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Color name
HEX #E9DA78

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9DA78 it is the complementary color #162587. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9DA78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9DA78 shade: #EEDA73, #FFEC86, #FFFE99, #FFFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9DA78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9DA78 shade: #E9DA78, #D8C865, #C7B652, #B6A43F and #A5922C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9DA78 shade: #E9DA77, #E9BB77, #E99C77, #E97E77 and #E97777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9DA78 shade: #E9DA77, #D9E977, #BBE977, #9CE977 and #7DE977

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9DA78 shade matches the following richer shades: #E9DA77 and #F6E36A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9DA78 shade: #E9DA77, #DCD084, #CFC791, #C2BE9D and #B6B4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9DA78 shade: #E99D77, #E9BB77, #E9DA77, #DAE977 and #BBE977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9DA78 shade: #DDC630, #E3D054, #E9DA77, #EFE39B and #F4EDBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9DA78 shade: #E9DA78, #77E97F and #AC77E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9DA78 shade: #E9DA78, #77E9DA and #DA77E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9DA78 shade: #E9DA78, #77E97F, #7786E9 and #E977E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9DA78 shade: #E9DA78, #77E9A1, #7786E9 and #E977BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 48 / 9

HEX #E9DA78

RGB 233 218 120

HSL 52.04, 0.72%, 0.69%

LAB 86.42, -7.66, 49.73

 

Complementary color

CMYK 84 / 73 / 0 / 47

HEX #162587

RGB 22 37 135

HSL 232.04, 0.72%, 0.31%

LAB 20.99, 32.36, -55.79

 

CMYK 0 / 8 / 52 / 7

HEX #EEDA73

RGB 238 218 115

HSL 50.24, 0.78%, 0.69%

LAB 86.78, -6.08, 52.65

 

CMYK 0 / 7 / 47 / 0

HEX #FFEC86

RGB 255 236 134

HSL 50.58, 1%, 0.76%

LAB 93, -6.7, 51.47

 

CMYK 0 / 0 / 40 / 0

HEX #FFFE99

RGB 255 254 153

HSL 59.41, 1%, 0.8%

LAB 97.81, -13.74, 48.34

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 6 / 48 / 9

HEX #E9DA78

RGB 233 218 120

HSL 52.04, 0.72%, 0.69%

LAB 86.42, -7.66, 49.73

 

CMYK 0 / 7 / 53 / 15

HEX #D8C865

RGB 216 200 101

HSL 51.65, 0.6%, 0.62%

LAB 80.09, -7.04, 50.9

 

CMYK 0 / 9 / 59 / 22

HEX #C7B652

RGB 199 182 82

HSL 51.28, 0.51%, 0.55%

LAB 73.68, -6.31, 52.02

 

CMYK 0 / 10 / 65 / 29

HEX #B6A43F

RGB 182 164 63

HSL 50.92, 0.49%, 0.48%

LAB 67.17, -5.42, 53

 

CMYK 0 / 12 / 73 / 35

HEX #A5922C

RGB 165 146 44

HSL 50.58, 0.58%, 0.41%

LAB 60.55, -4.35, 53.63

 

CMYK 0 / 6 / 49 / 9

HEX #E9DA77

RGB 233 218 119

HSL 52.11, 0.72%, 0.69%

LAB 86.4, -7.75, 50.19

 

CMYK 0 / 20 / 49 / 9

HEX #E9BB77

RGB 233 187 119

HSL 35.79, 0.72%, 0.69%

LAB 78.58, 8.25, 40.54

 

CMYK 0 / 33 / 49 / 9

HEX #E99C77

RGB 233 156 119

HSL 19.47, 0.72%, 0.69%

LAB 71.17, 24.71, 31.06

 

CMYK 0 / 46 / 49 / 9

HEX #E97E77

RGB 233 126 119

HSL 3.68, 0.72%, 0.69%

LAB 64.63, 40.42, 22.38

 

CMYK 0 / 49 / 49 / 9

HEX #E97777

RGB 233 119 119

HSL 0, 0.72%, 0.69%

LAB 63.22, 43.95, 20.47

 

CMYK 0 / 6 / 49 / 9

HEX #E9DA77

RGB 233 218 119

HSL 52.11, 0.72%, 0.69%

LAB 86.4, -7.75, 50.19

 

CMYK 7 / 0 / 49 / 9

HEX #D9E977

RGB 217 233 119

HSL 68.42, 0.72%, 0.69%

LAB 89.09, -21.5, 53.13

 

CMYK 20 / 0 / 49 / 9

HEX #BBE977

RGB 187 233 119

HSL 84.21, 0.72%, 0.69%

LAB 87.08, -32.87, 50.23

 

CMYK 33 / 0 / 49 / 9

HEX #9CE977

RGB 156 233 119

HSL 100.53, 0.72%, 0.69%

LAB 85.34, -43.74, 47.71

 

CMYK 46 / 0 / 49 / 9

HEX #7DE977

RGB 125 233 119

HSL 116.84, 0.72%, 0.69%

LAB 83.95, -53.25, 45.69

 

CMYK 0 / 6 / 49 / 9

HEX #E9DA77

RGB 233 218 119

HSL 52.11, 0.72%, 0.69%

LAB 86.4, -7.75, 50.19

 

CMYK 0 / 8 / 57 / 4

HEX #F6E36A

RGB 246 227 106

HSL 51.86, 0.89%, 0.69%

LAB 89.66, -8.07, 60.3

 

CMYK 0 / 6 / 49 / 9

HEX #E9DA77

RGB 233 218 119

HSL 52.11, 0.72%, 0.69%

LAB 86.4, -7.75, 50.19

 

CMYK 0 / 5 / 40 / 14

HEX #DCD084

RGB 220 208 132

HSL 51.82, 0.56%, 0.69%

LAB 82.91, -6.58, 39.2

 

CMYK 0 / 4 / 30 / 19

HEX #CFC791

RGB 207 199 145

HSL 52.26, 0.39%, 0.69%

LAB 79.7, -5.51, 28.1

 

CMYK 0 / 2 / 19 / 24

HEX #C2BE9D

RGB 194 190 157

HSL 53.51, 0.23%, 0.69%

LAB 76.52, -4.1, 17.2

 

CMYK 0 / 1 / 7 / 29

HEX #B6B4AA

RGB 182 180 170

HSL 50, 0.08%, 0.69%

LAB 73.21, -1.1, 5.34

 

CMYK 0 / 33 / 49 / 9

HEX #E99D77

RGB 233 157 119

HSL 20, 0.72%, 0.69%

LAB 71.4, 24.18, 31.36

 

CMYK 0 / 20 / 49 / 9

HEX #E9BB77

RGB 233 187 119

HSL 35.79, 0.72%, 0.69%

LAB 78.58, 8.25, 40.54

 

CMYK 0 / 6 / 49 / 9

HEX #E9DA77

RGB 233 218 119

HSL 52.11, 0.72%, 0.69%

LAB 86.4, -7.75, 50.19

 

CMYK 6 / 0 / 49 / 9

HEX #DAE977

RGB 218 233 119

HSL 67.89, 0.72%, 0.69%

LAB 89.17, -21.11, 53.23

 

CMYK 20 / 0 / 49 / 9

HEX #BBE977

RGB 187 233 119

HSL 84.21, 0.72%, 0.69%

LAB 87.08, -32.87, 50.23

 

CMYK 0 / 10 / 78 / 13

HEX #DDC630

RGB 221 198 48

HSL 52.02, 0.72%, 0.53%

LAB 79.6, -6.97, 71.86

 

CMYK 0 / 8 / 63 / 11

HEX #E3D054

RGB 227 208 84

HSL 52.03, 0.72%, 0.61%

LAB 82.96, -7.79, 62.03

 

CMYK 0 / 6 / 49 / 9

HEX #E9DA77

RGB 233 218 119

HSL 52.11, 0.72%, 0.69%

LAB 86.4, -7.75, 50.19

 

CMYK 0 / 5 / 35 / 6

HEX #EFE39B

RGB 239 227 155

HSL 51.43, 0.72%, 0.77%

LAB 89.7, -6.27, 36.68

 

CMYK 0 / 3 / 22 / 4

HEX #F4EDBE

RGB 244 237 190

HSL 52.22, 0.71%, 0.85%

LAB 93.24, -4.99, 23.67

 

CMYK 0 / 6 / 48 / 9

HEX #E9DA78

RGB 233 218 120

HSL 52.04, 0.72%, 0.69%

LAB 86.42, -7.66, 49.73

 

CMYK 49 / 0 / 45 / 9

HEX #77E97F

RGB 119 233 127

HSL 124.21, 0.72%, 0.69%

LAB 83.83, -53.8, 41.62

 

CMYK 26 / 49 / 0 / 9

HEX #AC77E9

RGB 172 119 233

HSL 267.89, 0.72%, 0.69%

LAB 59.75, 42.86, -50.2

 

CMYK 0 / 6 / 48 / 9

HEX #E9DA78

RGB 233 218 120

HSL 52.04, 0.72%, 0.69%

LAB 86.42, -7.66, 49.73

 

CMYK 49 / 0 / 6 / 9

HEX #77E9DA

RGB 119 233 218

HSL 172.11, 0.72%, 0.69%

LAB 85.64, -36.08, -2.73

 

CMYK 6 / 49 / 0 / 9

HEX #DA77E9

RGB 218 119 233

HSL 292.11, 0.72%, 0.69%

LAB 64.95, 55.3, -41.66

 

CMYK 0 / 6 / 48 / 9

HEX #E9DA78

RGB 233 218 120

HSL 52.04, 0.72%, 0.69%

LAB 86.42, -7.66, 49.73

 

CMYK 49 / 0 / 45 / 9

HEX #77E97F

RGB 119 233 127

HSL 124.21, 0.72%, 0.69%

LAB 83.83, -53.8, 41.62

 

CMYK 49 / 42 / 0 / 9

HEX #7786E9

RGB 119 134 233

HSL 232.11, 0.72%, 0.69%

LAB 58.84, 21, -51.92

 

CMYK 0 / 49 / 3 / 9

HEX #E977E1

RGB 233 119 225

HSL 304.21, 0.72%, 0.69%

LAB 66.48, 58.05, -34.68

 

CMYK 0 / 6 / 48 / 9

HEX #E9DA78

RGB 233 218 120

HSL 52.04, 0.72%, 0.69%

LAB 86.42, -7.66, 49.73

 

CMYK 49 / 0 / 31 / 9

HEX #77E9A1

RGB 119 233 161

HSL 142.11, 0.72%, 0.69%

LAB 84.37, -48.24, 25.24

 

CMYK 49 / 42 / 0 / 9

HEX #7786E9

RGB 119 134 233

HSL 232.11, 0.72%, 0.69%

LAB 58.84, 21, -51.92

 

CMYK 0 / 49 / 18 / 9

HEX #E977BF

RGB 233 119 191

HSL 322.11, 0.72%, 0.69%

LAB 65.18, 52.63, -17.64

 

Description

Color code: HEX #E9DA78 | qconv.com Color code: HEX #E9DA78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 218 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 218 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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