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Color name
HEX #EA276F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA276F it is the complementary color #15D890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA276F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA276F shade: #EF276A, #FF397D, #FF4B90, #FF5DA3 and #FF6FB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA276F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA276F shade: #EA276F, #D9155C, #C80349, #B70036 and #A60023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA276F shade: #EA2A71, #EA2A3D and #EA2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA276F shade: #EA2A71, #EA2AA4, #EA2AD8, #C82AEA and #942AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA276F shade matches the following richer shades: #EA2A71 and #FD176C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA276F shade: #EA2A71, #D73C75, #C44F7A, #B1627F and #9E7584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA276F shade: #EA2ADA, #EA2AA7, #EA2A73, #EA2A40 and #EA462A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA276F shade: #B0114C, #D5155C, #EA2A71, #EE4F8A and #F175A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA276F shade: #EA276F, #EAC72A and #2AC0EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA276F shade: #EA276F, #73EA2A and #2A73EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA276F shade: #EA276F, #EAC72A, #2AEAA0 and #2A4DEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA276F shade: #EA276F, #D3EA2A, #2AEAA0 and #402AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 53 / 8

HEX #EA276F

RGB 234 39 111

HSL 337.85, 0.82%, 0.54%

LAB 51.94, 73.96, 9.57

 

Complementary color

CMYK 90 / 0 / 33 / 15

HEX #15D890

RGB 21 216 144

HSL 157.85, 0.82%, 0.46%

LAB 76.85, -60.17, 23.47

 

CMYK 0 / 84 / 56 / 6

HEX #EF276A

RGB 239 39 106

HSL 339.9, 0.86%, 0.55%

LAB 52.78, 74.85, 13.91

 

CMYK 0 / 78 / 51 / 0

HEX #FF397D

RGB 255 57 125

HSL 339.39, 1%, 0.61%

LAB 57.72, 75.95, 9.9

 

CMYK 0 / 71 / 44 / 0

HEX #FF4B90

RGB 255 75 144

HSL 337, 1%, 0.65%

LAB 60.16, 72.05, 2.23

 

CMYK 0 / 64 / 36 / 0

HEX #FF5DA3

RGB 255 93 163

HSL 334.07, 1%, 0.68%

LAB 63.12, 67.28, -4.45

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB6

RGB 255 111 182

HSL 330.42, 1%, 0.72%

LAB 66.52, 61.87, -10.23

 

CMYK 0 / 83 / 53 / 8

HEX #EA276F

RGB 234 39 111

HSL 337.85, 0.82%, 0.54%

LAB 51.94, 73.96, 9.57

 

CMYK 0 / 90 / 58 / 15

HEX #D9155C

RGB 217 21 92

HSL 338.27, 0.82%, 0.47%

LAB 47.05, 71.7, 13.9

 

CMYK 0 / 99 / 64 / 22

HEX #C80349

RGB 200 3 73

HSL 338.68, 0.97%, 0.4%

LAB 42.5, 68.44, 19.03

 

CMYK 0 / 100 / 70 / 28

HEX #B70036

RGB 183 0 54

HSL 342.3, 1%, 0.36%

LAB 38.43, 63.72, 25.12

 

CMYK 0 / 100 / 79 / 35

HEX #A60023

RGB 166 0 35

HSL 347.35, 1%, 0.33%

LAB 34.45, 58.77, 31.44

 

CMYK 0 / 82 / 52 / 8

HEX #EA2A71

RGB 234 42 113

HSL 337.81, 0.82%, 0.54%

LAB 52.22, 73.45, 8.76

 

CMYK 0 / 82 / 74 / 8

HEX #EA2A3D

RGB 234 42 61

HSL 354.06, 0.82%, 0.54%

LAB 51.25, 70.55, 38.6

 

CMYK 0 / 82 / 82 / 8

HEX #EA2A2A

RGB 234 42 42

HSL 0, 0.82%, 0.54%

LAB 51.05, 69.96, 48.77

 

CMYK 0 / 82 / 52 / 8

HEX #EA2A71

RGB 234 42 113

HSL 337.81, 0.82%, 0.54%

LAB 52.22, 73.45, 8.76

 

CMYK 0 / 82 / 30 / 8

HEX #EA2AA4

RGB 234 42 164

HSL 321.88, 0.82%, 0.54%

LAB 53.84, 78.15, -19.33

 

CMYK 0 / 82 / 8 / 8

HEX #EA2AD8

RGB 234 42 216

HSL 305.63, 0.82%, 0.54%

LAB 56.19, 84.64, -45.75

 

CMYK 15 / 82 / 0 / 8

HEX #C82AEA

RGB 200 42 234

HSL 289.38, 0.82%, 0.54%

LAB 51.7, 81.33, -63.45

 

CMYK 37 / 82 / 0 / 8

HEX #942AEA

RGB 148 42 234

HSL 273.13, 0.82%, 0.54%

LAB 44.08, 73.31, -76.17

 

CMYK 0 / 82 / 52 / 8

HEX #EA2A71

RGB 234 42 113

HSL 337.81, 0.82%, 0.54%

LAB 52.22, 73.45, 8.76

 

CMYK 0 / 91 / 57 / 1

HEX #FD176C

RGB 253 23 108

HSL 337.83, 0.98%, 0.54%

LAB 54.64, 80.92, 15.69

 

CMYK 0 / 82 / 52 / 8

HEX #EA2A71

RGB 234 42 113

HSL 337.81, 0.82%, 0.54%

LAB 52.22, 73.45, 8.76

 

CMYK 0 / 72 / 46 / 16

HEX #D73C75

RGB 215 60 117

HSL 337.94, 0.66%, 0.54%

LAB 50.64, 63.63, 3.62

 

CMYK 0 / 60 / 38 / 23

HEX #C44F7A

RGB 196 79 122

HSL 337.95, 0.5%, 0.54%

LAB 50.37, 50.8, -0.18

 

CMYK 0 / 45 / 28 / 31

HEX #B1627F

RGB 177 98 127

HSL 337.97, 0.34%, 0.54%

LAB 51.4, 35.43, -2

 

CMYK 0 / 26 / 16 / 38

HEX #9E7584

RGB 158 117 132

HSL 338.05, 0.17%, 0.54%

LAB 53.66, 18.49, -1.89

 

CMYK 0 / 82 / 7 / 8

HEX #EA2ADA

RGB 234 42 218

HSL 305, 0.82%, 0.54%

LAB 56.3, 84.92, -46.72

 

CMYK 0 / 82 / 29 / 8

HEX #EA2AA7

RGB 234 42 167

HSL 320.94, 0.82%, 0.54%

LAB 53.96, 78.48, -20.92

 

CMYK 0 / 82 / 51 / 8

HEX #EA2A73

RGB 234 42 115

HSL 337.19, 0.82%, 0.54%

LAB 52.27, 73.6, 7.62

 

CMYK 0 / 82 / 73 / 8

HEX #EA2A40

RGB 234 42 64

HSL 353.13, 0.82%, 0.54%

LAB 51.29, 70.67, 36.91

 

CMYK 0 / 70 / 82 / 8

HEX #EA462A

RGB 234 70 42

HSL 8.75, 0.82%, 0.54%

LAB 54.07, 61.54, 51.57

 

CMYK 0 / 90 / 57 / 31

HEX #B0114C

RGB 176 17 76

HSL 337.74, 0.82%, 0.38%

LAB 38.12, 61.18, 10.33

 

CMYK 0 / 90 / 57 / 16

HEX #D5155C

RGB 213 21 92

HSL 337.81, 0.82%, 0.46%

LAB 46.25, 70.74, 12.67

 

CMYK 0 / 82 / 52 / 8

HEX #EA2A71

RGB 234 42 113

HSL 337.81, 0.82%, 0.54%

LAB 52.22, 73.45, 8.76

 

CMYK 0 / 67 / 42 / 7

HEX #EE4F8A

RGB 238 79 138

HSL 337.74, 0.82%, 0.62%

LAB 57.66, 65.28, 1.75

 

CMYK 0 / 51 / 32 / 5

HEX #F175A3

RGB 241 117 163

HSL 337.74, 0.82%, 0.7%

LAB 65.02, 52.38, -1.9

 

CMYK 0 / 83 / 53 / 8

HEX #EA276F

RGB 234 39 111

HSL 337.85, 0.82%, 0.54%

LAB 51.94, 73.96, 9.57

 

CMYK 0 / 15 / 82 / 8

HEX #EAC72A

RGB 234 199 42

HSL 49.06, 0.82%, 0.54%

LAB 81.02, -2.11, 75.28

 

CMYK 82 / 18 / 0 / 8

HEX #2AC0EA

RGB 42 192 234

HSL 193.13, 0.82%, 0.54%

LAB 72.32, -23.47, -31.55

 

CMYK 0 / 83 / 53 / 8

HEX #EA276F

RGB 234 39 111

HSL 337.85, 0.82%, 0.54%

LAB 51.94, 73.96, 9.57

 

CMYK 51 / 0 / 82 / 8

HEX #73EA2A

RGB 115 234 42

HSL 97.19, 0.82%, 0.54%

LAB 83.26, -63.06, 74.36

 

CMYK 82 / 51 / 0 / 8

HEX #2A73EA

RGB 42 115 234

HSL 217.19, 0.82%, 0.54%

LAB 50.33, 20.81, -66.33

 

CMYK 0 / 83 / 53 / 8

HEX #EA276F

RGB 234 39 111

HSL 337.85, 0.82%, 0.54%

LAB 51.94, 73.96, 9.57

 

CMYK 0 / 15 / 82 / 8

HEX #EAC72A

RGB 234 199 42

HSL 49.06, 0.82%, 0.54%

LAB 81.02, -2.11, 75.28

 

CMYK 82 / 0 / 32 / 8

HEX #2AEAA0

RGB 42 234 160

HSL 156.88, 0.82%, 0.54%

LAB 82.85, -61.9, 23.39

 

CMYK 82 / 67 / 0 / 8

HEX #2A4DEA

RGB 42 77 234

HSL 229.06, 0.82%, 0.54%

LAB 40.8, 44.73, -81.89

 

CMYK 0 / 83 / 53 / 8

HEX #EA276F

RGB 234 39 111

HSL 337.85, 0.82%, 0.54%

LAB 51.94, 73.96, 9.57

 

CMYK 10 / 0 / 82 / 8

HEX #D3EA2A

RGB 211 234 42

HSL 67.19, 0.82%, 0.54%

LAB 88.38, -29, 80.82

 

CMYK 82 / 0 / 32 / 8

HEX #2AEAA0

RGB 42 234 160

HSL 156.88, 0.82%, 0.54%

LAB 82.85, -61.9, 23.39

 

CMYK 73 / 82 / 0 / 8

HEX #402AEA

RGB 64 42 234

HSL 246.88, 0.82%, 0.54%

LAB 35.37, 64.59, -90.82

 

Description

Color code: HEX #EA276F | qconv.com Color code: HEX #EA276F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 39 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 39 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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