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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA0B5E it is the complementary color #15F4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA0B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA0B5E shade: #EF0B59, #FF1D6C, #FF2F7F, #FF4192 and #FF53A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA0B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA0B5E shade: #EA0B5E, #D9004B, #C80038, #B70025 and #A60012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA0B5E shade: #EA0B5E, #EA0B22 and #EA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA0B5E shade: #EA0B5E, #EA0B9A, #EA0BD6, #C10BEA and #850BEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA0B5E shade matches the following richer shades: #EA0B5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA0B5E shade: #EA0B5E, #D61F63, #C23368, #AE466D and #9B5A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA0B5E shade: #EA0BD7, #EA0B9C, #EA0B60, #EA0B25 and #EA2C0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA0B5E shade: #9B073E, #C2094E, #EA0B5E, #F52975 and #F7518E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA0B5E shade: #EA0B5E, #EAC10B and #0BBAEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA0B5E shade: #EA0B5E, #60EA0B and #0B60EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA0B5E shade: #EA0B5E, #EAC10B, #0BEA94 and #0B34EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA0B5E shade: #EA0B5E, #D0EA0B, #0BEA94 and #250BEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

Complementary color

CMYK 91 / 0 / 34 / 4

HEX #15F4A1

RGB 21 244 161

HSL 157.67, 0.91%, 0.52%

LAB 85.72, -66.62, 26.77

 

CMYK 0 / 95 / 63 / 6

HEX #EF0B59

RGB 239 11 89

HSL 339.47, 0.91%, 0.49%

LAB 51.05, 77.78, 21.89

 

CMYK 0 / 89 / 58 / 0

HEX #FF1D6C

RGB 255 29 108

HSL 339.03, 1%, 0.56%

LAB 55.3, 80.59, 16.67

 

CMYK 0 / 82 / 50 / 0

HEX #FF2F7F

RGB 255 47 127

HSL 336.92, 1%, 0.59%

LAB 56.9, 78.57, 7.56

 

CMYK 0 / 75 / 43 / 0

HEX #FF4192

RGB 255 65 146

HSL 334.42, 1%, 0.63%

LAB 59.08, 75.42, -0.52

 

CMYK 0 / 67 / 35 / 0

HEX #FF53A5

RGB 255 83 165

HSL 331.4, 1%, 0.66%

LAB 61.79, 71.31, -7.57

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 100 / 65 / 15

HEX #D9004B

RGB 217 0 75

HSL 339.26, 1%, 0.43%

LAB 45.99, 72.81, 23.01

 

CMYK 0 / 100 / 72 / 22

HEX #C80038

RGB 200 0 56

HSL 343.2, 1%, 0.39%

LAB 42.1, 67.92, 29.16

 

CMYK 0 / 100 / 80 / 28

HEX #B70025

RGB 183 0 37

HSL 347.87, 1%, 0.36%

LAB 38.2, 63.09, 35.33

 

CMYK 0 / 100 / 89 / 35

HEX #A60012

RGB 166 0 18

HSL 353.49, 1%, 0.33%

LAB 34.29, 58.34, 40.88

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 95 / 85 / 8

HEX #EA0B22

RGB 234 11 34

HSL 353.81, 0.91%, 0.48%

LAB 49.31, 74.61, 51.22

 

CMYK 0 / 95 / 95 / 8

HEX #EA0B0B

RGB 234 11 11

HSL 0, 0.91%, 0.48%

LAB 49.2, 74.3, 60.12

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 95 / 34 / 8

HEX #EA0B9A

RGB 234 11 154

HSL 321.52, 0.91%, 0.48%

LAB 51.91, 81.61, -16.36

 

CMYK 0 / 95 / 9 / 8

HEX #EA0BD6

RGB 234 11 214

HSL 305.38, 0.91%, 0.48%

LAB 54.64, 88.6, -47.07

 

CMYK 18 / 95 / 0 / 8

HEX #C10BEA

RGB 193 11 234

HSL 288.97, 0.91%, 0.48%

LAB 48.91, 85.2, -68.02

 

CMYK 43 / 95 / 0 / 8

HEX #850BEA

RGB 133 11 234

HSL 272.83, 0.91%, 0.48%

LAB 39.86, 78.06, -83.18

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 86 / 54 / 16

HEX #D61F63

RGB 214 31 99

HSL 337.7, 0.75%, 0.48%

LAB 47.21, 69.78, 9.69

 

CMYK 0 / 74 / 46 / 24

HEX #C23368

RGB 194 51 104

HSL 337.76, 0.58%, 0.48%

LAB 45.41, 59.59, 3.53

 

CMYK 0 / 60 / 37 / 32

HEX #AE466D

RGB 174 70 109

HSL 337.5, 0.43%, 0.48%

LAB 44.92, 46.29, -0.69

 

CMYK 0 / 42 / 26 / 39

HEX #9B5A72

RGB 155 90 114

HSL 337.85, 0.27%, 0.48%

LAB 46.31, 29.88, -2.03

 

CMYK 0 / 95 / 8 / 8

HEX #EA0BD7

RGB 234 11 215

HSL 305.11, 0.91%, 0.48%

LAB 54.7, 88.73, -47.56

 

CMYK 0 / 95 / 33 / 8

HEX #EA0B9C

RGB 234 11 156

HSL 320.99, 0.91%, 0.48%

LAB 51.99, 81.81, -17.43

 

CMYK 0 / 95 / 59 / 8

HEX #EA0B60

RGB 234 11 96

HSL 337.13, 0.91%, 0.48%

LAB 50.19, 77.02, 16.28

 

CMYK 0 / 95 / 84 / 8

HEX #EA0B25

RGB 234 11 37

HSL 353, 0.91%, 0.48%

LAB 49.33, 74.67, 49.75

 

CMYK 0 / 81 / 95 / 8

HEX #EA2C0B

RGB 234 44 11

HSL 8.88, 0.91%, 0.48%

LAB 51.06, 68.98, 61.09

 

CMYK 0 / 95 / 60 / 39

HEX #9B073E

RGB 155 7 62

HSL 337.7, 0.91%, 0.32%

LAB 32.85, 56.38, 11.49

 

CMYK 0 / 95 / 60 / 24

HEX #C2094E

RGB 194 9 78

HSL 337.62, 0.91%, 0.4%

LAB 41.56, 66.72, 14.38

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 83 / 52 / 4

HEX #F52975

RGB 245 41 117

HSL 337.65, 0.91%, 0.56%

LAB 54.33, 76.68, 9.62

 

CMYK 0 / 67 / 43 / 3

HEX #F7518E

RGB 247 81 142

HSL 337.95, 0.91%, 0.64%

LAB 59.54, 67.49, 2.32

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 18 / 95 / 8

HEX #EAC10B

RGB 234 193 11

HSL 48.97, 0.91%, 0.48%

LAB 79.42, 0.42, 79.84

 

CMYK 95 / 21 / 0 / 8

HEX #0BBAEA

RGB 11 186 234

HSL 192.91, 0.91%, 0.48%

LAB 70.27, -22.03, -34.74

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 59 / 0 / 95 / 8

HEX #60EA0B

RGB 96 234 11

HSL 97.13, 0.91%, 0.48%

LAB 82.57, -68.87, 78.67

 

CMYK 95 / 59 / 0 / 8

HEX #0B60EA

RGB 11 96 234

HSL 217.13, 0.91%, 0.48%

LAB 44.77, 31.3, -75.4

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 0 / 18 / 95 / 8

HEX #EAC10B

RGB 234 193 11

HSL 48.97, 0.91%, 0.48%

LAB 79.42, 0.42, 79.84

 

CMYK 95 / 0 / 37 / 8

HEX #0BEA94

RGB 11 234 148

HSL 156.86, 0.91%, 0.48%

LAB 82.41, -66.11, 28.9

 

CMYK 95 / 78 / 0 / 8

HEX #0B34EA

RGB 11 52 234

HSL 228.97, 0.91%, 0.48%

LAB 34.94, 57.76, -91.6

 

CMYK 0 / 95 / 60 / 8

HEX #EA0B5E

RGB 234 11 94

HSL 337.67, 0.91%, 0.48%

LAB 50.14, 76.9, 17.45

 

CMYK 11 / 0 / 95 / 8

HEX #D0EA0B

RGB 208 234 11

HSL 67, 0.91%, 0.48%

LAB 88.1, -30.82, 85.38

 

CMYK 95 / 0 / 37 / 8

HEX #0BEA94

RGB 11 234 148

HSL 156.86, 0.91%, 0.48%

LAB 82.41, -66.11, 28.9

 

CMYK 84 / 95 / 0 / 8

HEX #250BEA

RGB 37 11 234

HSL 247, 0.91%, 0.48%

LAB 30.81, 72.75, -98.45

 

Description

Color code: HEX #EA0B5E | qconv.com Color code: HEX #EA0B5E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 11 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 11 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HEX to RAL®

convert from #RRGGBB to RAL®-number (RAL 0000)

HEX to HKS®

convert from #RRGGBB to HKS®-number (HKS 00)

HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

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RAL® to HEX

convert from RAL®-number (RAL 0000) to #RRGGBB

RAL® to HKS®

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RAL® to PANTONE®

convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)

RAL® to Sherwin Williams®

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RAL® to NCS®

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convert from HKS®-number (HKS 00) to RGB red green blue

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HKS® to HEX

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to RGB

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PANTONE® to RGBA

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PANTONE® to CMYK

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PANTONE® to HEX

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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