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Color name
HEX #EA1FE4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA1FE4 it is the complementary color #15E01B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA1FE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA1FE4 shade: #EF1FDF, #FF31F2, #FF43FF, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA1FE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA1FE4 shade: #EA1FE4, #D90DD1, #C800BE, #B700AB and #A60098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA1FE4 shade: #EA1FE4, #EA1FAD, #EA1F77, #EA1F40 and #EA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA1FE4 shade: #EA1FE4, #B91FEA, #831FEA, #4C1FEA and #1F1FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA1FE4 shade matches the following richer shades: #EA1FE4 and #FE0BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA1FE4 shade: #EA1FE4, #D633D2, #C347BF, #AF5AAC and #9B6E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA1FE4 shade: #811FEA, #B71FEA, #EA1FE7, #EA1FB1 and #EA1F7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA1FE4 shade: #A710A3, #CD13C7, #EA1FE4, #EE45E9 and #F16BED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA1FE4 shade: #EA1FE4, #EA4B1F and #1FEA9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA1FE4 shade: #EA1FE4, #E7EA1F and #1FE7EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA1FE4 shade: #EA1FE4, #EA4B1F, #1FEA22 and #1FBEEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA1FE4 shade: #EA1FE4, #EA881F, #1FEA22 and #1F81EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

Complementary color

CMYK 91 / 0 / 88 / 12

HEX #15E01B

RGB 21 224 27

HSL 121.77, 0.83%, 0.48%

LAB 78.2, -76.69, 72.35

 

CMYK 0 / 87 / 7 / 6

HEX #EF1FDF

RGB 239 31 223

HSL 304.62, 0.87%, 0.53%

LAB 56.74, 88.48, -48.8

 

CMYK 0 / 81 / 5 / 0

HEX #FF31F2

RGB 255 49 242

HSL 303.79, 1%, 0.6%

LAB 61.54, 90.76, -51.68

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 94 / 4 / 15

HEX #D90DD1

RGB 217 13 209

HSL 302.35, 0.89%, 0.45%

LAB 51.43, 84.88, -49.5

 

CMYK 0 / 100 / 5 / 22

HEX #C800BE

RGB 200 0 190

HSL 303, 1%, 0.39%

LAB 46.97, 80.4, -45.79

 

CMYK 0 / 100 / 7 / 28

HEX #B700AB

RGB 183 0 171

HSL 303.93, 1%, 0.36%

LAB 42.77, 74.85, -41.45

 

CMYK 0 / 100 / 8 / 35

HEX #A60098

RGB 166 0 152

HSL 305.06, 1%, 0.33%

LAB 38.51, 69.21, -37

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 87 / 26 / 8

HEX #EA1FAD

RGB 234 31 173

HSL 318.03, 0.83%, 0.52%

LAB 53.48, 81.24, -25.18

 

CMYK 0 / 87 / 49 / 8

HEX #EA1F77

RGB 234 31 119

HSL 333.99, 0.83%, 0.52%

LAB 51.62, 76.09, 4.26

 

CMYK 0 / 87 / 73 / 8

HEX #EA1F40

RGB 234 31 64

HSL 350.25, 0.83%, 0.52%

LAB 50.5, 72.91, 36

 

CMYK 0 / 87 / 87 / 8

HEX #EA1F1F

RGB 234 31 31

HSL 0, 0.83%, 0.52%

LAB 50.18, 71.98, 53.34

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 21 / 87 / 0 / 8

HEX #B91FEA

RGB 185 31 234

HSL 285.52, 0.83%, 0.52%

LAB 48.55, 81.32, -68.65

 

CMYK 44 / 87 / 0 / 8

HEX #831FEA

RGB 131 31 234

HSL 269.56, 0.83%, 0.52%

LAB 40.81, 74.21, -81.62

 

CMYK 68 / 87 / 0 / 8

HEX #4C1FEA

RGB 76 31 234

HSL 253.3, 0.83%, 0.52%

LAB 34.92, 69.36, -91.55

 

CMYK 87 / 87 / 0 / 8

HEX #1F1FEA

RGB 31 31 234

HSL 240, 0.83%, 0.52%

LAB 32.28, 67.42, -96.01

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 96 / 3 / 0

HEX #FE0BF7

RGB 254 11 247

HSL 301.73, 0.99%, 0.52%

LAB 59.91, 96.36, -57.06

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 76 / 2 / 16

HEX #D633D2

RGB 214 51 210

HSL 301.47, 0.67%, 0.52%

LAB 53.29, 77.71, -47.14

 

CMYK 0 / 64 / 2 / 24

HEX #C347BF

RGB 195 71 191

HSL 301.94, 0.51%, 0.52%

LAB 51.69, 63.73, -38.94

 

CMYK 0 / 49 / 2 / 31

HEX #AF5AAC

RGB 175 90 172

HSL 302.12, 0.35%, 0.52%

LAB 51.16, 46.29, -28.94

 

CMYK 0 / 29 / 1 / 39

HEX #9B6E9A

RGB 155 110 154

HSL 301.33, 0.18%, 0.52%

LAB 52.35, 25.45, -16.78

 

CMYK 45 / 87 / 0 / 8

HEX #811FEA

RGB 129 31 234

HSL 268.97, 0.83%, 0.52%

LAB 40.55, 73.99, -82.05

 

CMYK 22 / 87 / 0 / 8

HEX #B71FEA

RGB 183 31 234

HSL 284.93, 0.83%, 0.52%

LAB 48.24, 81.02, -69.16

 

CMYK 0 / 87 / 1 / 8

HEX #EA1FE7

RGB 234 31 231

HSL 300.89, 0.83%, 0.52%

LAB 56.33, 88.73, -54.02

 

CMYK 0 / 87 / 24 / 8

HEX #EA1FB1

RGB 234 31 177

HSL 316.85, 0.83%, 0.52%

LAB 53.65, 81.7, -27.26

 

CMYK 0 / 87 / 48 / 8

HEX #EA1F7A

RGB 234 31 122

HSL 333.1, 0.83%, 0.52%

LAB 51.7, 76.33, 2.56

 

CMYK 0 / 90 / 2 / 35

HEX #A710A3

RGB 167 16 163

HSL 301.59, 0.83%, 0.36%

LAB 39.97, 69.13, -41.32

 

CMYK 0 / 91 / 3 / 20

HEX #CD13C7

RGB 205 19 199

HSL 301.94, 0.83%, 0.44%

LAB 48.97, 80.78, -47.79

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 71 / 2 / 7

HEX #EE45E9

RGB 238 69 233

HSL 301.78, 0.83%, 0.6%

LAB 60.17, 80.86, -48.99

 

CMYK 0 / 56 / 2 / 5

HEX #F16BED

RGB 241 107 237

HSL 301.79, 0.83%, 0.68%

LAB 66.01, 67.73, -42

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 68 / 87 / 8

HEX #EA4B1F

RGB 234 75 31

HSL 13, 0.83%, 0.52%

LAB 54.68, 59.41, 56.92

 

CMYK 87 / 0 / 33 / 8

HEX #1FEA9C

RGB 31 234 156

HSL 156.95, 0.83%, 0.52%

LAB 82.67, -63.56, 25.18

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 1 / 0 / 87 / 8

HEX #E7EA1F

RGB 231 234 31

HSL 60.89, 0.83%, 0.52%

LAB 89.83, -21.07, 84.87

 

CMYK 87 / 1 / 0 / 8

HEX #1FE7EA

RGB 31 231 234

HSL 180.89, 0.83%, 0.52%

LAB 83.64, -42.73, -14.33

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 68 / 87 / 8

HEX #EA4B1F

RGB 234 75 31

HSL 13, 0.83%, 0.52%

LAB 54.68, 59.41, 56.92

 

CMYK 87 / 0 / 85 / 8

HEX #1FEA22

RGB 31 234 34

HSL 120.89, 0.83%, 0.52%

LAB 81.43, -78.48, 73.84

 

CMYK 87 / 19 / 0 / 8

HEX #1FBEEA

RGB 31 190 234

HSL 193, 0.83%, 0.52%

LAB 71.59, -23.22, -32.67

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 42 / 87 / 8

HEX #EA881F

RGB 234 136 31

HSL 31.03, 0.83%, 0.52%

LAB 65.9, 30.75, 65.85

 

CMYK 87 / 0 / 85 / 8

HEX #1FEA22

RGB 31 234 34

HSL 120.89, 0.83%, 0.52%

LAB 81.43, -78.48, 73.84

 

CMYK 87 / 45 / 0 / 8

HEX #1F81EA

RGB 31 129 234

HSL 211.03, 0.83%, 0.52%

LAB 53.96, 11.25, -60.49

 

Description

Color code: HEX #EA1FE4 | qconv.com Color code: HEX #EA1FE4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 31 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 31 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 3 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 3% 8% C M Y K

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Provide designers and agencies with accurate color values.

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