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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9DF80 it is the complementary color #16207F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9DF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9DF80 shade: #EEDF7B, #FFF18E, #FFFFA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9DF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9DF80 shade: #E9DF80, #D8CD6D, #C7BB5A, #B6A947 and #A59734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9DF80 shade: #E9DF81, #E9C381, #E9A781, #E98B81 and #E98181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9DF80 shade: #E9DF81, #D7E981, #BBE981, #9FE981 and #83E981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9DF80 shade matches the following richer shades: #E9DF81 and #F5E975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9DF80 shade: #E9DF81, #DDD58D, #D1CC99, #C5C2A5 and #B9B8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9DF80 shade: #E9A781, #E9C381, #E9DE81, #D8E981 and #BCE981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9DF80 shade: #DCCD3B, #E3D65E, #E9DF81, #EFE8A4 and #F5F1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9DF80 shade: #E9DF80, #81E98C and #B581E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9DF80 shade: #E9DF80, #81E9DE and #DE81E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9DF80 shade: #E9DF80, #81E98C, #818CE9 and #E981DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9DF80 shade: #E9DF80, #81E9AB, #818CE9 and #E981BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 45 / 9

HEX #E9DF80

RGB 233 223 128

HSL 54.29, 0.7%, 0.71%

LAB 87.8, -9.44, 47.56

 

Complementary color

CMYK 83 / 75 / 0 / 50

HEX #16207F

RGB 22 32 127

HSL 234.29, 0.7%, 0.29%

LAB 18.95, 32.58, -54.1

 

CMYK 0 / 6 / 48 / 7

HEX #EEDF7B

RGB 238 223 123

HSL 52.17, 0.77%, 0.71%

LAB 88.15, -7.91, 50.49

 

CMYK 0 / 5 / 44 / 0

HEX #FFF18E

RGB 255 241 142

HSL 52.57, 1%, 0.78%

LAB 94.37, -8.44, 49.32

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF80

RGB 233 223 128

HSL 54.29, 0.7%, 0.71%

LAB 87.8, -9.44, 47.56

 

CMYK 0 / 5 / 50 / 15

HEX #D8CD6D

RGB 216 205 109

HSL 53.83, 0.58%, 0.64%

LAB 81.49, -8.91, 48.74

 

CMYK 0 / 6 / 55 / 22

HEX #C7BB5A

RGB 199 187 90

HSL 53.39, 0.49%, 0.57%

LAB 75.09, -8.29, 49.9

 

CMYK 0 / 7 / 61 / 29

HEX #B6A947

RGB 182 169 71

HSL 52.97, 0.44%, 0.5%

LAB 68.59, -7.54, 50.97

 

CMYK 0 / 8 / 68 / 35

HEX #A59734

RGB 165 151 52

HSL 52.57, 0.52%, 0.43%

LAB 61.98, -6.62, 51.82

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF81

RGB 233 223 129

HSL 54.23, 0.7%, 0.71%

LAB 87.82, -9.34, 47.09

 

CMYK 0 / 16 / 45 / 9

HEX #E9C381

RGB 233 195 129

HSL 38.08, 0.7%, 0.71%

LAB 80.7, 5.02, 38.14

 

CMYK 0 / 28 / 45 / 9

HEX #E9A781

RGB 233 167 129

HSL 21.92, 0.7%, 0.71%

LAB 73.9, 19.83, 29.28

 

CMYK 0 / 40 / 45 / 9

HEX #E98B81

RGB 233 139 129

HSL 5.77, 0.7%, 0.71%

LAB 67.56, 34.67, 20.76

 

CMYK 0 / 45 / 45 / 9

HEX #E98181

RGB 233 129 129

HSL 0, 0.7%, 0.71%

LAB 65.44, 39.85, 17.86

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF81

RGB 233 223 129

HSL 54.23, 0.7%, 0.71%

LAB 87.82, -9.34, 47.09

 

CMYK 8 / 0 / 45 / 9

HEX #D7E981

RGB 215 233 129

HSL 70.38, 0.7%, 0.71%

LAB 89.07, -21.3, 48.33

 

CMYK 20 / 0 / 45 / 9

HEX #BBE981

RGB 187 233 129

HSL 86.54, 0.7%, 0.71%

LAB 87.21, -31.78, 45.61

 

CMYK 32 / 0 / 45 / 9

HEX #9FE981

RGB 159 233 129

HSL 102.69, 0.7%, 0.71%

LAB 85.62, -41.52, 43.29

 

CMYK 44 / 0 / 45 / 9

HEX #83E981

RGB 131 233 129

HSL 118.85, 0.7%, 0.71%

LAB 84.32, -50.2, 41.37

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF81

RGB 233 223 129

HSL 54.23, 0.7%, 0.71%

LAB 87.82, -9.34, 47.09

 

CMYK 0 / 5 / 52 / 4

HEX #F5E975

RGB 245 233 117

HSL 54.38, 0.86%, 0.71%

LAB 91.22, -10.62, 57.11

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF81

RGB 233 223 129

HSL 54.23, 0.7%, 0.71%

LAB 87.82, -9.34, 47.09

 

CMYK 0 / 4 / 36 / 13

HEX #DDD58D

RGB 221 213 141

HSL 54, 0.54%, 0.71%

LAB 84.42, -7.74, 36.61

 

CMYK 0 / 2 / 27 / 18

HEX #D1CC99

RGB 209 204 153

HSL 54.64, 0.38%, 0.71%

LAB 81.31, -6.27, 26.1

 

CMYK 0 / 2 / 16 / 23

HEX #C5C2A5

RGB 197 194 165

HSL 54.38, 0.22%, 0.71%

LAB 77.98, -3.85, 14.98

 

CMYK 0 / 1 / 4 / 27

HEX #B9B8B1

RGB 185 184 177

HSL 52.5, 0.05%, 0.71%

LAB 74.68, -0.92, 3.67

 

CMYK 0 / 28 / 45 / 9

HEX #E9A781

RGB 233 167 129

HSL 21.92, 0.7%, 0.71%

LAB 73.9, 19.83, 29.28

 

CMYK 0 / 16 / 45 / 9

HEX #E9C381

RGB 233 195 129

HSL 38.08, 0.7%, 0.71%

LAB 80.7, 5.02, 38.14

 

CMYK 0 / 5 / 45 / 9

HEX #E9DE81

RGB 233 222 129

HSL 53.65, 0.7%, 0.71%

LAB 87.56, -8.84, 46.77

 

CMYK 7 / 0 / 45 / 9

HEX #D8E981

RGB 216 233 129

HSL 69.81, 0.7%, 0.71%

LAB 89.14, -20.91, 48.44

 

CMYK 19 / 0 / 45 / 9

HEX #BCE981

RGB 188 233 129

HSL 85.96, 0.7%, 0.71%

LAB 87.27, -31.41, 45.7

 

CMYK 0 / 7 / 73 / 14

HEX #DCCD3B

RGB 220 205 59

HSL 54.41, 0.7%, 0.55%

LAB 81.4, -10.52, 69.91

 

CMYK 0 / 6 / 59 / 11

HEX #E3D65E

RGB 227 214 94

HSL 54.14, 0.7%, 0.63%

LAB 84.6, -10.16, 59.51

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF81

RGB 233 223 129

HSL 54.23, 0.7%, 0.71%

LAB 87.82, -9.34, 47.09

 

CMYK 0 / 3 / 31 / 6

HEX #EFE8A4

RGB 239 232 164

HSL 54.4, 0.7%, 0.79%

LAB 91.12, -7.72, 34

 

CMYK 0 / 2 / 19 / 4

HEX #F5F1C7

RGB 245 241 199

HSL 54.78, 0.7%, 0.87%

LAB 94.5, -5.36, 20.81

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF80

RGB 233 223 128

HSL 54.29, 0.7%, 0.71%

LAB 87.8, -9.44, 47.56

 

CMYK 45 / 0 / 40 / 9

HEX #81E98C

RGB 129 233 140

HSL 126.35, 0.7%, 0.71%

LAB 84.4, -49.14, 36.02

 

CMYK 22 / 45 / 0 / 9

HEX #B581E9

RGB 181 129 233

HSL 270, 0.7%, 0.71%

LAB 62.85, 39.8, -45.24

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF80

RGB 233 223 128

HSL 54.29, 0.7%, 0.71%

LAB 87.8, -9.44, 47.56

 

CMYK 45 / 0 / 5 / 9

HEX #81E9DE

RGB 129 233 222

HSL 173.65, 0.7%, 0.71%

LAB 86.12, -32.86, -4.08

 

CMYK 5 / 45 / 0 / 9

HEX #DE81E9

RGB 222 129 233

HSL 293.65, 0.7%, 0.71%

LAB 67.36, 51.4, -37.85

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF80

RGB 233 223 128

HSL 54.29, 0.7%, 0.71%

LAB 87.8, -9.44, 47.56

 

CMYK 45 / 0 / 40 / 9

HEX #81E98C

RGB 129 233 140

HSL 126.35, 0.7%, 0.71%

LAB 84.4, -49.14, 36.02

 

CMYK 45 / 40 / 0 / 9

HEX #818CE9

RGB 129 140 233

HSL 233.65, 0.7%, 0.71%

LAB 61.05, 19.8, -48.37

 

CMYK 0 / 45 / 5 / 9

HEX #E981DE

RGB 233 129 222

HSL 306.35, 0.7%, 0.71%

LAB 68.24, 52.64, -30.3

 

CMYK 0 / 4 / 45 / 9

HEX #E9DF80

RGB 233 223 128

HSL 54.29, 0.7%, 0.71%

LAB 87.8, -9.44, 47.56

 

CMYK 45 / 0 / 27 / 9

HEX #81E9AB

RGB 129 233 171

HSL 144.23, 0.7%, 0.71%

LAB 84.94, -43.82, 20.93

 

CMYK 45 / 40 / 0 / 9

HEX #818CE9

RGB 129 140 233

HSL 233.65, 0.7%, 0.71%

LAB 61.05, 19.8, -48.37

 

CMYK 0 / 45 / 18 / 9

HEX #E981BF

RGB 233 129 191

HSL 324.23, 0.7%, 0.71%

LAB 67.12, 47.67, -14.72

 

Description

Color code: HEX #E9DF80 | qconv.com Color code: HEX #E9DF80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 223 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 223 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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