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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9FECE it is the complementary color #160131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9FECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9FECE shade: #EEFEC9, #FFFFDC, #FFFFEF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9FECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9FECE shade: #E9FECE, #D8ECBB, #C7DAA8, #B6C895 and #A5B682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9FECE shade: #E9FECD, #F6FECD, #FEF9CD, #FEECCD and #FEDFCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9FECE shade: #E9FECD, #DBFECD, #CEFECD, #CDFED9 and #CDFEE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9FECE shade matches the following richer shades: #E9FECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9FECE shade: #E9FECD, #E8FAD1, #E8F6D5, #E7F2D9 and #E6EDDE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9FECE shade: #FEF9CD, #F6FECD, #E9FECD, #DCFECD and #CFFECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9FECE shade: #C4FC7C, #D6FDA5, #E9FECD, #FBFFF5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9FECE shade: #E9FECE, #CDFEEC and #FECDFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9FECE shade: #E9FECE, #CDE9FE and #FECDE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9FECE shade: #E9FECE, #CDFEEC, #E2CDFE and #FECDDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9FECE shade: #E9FECE, #CDFEFB, #E2CDFE and #FECDD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 19 / 0

HEX #E9FECE

RGB 233 254 206

HSL 86.25, 0.96%, 0.9%

LAB 97.09, -15.01, 20.7

 

Complementary color

CMYK 55 / 98 / 0 / 81

HEX #160131

RGB 22 1 49

HSL 266.25, 0.96%, 0.1%

LAB 3.74, 20.54, -25.96

 

CMYK 6 / 0 / 21 / 0

HEX #EEFEC9

RGB 238 254 201

HSL 78.11, 0.96%, 0.89%

LAB 97.34, -14.02, 23.64

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECE

RGB 233 254 206

HSL 86.25, 0.96%, 0.9%

LAB 97.09, -15.01, 20.7

 

CMYK 8 / 0 / 21 / 7

HEX #D8ECBB

RGB 216 236 187

HSL 84.49, 0.56%, 0.83%

LAB 90.86, -14.99, 21.6

 

CMYK 9 / 0 / 23 / 15

HEX #C7DAA8

RGB 199 218 168

HSL 82.8, 0.4%, 0.76%

LAB 84.54, -14.97, 22.54

 

CMYK 9 / 0 / 26 / 22

HEX #B6C895

RGB 182 200 149

HSL 81.18, 0.32%, 0.68%

LAB 78.12, -14.94, 23.53

 

CMYK 9 / 0 / 29 / 29

HEX #A5B682

RGB 165 182 130

HSL 79.62, 0.26%, 0.61%

LAB 71.6, -14.91, 24.58

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECD

RGB 233 254 205

HSL 85.71, 0.96%, 0.9%

LAB 97.07, -15.16, 21.18

 

CMYK 3 / 0 / 19 / 0

HEX #F6FECD

RGB 246 254 205

HSL 69.8, 0.96%, 0.9%

LAB 97.99, -10.61, 22.59

 

CMYK 0 / 2 / 19 / 0

HEX #FEF9CD

RGB 254 249 205

HSL 53.88, 0.96%, 0.9%

LAB 97.32, -5.28, 21.76

 

CMYK 0 / 7 / 19 / 0

HEX #FEECCD

RGB 254 236 205

HSL 37.96, 0.96%, 0.9%

LAB 94.09, 1.27, 17.24

 

CMYK 0 / 12 / 19 / 0

HEX #FEDFCD

RGB 254 223 205

HSL 22.04, 0.96%, 0.9%

LAB 90.9, 7.92, 12.73

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECD

RGB 233 254 205

HSL 85.71, 0.96%, 0.9%

LAB 97.07, -15.16, 21.18

 

CMYK 14 / 0 / 19 / 0

HEX #DBFECD

RGB 219 254 205

HSL 102.86, 0.96%, 0.9%

LAB 96.14, -19.95, 19.75

 

CMYK 19 / 0 / 19 / 0

HEX #CEFECD

RGB 206 254 205

HSL 118.78, 0.96%, 0.9%

LAB 95.33, -24.28, 18.5

 

CMYK 19 / 0 / 15 / 0

HEX #CDFED9

RGB 205 254 217

HSL 134.69, 0.96%, 0.9%

LAB 95.53, -22.53, 12.61

 

CMYK 19 / 0 / 9 / 0

HEX #CDFEE6

RGB 205 254 230

HSL 150.61, 0.96%, 0.9%

LAB 95.82, -20.15, 6.35

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECD

RGB 233 254 205

HSL 85.71, 0.96%, 0.9%

LAB 97.07, -15.16, 21.18

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECD

RGB 233 254 205

HSL 85.71, 0.96%, 0.9%

LAB 97.07, -15.16, 21.18

 

CMYK 7 / 0 / 16 / 2

HEX #E8FAD1

RGB 232 250 209

HSL 86.34, 0.8%, 0.9%

LAB 96.05, -12.92, 17.7

 

CMYK 6 / 0 / 13 / 4

HEX #E8F6D5

RGB 232 246 213

HSL 85.45, 0.65%, 0.9%

LAB 95.11, -10.3, 14.32

 

CMYK 5 / 0 / 10 / 5

HEX #E7F2D9

RGB 231 242 217

HSL 86.4, 0.49%, 0.9%

LAB 94.1, -7.99, 10.81

 

CMYK 3 / 0 / 6 / 7

HEX #E6EDDE

RGB 230 237 222

HSL 88, 0.29%, 0.9%

LAB 92.87, -4.97, 6.44

 

CMYK 0 / 2 / 19 / 0

HEX #FEF9CD

RGB 254 249 205

HSL 53.88, 0.96%, 0.9%

LAB 97.32, -5.28, 21.76

 

CMYK 3 / 0 / 19 / 0

HEX #F6FECD

RGB 246 254 205

HSL 69.8, 0.96%, 0.9%

LAB 97.99, -10.61, 22.59

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECD

RGB 233 254 205

HSL 85.71, 0.96%, 0.9%

LAB 97.07, -15.16, 21.18

 

CMYK 13 / 0 / 19 / 0

HEX #DCFECD

RGB 220 254 205

HSL 101.63, 0.96%, 0.9%

LAB 96.21, -19.62, 19.85

 

CMYK 19 / 0 / 19 / 0

HEX #CFFECD

RGB 207 254 205

HSL 117.55, 0.96%, 0.9%

LAB 95.39, -23.95, 18.59

 

CMYK 22 / 0 / 51 / 1

HEX #C4FC7C

RGB 196 252 124

HSL 86.25, 0.96%, 0.74%

LAB 92.93, -37.74, 55.08

 

CMYK 15 / 0 / 35 / 1

HEX #D6FDA5

RGB 214 253 165

HSL 86.59, 0.96%, 0.82%

LAB 94.85, -27.03, 38.1

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECD

RGB 233 254 205

HSL 85.71, 0.96%, 0.9%

LAB 97.07, -15.16, 21.18

 

CMYK 2 / 0 / 4 / 0

HEX #FBFFF5

RGB 251 255 245

HSL 84, 1%, 0.98%

LAB 99.46, -3.05, 4.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECE

RGB 233 254 206

HSL 86.25, 0.96%, 0.9%

LAB 97.09, -15.01, 20.7

 

CMYK 19 / 0 / 7 / 0

HEX #CDFEEC

RGB 205 254 236

HSL 157.96, 0.96%, 0.9%

LAB 95.96, -19.01, 3.47

 

CMYK 0 / 19 / 1 / 0

HEX #FECDFC

RGB 254 205 252

HSL 302.45, 0.96%, 0.9%

LAB 87.85, 24.98, -16.45

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECE

RGB 233 254 206

HSL 86.25, 0.96%, 0.9%

LAB 97.09, -15.01, 20.7

 

CMYK 19 / 8 / 0 / 0

HEX #CDE9FE

RGB 205 233 254

HSL 205.71, 0.96%, 0.9%

LAB 90.97, -4.84, -13.23

 

CMYK 0 / 19 / 8 / 0

HEX #FECDE9

RGB 254 205 233

HSL 325.71, 0.96%, 0.9%

LAB 87.3, 21.69, -7.23

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECE

RGB 233 254 206

HSL 86.25, 0.96%, 0.9%

LAB 97.09, -15.01, 20.7

 

CMYK 19 / 0 / 7 / 0

HEX #CDFEEC

RGB 205 254 236

HSL 157.96, 0.96%, 0.9%

LAB 95.96, -19.01, 3.47

 

CMYK 11 / 19 / 0 / 0

HEX #E2CDFE

RGB 226 205 254

HSL 265.71, 0.96%, 0.9%

LAB 85.5, 16.36, -21.3

 

CMYK 0 / 19 / 12 / 0

HEX #FECDDF

RGB 254 205 223

HSL 337.96, 0.96%, 0.9%

LAB 87.03, 20.05, -2.33

 

CMYK 8 / 0 / 19 / 0

HEX #E9FECE

RGB 233 254 206

HSL 86.25, 0.96%, 0.9%

LAB 97.09, -15.01, 20.7

 

CMYK 19 / 0 / 1 / 0

HEX #CDFEFB

RGB 205 254 251

HSL 176.33, 0.96%, 0.9%

LAB 96.34, -16.04, -3.71

 

CMYK 11 / 19 / 0 / 0

HEX #E2CDFE

RGB 226 205 254

HSL 265.71, 0.96%, 0.9%

LAB 85.5, 16.36, -21.3

 

CMYK 0 / 19 / 18 / 0

HEX #FECDD0

RGB 254 205 208

HSL 356.33, 0.96%, 0.9%

LAB 86.65, 17.72, 5.07

 

Description

Color code: HEX #E9FECE | qconv.com Color code: HEX #E9FECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 254 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 254 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 19 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 19% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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