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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9CDD0 it is the complementary color #16322F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9CDD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9CDD0 shade: #EECDCB, #FFDFDE and #FFF1F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9CDD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9CDD0 shade: #E9CDD0, #D8BBBD, #C7A9AA, #B69797 and #A58584

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9CDD0 shade: #E9CDD0 and #E9CDCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9CDD0 shade: #E9CDD0, #E9CDD7, #E9CDDF, #E9CDE6 and #E4CDE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9CDD0 shade matches the following richer shades: #E9CDD0, #EEC7CB, #F4C1C7 and #FABCC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9CDD0 shade: #E9CDD0, #E3D3D4, #DDD8D9, #D7DEDD and #D2E4E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9CDD0 shade: #E9CDDF, #E9CDD8, #E9CDD0, #E9D1CD and #E9D8CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9CDD0 shade: #D0949A, #DCB0B5, #E9CDD0 and #F5EAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9CDD0 shade: #E9CDD0, #E6E9CD and #CDDBE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9CDD0 shade: #E9CDD0, #D0E9CD and #CDD0E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9CDD0 shade: #E9CDD0, #E6E9CD, #CDE9E5 and #CFCDE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9CDD0 shade: #E9CDD0, #DEE9CD, #CDE9E5 and #D8CDE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

Complementary color

CMYK 56 / 0 / 6 / 80

HEX #16322F

RGB 22 50 47

HSL 173.57, 0.39%, 0.14%

LAB 18.61, -11.52, -1.37

 

CMYK 0 / 14 / 15 / 7

HEX #EECDCB

RGB 238 205 203

HSL 3.43, 0.51%, 0.86%

LAB 85.07, 11.25, 5.27

 

CMYK 0 / 13 / 13 / 0

HEX #FFDFDE

RGB 255 223 222

HSL 1.82, 1%, 0.94%

LAB 91.37, 10.86, 4.54

 

CMYK 0 / 5 / 5 / 0

HEX #FFF1F1

RGB 255 241 241

HSL 0, 1%, 0.97%

LAB 96.21, 4.7, 1.68

 

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 0 / 13 / 13 / 15

HEX #D8BBBD

RGB 216 187 189

HSL 355.86, 0.27%, 0.79%

LAB 78.35, 10.65, 2.8

HEX #D8BBBD

CMYK 0 / 15 / 15 / 22

HEX #C7A9AA

RGB 199 169 170

HSL 358, 0.21%, 0.72%

LAB 71.84, 11.07, 3.54

HEX #C7A9AA

CMYK 0 / 17 / 17 / 29

HEX #B69797

RGB 182 151 151

HSL 0, 0.18%, 0.65%

LAB 65.21, 11.53, 4.32

HEX #B69797

CMYK 0 / 19 / 20 / 35

HEX #A58584

RGB 165 133 132

HSL 1.82, 0.15%, 0.58%

LAB 58.45, 12.05, 5.16

HEX #A58584

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 0 / 12 / 12 / 9

HEX #E9CDCD

RGB 233 205 205

HSL 0, 0.39%, 0.86%

LAB 84.69, 9.79, 3.59

HEX #E9CDCD

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 0 / 12 / 8 / 9

HEX #E9CDD7

RGB 233 205 215

HSL 338.57, 0.39%, 0.86%

LAB 84.94, 11.44, -1.36

HEX #E9CDD7

CMYK 0 / 12 / 4 / 9

HEX #E9CDDF

RGB 233 205 223

HSL 321.43, 0.39%, 0.86%

LAB 85.16, 12.82, -5.3

HEX #E9CDDF

CMYK 0 / 12 / 1 / 9

HEX #E9CDE6

RGB 233 205 230

HSL 306.43, 0.39%, 0.86%

LAB 85.35, 14.07, -8.73

HEX #E9CDE6

CMYK 2 / 12 / 0 / 9

HEX #E4CDE9

RGB 228 205 233

HSL 289.29, 0.39%, 0.86%

LAB 85.02, 12.94, -10.87

HEX #E4CDE9

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 0 / 16 / 15 / 7

HEX #EEC7CB

RGB 238 199 203

HSL 353.85, 0.53%, 0.86%

LAB 83.62, 14.4, 3.16

HEX #EEC7CB

CMYK 0 / 21 / 18 / 4

HEX #F4C1C7

RGB 244 193 199

HSL 352.94, 0.7%, 0.86%

LAB 82.64, 19.1, 3.96

HEX #F4C1C7

CMYK 0 / 25 / 22 / 2

HEX #FABCC2

RGB 250 188 194

HSL 354.19, 0.86%, 0.86%

LAB 81.94, 23.16, 5.7

HEX #FABCC2

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 0 / 7 / 7 / 11

HEX #E3D3D4

RGB 227 211 212

HSL 356.25, 0.22%, 0.86%

LAB 85.84, 5.69, 1.49

HEX #E3D3D4

CMYK 0 / 2 / 2 / 13

HEX #DDD8D9

RGB 221 216 217

HSL 348, 0.07%, 0.86%

LAB 86.75, 1.89, 0.1

HEX #DDD8D9

CMYK 3 / 0 / 0 / 13

HEX #D7DEDD

RGB 215 222 221

HSL 171.43, 0.1%, 0.86%

LAB 87.93, -2.53, -0.34

HEX #D7DEDD

CMYK 8 / 0 / 1 / 11

HEX #D2E4E2

RGB 210 228 226

HSL 173.33, 0.25%, 0.86%

LAB 89.24, -6.33, -1.08

HEX #D2E4E2

CMYK 0 / 12 / 4 / 9

HEX #E9CDDF

RGB 233 205 223

HSL 321.43, 0.39%, 0.86%

LAB 85.16, 12.82, -5.3

 

CMYK 0 / 12 / 7 / 9

HEX #E9CDD8

RGB 233 205 216

HSL 336.43, 0.39%, 0.86%

LAB 84.97, 11.61, -1.85

 

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 0 / 10 / 12 / 9

HEX #E9D1CD

RGB 233 209 205

HSL 8.57, 0.39%, 0.86%

LAB 85.67, 7.69, 5.01

HEX #E9D1CD

CMYK 0 / 7 / 12 / 9

HEX #E9D8CD

RGB 233 216 205

HSL 23.57, 0.39%, 0.86%

LAB 87.41, 4.04, 7.52

HEX #E9D8CD

CMYK 0 / 29 / 26 / 18

HEX #D0949A

RGB 208 148 154

HSL 354, 0.39%, 0.7%

LAB 67.22, 23.45, 5.88

 

CMYK 0 / 20 / 18 / 14

HEX #DCB0B5

RGB 220 176 181

HSL 353.18, 0.39%, 0.78%

LAB 75.82, 16.73, 3.53

 

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 0 / 4 / 4 / 4

HEX #F5EAEB

RGB 245 234 235

HSL 354.55, 0.35%, 0.94%

LAB 93.56, 3.88, 0.83

HEX #F5EAEB

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 1 / 0 / 12 / 9

HEX #E6E9CD

RGB 230 233 205

HSL 66.43, 0.39%, 0.86%

LAB 91.46, -5.75, 13.27

HEX #E6E9CD

CMYK 12 / 6 / 0 / 9

HEX #CDDBE9

RGB 205 219 233

HSL 210, 0.39%, 0.86%

LAB 86.76, -1.94, -8.46

HEX #CDDBE9

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 11 / 0 / 12 / 9

HEX #D0E9CD

RGB 208 233 205

HSL 113.57, 0.39%, 0.86%

LAB 89.9, -13.34, 10.84

HEX #D0E9CD

CMYK 12 / 11 / 0 / 9

HEX #CDD0E9

RGB 205 208 233

HSL 233.57, 0.39%, 0.86%

LAB 83.95, 3.83, -12.65

HEX #CDD0E9

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 1 / 0 / 12 / 9

HEX #E6E9CD

RGB 230 233 205

HSL 66.43, 0.39%, 0.86%

LAB 91.46, -5.75, 13.27

HEX #E6E9CD

CMYK 12 / 0 / 2 / 9

HEX #CDE9E5

RGB 205 233 229

HSL 171.43, 0.39%, 0.86%

LAB 90.28, -9.92, -1.17

HEX #CDE9E5

CMYK 11 / 12 / 0 / 9

HEX #CFCDE9

RGB 207 205 233

HSL 244.29, 0.39%, 0.86%

LAB 83.34, 6.06, -13.54

HEX #CFCDE9

CMYK 0 / 12 / 11 / 9

HEX #E9CDD0

RGB 233 205 208

HSL 353.57, 0.39%, 0.86%

LAB 84.76, 10.27, 2.1

HEX #E9CDD0

CMYK 5 / 0 / 12 / 9

HEX #DEE9CD

RGB 222 233 205

HSL 83.57, 0.39%, 0.86%

LAB 90.88, -8.54, 12.36

HEX #DEE9CD

CMYK 12 / 0 / 2 / 9

HEX #CDE9E5

RGB 205 233 229

HSL 171.43, 0.39%, 0.86%

LAB 90.28, -9.92, -1.17

HEX #CDE9E5

CMYK 7 / 12 / 0 / 9

HEX #D8CDE9

RGB 216 205 233

HSL 263.57, 0.39%, 0.86%

LAB 84.04, 8.98, -12.43

HEX #D8CDE9

Description

Color code: HEX #E9CDD0 | qconv.com Color code: HEX #E9CDD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 205 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 205 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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