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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9C1F2 it is the complementary color #163E0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9C1F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9C1F2 shade: #EEC1ED, #FFD3FF, #FFE5FF, #FFF7FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9C1F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9C1F2 shade: #E9C1F2, #D8AFDF, #C79DCC, #B68BB9 and #A579A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9C1F2 shade: #E8C0F2, #F2C0ED, #F2C0E0, #F2C0D3 and #F2C0C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9C1F2 shade: #E8C0F2, #DBC0F2, #CEC0F2 and #C0C0F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9C1F2 shade matches the following richer shades: #E8C0F2, #ECBAF8 and #F0B4FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9C1F2 shade: #E8C0F2, #E5C6EB, #E1CCE5, #DDD2DF and #D9D9D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9C1F2 shade: #CDC0F2, #DAC0F2, #E8C0F2, #F2C0EE and #F2C0E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9C1F2 shade: #D07CE3, #DC9EEA, #E8C0F2, #F5E2F9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9C1F2 shade: #E9C1F2, #F2C0C0 and #C0F2D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9C1F2 shade: #E9C1F2, #F2E8C0 and #C0F2E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9C1F2 shade: #E9C1F2, #F2C0C0, #CAF2C0 and #C0F2F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9C1F2 shade: #E9C1F2, #F2CFC0, #CAF2C0 and #C0E3F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 20 / 0 / 5

HEX #E9C1F2

RGB 233 193 242

HSL 288.98, 0.65%, 0.85%

LAB 82.85, 22.66, -18.88

 

Complementary color

CMYK 65 / 0 / 79 / 76

HEX #163E0D

RGB 22 62 13

HSL 108.98, 0.65%, 0.15%

LAB 22.46, -24.9, 24.82

 

CMYK 0 / 19 / 0 / 7

HEX #EEC1ED

RGB 238 193 237

HSL 301.33, 0.57%, 0.85%

LAB 83.14, 23.37, -15.71

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 20 / 0 / 5

HEX #E9C1F2

RGB 233 193 242

HSL 288.98, 0.65%, 0.85%

LAB 82.85, 22.66, -18.88

 

CMYK 3 / 22 / 0 / 13

HEX #D8AFDF

RGB 216 175 223

HSL 291.25, 0.43%, 0.78%

LAB 76.43, 23.17, -18.5

 

CMYK 2 / 23 / 0 / 20

HEX #C79DCC

RGB 199 157 204

HSL 293.62, 0.32%, 0.71%

LAB 69.91, 23.72, -18.11

 

CMYK 2 / 25 / 0 / 27

HEX #B68BB9

RGB 182 139 185

HSL 296.09, 0.25%, 0.64%

LAB 63.27, 24.32, -17.72

 

CMYK 1 / 27 / 0 / 35

HEX #A579A6

RGB 165 121 166

HSL 298.67, 0.2%, 0.56%

LAB 56.51, 24.97, -17.32

 

CMYK 4 / 21 / 0 / 5

HEX #E8C0F2

RGB 232 192 242

HSL 288, 0.66%, 0.85%

LAB 82.52, 22.87, -19.38

 

CMYK 0 / 21 / 2 / 5

HEX #F2C0ED

RGB 242 192 237

HSL 306, 0.66%, 0.85%

LAB 83.28, 25.22, -15.47

 

CMYK 0 / 21 / 7 / 5

HEX #F2C0E0

RGB 242 192 224

HSL 321.6, 0.66%, 0.85%

LAB 82.89, 22.95, -9.1

 

CMYK 0 / 21 / 13 / 5

HEX #F2C0D3

RGB 242 192 211

HSL 337.2, 0.66%, 0.85%

LAB 82.53, 20.79, -2.67

 

CMYK 0 / 21 / 19 / 5

HEX #F2C0C5

RGB 242 192 197

HSL 354, 0.66%, 0.85%

LAB 82.17, 18.61, 4.32

 

CMYK 4 / 21 / 0 / 5

HEX #E8C0F2

RGB 232 192 242

HSL 288, 0.66%, 0.85%

LAB 82.52, 22.87, -19.38

 

CMYK 10 / 21 / 0 / 5

HEX #DBC0F2

RGB 219 192 242

HSL 272.4, 0.66%, 0.85%

LAB 81.39, 18.69, -21.2

 

CMYK 15 / 21 / 0 / 5

HEX #CEC0F2

RGB 206 192 242

HSL 256.8, 0.66%, 0.85%

LAB 80.31, 14.57, -22.94

 

CMYK 21 / 21 / 0 / 5

HEX #C0C0F2

RGB 192 192 242

HSL 240, 0.66%, 0.85%

LAB 79.22, 10.25, -24.69

 

CMYK 4 / 21 / 0 / 5

HEX #E8C0F2

RGB 232 192 242

HSL 288, 0.66%, 0.85%

LAB 82.52, 22.87, -19.38

 

CMYK 5 / 25 / 0 / 3

HEX #ECBAF8

RGB 236 186 248

HSL 288.39, 0.82%, 0.85%

LAB 81.69, 28.5, -23.81

 

CMYK 6 / 29 / 0 / 0

HEX #F0B4FE

RGB 240 180 254

HSL 288.65, 0.97%, 0.85%

LAB 80.92, 34.1, -28.16

 

CMYK 4 / 21 / 0 / 5

HEX #E8C0F2

RGB 232 192 242

HSL 288, 0.66%, 0.85%

LAB 82.52, 22.87, -19.38

 

CMYK 3 / 16 / 0 / 8

HEX #E5C6EB

RGB 229 198 235

HSL 290.27, 0.48%, 0.85%

LAB 83.47, 17.37, -14.24

 

CMYK 2 / 11 / 0 / 10

HEX #E1CCE5

RGB 225 204 229

HSL 290.4, 0.32%, 0.85%

LAB 84.41, 11.73, -9.68

 

CMYK 1 / 6 / 0 / 13

HEX #DDD2DF

RGB 221 210 223

HSL 290.77, 0.17%, 0.85%

LAB 85.4, 6.11, -5.05

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 15 / 21 / 0 / 5

HEX #CDC0F2

RGB 205 192 242

HSL 255.6, 0.66%, 0.85%

LAB 80.23, 14.26, -23.07

 

CMYK 10 / 21 / 0 / 5

HEX #DAC0F2

RGB 218 192 242

HSL 271.2, 0.66%, 0.85%

LAB 81.3, 18.37, -21.34

 

CMYK 4 / 21 / 0 / 5

HEX #E8C0F2

RGB 232 192 242

HSL 288, 0.66%, 0.85%

LAB 82.52, 22.87, -19.38

 

CMYK 0 / 21 / 2 / 5

HEX #F2C0EE

RGB 242 192 238

HSL 304.8, 0.66%, 0.85%

LAB 83.31, 25.4, -15.96

 

CMYK 0 / 21 / 7 / 5

HEX #F2C0E1

RGB 242 192 225

HSL 320.4, 0.66%, 0.85%

LAB 82.92, 23.12, -9.59

 

CMYK 8 / 45 / 0 / 11

HEX #D07CE3

RGB 208 124 227

HSL 288.93, 0.65%, 0.69%

LAB 64.46, 48.81, -39.18

 

CMYK 6 / 32 / 0 / 8

HEX #DC9EEA

RGB 220 158 234

HSL 288.95, 0.64%, 0.77%

LAB 73.29, 35.76, -29.23

 

CMYK 4 / 21 / 0 / 5

HEX #E8C0F2

RGB 232 192 242

HSL 288, 0.66%, 0.85%

LAB 82.52, 22.87, -19.38

 

CMYK 2 / 9 / 0 / 2

HEX #F5E2F9

RGB 245 226 249

HSL 289.57, 0.66%, 0.93%

LAB 91.97, 10.49, -8.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 20 / 0 / 5

HEX #E9C1F2

RGB 233 193 242

HSL 288.98, 0.65%, 0.85%

LAB 82.85, 22.66, -18.88

 

CMYK 0 / 21 / 21 / 5

HEX #F2C0C0

RGB 242 192 192

HSL 0, 0.66%, 0.85%

LAB 82.05, 17.87, 6.83

 

CMYK 21 / 0 / 12 / 5

HEX #C0F2D4

RGB 192 242 212

HSL 144, 0.66%, 0.85%

LAB 91.44, -21.76, 9.26

 

CMYK 4 / 20 / 0 / 5

HEX #E9C1F2

RGB 233 193 242

HSL 288.98, 0.65%, 0.85%

LAB 82.85, 22.66, -18.88

 

CMYK 0 / 4 / 21 / 5

HEX #F2E8C0

RGB 242 232 192

HSL 48, 0.66%, 0.85%

LAB 91.86, -2.91, 20.7

 

CMYK 21 / 0 / 4 / 5

HEX #C0F2E8

RGB 192 242 232

HSL 168, 0.66%, 0.85%

LAB 91.93, -17.88, -0.43

 

CMYK 4 / 20 / 0 / 5

HEX #E9C1F2

RGB 233 193 242

HSL 288.98, 0.65%, 0.85%

LAB 82.85, 22.66, -18.88

 

CMYK 0 / 21 / 21 / 5

HEX #F2C0C0

RGB 242 192 192

HSL 0, 0.66%, 0.85%

LAB 82.05, 17.87, 6.83

 

CMYK 17 / 0 / 21 / 5

HEX #CAF2C0

RGB 202 242 192

HSL 108, 0.66%, 0.85%

LAB 91.62, -21.98, 19.94

 

CMYK 21 / 0 / 0 / 5

HEX #C0F2F2

RGB 192 242 242

HSL 180, 0.66%, 0.85%

LAB 92.19, -15.82, -5.25

 

CMYK 4 / 20 / 0 / 5

HEX #E9C1F2

RGB 233 193 242

HSL 288.98, 0.65%, 0.85%

LAB 82.85, 22.66, -18.88

 

CMYK 0 / 14 / 21 / 5

HEX #F2CFC0

RGB 242 207 192

HSL 18, 0.66%, 0.85%

LAB 85.66, 9.98, 11.99

 

CMYK 17 / 0 / 21 / 5

HEX #CAF2C0

RGB 202 242 192

HSL 108, 0.66%, 0.85%

LAB 91.62, -21.98, 19.94

 

CMYK 21 / 6 / 0 / 5

HEX #C0E3F2

RGB 192 227 242

HSL 198, 0.66%, 0.85%

LAB 88.24, -8.25, -11.11

 

Description

Color code: HEX #E9C1F2 | qconv.com Color code: HEX #E9C1F2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 193 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 193 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 20 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 20% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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