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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9C575 it is the complementary color #163A8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9C575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9C575 shade: #EEC570, #FFD783, #FFE996, #FFFBA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9C575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9C575 shade: #E9C575, #D8B362, #C7A14F, #B68F3C and #A57D29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9C575 shade: #EAC676, #EAA776, #EA8876 and #EA7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9C575 shade: #EAC676, #EAE576, #CFEA76, #B0EA76 and #91EA76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9C575 shade matches the following richer shades: #EAC676 and #F6CB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9C575 shade: #EAC676, #DDC183, #D0BC90, #C3B79D and #B6B2A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9C575 shade: #EA8876, #EAA676, #EAC576, #EAE476 and #D1EA76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9C575 shade: #DFA82F, #E4B753, #EAC676, #EFD59A and #F5E4BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9C575 shade: #E9C575, #84EA76 and #9776EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9C575 shade: #E9C575, #76EAC5 and #C576EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9C575 shade: #E9C575, #84EA76, #769BEA and #DC76EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9C575 shade: #E9C575, #76EA8B, #769BEA and #EA76D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 50 / 9

HEX #E9C575

RGB 233 197 117

HSL 41.38, 0.73%, 0.69%

LAB 81.04, 2.84, 44.62

 

Complementary color

CMYK 84 / 58 / 0 / 46

HEX #163A8A

RGB 22 58 138

HSL 221.38, 0.73%, 0.31%

LAB 26.82, 19.16, -48.1

 

CMYK 0 / 17 / 53 / 7

HEX #EEC570

RGB 238 197 112

HSL 40.48, 0.79%, 0.69%

LAB 81.44, 4.44, 47.69

 

CMYK 0 / 16 / 49 / 0

HEX #FFD783

RGB 255 215 131

HSL 40.65, 1%, 0.76%

LAB 87.73, 3.65, 46.42

 

CMYK 0 / 9 / 41 / 0

HEX #FFE996

RGB 255 233 150

HSL 47.43, 1%, 0.79%

LAB 92.46, -3.65, 43.01

 

CMYK 0 / 2 / 34 / 0

HEX #FFFBA9

RGB 255 251 169

HSL 57.21, 1%, 0.83%

LAB 97.28, -10.54, 39.84

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 15 / 50 / 9

HEX #E9C575

RGB 233 197 117

HSL 41.38, 0.73%, 0.69%

LAB 81.04, 2.84, 44.62

 

CMYK 0 / 17 / 55 / 15

HEX #D8B362

RGB 216 179 98

HSL 41.19, 0.6%, 0.62%

LAB 74.65, 3.66, 45.9

 

CMYK 0 / 19 / 60 / 22

HEX #C7A14F

RGB 199 161 79

HSL 41, 0.52%, 0.55%

LAB 68.17, 4.62, 47.18

 

CMYK 0 / 21 / 67 / 29

HEX #B68F3C

RGB 182 143 60

HSL 40.82, 0.5%, 0.47%

LAB 61.58, 5.76, 48.38

 

CMYK 0 / 24 / 75 / 35

HEX #A57D29

RGB 165 125 41

HSL 40.65, 0.6%, 0.4%

LAB 54.89, 7.13, 49.3

 

CMYK 0 / 15 / 50 / 8

HEX #EAC676

RGB 234 198 118

HSL 41.38, 0.73%, 0.69%

LAB 81.4, 2.81, 44.58

 

CMYK 0 / 29 / 50 / 8

HEX #EAA776

RGB 234 167 118

HSL 25.34, 0.73%, 0.69%

LAB 73.83, 19.16, 35.06

 

CMYK 0 / 42 / 50 / 8

HEX #EA8876

RGB 234 136 118

HSL 9.31, 0.73%, 0.69%

LAB 66.83, 35.55, 25.91

 

CMYK 0 / 50 / 50 / 8

HEX #EA7676

RGB 234 118 118

HSL 0, 0.73%, 0.69%

LAB 63.14, 44.72, 20.96

 

CMYK 0 / 15 / 50 / 8

HEX #EAC676

RGB 234 198 118

HSL 41.38, 0.73%, 0.69%

LAB 81.4, 2.81, 44.58

 

CMYK 0 / 2 / 50 / 8

HEX #EAE576

RGB 234 229 118

HSL 57.41, 0.73%, 0.69%

LAB 89.32, -12.94, 54.18

 

CMYK 12 / 0 / 50 / 8

HEX #CFEA76

RGB 207 234 118

HSL 73.97, 0.73%, 0.69%

LAB 88.65, -25.93, 52.89

 

CMYK 25 / 0 / 50 / 8

HEX #B0EA76

RGB 176 234 118

HSL 90, 0.73%, 0.69%

LAB 86.69, -37.42, 50.08

 

CMYK 38 / 0 / 50 / 8

HEX #91EA76

RGB 145 234 118

HSL 106.03, 0.73%, 0.69%

LAB 85.08, -47.84, 47.75

 

CMYK 0 / 15 / 50 / 8

HEX #EAC676

RGB 234 198 118

HSL 41.38, 0.73%, 0.69%

LAB 81.4, 2.81, 44.58

 

CMYK 0 / 17 / 57 / 4

HEX #F6CB69

RGB 246 203 105

HSL 41.7, 0.89%, 0.69%

LAB 83.61, 4.06, 53.81

 

CMYK 0 / 15 / 50 / 8

HEX #EAC676

RGB 234 198 118

HSL 41.38, 0.73%, 0.69%

LAB 81.4, 2.81, 44.58

 

CMYK 0 / 13 / 41 / 13

HEX #DDC183

RGB 221 193 131

HSL 41.33, 0.57%, 0.69%

LAB 79.13, 1.47, 34.86

 

CMYK 0 / 10 / 31 / 18

HEX #D0BC90

RGB 208 188 144

HSL 41.25, 0.41%, 0.69%

LAB 76.91, 0.51, 24.88

 

CMYK 0 / 6 / 19 / 24

HEX #C3B79D

RGB 195 183 157

HSL 41.05, 0.24%, 0.69%

LAB 74.76, -0.02, 14.76

 

CMYK 0 / 2 / 7 / 29

HEX #B6B2A9

RGB 182 178 169

HSL 41.54, 0.08%, 0.69%

LAB 72.66, -0.2, 5.09

 

CMYK 0 / 42 / 50 / 8

HEX #EA8876

RGB 234 136 118

HSL 9.31, 0.73%, 0.69%

LAB 66.83, 35.55, 25.91

 

CMYK 0 / 29 / 50 / 8

HEX #EAA676

RGB 234 166 118

HSL 24.83, 0.73%, 0.69%

LAB 73.59, 19.69, 34.75

 

CMYK 0 / 16 / 50 / 8

HEX #EAC576

RGB 234 197 118

HSL 40.86, 0.73%, 0.69%

LAB 81.14, 3.33, 44.27

 

CMYK 0 / 3 / 50 / 8

HEX #EAE476

RGB 234 228 118

HSL 56.9, 0.73%, 0.69%

LAB 89.06, -12.44, 53.87

 

CMYK 11 / 0 / 50 / 8

HEX #D1EA76

RGB 209 234 118

HSL 72.93, 0.73%, 0.69%

LAB 88.78, -25.17, 53.09

 

CMYK 0 / 25 / 79 / 13

HEX #DFA82F

RGB 223 168 47

HSL 41.25, 0.73%, 0.53%

LAB 72.16, 9.54, 65.55

 

CMYK 0 / 20 / 64 / 11

HEX #E4B753

RGB 228 183 83

HSL 41.38, 0.73%, 0.61%

LAB 76.67, 5.5, 55.65

 

CMYK 0 / 15 / 50 / 8

HEX #EAC676

RGB 234 198 118

HSL 41.38, 0.73%, 0.69%

LAB 81.4, 2.81, 44.58

 

CMYK 0 / 11 / 36 / 6

HEX #EFD59A

RGB 239 213 154

HSL 41.65, 0.73%, 0.77%

LAB 86.14, 0.75, 32.5

 

CMYK 0 / 7 / 22 / 4

HEX #F5E4BE

RGB 245 228 190

HSL 41.45, 0.73%, 0.85%

LAB 91.06, -0.06, 20.66

 

CMYK 0 / 15 / 50 / 9

HEX #E9C575

RGB 233 197 117

HSL 41.38, 0.73%, 0.69%

LAB 81.04, 2.84, 44.62

 

CMYK 44 / 0 / 50 / 8

HEX #84EA76

RGB 132 234 118

HSL 112.76, 0.73%, 0.69%

LAB 84.51, -51.78, 46.92

 

CMYK 35 / 50 / 0 / 8

HEX #9776EA

RGB 151 118 234

HSL 257.07, 0.73%, 0.69%

LAB 57.54, 38.29, -54.4

 

CMYK 0 / 15 / 50 / 9

HEX #E9C575

RGB 233 197 117

HSL 41.38, 0.73%, 0.69%

LAB 81.04, 2.84, 44.62

 

CMYK 50 / 0 / 16 / 8

HEX #76EAC5

RGB 118 234 197

HSL 160.86, 0.73%, 0.69%

LAB 85.37, -41.62, 7.91

 

CMYK 16 / 50 / 0 / 8

HEX #C576EA

RGB 197 118 234

HSL 280.86, 0.73%, 0.69%

LAB 62.31, 50.28, -46.53

 

CMYK 0 / 15 / 50 / 9

HEX #E9C575

RGB 233 197 117

HSL 41.38, 0.73%, 0.69%

LAB 81.04, 2.84, 44.62

 

CMYK 44 / 0 / 50 / 8

HEX #84EA76

RGB 132 234 118

HSL 112.76, 0.73%, 0.69%

LAB 84.51, -51.78, 46.92

 

CMYK 50 / 34 / 0 / 8

HEX #769BEA

RGB 118 155 234

HSL 220.86, 0.73%, 0.69%

LAB 64.35, 8.75, -43.77

 

CMYK 6 / 50 / 0 / 8

HEX #DC76EA

RGB 220 118 234

HSL 292.76, 0.73%, 0.69%

LAB 65.05, 56.53, -42.03

 

CMYK 0 / 15 / 50 / 9

HEX #E9C575

RGB 233 197 117

HSL 41.38, 0.73%, 0.69%

LAB 81.04, 2.84, 44.62

 

CMYK 50 / 0 / 41 / 8

HEX #76EA8B

RGB 118 234 139

HSL 130.86, 0.73%, 0.69%

LAB 84.26, -52.66, 36.25

 

CMYK 50 / 34 / 0 / 8

HEX #769BEA

RGB 118 155 234

HSL 220.86, 0.73%, 0.69%

LAB 64.35, 8.75, -43.77

 

CMYK 0 / 50 / 9 / 8

HEX #EA76D4

RGB 234 118 212

HSL 311.38, 0.73%, 0.69%

LAB 65.91, 56.66, -28.32

 

Description

Color code: HEX #E9C575 | qconv.com Color code: HEX #E9C575 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 197 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 197 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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