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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA2E57 it is the complementary color #15D1A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA2E57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA2E57 shade: #EF2E52, #FF4065, #FF5278, #FF648B and #FF769E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA2E57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA2E57 shade: #EA2E57, #D91C44, #C80A31, #B7001E and #A6000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA2E57 shade: #EA2E57 and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA2E57 shade: #EA2E57, #EA2E8A, #EA2EBD, #E52EEA and #B22EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA2E57 shade matches the following richer shades: #EA2E57 and #FD1C4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA2E57 shade: #EA2E57, #D84162, #C5536C, #B36677 and #A07881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA2E57 shade: #EA2EBE, #EA2E8C, #EA2E5A, #EA342E and #EA672E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA2E57 shade: #B41235, #DA1640, #EA2E57, #EE5475 and #F27994

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA2E57 shade: #EA2E57, #EAE42E and #2EA5EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA2E57 shade: #EA2E57, #5AEA2E and #2E5AEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA2E57 shade: #EA2E57, #EAE42E, #2EEABE and #2E34EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA2E57 shade: #EA2E57, #B8EA2E, #2EEABE and #602EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

Complementary color

CMYK 90 / 0 / 20 / 18

HEX #15D1A8

RGB 21 209 168

HSL 166.91, 0.82%, 0.45%

LAB 75.19, -51.97, 8.44

 

CMYK 0 / 81 / 66 / 6

HEX #EF2E52

RGB 239 46 82

HSL 348.81, 0.86%, 0.56%

LAB 52.86, 71.86, 28.45

 

CMYK 0 / 75 / 60 / 0

HEX #FF4065

RGB 255 64 101

HSL 348.38, 1%, 0.63%

LAB 57.91, 72.34, 24.34

 

CMYK 0 / 68 / 53 / 0

HEX #FF5278

RGB 255 82 120

HSL 346.82, 1%, 0.66%

LAB 60.47, 67.57, 16.68

 

CMYK 0 / 61 / 45 / 0

HEX #FF648B

RGB 255 100 139

HSL 344.9, 1%, 0.7%

LAB 63.54, 62.01, 9.97

 

CMYK 0 / 54 / 38 / 0

HEX #FF769E

RGB 255 118 158

HSL 342.48, 1%, 0.73%

LAB 67.04, 55.9, 4.13

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 87 / 69 / 15

HEX #D91C44

RGB 217 28 68

HSL 347.3, 0.77%, 0.48%

LAB 46.97, 69.27, 28.56

 

CMYK 0 / 95 / 76 / 22

HEX #C80A31

RGB 200 10 49

HSL 347.68, 0.9%, 0.41%

LAB 42.34, 66.69, 33.71

 

CMYK 0 / 100 / 84 / 28

HEX #B7001E

RGB 183 0 30

HSL 350.16, 1%, 0.36%

LAB 38.13, 62.9, 39.29

 

CMYK 0 / 100 / 93 / 35

HEX #A6000B

RGB 166 0 11

HSL 356.02, 1%, 0.33%

LAB 34.25, 58.23, 44.02

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 80 / 41 / 8

HEX #EA2E8A

RGB 234 46 138

HSL 330.64, 0.82%, 0.55%

LAB 53.26, 74.6, -4.79

 

CMYK 0 / 80 / 19 / 8

HEX #EA2EBD

RGB 234 46 189

HSL 314.36, 0.82%, 0.55%

LAB 55.2, 80.18, -31.84

 

CMYK 2 / 80 / 0 / 8

HEX #E52EEA

RGB 229 46 234

HSL 298.4, 0.82%, 0.55%

LAB 56.64, 85.47, -55.27

 

CMYK 24 / 80 / 0 / 8

HEX #B22EEA

RGB 178 46 234

HSL 282.13, 0.82%, 0.55%

LAB 48.71, 76.67, -68.44

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 89 / 70 / 1

HEX #FD1C4D

RGB 253 28 77

HSL 346.93, 0.98%, 0.55%

LAB 54.29, 78.66, 33.79

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 70 / 55 / 15

HEX #D84162

RGB 216 65 98

HSL 346.89, 0.66%, 0.55%

LAB 50.99, 60.57, 15.61

 

CMYK 0 / 58 / 45 / 23

HEX #C5536C

RGB 197 83 108

HSL 346.84, 0.5%, 0.55%

LAB 50.85, 47.79, 8.93

 

CMYK 0 / 43 / 34 / 30

HEX #B36677

RGB 179 102 119

HSL 346.75, 0.34%, 0.55%

LAB 52.31, 32.92, 4.1

 

CMYK 0 / 25 / 19 / 37

HEX #A07881

RGB 160 120 129

HSL 346.5, 0.17%, 0.55%

LAB 54.54, 17.04, 1.18

 

CMYK 0 / 80 / 19 / 8

HEX #EA2EBE

RGB 234 46 190

HSL 314.04, 0.82%, 0.55%

LAB 55.24, 80.31, -32.35

 

CMYK 0 / 80 / 40 / 8

HEX #EA2E8C

RGB 234 46 140

HSL 330, 0.82%, 0.55%

LAB 53.32, 74.78, -5.89

 

CMYK 0 / 80 / 62 / 8

HEX #EA2E5A

RGB 234 46 90

HSL 345.96, 0.82%, 0.55%

LAB 52.05, 70.97, 22.42

 

CMYK 0 / 78 / 80 / 8

HEX #EA342E

RGB 234 52 46

HSL 1.91, 0.82%, 0.55%

LAB 52, 67.49, 47.62

 

CMYK 0 / 56 / 80 / 8

HEX #EA672E

RGB 234 103 46

HSL 18.19, 0.82%, 0.55%

LAB 59.33, 47.7, 54.63

 

CMYK 0 / 90 / 71 / 29

HEX #B41235

RGB 180 18 53

HSL 347.04, 0.82%, 0.39%

LAB 38.54, 60.73, 25.73

 

CMYK 0 / 90 / 71 / 15

HEX #DA1640

RGB 218 22 64

HSL 347.14, 0.82%, 0.47%

LAB 46.78, 70.32, 30.79

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 65 / 51 / 7

HEX #EE5475

RGB 238 84 117

HSL 347.14, 0.82%, 0.63%

LAB 57.85, 61.44, 14.37

 

CMYK 0 / 50 / 39 / 5

HEX #F27994

RGB 242 121 148

HSL 346.61, 0.82%, 0.71%

LAB 65.51, 49.05, 7.36

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 3 / 80 / 8

HEX #EAE42E

RGB 234 228 46

HSL 58.09, 0.82%, 0.55%

LAB 88.53, -16.54, 80.66

 

CMYK 80 / 29 / 0 / 8

HEX #2EA5EA

RGB 46 165 234

HSL 202.02, 0.82%, 0.55%

LAB 64.51, -8.75, -43.7

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 62 / 0 / 80 / 8

HEX #5AEA2E

RGB 90 234 46

HSL 105.96, 0.82%, 0.55%

LAB 82.5, -69.15, 72.35

 

CMYK 80 / 62 / 0 / 8

HEX #2E5AEA

RGB 46 90 234

HSL 225.96, 0.82%, 0.55%

LAB 43.99, 36.98, -76.64

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 0 / 3 / 80 / 8

HEX #EAE42E

RGB 234 228 46

HSL 58.09, 0.82%, 0.55%

LAB 88.53, -16.54, 80.66

 

CMYK 80 / 0 / 19 / 8

HEX #2EEABE

RGB 46 234 190

HSL 165.96, 0.82%, 0.55%

LAB 83.52, -54.75, 8.71

 

CMYK 80 / 78 / 0 / 8

HEX #2E34EA

RGB 46 52 234

HSL 238.09, 0.82%, 0.55%

LAB 35.94, 58.96, -89.91

 

CMYK 0 / 80 / 63 / 8

HEX #EA2E57

RGB 234 46 87

HSL 346.91, 0.82%, 0.55%

LAB 51.99, 70.8, 24.15

 

CMYK 21 / 0 / 80 / 8

HEX #B8EA2E

RGB 184 234 46

HSL 75.96, 0.82%, 0.55%

LAB 86.62, -39.55, 77.62

 

CMYK 80 / 0 / 19 / 8

HEX #2EEABE

RGB 46 234 190

HSL 165.96, 0.82%, 0.55%

LAB 83.52, -54.75, 8.71

 

CMYK 59 / 80 / 0 / 8

HEX #602EEA

RGB 96 46 234

HSL 255.96, 0.82%, 0.55%

LAB 38.52, 65.6, -85.53

 

Description

Color code: HEX #EA2E57 | qconv.com Color code: HEX #EA2E57 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 46 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 46 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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