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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9FC1F it is the complementary color #1603E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9FC1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9FC1F shade: #EEFC1A, #FFFF2D, #FFFF40, #FFFF53 and #FFFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9FC1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9FC1F shade: #E9FC1F, #D8EA0C, #C7D800, #B6C600 and #A5B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9FC1F shade: #E8FC1D, #FCD31D, #FC971D, #FC5B1D and #FC1F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9FC1F shade: #E8FC1D, #ACFC1D, #70FC1D, #34FC1D and #1DFC42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9FC1F shade matches the following richer shades: #E8FC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9FC1F shade: #E8FC1D, #D9E930, #CAD642, #BAC455 and #ABB167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9FC1F shade: #FC971D, #FCD31D, #E9FC1D, #AEFC1D and #72FC1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9FC1F shade: #B2C303, #D8EC04, #E8FC1D, #ECFC46 and #F1FD6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9FC1F shade: #E9FC1F, #1DFC5C and #B51DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9FC1F shade: #E9FC1F, #1DE9FC and #FC1DE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9FC1F shade: #E9FC1F, #1DFC5C, #2F1DFC and #FC1DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9FC1F shade: #E9FC1F, #1DFC9F, #2F1DFC and #FC1D7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 88 / 1

HEX #E9FC1F

RGB 233 252 31

HSL 65.16, 0.97%, 0.55%

LAB 94.76, -28.76, 88.88

 

Complementary color

CMYK 90 / 99 / 0 / 12

HEX #1603E0

RGB 22 3 224

HSL 245.16, 0.97%, 0.45%

LAB 28.43, 71.42, -96.73

 

CMYK 6 / 0 / 90 / 1

HEX #EEFC1A

RGB 238 252 26

HSL 63.72, 0.97%, 0.55%

LAB 95.11, -26.83, 90.06

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2D

RGB 255 255 45

HSL 60, 1%, 0.59%

LAB 97.22, -20.93, 88.91

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 8 / 0 / 88 / 1

HEX #E9FC1F

RGB 233 252 31

HSL 65.16, 0.97%, 0.55%

LAB 94.76, -28.76, 88.88

 

CMYK 8 / 0 / 95 / 8

HEX #D8EA0C

RGB 216 234 12

HSL 64.86, 0.9%, 0.48%

LAB 88.67, -27.54, 85.98

 

CMYK 8 / 0 / 100 / 15

HEX #C7D800

RGB 199 216 0

HSL 64.72, 1%, 0.42%

LAB 82.52, -26.16, 81.81

 

CMYK 8 / 0 / 100 / 22

HEX #B6C600

RGB 182 198 0

HSL 64.85, 1%, 0.39%

LAB 76.27, -24.65, 76.62

 

CMYK 8 / 0 / 100 / 29

HEX #A5B400

RGB 165 180 0

HSL 65, 1%, 0.35%

LAB 69.92, -23.11, 71.34

 

CMYK 8 / 0 / 88 / 1

HEX #E8FC1D

RGB 232 252 29

HSL 65.38, 0.97%, 0.55%

LAB 94.68, -29.2, 89.1

 

CMYK 0 / 16 / 88 / 1

HEX #FCD31D

RGB 252 211 29

HSL 48.97, 0.97%, 0.55%

LAB 85.69, -0.86, 82.72

 

CMYK 0 / 40 / 88 / 1

HEX #FC971D

RGB 252 151 29

HSL 32.83, 0.97%, 0.55%

LAB 71.5, 30.3, 71.76

 

CMYK 0 / 64 / 88 / 1

HEX #FC5B1D

RGB 252 91 29

HSL 16.68, 0.97%, 0.55%

LAB 60.13, 58.96, 63.18

 

CMYK 0 / 88 / 88 / 1

HEX #FC1F1D

RGB 252 31 29

HSL 0.54, 0.97%, 0.55%

LAB 53.78, 76.59, 58.52

 

CMYK 8 / 0 / 88 / 1

HEX #E8FC1D

RGB 232 252 29

HSL 65.38, 0.97%, 0.55%

LAB 94.68, -29.2, 89.1

 

CMYK 32 / 0 / 88 / 1

HEX #ACFC1D

RGB 172 252 29

HSL 81.52, 0.97%, 0.55%

LAB 91, -52.14, 84.59

 

CMYK 56 / 0 / 88 / 1

HEX #70FC1D

RGB 112 252 29

HSL 97.67, 0.97%, 0.55%

LAB 88.52, -70.55, 81.52

 

CMYK 79 / 0 / 88 / 1

HEX #34FC1D

RGB 52 252 29

HSL 113.81, 0.97%, 0.55%

LAB 87.21, -81.62, 79.88

 

CMYK 88 / 0 / 74 / 1

HEX #1DFC42

RGB 29 252 66

HSL 129.96, 0.97%, 0.55%

LAB 87.13, -81.77, 70.53

 

CMYK 8 / 0 / 88 / 1

HEX #E8FC1D

RGB 232 252 29

HSL 65.38, 0.97%, 0.55%

LAB 94.68, -29.2, 89.1

 

CMYK 8 / 0 / 88 / 1

HEX #E8FC1D

RGB 232 252 29

HSL 65.38, 0.97%, 0.55%

LAB 94.68, -29.2, 89.1

 

CMYK 7 / 0 / 79 / 9

HEX #D9E930

RGB 217 233 48

HSL 65.19, 0.81%, 0.55%

LAB 88.56, -25.91, 79.67

 

CMYK 6 / 0 / 69 / 16

HEX #CAD642

RGB 202 214 66

HSL 64.86, 0.64%, 0.55%

LAB 82.4, -22.17, 67.92

 

CMYK 5 / 0 / 57 / 23

HEX #BAC455

RGB 186 196 85

HSL 65.41, 0.48%, 0.55%

LAB 76.42, -18.65, 53.45

 

CMYK 3 / 0 / 42 / 31

HEX #ABB167

RGB 171 177 103

HSL 64.86, 0.32%, 0.55%

LAB 70.23, -13.43, 37.08

 

CMYK 0 / 40 / 88 / 1

HEX #FC971D

RGB 252 151 29

HSL 32.83, 0.97%, 0.55%

LAB 71.5, 30.3, 71.76

 

CMYK 0 / 16 / 88 / 1

HEX #FCD31D

RGB 252 211 29

HSL 48.97, 0.97%, 0.55%

LAB 85.69, -0.86, 82.72

 

CMYK 8 / 0 / 88 / 1

HEX #E9FC1D

RGB 233 252 29

HSL 65.11, 0.97%, 0.55%

LAB 94.75, -28.8, 89.19

 

CMYK 31 / 0 / 88 / 1

HEX #AEFC1D

RGB 174 252 29

HSL 80.99, 0.97%, 0.55%

LAB 91.1, -51.43, 84.71

 

CMYK 55 / 0 / 88 / 1

HEX #72FC1D

RGB 114 252 29

HSL 97.13, 0.97%, 0.55%

LAB 88.58, -70.04, 81.59

 

CMYK 9 / 0 / 98 / 24

HEX #B2C303

RGB 178 195 3

HSL 65.31, 0.97%, 0.39%

LAB 75.14, -24.85, 75.33

 

CMYK 8 / 0 / 98 / 7

HEX #D8EC04

RGB 216 236 4

HSL 65.17, 0.97%, 0.47%

LAB 89.2, -28.55, 87.02

 

CMYK 8 / 0 / 88 / 1

HEX #E8FC1D

RGB 232 252 29

HSL 65.38, 0.97%, 0.55%

LAB 94.68, -29.2, 89.1

 

CMYK 6 / 0 / 72 / 1

HEX #ECFC46

RGB 236 252 70

HSL 65.27, 0.97%, 0.63%

LAB 95.12, -26.33, 79.73

 

CMYK 5 / 0 / 57 / 1

HEX #F1FD6E

RGB 241 253 110

HSL 65.03, 0.97%, 0.71%

LAB 96.03, -22.46, 65.63

 

CMYK 8 / 0 / 88 / 1

HEX #E9FC1F

RGB 233 252 31

HSL 65.16, 0.97%, 0.55%

LAB 94.76, -28.76, 88.88

 

CMYK 88 / 0 / 63 / 1

HEX #1DFC5C

RGB 29 252 92

HSL 136.95, 0.97%, 0.55%

LAB 87.32, -79.43, 61.13

 

CMYK 28 / 88 / 0 / 1

HEX #B51DFC

RGB 181 29 252

HSL 280.9, 0.97%, 0.55%

LAB 49.17, 84.4, -77.78

 

CMYK 8 / 0 / 88 / 1

HEX #E9FC1F

RGB 233 252 31

HSL 65.16, 0.97%, 0.55%

LAB 94.76, -28.76, 88.88

 

CMYK 88 / 8 / 0 / 1

HEX #1DE9FC

RGB 29 233 252

HSL 185.11, 0.97%, 0.55%

LAB 84.78, -38.38, -22.11

 

CMYK 0 / 88 / 8 / 1

HEX #FC1DE9

RGB 252 29 233

HSL 305.11, 0.97%, 0.55%

LAB 59.4, 92.41, -50.08

 

CMYK 8 / 0 / 88 / 1

HEX #E9FC1F

RGB 233 252 31

HSL 65.16, 0.97%, 0.55%

LAB 94.76, -28.76, 88.88

 

CMYK 88 / 0 / 63 / 1

HEX #1DFC5C

RGB 29 252 92

HSL 136.95, 0.97%, 0.55%

LAB 87.32, -79.43, 61.13

 

CMYK 81 / 88 / 0 / 1

HEX #2F1DFC

RGB 47 29 252

HSL 244.84, 0.97%, 0.55%

LAB 35.03, 73.35, -101.6

 

CMYK 0 / 88 / 25 / 1

HEX #FC1DBC

RGB 252 29 188

HSL 317.22, 0.97%, 0.55%

LAB 57.27, 86.88, -27.78

 

CMYK 8 / 0 / 88 / 1

HEX #E9FC1F

RGB 233 252 31

HSL 65.16, 0.97%, 0.55%

LAB 94.76, -28.76, 88.88

 

CMYK 88 / 0 / 37 / 1

HEX #1DFC9F

RGB 29 252 159

HSL 154.98, 0.97%, 0.55%

LAB 88.15, -69.39, 31.06

 

CMYK 81 / 88 / 0 / 1

HEX #2F1DFC

RGB 47 29 252

HSL 244.84, 0.97%, 0.55%

LAB 35.03, 73.35, -101.6

 

CMYK 0 / 88 / 52 / 1

HEX #FC1D7A

RGB 252 29 122

HSL 334.98, 0.97%, 0.55%

LAB 55.05, 80.82, 7.83

 

Description

Color code: HEX #E9FC1F | qconv.com Color code: HEX #E9FC1F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 252 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 252 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 88 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 88% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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