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Color name
HEX #EA275F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA275F it is the complementary color #15D8A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA275F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA275F shade: #EF275A, #FF396D, #FF4B80, #FF5D93 and #FF6FA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA275F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA275F shade: #EA275F, #D9154C, #C80339, #B70026 and #A60013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA275F shade: #EA2A61, #EA2A2D and #EA2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA275F shade: #EA2A61, #EA2A95, #EA2AC9, #D72AEA and #A42AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA275F shade matches the following richer shades: #EA2A61 and #FD1759

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA275F shade: #EA2A61, #D73C69, #C44F71, #B16279 and #9E7581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA275F shade: #EA2ACA, #EA2A97, #EA2A63, #EA2A30 and #EA562A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA275F shade: #B0113F, #D5154C, #EA2A61, #EE4F7D and #F17598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA275F shade: #EA275F, #EAD72A and #2AB0EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA275F shade: #EA275F, #63EA2A and #2A63EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA275F shade: #EA275F, #EAD72A, #2AEAB0 and #2A3DEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA275F shade: #EA275F, #C3EA2A, #2AEAB0 and #502AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 59 / 8

HEX #EA275F

RGB 234 39 95

HSL 342.77, 0.82%, 0.54%

LAB 51.58, 72.89, 18.77

 

Complementary color

CMYK 90 / 0 / 26 / 15

HEX #15D8A0

RGB 21 216 160

HSL 162.77, 0.82%, 0.46%

LAB 77.17, -56.63, 15.49

 

CMYK 0 / 84 / 62 / 6

HEX #EF275A

RGB 239 39 90

HSL 344.7, 0.86%, 0.55%

LAB 52.44, 73.87, 23.12

 

CMYK 0 / 78 / 57 / 0

HEX #FF396D

RGB 255 57 109

HSL 344.24, 1%, 0.61%

LAB 57.36, 74.84, 18.88

 

CMYK 0 / 71 / 50 / 0

HEX #FF4B80

RGB 255 75 128

HSL 342.33, 1%, 0.65%

LAB 59.75, 70.68, 11.01

 

CMYK 0 / 64 / 42 / 0

HEX #FF5D93

RGB 255 93 147

HSL 340, 1%, 0.68%

LAB 62.67, 65.65, 4.12

 

CMYK 0 / 56 / 35 / 0

HEX #FF6FA6

RGB 255 111 166

HSL 337.08, 1%, 0.72%

LAB 66.05, 59.98, -1.87

 

CMYK 0 / 83 / 59 / 8

HEX #EA275F

RGB 234 39 95

HSL 342.77, 0.82%, 0.54%

LAB 51.58, 72.89, 18.77

 

CMYK 0 / 90 / 65 / 15

HEX #D9154C

RGB 217 21 76

HSL 343.16, 0.82%, 0.47%

LAB 46.72, 70.78, 23.35

 

CMYK 0 / 99 / 72 / 22

HEX #C80339

RGB 200 3 57

HSL 343.55, 0.97%, 0.4%

LAB 42.22, 67.67, 28.68

 

CMYK 0 / 100 / 79 / 28

HEX #B70026

RGB 183 0 38

HSL 347.54, 1%, 0.36%

LAB 38.21, 63.12, 34.74

 

CMYK 0 / 100 / 89 / 35

HEX #A60013

RGB 166 0 19

HSL 353.13, 1%, 0.33%

LAB 34.3, 58.36, 40.38

 

CMYK 0 / 82 / 59 / 8

HEX #EA2A61

RGB 234 42 97

HSL 342.81, 0.82%, 0.54%

LAB 51.85, 72.35, 17.93

 

CMYK 0 / 82 / 81 / 8

HEX #EA2A2D

RGB 234 42 45

HSL 359.06, 0.82%, 0.54%

LAB 51.08, 70.04, 47.24

 

CMYK 0 / 82 / 82 / 8

HEX #EA2A2A

RGB 234 42 42

HSL 0, 0.82%, 0.54%

LAB 51.05, 69.96, 48.77

 

CMYK 0 / 82 / 59 / 8

HEX #EA2A61

RGB 234 42 97

HSL 342.81, 0.82%, 0.54%

LAB 51.85, 72.35, 17.93

 

CMYK 0 / 82 / 36 / 8

HEX #EA2A95

RGB 234 42 149

HSL 326.56, 0.82%, 0.54%

LAB 53.3, 76.58, -11.29

 

CMYK 0 / 82 / 14 / 8

HEX #EA2AC9

RGB 234 42 201

HSL 310.31, 0.82%, 0.54%

LAB 55.45, 82.61, -38.36

 

CMYK 8 / 82 / 0 / 8

HEX #D72AEA

RGB 215 42 234

HSL 294.06, 0.82%, 0.54%

LAB 54.07, 83.88, -59.5

 

CMYK 30 / 82 / 0 / 8

HEX #A42AEA

RGB 164 42 234

HSL 278.13, 0.82%, 0.54%

LAB 46.3, 75.61, -72.46

 

CMYK 0 / 82 / 59 / 8

HEX #EA2A61

RGB 234 42 97

HSL 342.81, 0.82%, 0.54%

LAB 51.85, 72.35, 17.93

 

CMYK 0 / 91 / 65 / 1

HEX #FD1759

RGB 253 23 89

HSL 342.78, 0.98%, 0.54%

LAB 54.26, 79.87, 26.61

 

CMYK 0 / 82 / 59 / 8

HEX #EA2A61

RGB 234 42 97

HSL 342.81, 0.82%, 0.54%

LAB 51.85, 72.35, 17.93

 

CMYK 0 / 72 / 51 / 16

HEX #D73C69

RGB 215 60 105

HSL 342.58, 0.66%, 0.54%

LAB 50.33, 62.61, 10.44

 

CMYK 0 / 60 / 42 / 23

HEX #C44F71

RGB 196 79 113

HSL 342.56, 0.5%, 0.54%

LAB 50.12, 49.82, 4.86

 

CMYK 0 / 45 / 32 / 31

HEX #B16279

RGB 177 98 121

HSL 342.53, 0.34%, 0.54%

LAB 51.22, 34.61, 1.32

 

CMYK 0 / 26 / 18 / 38

HEX #9E7581

RGB 158 117 129

HSL 342.44, 0.17%, 0.54%

LAB 53.57, 17.99, -0.26

 

CMYK 0 / 82 / 14 / 8

HEX #EA2ACA

RGB 234 42 202

HSL 310, 0.82%, 0.54%

LAB 55.49, 82.74, -38.86

 

CMYK 0 / 82 / 35 / 8

HEX #EA2A97

RGB 234 42 151

HSL 325.94, 0.82%, 0.54%

LAB 53.37, 76.78, -12.37

 

CMYK 0 / 82 / 58 / 8

HEX #EA2A63

RGB 234 42 99

HSL 342.19, 0.82%, 0.54%

LAB 51.89, 72.48, 16.78

 

CMYK 0 / 82 / 79 / 8

HEX #EA2A30

RGB 234 42 48

HSL 358.13, 0.82%, 0.54%

LAB 51.11, 70.12, 45.68

 

CMYK 0 / 63 / 82 / 8

HEX #EA562A

RGB 234 86 42

HSL 13.75, 0.82%, 0.54%

LAB 56.4, 55.22, 53.7

 

CMYK 0 / 90 / 64 / 31

HEX #B0113F

RGB 176 17 63

HSL 342.64, 0.82%, 0.38%

LAB 37.82, 60.36, 18.29

 

CMYK 0 / 90 / 64 / 16

HEX #D5154C

RGB 213 21 76

HSL 342.81, 0.82%, 0.46%

LAB 45.91, 69.79, 22.14

 

CMYK 0 / 82 / 59 / 8

HEX #EA2A61

RGB 234 42 97

HSL 342.81, 0.82%, 0.54%

LAB 51.85, 72.35, 17.93

 

CMYK 0 / 67 / 47 / 7

HEX #EE4F7D

RGB 238 79 125

HSL 342.64, 0.82%, 0.62%

LAB 57.32, 64.08, 8.92

 

CMYK 0 / 51 / 37 / 5

HEX #F17598

RGB 241 117 152

HSL 343.06, 0.82%, 0.7%

LAB 64.72, 51.1, 3.93

 

CMYK 0 / 83 / 59 / 8

HEX #EA275F

RGB 234 39 95

HSL 342.77, 0.82%, 0.54%

LAB 51.58, 72.89, 18.77

 

CMYK 0 / 8 / 82 / 8

HEX #EAD72A

RGB 234 215 42

HSL 54.06, 0.82%, 0.54%

LAB 85.13, -10.22, 78.77

 

CMYK 82 / 25 / 0 / 8

HEX #2AB0EA

RGB 42 176 234

HSL 198.13, 0.82%, 0.54%

LAB 67.64, -15.11, -38.81

 

CMYK 0 / 83 / 59 / 8

HEX #EA275F

RGB 234 39 95

HSL 342.77, 0.82%, 0.54%

LAB 51.58, 72.89, 18.77

 

CMYK 58 / 0 / 82 / 8

HEX #63EA2A

RGB 99 234 42

HSL 102.19, 0.82%, 0.54%

LAB 82.74, -67.25, 73.68

 

CMYK 82 / 58 / 0 / 8

HEX #2A63EA

RGB 42 99 234

HSL 222.19, 0.82%, 0.54%

LAB 46.12, 30.96, -73.17

 

CMYK 0 / 83 / 59 / 8

HEX #EA275F

RGB 234 39 95

HSL 342.77, 0.82%, 0.54%

LAB 51.58, 72.89, 18.77

 

CMYK 0 / 8 / 82 / 8

HEX #EAD72A

RGB 234 215 42

HSL 54.06, 0.82%, 0.54%

LAB 85.13, -10.22, 78.77

 

CMYK 82 / 0 / 25 / 8

HEX #2AEAB0

RGB 42 234 176

HSL 161.88, 0.82%, 0.54%

LAB 83.16, -58.4, 15.53

 

CMYK 82 / 74 / 0 / 8

HEX #2A3DEA

RGB 42 61 234

HSL 234.06, 0.82%, 0.54%

LAB 37.43, 54.02, -87.45

 

CMYK 0 / 83 / 59 / 8

HEX #EA275F

RGB 234 39 95

HSL 342.77, 0.82%, 0.54%

LAB 51.58, 72.89, 18.77

 

CMYK 17 / 0 / 82 / 8

HEX #C3EA2A

RGB 195 234 42

HSL 72.19, 0.82%, 0.54%

LAB 87.3, -35.4, 79.46

 

CMYK 82 / 0 / 25 / 8

HEX #2AEAB0

RGB 42 234 176

HSL 161.88, 0.82%, 0.54%

LAB 83.16, -58.4, 15.53

 

CMYK 66 / 82 / 0 / 8

HEX #502AEA

RGB 80 42 234

HSL 251.88, 0.82%, 0.54%

LAB 36.56, 65.74, -88.82

 

Description

Color code: HEX #EA275F | qconv.com Color code: HEX #EA275F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 39 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 39 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 59 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 59% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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