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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA59FB it is the complementary color #15A604. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA59FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA59FB shade: #EF59F6, #FF6BFF, #FF7DFF, #FF8FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA59FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA59FB shade: #EA59FB, #D947E8, #C835D5, #B723C2 and #A611AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA59FB shade: #EA5BFB, #FB5BE0, #FB5BB5, #FB5B8A and #FB5B5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA59FB shade: #EA5BFB, #BF5BFB, #945BFB, #695BFB and #5B5BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA59FB shade matches the following richer shades: #EA5BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA59FB shade: #EA5BFB, #DF69ED, #D476E0, #CA84D2 and #BF91C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA59FB shade: #935BFB, #BE5BFB, #E85BFB, #FB5BE3 and #FB5BB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA59FB shade: #E00AF9, #E533FA, #EA5BFB, #EF83FC and #F4ABFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA59FB shade: #EA59FB, #FB685B and #5BFBA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA59FB shade: #EA59FB, #FBE85B and #5BFBE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA59FB shade: #EA59FB, #FB685B, #6EFB5B and #5BEDFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA59FB shade: #EA59FB, #FB985B, #6EFB5B and #5BBEFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 65 / 0 / 2

HEX #EA59FB

RGB 234 89 251

HSL 293.7, 0.95%, 0.67%

LAB 63.01, 75.87, -54.53

 

Complementary color

CMYK 87 / 0 / 98 / 35

HEX #15A604

RGB 21 166 4

HSL 113.7, 0.95%, 0.33%

LAB 59.38, -61.06, 59.93

 

CMYK 3 / 64 / 0 / 4

HEX #EF59F6

RGB 239 89 246

HSL 297.32, 0.9%, 0.66%

LAB 63.47, 76.15, -51

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 7 / 65 / 0 / 2

HEX #EA59FB

RGB 234 89 251

HSL 293.7, 0.95%, 0.67%

LAB 63.01, 75.87, -54.53

 

CMYK 6 / 69 / 0 / 9

HEX #D947E8

RGB 217 71 232

HSL 294.41, 0.78%, 0.59%

LAB 57.16, 75.61, -53.42

 

CMYK 6 / 75 / 0 / 16

HEX #C835D5

RGB 200 53 213

HSL 295.13, 0.66%, 0.52%

LAB 51.42, 74.83, -51.98

 

CMYK 6 / 82 / 0 / 24

HEX #B723C2

RGB 183 35 194

HSL 295.85, 0.69%, 0.45%

LAB 45.86, 73.3, -50.07

 

CMYK 5 / 90 / 0 / 31

HEX #A611AF

RGB 166 17 175

HSL 296.58, 0.82%, 0.38%

LAB 40.58, 70.68, -47.52

 

CMYK 7 / 64 / 0 / 2

HEX #EA5BFB

RGB 234 91 251

HSL 293.63, 0.95%, 0.67%

LAB 63.29, 75.09, -54.08

 

CMYK 0 / 64 / 11 / 2

HEX #FB5BE0

RGB 251 91 224

HSL 310.13, 0.95%, 0.67%

LAB 64.46, 74.78, -37.08

 

CMYK 0 / 64 / 28 / 2

HEX #FB5BB5

RGB 251 91 181

HSL 326.25, 0.95%, 0.67%

LAB 62.78, 69, -15.35

 

CMYK 0 / 64 / 45 / 2

HEX #FB5B8A

RGB 251 91 138

HSL 342.38, 0.95%, 0.67%

LAB 61.5, 64.41, 7.57

 

CMYK 0 / 64 / 62 / 2

HEX #FB5B5F

RGB 251 91 95

HSL 358.5, 0.95%, 0.67%

LAB 60.62, 61.13, 31.19

 

CMYK 7 / 64 / 0 / 2

HEX #EA5BFB

RGB 234 91 251

HSL 293.63, 0.95%, 0.67%

LAB 63.29, 75.09, -54.08

 

CMYK 24 / 64 / 0 / 2

HEX #BF5BFB

RGB 191 91 251

HSL 277.5, 0.95%, 0.67%

LAB 57.58, 65.6, -63.54

 

CMYK 41 / 64 / 0 / 2

HEX #945BFB

RGB 148 91 251

HSL 261.38, 0.95%, 0.67%

LAB 52.67, 56.74, -71.72

 

CMYK 58 / 64 / 0 / 2

HEX #695BFB

RGB 105 91 251

HSL 245.25, 0.95%, 0.67%

LAB 48.82, 49.19, -78.14

 

CMYK 64 / 64 / 0 / 2

HEX #5B5BFB

RGB 91 91 251

HSL 240, 0.95%, 0.67%

LAB 47.84, 47.16, -79.78

 

CMYK 7 / 64 / 0 / 2

HEX #EA5BFB

RGB 234 91 251

HSL 293.63, 0.95%, 0.67%

LAB 63.29, 75.09, -54.08

 

CMYK 7 / 64 / 0 / 2

HEX #EA5BFB

RGB 234 91 251

HSL 293.63, 0.95%, 0.67%

LAB 63.29, 75.09, -54.08

 

CMYK 6 / 56 / 0 / 7

HEX #DF69ED

RGB 223 105 237

HSL 293.64, 0.79%, 0.67%

LAB 63.26, 64.03, -46.48

 

CMYK 5 / 47 / 0 / 12

HEX #D476E0

RGB 212 118 224

HSL 293.21, 0.63%, 0.67%

LAB 63.62, 52.44, -38.79

 

CMYK 4 / 37 / 0 / 18

HEX #CA84D2

RGB 202 132 210

HSL 293.85, 0.46%, 0.67%

LAB 64.73, 39.51, -29.33

 

CMYK 3 / 26 / 0 / 23

HEX #BF91C4

RGB 191 145 196

HSL 294.12, 0.3%, 0.67%

LAB 65.99, 26.14, -19.68

 

CMYK 41 / 64 / 0 / 2

HEX #935BFB

RGB 147 91 251

HSL 261, 0.95%, 0.67%

LAB 52.56, 56.54, -71.89

 

CMYK 24 / 64 / 0 / 2

HEX #BE5BFB

RGB 190 91 251

HSL 277.13, 0.95%, 0.67%

LAB 57.46, 65.38, -63.74

 

CMYK 8 / 64 / 0 / 2

HEX #E85BFB

RGB 232 91 251

HSL 292.88, 0.95%, 0.67%

LAB 63.01, 74.64, -54.54

 

CMYK 0 / 64 / 10 / 2

HEX #FB5BE3

RGB 251 91 227

HSL 309, 0.95%, 0.67%

LAB 64.59, 75.22, -38.55

 

CMYK 0 / 64 / 27 / 2

HEX #FB5BB8

RGB 251 91 184

HSL 325.13, 0.95%, 0.67%

LAB 62.89, 69.37, -16.91

 

CMYK 10 / 96 / 0 / 2

HEX #E00AF9

RGB 224 10 249

HSL 293.72, 0.95%, 0.51%

LAB 54.97, 92.11, -66.38

 

CMYK 8 / 80 / 0 / 2

HEX #E533FA

RGB 229 51 250

HSL 293.67, 0.95%, 0.59%

LAB 57.97, 86.81, -62.07

 

CMYK 7 / 64 / 0 / 2

HEX #EA5BFB

RGB 234 91 251

HSL 293.63, 0.95%, 0.67%

LAB 63.29, 75.09, -54.08

 

CMYK 5 / 48 / 0 / 1

HEX #EF83FC

RGB 239 131 252

HSL 293.55, 0.95%, 0.75%

LAB 70.6, 58.67, -43.06

 

CMYK 4 / 32 / 0 / 1

HEX #F4ABFD

RGB 244 171 253

HSL 293.41, 0.95%, 0.83%

LAB 79.3, 39.9, -30.07

 

CMYK 7 / 65 / 0 / 2

HEX #EA59FB

RGB 234 89 251

HSL 293.7, 0.95%, 0.67%

LAB 63.01, 75.87, -54.53

 

CMYK 0 / 59 / 64 / 2

HEX #FB685B

RGB 251 104 91

HSL 4.88, 0.95%, 0.67%

LAB 62.65, 55.33, 35.98

 

CMYK 64 / 0 / 33 / 2

HEX #5BFBA8

RGB 91 251 168

HSL 148.88, 0.95%, 0.67%

LAB 88.94, -60.12, 27.76

 

CMYK 7 / 65 / 0 / 2

HEX #EA59FB

RGB 234 89 251

HSL 293.7, 0.95%, 0.67%

LAB 63.01, 75.87, -54.53

 

CMYK 0 / 8 / 64 / 2

HEX #FBE85B

RGB 251 232 91

HSL 52.88, 0.95%, 0.67%

LAB 91.22, -9.51, 68.54

 

CMYK 64 / 0 / 8 / 2

HEX #5BFBE8

RGB 91 251 232

HSL 172.88, 0.95%, 0.67%

LAB 90.34, -45.85, -3.23

 

CMYK 7 / 65 / 0 / 2

HEX #EA59FB

RGB 234 89 251

HSL 293.7, 0.95%, 0.67%

LAB 63.01, 75.87, -54.53

 

CMYK 0 / 59 / 64 / 2

HEX #FB685B

RGB 251 104 91

HSL 4.88, 0.95%, 0.67%

LAB 62.65, 55.33, 35.98

 

CMYK 56 / 0 / 64 / 2

HEX #6EFB5B

RGB 110 251 91

HSL 112.88, 0.95%, 0.67%

LAB 88.48, -67.05, 63.23

 

CMYK 64 / 6 / 0 / 2

HEX #5BEDFB

RGB 91 237 251

HSL 185.25, 0.95%, 0.67%

LAB 86.88, -34.47, -18.31

 

CMYK 7 / 65 / 0 / 2

HEX #EA59FB

RGB 234 89 251

HSL 293.7, 0.95%, 0.67%

LAB 63.01, 75.87, -54.53

 

CMYK 0 / 39 / 64 / 2

HEX #FB985B

RGB 251 152 91

HSL 22.88, 0.95%, 0.67%

LAB 72.04, 31.8, 47.26

 

CMYK 56 / 0 / 64 / 2

HEX #6EFB5B

RGB 110 251 91

HSL 112.88, 0.95%, 0.67%

LAB 88.48, -67.05, 63.23

 

CMYK 64 / 24 / 0 / 2

HEX #5BBEFB

RGB 91 190 251

HSL 202.88, 0.95%, 0.67%

LAB 73.56, -10.88, -38.72

 

Description

Color code: HEX #EA59FB | qconv.com Color code: HEX #EA59FB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 89 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 89 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 65 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 65% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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