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Color name
HEX #EA4F2C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA4F2C it is the complementary color #15B0D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA4F2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA4F2C shade: #EF4F27, #FF613A, #FF734D, #FF8560 and #FF9773

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA4F2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA4F2C shade: #EA4F2C, #D93D19, #C82B06, #B71900 and #A60700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA4F2C shade: #EA512E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA4F2C shade: #EA512E, #EA842E, #EAB62E, #EAE92E and #B9EA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA4F2C shade matches the following richer shades: #EA512E and #FD451C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA4F2C shade: #EA512E, #D85D41, #C56853, #B37466 and #A08078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA4F2C shade: #EA2E70, #EA2E3E, #EA512E, #EA832E and #EAB52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA4F2C shade: #B43012, #DA3A16, #EA512E, #EE7054 and #F28F79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA4F2C shade: #EA4F2C, #A2EA2E and #2E57EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA4F2C shade: #EA4F2C, #2EEA51 and #512EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA4F2C shade: #EA4F2C, #A2EA2E, #2EC8EA and #762EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA4F2C shade: #EA4F2C, #6AEA2E, #2EC8EA and #AF2EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 81 / 8

HEX #EA4F2C

RGB 234 79 44

HSL 11.05, 0.82%, 0.55%

LAB 55.35, 58.16, 51.8

 

Complementary color

CMYK 90 / 17 / 0 / 17

HEX #15B0D3

RGB 21 176 211

HSL 191.05, 0.82%, 0.45%

LAB 66.45, -24.33, -28.04

 

CMYK 0 / 67 / 84 / 6

HEX #EF4F27

RGB 239 79 39

HSL 12, 0.86%, 0.55%

LAB 56.18, 59.67, 55.16

 

CMYK 0 / 62 / 77 / 0

HEX #FF613A

RGB 255 97 58

HSL 11.88, 1%, 0.61%

LAB 61.75, 58.21, 52.53

 

CMYK 0 / 55 / 70 / 0

HEX #FF734D

RGB 255 115 77

HSL 12.81, 1%, 0.65%

LAB 65.01, 50.95, 46.44

 

CMYK 0 / 48 / 62 / 0

HEX #FF8560

RGB 255 133 96

HSL 13.96, 1%, 0.69%

LAB 68.66, 43.32, 40.78

 

CMYK 0 / 41 / 55 / 0

HEX #FF9773

RGB 255 151 115

HSL 15.43, 1%, 0.73%

LAB 72.65, 35.56, 35.64

 

CMYK 0 / 66 / 81 / 8

HEX #EA4F2C

RGB 234 79 44

HSL 11.05, 0.82%, 0.55%

LAB 55.35, 58.16, 51.8

 

CMYK 0 / 72 / 88 / 15

HEX #D93D19

RGB 217 61 25

HSL 11.25, 0.79%, 0.47%

LAB 49.69, 59.02, 54.09

 

CMYK 0 / 79 / 97 / 22

HEX #C82B06

RGB 200 43 6

HSL 11.44, 0.94%, 0.4%

LAB 44.26, 59.39, 55.16

 

CMYK 0 / 86 / 100 / 28

HEX #B71900

RGB 183 25 0

HSL 8.2, 1%, 0.36%

LAB 39.18, 58.95, 52.84

 

CMYK 0 / 96 / 100 / 35

HEX #A60700

RGB 166 7 0

HSL 2.53, 1%, 0.33%

LAB 34.52, 57.19, 48.62

 

CMYK 0 / 65 / 80 / 8

HEX #EA512E

RGB 234 81 46

HSL 11.17, 0.82%, 0.55%

LAB 55.66, 57.41, 51.15

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 65 / 80 / 8

HEX #EA512E

RGB 234 81 46

HSL 11.17, 0.82%, 0.55%

LAB 55.66, 57.41, 51.15

 

CMYK 0 / 44 / 80 / 8

HEX #EA842E

RGB 234 132 46

HSL 27.45, 0.82%, 0.55%

LAB 65.11, 33.24, 59.98

 

CMYK 0 / 22 / 80 / 8

HEX #EAB62E

RGB 234 182 46

HSL 43.4, 0.82%, 0.55%

LAB 76.77, 6.85, 70.43

 

CMYK 0 / 0 / 80 / 8

HEX #EAE92E

RGB 234 233 46

HSL 59.68, 0.82%, 0.55%

LAB 89.84, -18.98, 81.79

 

CMYK 21 / 0 / 80 / 8

HEX #B9EA2E

RGB 185 234 46

HSL 75.64, 0.82%, 0.55%

LAB 86.68, -39.17, 77.7

 

CMYK 0 / 65 / 80 / 8

HEX #EA512E

RGB 234 81 46

HSL 11.17, 0.82%, 0.55%

LAB 55.66, 57.41, 51.15

 

CMYK 0 / 73 / 89 / 1

HEX #FD451C

RGB 253 69 28

HSL 10.93, 0.98%, 0.55%

LAB 57.29, 67.46, 61.53

 

CMYK 0 / 65 / 80 / 8

HEX #EA512E

RGB 234 81 46

HSL 11.17, 0.82%, 0.55%

LAB 55.66, 57.41, 51.15

 

CMYK 0 / 57 / 70 / 15

HEX #D85D41

RGB 216 93 65

HSL 11.13, 0.66%, 0.55%

LAB 54.88, 46.59, 39.66

 

CMYK 0 / 47 / 58 / 23

HEX #C56853

RGB 197 104 83

HSL 11.05, 0.5%, 0.55%

LAB 54.44, 35.04, 28.45

 

CMYK 0 / 35 / 43 / 30

HEX #B37466

RGB 179 116 102

HSL 10.91, 0.34%, 0.55%

LAB 55.11, 23.13, 17.99

 

CMYK 0 / 20 / 25 / 37

HEX #A08078

RGB 160 128 120

HSL 12, 0.17%, 0.55%

LAB 56.36, 11.05, 9.01

 

CMYK 0 / 80 / 52 / 8

HEX #EA2E70

RGB 234 46 112

HSL 338.94, 0.82%, 0.55%

LAB 52.53, 72.43, 9.8

 

CMYK 0 / 80 / 74 / 8

HEX #EA2E3E

RGB 234 46 62

HSL 354.89, 0.82%, 0.55%

LAB 51.6, 69.62, 38.42

 

CMYK 0 / 65 / 80 / 8

HEX #EA512E

RGB 234 81 46

HSL 11.17, 0.82%, 0.55%

LAB 55.66, 57.41, 51.15

 

CMYK 0 / 44 / 80 / 8

HEX #EA832E

RGB 234 131 46

HSL 27.13, 0.82%, 0.55%

LAB 64.9, 33.76, 59.78

 

CMYK 0 / 23 / 80 / 8

HEX #EAB52E

RGB 234 181 46

HSL 43.09, 0.82%, 0.55%

LAB 76.52, 7.37, 70.22

 

CMYK 0 / 73 / 90 / 29

HEX #B43012

RGB 180 48 18

HSL 11.11, 0.82%, 0.39%

LAB 40.99, 51.67, 47.24

 

CMYK 0 / 73 / 90 / 15

HEX #DA3A16

RGB 218 58 22

HSL 11.02, 0.82%, 0.47%

LAB 49.48, 60.32, 55.16

 

CMYK 0 / 65 / 80 / 8

HEX #EA512E

RGB 234 81 46

HSL 11.17, 0.82%, 0.55%

LAB 55.66, 57.41, 51.15

 

CMYK 0 / 53 / 65 / 7

HEX #EE7054

RGB 238 112 84

HSL 10.91, 0.82%, 0.63%

LAB 62, 46.59, 38.58

 

CMYK 0 / 41 / 50 / 5

HEX #F28F79

RGB 242 143 121

HSL 10.91, 0.82%, 0.71%

LAB 69.4, 35.23, 27.85

 

CMYK 0 / 66 / 81 / 8

HEX #EA4F2C

RGB 234 79 44

HSL 11.05, 0.82%, 0.55%

LAB 55.35, 58.16, 51.8

 

CMYK 31 / 0 / 80 / 8

HEX #A2EA2E

RGB 162 234 46

HSL 82.98, 0.82%, 0.55%

LAB 85.36, -47.75, 76.03

 

CMYK 80 / 63 / 0 / 8

HEX #2E57EA

RGB 46 87 234

HSL 226.91, 0.82%, 0.55%

LAB 43.27, 38.86, -77.83

 

CMYK 0 / 66 / 81 / 8

HEX #EA4F2C

RGB 234 79 44

HSL 11.05, 0.82%, 0.55%

LAB 55.35, 58.16, 51.8

 

CMYK 80 / 0 / 65 / 8

HEX #2EEA51

RGB 46 234 81

HSL 131.17, 0.82%, 0.55%

LAB 81.85, -73.8, 59.59

 

CMYK 65 / 80 / 0 / 8

HEX #512EEA

RGB 81 46 234

HSL 251.17, 0.82%, 0.55%

LAB 37.2, 64.2, -87.76

 

CMYK 0 / 66 / 81 / 8

HEX #EA4F2C

RGB 234 79 44

HSL 11.05, 0.82%, 0.55%

LAB 55.35, 58.16, 51.8

 

CMYK 31 / 0 / 80 / 8

HEX #A2EA2E

RGB 162 234 46

HSL 82.98, 0.82%, 0.55%

LAB 85.36, -47.75, 76.03

 

CMYK 80 / 15 / 0 / 8

HEX #2EC8EA

RGB 46 200 234

HSL 190.85, 0.82%, 0.55%

LAB 74.72, -27.15, -27.85

 

CMYK 50 / 80 / 0 / 8

HEX #762EEA

RGB 118 46 234

HSL 262.98, 0.82%, 0.55%

LAB 40.81, 68.06, -81.68

 

CMYK 0 / 66 / 81 / 8

HEX #EA4F2C

RGB 234 79 44

HSL 11.05, 0.82%, 0.55%

LAB 55.35, 58.16, 51.8

 

CMYK 55 / 0 / 80 / 8

HEX #6AEA2E

RGB 106 234 46

HSL 100.85, 0.82%, 0.55%

LAB 82.97, -65.3, 72.96

 

CMYK 80 / 15 / 0 / 8

HEX #2EC8EA

RGB 46 200 234

HSL 190.85, 0.82%, 0.55%

LAB 74.72, -27.15, -27.85

 

CMYK 25 / 80 / 0 / 8

HEX #AF2EEA

RGB 175 46 234

HSL 281.17, 0.82%, 0.55%

LAB 48.27, 76.19, -69.18

 

Description

Color code: HEX #EA4F2C | qconv.com Color code: HEX #EA4F2C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 79 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 79 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 81% 8% C M Y K

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Provide designers and agencies with accurate color values.

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