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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA3FA4 it is the complementary color #15C05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA3FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA3FA4 shade: #EF3F9F, #FF51B2, #FF63C5, #FF75D8 and #FF87EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA3FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA3FA4 shade: #EA3FA4, #D92D91, #C81B7E, #B7096B and #A60058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA3FA4 shade: #EA3EA3, #EA3E75, #EA3E47 and #EA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA3FA4 shade: #EA3EA3, #EA3ED2, #D33EEA, #A53EEA and #773EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA3FA4 shade matches the following richer shades: #EA3EA3 and #FB2DA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA3FA4 shade: #EA3EA3, #D850A0, #C7619D, #B6729A and #A48497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA3FA4 shade: #D33EEA, #EA3ED3, #EA3EA5, #EA3E77 and #EA3E4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA3FA4 shade: #C0157A, #E51992, #EA3EA3, #EE63B5 and #F288C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA3FA4 shade: #EA3FA4, #EAA53E and #3EEAEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA3FA4 shade: #EA3FA4, #A5EA3E and #3EA5EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA3FA4 shade: #EA3FA4, #EAA53E, #3EEA83 and #3E83EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA3FA4 shade: #EA3FA4, #EAD83E, #3EEA83 and #3E4FEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 30 / 8

HEX #EA3FA4

RGB 234 63 164

HSL 324.56, 0.8%, 0.58%

LAB 55.81, 72.53, -16.33

 

Complementary color

CMYK 89 / 0 / 53 / 25

HEX #15C05B

RGB 21 192 91

HSL 144.56, 0.8%, 0.42%

LAB 68.47, -61.6, 39.57

 

CMYK 0 / 74 / 33 / 6

HEX #EF3F9F

RGB 239 63 159

HSL 327.27, 0.85%, 0.59%

LAB 56.49, 73.23, -12.29

 

CMYK 0 / 68 / 30 / 0

HEX #FF51B2

RGB 255 81 178

HSL 326.55, 1%, 0.66%

LAB 61.96, 73.46, -14.81

 

CMYK 0 / 61 / 23 / 0

HEX #FF63C5

RGB 255 99 197

HSL 322.31, 1%, 0.69%

LAB 65.13, 68.91, -20.82

 

CMYK 0 / 54 / 15 / 0

HEX #FF75D8

RGB 255 117 216

HSL 316.96, 1%, 0.73%

LAB 68.71, 63.79, -26

 

CMYK 0 / 47 / 8 / 0

HEX #FF87EB

RGB 255 135 235

HSL 310, 1%, 0.76%

LAB 72.62, 58.31, -30.48

 

CMYK 0 / 73 / 30 / 8

HEX #EA3FA4

RGB 234 63 164

HSL 324.56, 0.8%, 0.58%

LAB 55.81, 72.53, -16.33

 

CMYK 0 / 79 / 33 / 15

HEX #D92D91

RGB 217 45 145

HSL 325.12, 0.69%, 0.51%

LAB 50.3, 71.45, -13.72

 

CMYK 0 / 87 / 37 / 22

HEX #C81B7E

RGB 200 27 126

HSL 325.66, 0.76%, 0.45%

LAB 45.04, 69.5, -10.45

 

CMYK 0 / 95 / 42 / 28

HEX #B7096B

RGB 183 9 107

HSL 326.21, 0.91%, 0.38%

LAB 40.12, 66.39, -6.35

 

CMYK 0 / 100 / 47 / 35

HEX #A60058

RGB 166 0 88

HSL 328.19, 1%, 0.33%

LAB 35.62, 61.88, -1.27

 

CMYK 0 / 74 / 30 / 8

HEX #EA3EA3

RGB 234 62 163

HSL 324.77, 0.8%, 0.58%

LAB 55.67, 72.73, -15.97

 

CMYK 0 / 74 / 50 / 8

HEX #EA3E75

RGB 234 62 117

HSL 340.81, 0.8%, 0.58%

LAB 54.26, 68.26, 9.24

 

CMYK 0 / 74 / 70 / 8

HEX #EA3E47

RGB 234 62 71

HSL 356.86, 0.8%, 0.58%

LAB 53.38, 65.36, 35.32

 

CMYK 0 / 74 / 74 / 8

HEX #EA3E3E

RGB 234 62 62

HSL 0, 0.8%, 0.58%

LAB 53.26, 64.97, 40.3

 

CMYK 0 / 74 / 30 / 8

HEX #EA3EA3

RGB 234 62 163

HSL 324.77, 0.8%, 0.58%

LAB 55.67, 72.73, -15.97

 

CMYK 0 / 74 / 10 / 8

HEX #EA3ED2

RGB 234 62 210

HSL 308.37, 0.8%, 0.58%

LAB 57.65, 78.75, -40.05

 

CMYK 10 / 74 / 0 / 8

HEX #D33EEA

RGB 211 62 234

HSL 291.98, 0.8%, 0.58%

LAB 55.31, 77.75, -57.54

 

CMYK 29 / 74 / 0 / 8

HEX #A53EEA

RGB 165 62 234

HSL 275.93, 0.8%, 0.58%

LAB 48.74, 69.11, -68.48

 

CMYK 49 / 74 / 0 / 8

HEX #773EEA

RGB 119 62 234

HSL 259.88, 0.8%, 0.58%

LAB 43.22, 61.55, -77.71

 

CMYK 0 / 74 / 30 / 8

HEX #EA3EA3

RGB 234 62 163

HSL 324.77, 0.8%, 0.58%

LAB 55.67, 72.73, -15.97

 

CMYK 0 / 82 / 33 / 2

HEX #FB2DA7

RGB 251 45 167

HSL 324.47, 0.96%, 0.58%

LAB 57.25, 81.62, -15.63

 

CMYK 0 / 74 / 30 / 8

HEX #EA3EA3

RGB 234 62 163

HSL 324.77, 0.8%, 0.58%

LAB 55.67, 72.73, -15.97

 

CMYK 0 / 63 / 26 / 15

HEX #D850A0

RGB 216 80 160

HSL 324.71, 0.64%, 0.58%

LAB 54.94, 61.04, -15.59

 

CMYK 0 / 51 / 21 / 22

HEX #C7619D

RGB 199 97 157

HSL 324.71, 0.48%, 0.58%

LAB 55.2, 47.73, -13.68

 

CMYK 0 / 37 / 15 / 29

HEX #B6729A

RGB 182 114 154

HSL 324.71, 0.32%, 0.58%

LAB 56.4, 32.63, -10.36

 

CMYK 0 / 20 / 8 / 36

HEX #A48497

RGB 164 132 151

HSL 324.38, 0.15%, 0.58%

LAB 58.63, 15.5, -5.51

 

CMYK 10 / 74 / 0 / 8

HEX #D33EEA

RGB 211 62 234

HSL 291.98, 0.8%, 0.58%

LAB 55.31, 77.75, -57.54

 

CMYK 0 / 74 / 10 / 8

HEX #EA3ED3

RGB 234 62 211

HSL 308.02, 0.8%, 0.58%

LAB 57.69, 78.89, -40.54

 

CMYK 0 / 74 / 29 / 8

HEX #EA3EA5

RGB 234 62 165

HSL 324.07, 0.8%, 0.58%

LAB 55.74, 72.96, -17.03

 

CMYK 0 / 74 / 49 / 8

HEX #EA3E77

RGB 234 62 119

HSL 340.12, 0.8%, 0.58%

LAB 54.31, 68.43, 8.12

 

CMYK 0 / 74 / 68 / 8

HEX #EA3E4A

RGB 234 62 74

HSL 355.81, 0.8%, 0.58%

LAB 53.42, 65.5, 33.64

 

CMYK 0 / 89 / 36 / 25

HEX #C0157A

RGB 192 21 122

HSL 324.56, 0.8%, 0.42%

LAB 42.99, 68.31, -11.24

 

CMYK 0 / 89 / 36 / 10

HEX #E51992

RGB 229 25 146

HSL 324.41, 0.8%, 0.5%

LAB 51.18, 78.26, -12.77

 

CMYK 0 / 74 / 30 / 8

HEX #EA3EA3

RGB 234 62 163

HSL 324.77, 0.8%, 0.58%

LAB 55.67, 72.73, -15.97

 

CMYK 0 / 58 / 24 / 7

HEX #EE63B5

RGB 238 99 181

HSL 324.6, 0.8%, 0.66%

LAB 62.03, 62.01, -16.68

 

CMYK 0 / 44 / 18 / 5

HEX #F288C7

RGB 242 136 199

HSL 324.34, 0.8%, 0.74%

LAB 69.9, 48.23, -14.89

 

CMYK 0 / 73 / 30 / 8

HEX #EA3FA4

RGB 234 63 164

HSL 324.56, 0.8%, 0.58%

LAB 55.81, 72.53, -16.33

 

CMYK 0 / 29 / 74 / 8

HEX #EAA53E

RGB 234 165 62

HSL 35.93, 0.8%, 0.58%

LAB 72.73, 16.43, 60.82

 

CMYK 74 / 0 / 0 / 8

HEX #3EEAEA

RGB 62 234 234

HSL 180, 0.8%, 0.58%

LAB 84.9, -41.61, -12.41

 

CMYK 0 / 73 / 30 / 8

HEX #EA3FA4

RGB 234 63 164

HSL 324.56, 0.8%, 0.58%

LAB 55.81, 72.53, -16.33

 

CMYK 29 / 0 / 74 / 8

HEX #A5EA3E

RGB 165 234 62

HSL 84.07, 0.8%, 0.58%

LAB 85.6, -45.92, 71.62

 

CMYK 74 / 29 / 0 / 8

HEX #3EA5EA

RGB 62 165 234

HSL 204.07, 0.8%, 0.58%

LAB 64.86, -7.01, -43.12

 

CMYK 0 / 73 / 30 / 8

HEX #EA3FA4

RGB 234 63 164

HSL 324.56, 0.8%, 0.58%

LAB 55.81, 72.53, -16.33

 

CMYK 0 / 29 / 74 / 8

HEX #EAA53E

RGB 234 165 62

HSL 35.93, 0.8%, 0.58%

LAB 72.73, 16.43, 60.82

 

CMYK 74 / 0 / 44 / 8

HEX #3EEA83

RGB 62 234 131

HSL 144.07, 0.8%, 0.58%

LAB 82.65, -65.12, 37.85

 

CMYK 74 / 44 / 0 / 8

HEX #3E83EA

RGB 62 131 234

HSL 215.93, 0.8%, 0.58%

LAB 55.27, 12.94, -58.33

 

CMYK 0 / 73 / 30 / 8

HEX #EA3FA4

RGB 234 63 164

HSL 324.56, 0.8%, 0.58%

LAB 55.81, 72.53, -16.33

 

CMYK 0 / 8 / 74 / 8

HEX #EAD83E

RGB 234 216 62

HSL 53.72, 0.8%, 0.58%

LAB 85.48, -10.03, 73.18

 

CMYK 74 / 0 / 44 / 8

HEX #3EEA83

RGB 62 234 131

HSL 144.07, 0.8%, 0.58%

LAB 82.65, -65.12, 37.85

 

CMYK 74 / 66 / 0 / 8

HEX #3E4FEA

RGB 62 79 234

HSL 234.07, 0.8%, 0.58%

LAB 42.09, 45.19, -79.74

 

Description

Color code: HEX #EA3FA4 | qconv.com Color code: HEX #EA3FA4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 63 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 63 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 30 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 30% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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