, 0.67%, 0.43%

LAB 42.84, 64.43, -19

 

CMYK 0 / 89 / 31 / 35

HEX #A61273

RGB 166 18 115

HSL 320.68, 0.8%, 0.36%

LAB 37.44, 62.2, -15.77

 

CMYK 0 / 60 / 18 / 8

HEX #EA5DC0

RGB 234 93 192

HSL 317.87, 0.77%, 0.64%

LAB 60.89, 64.96, -24.75

 

CMYK 0 / 60 / 34 / 8

HEX #EA5D9A

RGB 234 93 154

HSL 334.04, 0.77%, 0.64%

LAB 59.58, 60.09, -4.86

 

CMYK 0 / 60 / 51 / 8

HEX #EA5D73

RGB 234 93 115

HSL 350.64, 0.77%, 0.64%

LAB 58.56, 56.21, 16.43

 

CMYK 0 / 60 / 60 / 8

HEX #EA5D5D

RGB 234 93 93

HSL 0, 0.77%, 0.64%

LAB 58.14, 54.56, 28.61

 

CMYK 0 / 60 / 18 / 8

HEX #EA5DC0

RGB 234 93 192

HSL 317.87, 0.77%, 0.64%

LAB 60.89, 64.96, -24.75

 

CMYK 0 / 60 / 2 / 8

HEX #EA5DE6

RGB 234 93 230

HSL 301.7, 0.77%, 0.64%

LAB 62.54, 70.76, -43.63

 

CMYK 15 / 60 / 0 / 8

HEX #C85DEA

RGB 200 93 234

HSL 285.53, 0.77%, 0.64%

LAB 58.08, 63.27, -53.21

 

CMYK 31 / 60 / 0 / 8

HEX #A25DEA

RGB 162 93 234

HSL 269.36, 0.77%, 0.64%

LAB 53.44, 54.46, -60.9

 

CMYK 47 / 60 / 0 / 8

HEX #7C5DEA

RGB 124 93 234

HSL 253.19, 0.77%, 0.64%

LAB 49.56, 46.4, -67.36

 

CMYK 0 / 60 / 18 / 8

HEX #EA5DC0

RGB 234 93 192

HSL 317.87, 0.77%, 0.64%

LAB 60.89, 64.96, -24.75

 

CMYK 0 / 69 / 20 / 2

HEX #F94EC6

RGB 249 78 198

HSL 317.89, 0.93%, 0.64%

LAB 61.36, 75.43, -27.25

 

CMYK 0 / 60 / 18 / 8

HEX #EA5DC0

RGB 234 93 192

HSL 317.87, 0.77%, 0.64%

LAB 60.89, 64.96, -24.75

 

CMYK 0 / 51 / 15 / 14

HEX #DB6BBA

RGB 219 107 186

HSL 317.68, 0.61%, 0.64%

LAB 60.89, 53.41, -21.52

 

CMYK 0 / 40 / 12 / 20

HEX #CC7AB4

RGB 204 122 180

HSL 317.56, 0.45%, 0.64%

LAB 61.7, 40.1, -17.04

 

CMYK 0 / 28 / 8 / 26

HEX #BD89AE

RGB 189 137 174

HSL 317.31, 0.28%, 0.64%

LAB 63.15, 25.79, -11.62

 

CMYK 0 / 13 / 3 / 32

HEX #AE98A8

RGB 174 152 168

HSL 316.36, 0.12%, 0.64%

LAB 65.19, 10.99, -5.36

 

CMYK 15 / 60 / 0 / 8

HEX #C75DEA

RGB 199 93 234

HSL 285.11, 0.77%, 0.64%

LAB 57.95, 63.04, -53.43

 

CMYK 0 / 60 / 1 / 8

HEX #EA5DE8

RGB 234 93 232

HSL 300.85, 0.77%, 0.64%

LAB 62.63, 71.08, -44.59

 

CMYK 0 / 60 / 17 / 8

HEX #EA5DC2

RGB 234 93 194

HSL 317.02, 0.77%, 0.64%

LAB 60.97, 65.24, -25.77

 

CMYK 0 / 60 / 33 / 8

HEX #EA5D9C

RGB 234 93 156

HSL 333.19, 0.77%, 0.64%

LAB 59.64, 60.32, -5.93

 

CMYK 0 / 60 / 50 / 8

HEX #EA5D76

RGB 234 93 118

HSL 349.36, 0.77%, 0.64%

LAB 58.63, 56.47, 14.77

 

CMYK 0 / 87 / 26 / 15

HEX #D81CA0

RGB 216 28 160

HSL 317.87, 0.77%, 0.48%

LAB 49.46, 76.51, -23.99

 

CMYK 0 / 76 / 23 / 10

HEX #E538B1

RGB 229 56 177

HSL 318.03, 0.77%, 0.56%

LAB 54.72, 74.98, -25.68

 

CMYK 0 / 60 / 18 / 8

HEX #EA5DC0

RGB 234 93 192

HSL 317.87, 0.77%, 0.64%

LAB 60.89, 64.96, -24.75

 

CMYK 0 / 46 / 14 / 6

HEX #EF81CE

RGB 239 129 206

HSL 318, 0.77%, 0.72%

LAB 68.39, 51.85, -21.11

 

CMYK 0 / 32 / 9 / 5

HEX #F3A6DC

RGB 243 166 220

HSL 317.92, 0.76%, 0.8%

LAB 76.98, 36.37, -15.77

 

CMYK 0 / 62 / 18 / 8

HEX #EA5ABF

RGB 234 90 191

HSL 317.92, 0.77%, 0.64%

LAB 60.4, 66.07, -24.94

 

CMYK 0 / 31 / 60 / 8

HEX #EAA15D

RGB 234 161 93

HSL 28.94, 0.77%, 0.64%

LAB 72.08, 20.33, 45.79

 

CMYK 60 / 0 / 7 / 8

HEX #5DEAD9

RGB 93 234 217

HSL 172.77, 0.77%, 0.64%

LAB 85.09, -41.86, -3.1

 

CMYK 0 / 62 / 18 / 8

HEX #EA5ABF

RGB 234 90 191

HSL 317.92, 0.77%, 0.64%

LAB 60.4, 66.07, -24.94

 

CMYK 17 / 0 / 60 / 8

HEX #C2EA5D

RGB 194 234 93

HSL 77.02, 0.77%, 0.64%

LAB 87.54, -33.07, 62.49

 

CMYK 60 / 17 / 0 / 8

HEX #5DC2EA

RGB 93 194 234

HSL 197.02, 0.77%, 0.64%

LAB 74.09, -17.88, -28.71

 

CMYK 0 / 62 / 18 / 8

HEX #EA5ABF

RGB 234 90 191

HSL 317.92, 0.77%, 0.64%

LAB 60.4, 66.07, -24.94

 

CMYK 0 / 31 / 60 / 8

HEX #EAA15D

RGB 234 161 93

HSL 28.94, 0.77%, 0.64%

LAB 72.08, 20.33, 45.79

 

CMYK 60 / 0 / 43 / 8

HEX #5DEA85

RGB 93 234 133

HSL 137.02, 0.77%, 0.64%

LAB 83.37, -59.43, 37.93

 

CMYK 60 / 29 / 0 / 8

HEX #5DA6EA

RGB 93 166 234

HSL 208.94, 0.77%, 0.64%

LAB 66.17, -2.74, -41

 

CMYK 0 / 62 / 18 / 8

HEX #EA5ABF

RGB 234 90 191

HSL 317.92, 0.77%, 0.64%

LAB 60.4, 66.07, -24.94

 

CMYK 0 / 13 / 60 / 8

HEX #EACB5D

RGB 234 203 93

HSL 46.81, 0.77%, 0.64%

LAB 82.38, -1.74, 57.63

 

CMYK 60 / 0 / 43 / 8

HEX #5DEA85

RGB 93 234 133

HSL 137.02, 0.77%, 0.64%

LAB 83.37, -59.43, 37.93

 

CMYK 60 / 47 / 0 / 8

HEX #5D7BEA

RGB 93 123 234

HSL 227.23, 0.77%, 0.64%

LAB 54.48, 22.62, -59.53

 

Description

Color code: HEX #EA5ABF | qconv.com Color code: HEX #EA5ABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 90 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 90 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 18 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 18% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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