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Color name
HEX #EA2F7F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA2F7F it is the complementary color #15D080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA2F7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA2F7F shade: #EF2F7A, #FF418D, #FF53A0, #FF65B3 and #FF77C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA2F7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA2F7F shade: #EA2F7F, #D91D6C, #C80B59, #B70046 and #A60033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA2F7F shade: #EA2E7F, #EA2E4C and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA2F7F shade: #EA2E7F, #EA2EB1, #EA2EE4, #BE2EEA and #8B2EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA2F7F shade matches the following richer shades: #EA2E7F and #FD1C7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA2F7F shade: #EA2E7F, #D84181, #C55384, #B36687 and #A07889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA2F7F shade: #EA2EE4, #EA2EB2, #EA2E80, #EA2E4E and #EA412E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA2F7F shade: #B41257, #DA1669, #EA2E7F, #EE5496 and #F279AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA2F7F shade: #EA2F7F, #EABE2E and #2ECBEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA2F7F shade: #EA2F7F, #80EA2E and #2E80EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA2F7F shade: #EA2F7F, #EABE2E, #2EEA99 and #2E5AEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA2F7F shade: #EA2F7F, #DEEA2E, #2EEA99 and #3B2EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 46 / 8

HEX #EA2F7F

RGB 234 47 127

HSL 334.33, 0.82%, 0.55%

LAB 53.01, 73.37, 1.45

 

Complementary color

CMYK 90 / 0 / 38 / 18

HEX #15D080

RGB 21 208 128

HSL 154.33, 0.82%, 0.45%

LAB 74.08, -60.57, 28.05

 

CMYK 0 / 80 / 49 / 6

HEX #EF2F7A

RGB 239 47 122

HSL 336.56, 0.86%, 0.56%

LAB 53.8, 74.22, 5.71

 

CMYK 0 / 75 / 45 / 0

HEX #FF418D

RGB 255 65 141

HSL 336, 1%, 0.63%

LAB 58.94, 74.98, 2.21

 

CMYK 0 / 67 / 37 / 0

HEX #FF53A0

RGB 255 83 160

HSL 333.14, 1%, 0.66%

LAB 61.64, 70.79, -4.91

 

CMYK 0 / 60 / 30 / 0

HEX #FF65B3

RGB 255 101 179

HSL 329.61, 1%, 0.7%

LAB 64.82, 65.83, -11.08

 

CMYK 0 / 53 / 22 / 0

HEX #FF77C6

RGB 255 119 198

HSL 325.15, 1%, 0.73%

LAB 68.41, 60.33, -16.41

 

CMYK 0 / 80 / 46 / 8

HEX #EA2F7F

RGB 234 47 127

HSL 334.33, 0.82%, 0.55%

LAB 53.01, 73.37, 1.45

 

CMYK 0 / 87 / 50 / 15

HEX #D91D6C

RGB 217 29 108

HSL 334.79, 0.76%, 0.48%

LAB 47.9, 71.55, 5.2

 

CMYK 0 / 95 / 56 / 22

HEX #C80B59

RGB 200 11 89

HSL 335.24, 0.9%, 0.41%

LAB 43.12, 68.66, 9.79

 

CMYK 0 / 100 / 62 / 28

HEX #B70046

RGB 183 0 70

HSL 337.05, 1%, 0.36%

LAB 38.74, 64.55, 15.28

 

CMYK 0 / 100 / 69 / 35

HEX #A60033

RGB 166 0 51

HSL 341.57, 1%, 0.33%

LAB 34.69, 59.42, 21.57

 

CMYK 0 / 80 / 46 / 8

HEX #EA2E7F

RGB 234 46 127

HSL 334.15, 0.82%, 0.55%

LAB 52.93, 73.62, 1.33

 

CMYK 0 / 80 / 68 / 8

HEX #EA2E4C

RGB 234 46 76

HSL 350.43, 0.82%, 0.55%

LAB 51.8, 70.23, 30.48

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 80 / 46 / 8

HEX #EA2E7F

RGB 234 46 127

HSL 334.15, 0.82%, 0.55%

LAB 52.93, 73.62, 1.33

 

CMYK 0 / 80 / 24 / 8

HEX #EA2EB1

RGB 234 46 177

HSL 318.19, 0.82%, 0.55%

LAB 54.68, 78.72, -25.67

 

CMYK 0 / 80 / 3 / 8

HEX #EA2EE4

RGB 234 46 228

HSL 301.91, 0.82%, 0.55%

LAB 57.12, 85.5, -51.07

 

CMYK 19 / 80 / 0 / 8

HEX #BE2EEA

RGB 190 46 234

HSL 285.96, 0.82%, 0.55%

LAB 50.5, 78.65, -65.46

 

CMYK 41 / 80 / 0 / 8

HEX #8B2EEA

RGB 139 46 234

HSL 269.68, 0.82%, 0.55%

LAB 43.34, 70.79, -77.44

 

CMYK 0 / 80 / 46 / 8

HEX #EA2E7F

RGB 234 46 127

HSL 334.15, 0.82%, 0.55%

LAB 52.93, 73.62, 1.33

 

CMYK 0 / 89 / 51 / 1

HEX #FD1C7C

RGB 253 28 124

HSL 334.4, 0.98%, 0.55%

LAB 55.25, 81.34, 6.93

 

CMYK 0 / 80 / 46 / 8

HEX #EA2E7F

RGB 234 46 127

HSL 334.15, 0.82%, 0.55%

LAB 52.93, 73.62, 1.33

 

CMYK 0 / 70 / 40 / 15

HEX #D84181

RGB 216 65 129

HSL 334.57, 0.66%, 0.55%

LAB 51.8, 63.3, -1.91

 

CMYK 0 / 58 / 33 / 23

HEX #C55384

RGB 197 83 132

HSL 334.21, 0.5%, 0.55%

LAB 51.52, 50.46, -4.46

 

CMYK 0 / 43 / 25 / 30

HEX #B36687

RGB 179 102 135

HSL 334.29, 0.34%, 0.55%

LAB 52.77, 35.14, -4.68

 

CMYK 0 / 25 / 14 / 37

HEX #A07889

RGB 160 120 137

HSL 334.5, 0.17%, 0.55%

LAB 54.78, 18.38, -3.15

 

CMYK 0 / 80 / 3 / 8

HEX #EA2EE4

RGB 234 46 228

HSL 301.91, 0.82%, 0.55%

LAB 57.12, 85.5, -51.07

 

CMYK 0 / 80 / 24 / 8

HEX #EA2EB2

RGB 234 46 178

HSL 317.87, 0.82%, 0.55%

LAB 54.72, 78.84, -26.19

 

CMYK 0 / 80 / 45 / 8

HEX #EA2E80

RGB 234 46 128

HSL 333.83, 0.82%, 0.55%

LAB 52.95, 73.71, 0.77

 

CMYK 0 / 80 / 67 / 8

HEX #EA2E4E

RGB 234 46 78

HSL 349.79, 0.82%, 0.55%

LAB 51.83, 70.33, 29.34

 

CMYK 0 / 72 / 80 / 8

HEX #EA412E

RGB 234 65 46

HSL 6.06, 0.82%, 0.55%

LAB 53.46, 63.42, 49.03

 

CMYK 0 / 90 / 52 / 29

HEX #B41257

RGB 180 18 87

HSL 334.44, 0.82%, 0.39%

LAB 39.28, 62.82, 5.04

 

CMYK 0 / 90 / 52 / 15

HEX #DA1669

RGB 218 22 105

HSL 334.59, 0.82%, 0.47%

LAB 47.62, 72.69, 6.69

 

CMYK 0 / 80 / 46 / 8

HEX #EA2E7F

RGB 234 46 127

HSL 334.15, 0.82%, 0.55%

LAB 52.93, 73.62, 1.33

 

CMYK 0 / 65 / 37 / 7

HEX #EE5496

RGB 238 84 150

HSL 334.29, 0.82%, 0.63%

LAB 58.71, 64.56, -3.73

 

CMYK 0 / 50 / 29 / 5

HEX #F279AD

RGB 242 121 173

HSL 334.21, 0.82%, 0.71%

LAB 66.19, 52.03, -5.84

 

CMYK 0 / 80 / 46 / 8

HEX #EA2F7F

RGB 234 47 127

HSL 334.33, 0.82%, 0.55%

LAB 53.01, 73.37, 1.45

 

CMYK 0 / 19 / 80 / 8

HEX #EABE2E

RGB 234 190 46

HSL 45.96, 0.82%, 0.55%

LAB 78.76, 2.67, 72.19

 

CMYK 80 / 13 / 0 / 8

HEX #2ECBEA

RGB 46 203 234

HSL 189.89, 0.82%, 0.55%

LAB 75.6, -28.63, -26.5

 

CMYK 0 / 80 / 46 / 8

HEX #EA2F7F

RGB 234 47 127

HSL 334.33, 0.82%, 0.55%

LAB 53.01, 73.37, 1.45

 

CMYK 45 / 0 / 80 / 8

HEX #80EA2E

RGB 128 234 46

HSL 93.83, 0.82%, 0.55%

LAB 83.77, -59.09, 74

 

CMYK 80 / 45 / 0 / 8

HEX #2E80EA

RGB 46 128 234

HSL 213.83, 0.82%, 0.55%

LAB 53.98, 13.04, -60.43

 

CMYK 0 / 80 / 46 / 8

HEX #EA2F7F

RGB 234 47 127

HSL 334.33, 0.82%, 0.55%

LAB 53.01, 73.37, 1.45

 

CMYK 0 / 19 / 80 / 8

HEX #EABE2E

RGB 234 190 46

HSL 45.96, 0.82%, 0.55%

LAB 78.76, 2.67, 72.19

 

CMYK 80 / 0 / 35 / 8

HEX #2EEA99

RGB 46 234 153

HSL 154.15, 0.82%, 0.55%

LAB 82.77, -62.96, 26.88

 

CMYK 80 / 62 / 0 / 8

HEX #2E5AEA

RGB 46 90 234

HSL 225.96, 0.82%, 0.55%

LAB 43.99, 36.98, -76.64

 

CMYK 0 / 80 / 46 / 8

HEX #EA2F7F

RGB 234 47 127

HSL 334.33, 0.82%, 0.55%

LAB 53.01, 73.37, 1.45

 

CMYK 5 / 0 / 80 / 8

HEX #DEEA2E

RGB 222 234 46

HSL 63.83, 0.82%, 0.55%

LAB 89.19, -24.4, 80.87

 

CMYK 80 / 0 / 35 / 8

HEX #2EEA99

RGB 46 234 153

HSL 154.15, 0.82%, 0.55%

LAB 82.77, -62.96, 26.88

 

CMYK 75 / 80 / 0 / 8

HEX #3B2EEA

RGB 59 46 234

HSL 244.15, 0.82%, 0.55%

LAB 35.64, 62.56, -90.38

 

Description

Color code: HEX #EA2F7F | qconv.com Color code: HEX #EA2F7F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 47 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 47 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 46% 8% C M Y K

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Provide designers and agencies with accurate color values.

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