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Color name
HEX #EA29AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA29AC it is the complementary color #15D653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA29AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA29AC shade: #EF29A7, #FF3BBA, #FF4DCD, #FF5FE0 and #FF71F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA29AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA29AC shade: #EA29AC, #D91799, #C80586, #B70073 and #A60060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA29AC shade: #EA2AAC, #EA2A78, #EA2A44 and #EA2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA29AC shade: #EA2AAC, #EA2AE0, #C02AEA, #8C2AEA and #582AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA29AC shade matches the following richer shades: #EA2AAC and #FD17B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA29AC shade: #EA2AAC, #D73CA5, #C44F9F, #B16298 and #9E7591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA29AC shade: #C02AEA, #EA2AE0, #EA2AAD, #EA2A7A and #EA2A46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA29AC shade: #B0117D, #D51597, #EA2AAC, #EE4FBB and #F175C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA29AC shade: #EA29AC, #EA8D2A and #2AEADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA29AC shade: #EA29AC, #ADEA2A and #2AADEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA29AC shade: #EA29AC, #EA8D2A, #2AEA66 and #2A86EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA29AC shade: #EA29AC, #EAC72A, #2AEA66 and #2A4DEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 26 / 8

HEX #EA29AC

RGB 234 41 172

HSL 319.27, 0.82%, 0.54%

LAB 54.09, 79.25, -23.66

 

Complementary color

CMYK 90 / 0 / 61 / 16

HEX #15D653

RGB 21 214 83

HSL 139.27, 0.82%, 0.46%

LAB 75.37, -69.63, 51.45

 

CMYK 0 / 83 / 30 / 6

HEX #EF29A7

RGB 239 41 167

HSL 321.82, 0.86%, 0.55%

LAB 54.79, 79.79, -19.57

 

CMYK 0 / 77 / 27 / 0

HEX #FF3BBA

RGB 255 59 186

HSL 321.12, 1%, 0.62%

LAB 59.83, 81.22, -22.65

 

CMYK 0 / 70 / 20 / 0

HEX #FF4DCD

RGB 255 77 205

HSL 316.85, 1%, 0.65%

LAB 62.49, 78.13, -29.41

 

CMYK 0 / 63 / 12 / 0

HEX #FF5FE0

RGB 255 95 224

HSL 311.63, 1%, 0.69%

LAB 65.61, 74.23, -35.24

 

CMYK 0 / 56 / 5 / 0

HEX #FF71F3

RGB 255 113 243

HSL 305.07, 1%, 0.72%

LAB 69.14, 69.7, -40.27

 

CMYK 0 / 82 / 26 / 8

HEX #EA29AC

RGB 234 41 172

HSL 319.27, 0.82%, 0.54%

LAB 54.09, 79.25, -23.66

 

CMYK 0 / 89 / 29 / 15

HEX #D91799

RGB 217 23 153

HSL 319.79, 0.81%, 0.47%

LAB 49.09, 76.71, -20.36

 

CMYK 0 / 98 / 33 / 22

HEX #C80586

RGB 200 5 134

HSL 320.31, 0.95%, 0.4%

LAB 44.39, 73.09, -16.34

 

CMYK 0 / 100 / 37 / 28

HEX #B70073

RGB 183 0 115

HSL 322.3, 1%, 0.36%

LAB 40.09, 68.1, -11.43

 

CMYK 0 / 100 / 42 / 35

HEX #A60060

RGB 166 0 96

HSL 325.3, 1%, 0.33%

LAB 35.89, 62.6, -6.03

 

CMYK 0 / 82 / 26 / 8

HEX #EA2AAC

RGB 234 42 172

HSL 319.38, 0.82%, 0.54%

LAB 54.16, 79.04, -23.54

 

CMYK 0 / 82 / 49 / 8

HEX #EA2A78

RGB 234 42 120

HSL 335.63, 0.82%, 0.54%

LAB 52.4, 73.99, 4.79

 

CMYK 0 / 82 / 71 / 8

HEX #EA2A44

RGB 234 42 68

HSL 351.88, 0.82%, 0.54%

LAB 51.34, 70.83, 34.64

 

CMYK 0 / 82 / 82 / 8

HEX #EA2A2A

RGB 234 42 42

HSL 0, 0.82%, 0.54%

LAB 51.05, 69.96, 48.77

 

CMYK 0 / 82 / 26 / 8

HEX #EA2AAC

RGB 234 42 172

HSL 319.38, 0.82%, 0.54%

LAB 54.16, 79.04, -23.54

 

CMYK 0 / 82 / 4 / 8

HEX #EA2AE0

RGB 234 42 224

HSL 303.13, 0.82%, 0.54%

LAB 56.61, 85.77, -49.62

 

CMYK 18 / 82 / 0 / 8

HEX #C02AEA

RGB 192 42 234

HSL 286.88, 0.82%, 0.54%

LAB 50.46, 80, -65.51

 

CMYK 40 / 82 / 0 / 8

HEX #8C2AEA

RGB 140 42 234

HSL 270.63, 0.82%, 0.54%

LAB 43.02, 72.22, -77.95

 

CMYK 62 / 82 / 0 / 8

HEX #582AEA

RGB 88 42 234

HSL 254.38, 0.82%, 0.54%

LAB 37.25, 66.41, -87.66

 

CMYK 0 / 82 / 26 / 8

HEX #EA2AAC

RGB 234 42 172

HSL 319.38, 0.82%, 0.54%

LAB 54.16, 79.04, -23.54

 

CMYK 0 / 91 / 29 / 1

HEX #FD17B3

RGB 253 23 179

HSL 319.3, 0.98%, 0.54%

LAB 56.83, 86.86, -23.23

 

CMYK 0 / 82 / 26 / 8

HEX #EA2AAC

RGB 234 42 172

HSL 319.38, 0.82%, 0.54%

LAB 54.16, 79.04, -23.54

 

CMYK 0 / 72 / 23 / 16

HEX #D73CA5

RGB 215 60 165

HSL 319.35, 0.66%, 0.54%

LAB 52.28, 68.89, -22.61

 

CMYK 0 / 60 / 19 / 23

HEX #C44F9F

RGB 196 79 159

HSL 318.97, 0.5%, 0.54%

LAB 51.65, 55.6, -20.31

 

CMYK 0 / 45 / 14 / 31

HEX #B16298

RGB 177 98 152

HSL 318.99, 0.34%, 0.54%

LAB 52.23, 39.26, -15.54

 

CMYK 0 / 26 / 8 / 38

HEX #9E7591

RGB 158 117 145

HSL 319.02, 0.17%, 0.54%

LAB 54.07, 20.78, -8.9

 

CMYK 18 / 82 / 0 / 8

HEX #C02AEA

RGB 192 42 234

HSL 286.88, 0.82%, 0.54%

LAB 50.46, 80, -65.51

 

CMYK 0 / 82 / 4 / 8

HEX #EA2AE0

RGB 234 42 224

HSL 303.13, 0.82%, 0.54%

LAB 56.61, 85.77, -49.62

 

CMYK 0 / 82 / 26 / 8

HEX #EA2AAD

RGB 234 42 173

HSL 319.06, 0.82%, 0.54%

LAB 54.2, 79.15, -24.07

 

CMYK 0 / 82 / 48 / 8

HEX #EA2A7A

RGB 234 42 122

HSL 335, 0.82%, 0.54%

LAB 52.46, 74.15, 3.66

 

CMYK 0 / 82 / 70 / 8

HEX #EA2A46

RGB 234 42 70

HSL 351.25, 0.82%, 0.54%

LAB 51.37, 70.92, 33.5

 

CMYK 0 / 90 / 29 / 31

HEX #B0117D

RGB 176 17 125

HSL 319.25, 0.82%, 0.38%

LAB 39.77, 65.71, -18.29

 

CMYK 0 / 90 / 29 / 16

HEX #D51597

RGB 213 21 151

HSL 319.38, 0.82%, 0.46%

LAB 48.16, 75.93, -20.66

 

CMYK 0 / 82 / 26 / 8

HEX #EA2AAC

RGB 234 42 172

HSL 319.38, 0.82%, 0.54%

LAB 54.16, 79.04, -23.54

 

CMYK 0 / 67 / 21 / 7

HEX #EE4FBB

RGB 238 79 187

HSL 319.25, 0.82%, 0.62%

LAB 59.3, 70.88, -24.28

 

CMYK 0 / 51 / 17 / 5

HEX #F175C9

RGB 241 117 201

HSL 319.35, 0.82%, 0.7%

LAB 66.24, 57.51, -21.56

 

CMYK 0 / 82 / 26 / 8

HEX #EA29AC

RGB 234 41 172

HSL 319.27, 0.82%, 0.54%

LAB 54.09, 79.25, -23.66

 

CMYK 0 / 40 / 82 / 8

HEX #EA8D2A

RGB 234 141 42

HSL 30.94, 0.82%, 0.54%

LAB 67.06, 28.41, 63.22

 

CMYK 82 / 0 / 7 / 8

HEX #2AEADA

RGB 42 234 218

HSL 175, 0.82%, 0.54%

LAB 84.17, -47.85, -5.08

 

CMYK 0 / 82 / 26 / 8

HEX #EA29AC

RGB 234 41 172

HSL 319.27, 0.82%, 0.54%

LAB 54.09, 79.25, -23.66

 

CMYK 26 / 0 / 82 / 8

HEX #ADEA2A

RGB 173 234 42

HSL 79.06, 0.82%, 0.54%

LAB 85.95, -43.86, 77.77

 

CMYK 82 / 26 / 0 / 8

HEX #2AADEA

RGB 42 173 234

HSL 199.06, 0.82%, 0.54%

LAB 66.76, -13.49, -40.17

 

CMYK 0 / 82 / 26 / 8

HEX #EA29AC

RGB 234 41 172

HSL 319.27, 0.82%, 0.54%

LAB 54.09, 79.25, -23.66

 

CMYK 0 / 40 / 82 / 8

HEX #EA8D2A

RGB 234 141 42

HSL 30.94, 0.82%, 0.54%

LAB 67.06, 28.41, 63.22

 

CMYK 82 / 0 / 56 / 8

HEX #2AEA66

RGB 42 234 102

HSL 138.75, 0.82%, 0.54%

LAB 82, -71.79, 50.76

 

CMYK 82 / 43 / 0 / 8

HEX #2A86EA

RGB 42 134 234

HSL 211.25, 0.82%, 0.54%

LAB 55.57, 9, -57.9

 

CMYK 0 / 82 / 26 / 8

HEX #EA29AC

RGB 234 41 172

HSL 319.27, 0.82%, 0.54%

LAB 54.09, 79.25, -23.66

 

CMYK 0 / 15 / 82 / 8

HEX #EAC72A

RGB 234 199 42

HSL 49.06, 0.82%, 0.54%

LAB 81.02, -2.11, 75.28

 

CMYK 82 / 0 / 56 / 8

HEX #2AEA66

RGB 42 234 102

HSL 138.75, 0.82%, 0.54%

LAB 82, -71.79, 50.76

 

CMYK 82 / 67 / 0 / 8

HEX #2A4DEA

RGB 42 77 234

HSL 229.06, 0.82%, 0.54%

LAB 40.8, 44.73, -81.89

 

Description

Color code: HEX #EA29AC | qconv.com Color code: HEX #EA29AC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 41 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 41 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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