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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA59AC it is the complementary color #15A653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA59AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA59AC shade: #EF59A7, #FF6BBA, #FF7DCD, #FF8FE0 and #FFA1F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA59AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA59AC shade: #EA59AC, #D94799, #C83586, #B72373 and #A61160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA59AC shade: #EA57AB, #EA5784, #EA575C and #EA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA59AC shade: #EA57AB, #EA57D3, #DA57EA, #B257EA and #8A57EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA59AC shade matches the following richer shades: #EA57AB and #FA48AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA59AC shade: #EA57AB, #DB66A9, #CC76A7, #BC85A5 and #AD94A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA59AC shade: #D957EA, #EA57D4, #EA57AD, #EA5786 and #EA575E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA59AC shade: #D51A85, #E63299, #EA57AB, #EF7CBE and #F3A0D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA59AC shade: #EA59AC, #EAB257 and #57E8EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA59AC shade: #EA59AC, #ADEA57 and #57ADEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA59AC shade: #EA59AC, #EAB257, #57EA94 and #578FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA59AC shade: #EA59AC, #EADE57, #57EA94 and #5763EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 26 / 8

HEX #EA59AC

RGB 234 89 172

HSL 325.66, 0.78%, 0.63%

LAB 59.54, 63.95, -15.34

 

Complementary color

CMYK 87 / 0 / 50 / 35

HEX #15A653

RGB 21 166 83

HSL 145.66, 0.78%, 0.37%

LAB 59.94, -54.12, 33

 

CMYK 0 / 63 / 30 / 6

HEX #EF59A7

RGB 239 89 167

HSL 328.8, 0.82%, 0.64%

LAB 60.15, 64.76, -11.46

 

CMYK 0 / 58 / 27 / 0

HEX #FF6BBA

RGB 255 107 186

HSL 327.97, 1%, 0.71%

LAB 66, 64.13, -13.29

 

CMYK 0 / 51 / 20 / 0

HEX #FF7DCD

RGB 255 125 205

HSL 323.08, 1%, 0.75%

LAB 69.71, 58.52, -18.36

 

CMYK 0 / 44 / 12 / 0

HEX #FF8FE0

RGB 255 143 224

HSL 316.61, 1%, 0.78%

LAB 73.73, 52.65, -22.74

 

CMYK 0 / 37 / 5 / 0

HEX #FFA1F3

RGB 255 161 243

HSL 307.66, 1%, 0.82%

LAB 78.01, 46.69, -26.57

 

CMYK 0 / 62 / 26 / 8

HEX #EA59AC

RGB 234 89 172

HSL 325.66, 0.78%, 0.63%

LAB 59.54, 63.95, -15.34

 

CMYK 0 / 67 / 29 / 15

HEX #D94799

RGB 217 71 153

HSL 326.3, 0.66%, 0.56%

LAB 53.55, 64.02, -13.56

 

CMYK 0 / 74 / 33 / 22

HEX #C83586

RGB 200 53 134

HSL 326.94, 0.58%, 0.5%

LAB 47.68, 63.63, -11.35

 

CMYK 0 / 81 / 37 / 28

HEX #B72373

RGB 183 35 115

HSL 327.57, 0.68%, 0.43%

LAB 42.01, 62.54, -8.53

 

CMYK 0 / 90 / 42 / 35

HEX #A61160

RGB 166 17 96

HSL 328.19, 0.81%, 0.36%

LAB 36.65, 60.37, -4.9

 

CMYK 0 / 63 / 27 / 8

HEX #EA57AB

RGB 234 87 171

HSL 325.71, 0.78%, 0.63%

LAB 59.2, 64.65, -15.27

 

CMYK 0 / 63 / 44 / 8

HEX #EA5784

RGB 234 87 132

HSL 341.63, 0.78%, 0.63%

LAB 58.01, 60.31, 5.71

 

CMYK 0 / 63 / 61 / 8

HEX #EA575C

RGB 234 87 92

HSL 357.96, 0.78%, 0.63%

LAB 57.15, 57.08, 27.91

 

CMYK 0 / 63 / 63 / 8

HEX #EA5757

RGB 234 87 87

HSL 0, 0.78%, 0.63%

LAB 57.07, 56.77, 30.68

 

CMYK 0 / 63 / 27 / 8

HEX #EA57AB

RGB 234 87 171

HSL 325.71, 0.78%, 0.63%

LAB 59.2, 64.65, -15.27

 

CMYK 0 / 63 / 10 / 8

HEX #EA57D3

RGB 234 87 211

HSL 309.39, 0.78%, 0.63%

LAB 60.79, 70.18, -35.69

 

CMYK 7 / 63 / 0 / 8

HEX #DA57EA

RGB 218 87 234

HSL 293.47, 0.78%, 0.63%

LAB 59.58, 70.09, -50.68

 

CMYK 24 / 63 / 0 / 8

HEX #B257EA

RGB 178 87 234

HSL 277.14, 0.78%, 0.63%

LAB 54.26, 60.98, -59.48

 

CMYK 41 / 63 / 0 / 8

HEX #8A57EA

RGB 138 87 234

HSL 260.82, 0.78%, 0.63%

LAB 49.69, 52.46, -67.09

 

CMYK 0 / 63 / 27 / 8

HEX #EA57AB

RGB 234 87 171

HSL 325.71, 0.78%, 0.63%

LAB 59.2, 64.65, -15.27

 

CMYK 0 / 71 / 30 / 2

HEX #FA48AE

RGB 250 72 174

HSL 325.62, 0.95%, 0.63%

LAB 59.9, 74.79, -15.7

 

CMYK 0 / 63 / 27 / 8

HEX #EA57AB

RGB 234 87 171

HSL 325.71, 0.78%, 0.63%

LAB 59.2, 64.65, -15.27

 

CMYK 0 / 53 / 23 / 14

HEX #DB66A9

RGB 219 102 169

HSL 325.64, 0.62%, 0.63%

LAB 59.37, 53.32, -14.08

 

CMYK 0 / 42 / 18 / 20

HEX #CC76A7

RGB 204 118 167

HSL 325.81, 0.46%, 0.63%

LAB 60.41, 40.12, -11.56

 

CMYK 0 / 29 / 12 / 26

HEX #BC85A5

RGB 188 133 165

HSL 325.09, 0.29%, 0.63%

LAB 61.81, 26.09, -8.52

 

CMYK 0 / 14 / 6 / 32

HEX #AD94A2

RGB 173 148 162

HSL 326.4, 0.13%, 0.63%

LAB 63.89, 11.76, -3.89

 

CMYK 7 / 63 / 0 / 8

HEX #D957EA

RGB 217 87 234

HSL 293.06, 0.78%, 0.63%

LAB 59.44, 69.85, -50.91

 

CMYK 0 / 63 / 9 / 8

HEX #EA57D4

RGB 234 87 212

HSL 308.98, 0.78%, 0.63%

LAB 60.84, 70.34, -36.19

 

CMYK 0 / 63 / 26 / 8

HEX #EA57AD

RGB 234 87 173

HSL 324.9, 0.78%, 0.63%

LAB 59.27, 64.9, -16.32

 

CMYK 0 / 63 / 43 / 8

HEX #EA5786

RGB 234 87 134

HSL 340.82, 0.78%, 0.63%

LAB 58.07, 60.51, 4.61

 

CMYK 0 / 63 / 60 / 8

HEX #EA575E

RGB 234 87 94

HSL 357.14, 0.78%, 0.63%

LAB 57.19, 57.22, 26.8

 

CMYK 0 / 88 / 38 / 16

HEX #D51A85

RGB 213 26 133

HSL 325.67, 0.78%, 0.47%

LAB 47.72, 73.32, -10.44

 

CMYK 0 / 78 / 33 / 10

HEX #E63299

RGB 230 50 153

HSL 325.67, 0.78%, 0.55%

LAB 53.39, 74.11, -13.59

 

CMYK 0 / 63 / 27 / 8

HEX #EA57AB

RGB 234 87 171

HSL 325.71, 0.78%, 0.63%

LAB 59.2, 64.65, -15.27

 

CMYK 0 / 48 / 21 / 6

HEX #EF7CBE

RGB 239 124 190

HSL 325.57, 0.78%, 0.71%

LAB 66.89, 51.92, -14.43

 

CMYK 0 / 34 / 14 / 5

HEX #F3A0D0

RGB 243 160 208

HSL 325.3, 0.78%, 0.79%

LAB 75.3, 37.58, -11.75

 

CMYK 0 / 62 / 26 / 8

HEX #EA59AC

RGB 234 89 172

HSL 325.66, 0.78%, 0.63%

LAB 59.54, 63.95, -15.34

 

CMYK 0 / 24 / 63 / 8

HEX #EAB257

RGB 234 178 87

HSL 37.14, 0.78%, 0.63%

LAB 76.08, 10.91, 53.32

 

CMYK 63 / 1 / 0 / 8

HEX #57E8EA

RGB 87 232 234

HSL 180.82, 0.78%, 0.63%

LAB 84.83, -37.45, -12.45

 

CMYK 0 / 62 / 26 / 8

HEX #EA59AC

RGB 234 89 172

HSL 325.66, 0.78%, 0.63%

LAB 59.54, 63.95, -15.34

 

CMYK 26 / 0 / 63 / 8

HEX #ADEA57

RGB 173 234 87

HSL 84.9, 0.78%, 0.63%

LAB 86.22, -41.37, 63.17

 

CMYK 63 / 26 / 0 / 8

HEX #57ADEA

RGB 87 173 234

HSL 204.9, 0.78%, 0.63%

LAB 67.91, -7.72, -38.29

 

CMYK 0 / 62 / 26 / 8

HEX #EA59AC

RGB 234 89 172

HSL 325.66, 0.78%, 0.63%

LAB 59.54, 63.95, -15.34

 

CMYK 0 / 24 / 63 / 8

HEX #EAB257

RGB 234 178 87

HSL 37.14, 0.78%, 0.63%

LAB 76.08, 10.91, 53.32

 

CMYK 63 / 0 / 37 / 8

HEX #57EA94

RGB 87 234 148

HSL 144.9, 0.78%, 0.63%

LAB 83.45, -58.07, 30.48

 

CMYK 63 / 39 / 0 / 8

HEX #578FEA

RGB 87 143 234

HSL 217.14, 0.78%, 0.63%

LAB 59.54, 9.48, -51.48

 

CMYK 0 / 62 / 26 / 8

HEX #EA59AC

RGB 234 89 172

HSL 325.66, 0.78%, 0.63%

LAB 59.54, 63.95, -15.34

 

CMYK 0 / 5 / 63 / 8

HEX #EADE57

RGB 234 222 87

HSL 55.1, 0.78%, 0.63%

LAB 87.2, -11.74, 65.49

 

CMYK 63 / 0 / 37 / 8

HEX #57EA94

RGB 87 234 148

HSL 144.9, 0.78%, 0.63%

LAB 83.45, -58.07, 30.48

 

CMYK 63 / 58 / 0 / 8

HEX #5763EA

RGB 87 99 234

HSL 235.1, 0.78%, 0.63%

LAB 48.12, 36.29, -69.82

 

Description

Color code: HEX #EA59AC | qconv.com Color code: HEX #EA59AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 89 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 89 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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