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Color name
HEX #EA42DA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA42DA it is the complementary color #15BD25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA42DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA42DA shade: #EF42D5, #FF54E8, #FF66FB, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA42DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA42DA shade: #EA42DA, #D930C7, #C81EB4, #B70CA1 and #A6008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA42DA shade: #EA43DA, #EA43AD, #EA4380, #EA4353 and #EA4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA42DA shade: #EA43DA, #CD43EA, #A043EA, #7343EA and #4643EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA42DA shade matches the following richer shades: #EA43DA and #FB32E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA42DA shade: #EA43DA, #D954CC, #C865BF, #B776B1 and #A686A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA42DA shade: #9F43EA, #CB43EA, #EA43DC, #EA43B0 and #EA4383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA42DA shade: #C516B4, #E61ED3, #EA43DA, #EE68E1 and #F28DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA42DA shade: #EA42DA, #EA7243 and #43EAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA42DA shade: #EA42DA, #DCEA43 and #43DCEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA42DA shade: #EA42DA, #EA7243, #43EA51 and #43BBEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA42DA shade: #EA42DA, #EAA443, #43EA51 and #4389EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 7 / 8

HEX #EA42DA

RGB 234 66 218

HSL 305.71, 0.8%, 0.59%

LAB 58.46, 78.69, -43.3

 

Complementary color

CMYK 89 / 0 / 80 / 26

HEX #15BD25

RGB 21 189 37

HSL 125.71, 0.8%, 0.41%

LAB 67.04, -66.41, 59.98

 

CMYK 0 / 72 / 11 / 6

HEX #EF42D5

RGB 239 66 213

HSL 309.02, 0.84%, 0.6%

LAB 59.02, 79.06, -39.54

 

CMYK 0 / 67 / 9 / 0

HEX #FF54E8

RGB 255 84 232

HSL 308.07, 1%, 0.66%

LAB 64.51, 79.46, -41.43

 

CMYK 0 / 60 / 2 / 0

HEX #FF66FB

RGB 255 102 251

HSL 301.57, 1%, 0.7%

LAB 67.82, 75.59, -46.73

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 72 / 7 / 8

HEX #EA42DA

RGB 234 66 218

HSL 305.71, 0.8%, 0.59%

LAB 58.46, 78.69, -43.3

 

CMYK 0 / 78 / 8 / 15

HEX #D930C7

RGB 217 48 199

HSL 306.39, 0.69%, 0.52%

LAB 52.94, 77.49, -41.36

 

CMYK 0 / 85 / 10 / 22

HEX #C81EB4

RGB 200 30 180

HSL 307.06, 0.74%, 0.45%

LAB 47.63, 75.46, -38.89

 

CMYK 0 / 93 / 12 / 28

HEX #B70CA1

RGB 183 12 161

HSL 307.72, 0.88%, 0.38%

LAB 42.62, 72.3, -35.72

 

CMYK 0 / 100 / 14 / 35

HEX #A6008E

RGB 166 0 142

HSL 308.67, 1%, 0.33%

LAB 37.95, 67.84, -31.77

 

CMYK 0 / 71 / 7 / 8

HEX #EA43DA

RGB 234 67 218

HSL 305.75, 0.8%, 0.59%

LAB 58.57, 78.37, -43.13

 

CMYK 0 / 71 / 26 / 8

HEX #EA43AD

RGB 234 67 173

HSL 321.92, 0.8%, 0.59%

LAB 56.61, 72.3, -20.37

 

CMYK 0 / 71 / 45 / 8

HEX #EA4380

RGB 234 67 128

HSL 338.08, 0.8%, 0.59%

LAB 55.14, 67.54, 3.93

 

CMYK 0 / 71 / 65 / 8

HEX #EA4353

RGB 234 67 83

HSL 354.25, 0.8%, 0.59%

LAB 54.17, 64.28, 29.32

 

CMYK 0 / 71 / 71 / 8

HEX #EA4343

RGB 234 67 67

HSL 0, 0.8%, 0.59%

LAB 53.93, 63.49, 38.26

 

CMYK 0 / 71 / 7 / 8

HEX #EA43DA

RGB 234 67 218

HSL 305.75, 0.8%, 0.59%

LAB 58.57, 78.37, -43.13

 

CMYK 12 / 71 / 0 / 8

HEX #CD43EA

RGB 205 67 234

HSL 289.58, 0.8%, 0.59%

LAB 55, 74.89, -58.09

 

CMYK 32 / 71 / 0 / 8

HEX #A043EA

RGB 160 67 234

HSL 273.41, 0.8%, 0.59%

LAB 48.8, 66.19, -68.42

 

CMYK 51 / 71 / 0 / 8

HEX #7343EA

RGB 115 67 234

HSL 257.25, 0.8%, 0.59%

LAB 43.65, 58.59, -77.02

 

CMYK 70 / 71 / 0 / 8

HEX #4643EA

RGB 70 67 234

HSL 241.08, 0.8%, 0.59%

LAB 40.01, 52.89, -83.14

 

CMYK 0 / 71 / 7 / 8

HEX #EA43DA

RGB 234 67 218

HSL 305.75, 0.8%, 0.59%

LAB 58.57, 78.37, -43.13

 

CMYK 0 / 80 / 8 / 2

HEX #FB32E8

RGB 251 50 232

HSL 305.67, 0.96%, 0.59%

LAB 60.44, 88.4, -47.88

 

CMYK 0 / 71 / 7 / 8

HEX #EA43DA

RGB 234 67 218

HSL 305.75, 0.8%, 0.59%

LAB 58.57, 78.37, -43.13

 

CMYK 0 / 61 / 6 / 15

HEX #D954CC

RGB 217 84 204

HSL 305.86, 0.64%, 0.59%

LAB 57.51, 66.03, -37.03

 

CMYK 0 / 50 / 5 / 22

HEX #C865BF

RGB 200 101 191

HSL 305.45, 0.47%, 0.59%

LAB 57.41, 51.51, -29.94

 

CMYK 0 / 36 / 3 / 28

HEX #B776B1

RGB 183 118 177

HSL 305.54, 0.31%, 0.59%

LAB 58.22, 34.8, -20.85

 

CMYK 0 / 19 / 2 / 35

HEX #A686A3

RGB 166 134 163

HSL 305.63, 0.15%, 0.59%

LAB 59.71, 17.33, -10.76

 

CMYK 32 / 71 / 0 / 8

HEX #9F43EA

RGB 159 67 234

HSL 273.05, 0.8%, 0.59%

LAB 48.67, 66.01, -68.63

 

CMYK 13 / 71 / 0 / 8

HEX #CB43EA

RGB 203 67 234

HSL 288.86, 0.8%, 0.59%

LAB 54.71, 74.49, -58.58

 

CMYK 0 / 71 / 6 / 8

HEX #EA43DC

RGB 234 67 220

HSL 305.03, 0.8%, 0.59%

LAB 58.67, 78.67, -44.1

 

CMYK 0 / 71 / 25 / 8

HEX #EA43B0

RGB 234 67 176

HSL 320.84, 0.8%, 0.59%

LAB 56.72, 72.66, -21.94

 

CMYK 0 / 71 / 44 / 8

HEX #EA4383

RGB 234 67 131

HSL 337.01, 0.8%, 0.59%

LAB 55.22, 67.81, 2.27

 

CMYK 0 / 89 / 9 / 23

HEX #C516B4

RGB 197 22 180

HSL 305.83, 0.8%, 0.43%

LAB 46.63, 76.24, -40.5

 

CMYK 0 / 87 / 8 / 10

HEX #E61ED3

RGB 230 30 211

HSL 305.7, 0.8%, 0.51%

LAB 54.51, 85.37, -45.62

 

CMYK 0 / 71 / 7 / 8

HEX #EA43DA

RGB 234 67 218

HSL 305.75, 0.8%, 0.59%

LAB 58.57, 78.37, -43.13

 

CMYK 0 / 56 / 5 / 7

HEX #EE68E1

RGB 238 104 225

HSL 305.82, 0.8%, 0.67%

LAB 64.57, 66.3, -37.6

 

CMYK 0 / 42 / 4 / 5

HEX #F28DE9

RGB 242 141 233

HSL 305.35, 0.8%, 0.75%

LAB 72.1, 51.19, -30.31

 

CMYK 0 / 72 / 7 / 8

HEX #EA42DA

RGB 234 66 218

HSL 305.71, 0.8%, 0.59%

LAB 58.46, 78.69, -43.3

 

CMYK 0 / 51 / 71 / 8

HEX #EA7243

RGB 234 114 67

HSL 16.89, 0.8%, 0.59%

LAB 61.6, 43.21, 46.9

 

CMYK 71 / 0 / 23 / 8

HEX #43EAB5

RGB 67 234 181

HSL 160.96, 0.8%, 0.59%

LAB 83.64, -54.54, 13.64

 

CMYK 0 / 72 / 7 / 8

HEX #EA42DA

RGB 234 66 218

HSL 305.71, 0.8%, 0.59%

LAB 58.46, 78.69, -43.3

 

CMYK 6 / 0 / 71 / 8

HEX #DCEA43

RGB 220 234 67

HSL 65.03, 0.8%, 0.59%

LAB 89.14, -24.4, 74.6

 

CMYK 71 / 6 / 0 / 8

HEX #43DCEA

RGB 67 220 234

HSL 185.03, 0.8%, 0.59%

LAB 80.92, -34.62, -18.38

 

CMYK 0 / 72 / 7 / 8

HEX #EA42DA

RGB 234 66 218

HSL 305.71, 0.8%, 0.59%

LAB 58.46, 78.69, -43.3

 

CMYK 0 / 51 / 71 / 8

HEX #EA7243

RGB 234 114 67

HSL 16.89, 0.8%, 0.59%

LAB 61.6, 43.21, 46.9

 

CMYK 71 / 0 / 65 / 8

HEX #43EA51

RGB 67 234 81

HSL 125.03, 0.8%, 0.59%

LAB 82.18, -70.98, 60.05

 

CMYK 71 / 20 / 0 / 8

HEX #43BBEA

RGB 67 187 234

HSL 196.89, 0.8%, 0.59%

LAB 71.33, -18.27, -33.03

 

CMYK 0 / 72 / 7 / 8

HEX #EA42DA

RGB 234 66 218

HSL 305.71, 0.8%, 0.59%

LAB 58.46, 78.69, -43.3

 

CMYK 0 / 30 / 71 / 8

HEX #EAA443

RGB 234 164 67

HSL 34.85, 0.8%, 0.59%

LAB 72.53, 17.2, 58.51

 

CMYK 71 / 0 / 65 / 8

HEX #43EA51

RGB 67 234 81

HSL 125.03, 0.8%, 0.59%

LAB 82.18, -70.98, 60.05

 

CMYK 71 / 41 / 0 / 8

HEX #4389EA

RGB 67 137 234

HSL 214.85, 0.8%, 0.59%

LAB 57.1, 9.95, -55.41

 

Description

Color code: HEX #EA42DA | qconv.com Color code: HEX #EA42DA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 66 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 66 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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