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Color name
HEX #E9AD34

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9AD34 it is the complementary color #1652CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9AD34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9AD34 shade: #EEAD2F, #FFBF42, #FFD155, #FFE368 and #FFF57B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9AD34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9AD34 shade: #E9AD34, #D89B21, #C7890E, #B67700 and #A56500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9AD34 shade: #E9AD35, #E97D35, #E94C35 and #E93535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9AD34 shade: #E9AD35, #E9DD35, #C3E935, #93E935 and #62E935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9AD34 shade matches the following richer shades: #E9AD35 and #FBB323

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9AD34 shade: #E9AD35, #D6A747, #C4A159, #B29B6C and #A0957E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9AD34 shade: #E94D35, #E97D35, #E9AD35, #E9DD35 and #C5E935

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9AD34 shade: #B78114, #DC9B18, #E9AD35, #EDBC5A and #F1CB7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9AD34 shade: #E9AD34, #4DE935 and #6535E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9AD34 shade: #E9AD34, #35E9AD and #AD35E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9AD34 shade: #E9AD34, #4DE935, #3571E9 and #D135E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9AD34 shade: #E9AD34, #35E953, #3571E9 and #E935CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 78 / 9

HEX #E9AD34

RGB 233 173 52

HSL 40.11, 0.8%, 0.56%

LAB 74.48, 11.37, 66.32

 

Complementary color

CMYK 89 / 60 / 0 / 20

HEX #1652CB

RGB 22 82 203

HSL 220.11, 0.8%, 0.44%

LAB 38.75, 28.85, -67.52

 

CMYK 0 / 27 / 80 / 7

HEX #EEAD2F

RGB 238 173 47

HSL 39.58, 0.85%, 0.56%

LAB 74.99, 13.33, 68.7

 

CMYK 0 / 25 / 74 / 0

HEX #FFBF42

RGB 255 191 66

HSL 39.68, 1%, 0.63%

LAB 81.24, 11.79, 68.38

 

CMYK 0 / 18 / 67 / 0

HEX #FFD155

RGB 255 209 85

HSL 43.76, 1%, 0.67%

LAB 85.76, 3.41, 65.36

 

CMYK 0 / 11 / 59 / 0

HEX #FFE368

RGB 255 227 104

HSL 48.87, 1%, 0.7%

LAB 90.41, -4.56, 62.25

 

CMYK 0 / 4 / 52 / 0

HEX #FFF57B

RGB 255 245 123

HSL 55.45, 1%, 0.74%

LAB 95.16, -12.08, 59.18

 

CMYK 0 / 26 / 78 / 9

HEX #E9AD34

RGB 233 173 52

HSL 40.11, 0.8%, 0.56%

LAB 74.48, 11.37, 66.32

 

CMYK 0 / 28 / 85 / 15

HEX #D89B21

RGB 216 155 33

HSL 40, 0.73%, 0.49%

LAB 68.13, 13.04, 66.18

 

CMYK 0 / 31 / 93 / 22

HEX #C7890E

RGB 199 137 14

HSL 39.89, 0.87%, 0.42%

LAB 61.71, 14.96, 64.83

 

CMYK 0 / 35 / 100 / 29

HEX #B67700

RGB 182 119 0

HSL 39.23, 1%, 0.36%

LAB 55.21, 17.15, 61.7

 

CMYK 0 / 39 / 100 / 35

HEX #A56500

RGB 165 101 0

HSL 36.73, 1%, 0.32%

LAB 48.64, 19.6, 56.35

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD35

RGB 233 173 53

HSL 40, 0.8%, 0.56%

LAB 74.49, 11.4, 65.97

 

CMYK 0 / 46 / 77 / 9

HEX #E97D35

RGB 233 125 53

HSL 24, 0.8%, 0.56%

LAB 63.55, 36.69, 55.53

 

CMYK 0 / 67 / 77 / 9

HEX #E94C35

RGB 233 76 53

HSL 7.67, 0.8%, 0.56%

LAB 54.81, 59.3, 46.76

 

CMYK 0 / 77 / 77 / 9

HEX #E93535

RGB 233 53 53

HSL 0, 0.8%, 0.56%

LAB 51.98, 67.13, 43.81

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD35

RGB 233 173 53

HSL 40, 0.8%, 0.56%

LAB 74.49, 11.4, 65.97

 

CMYK 0 / 5 / 77 / 9

HEX #E9DD35

RGB 233 221 53

HSL 56, 0.8%, 0.56%

LAB 86.65, -13.29, 77.07

 

CMYK 16 / 0 / 77 / 9

HEX #C3E935

RGB 195 233 53

HSL 72.67, 0.8%, 0.56%

LAB 87.06, -34.55, 76.39

 

CMYK 37 / 0 / 77 / 9

HEX #93E935

RGB 147 233 53

HSL 88.67, 0.8%, 0.56%

LAB 84.35, -52.26, 72.89

 

CMYK 58 / 0 / 77 / 9

HEX #62E935

RGB 98 233 53

HSL 105, 0.8%, 0.56%

LAB 82.45, -66.59, 70.43

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD35

RGB 233 173 53

HSL 40, 0.8%, 0.56%

LAB 74.49, 11.4, 65.97

 

CMYK 0 / 29 / 86 / 2

HEX #FBB323

RGB 251 179 35

HSL 40, 0.96%, 0.56%

LAB 77.8, 15.38, 75.14

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD35

RGB 233 173 53

HSL 40, 0.8%, 0.56%

LAB 74.49, 11.4, 65.97

 

CMYK 0 / 22 / 67 / 16

HEX #D6A747

RGB 214 167 71

HSL 40.28, 0.64%, 0.56%

LAB 71.14, 7.31, 54.63

 

CMYK 0 / 18 / 55 / 23

HEX #C4A159

RGB 196 161 89

HSL 40.37, 0.48%, 0.56%

LAB 67.98, 4.12, 41.94

 

CMYK 0 / 13 / 39 / 30

HEX #B29B6C

RGB 178 155 108

HSL 40.29, 0.31%, 0.56%

LAB 64.95, 1.72, 27.78

 

CMYK 0 / 7 / 21 / 37

HEX #A0957E

RGB 160 149 126

HSL 40.59, 0.15%, 0.56%

LAB 62.06, 0.17, 13.62

 

CMYK 0 / 67 / 77 / 9

HEX #E94D35

RGB 233 77 53

HSL 8, 0.8%, 0.56%

LAB 54.96, 58.91, 46.91

 

CMYK 0 / 46 / 77 / 9

HEX #E97D35

RGB 233 125 53

HSL 24, 0.8%, 0.56%

LAB 63.55, 36.69, 55.53

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD35

RGB 233 173 53

HSL 40, 0.8%, 0.56%

LAB 74.49, 11.4, 65.97

 

CMYK 0 / 5 / 77 / 9

HEX #E9DD35

RGB 233 221 53

HSL 56, 0.8%, 0.56%

LAB 86.65, -13.29, 77.07

 

CMYK 15 / 0 / 77 / 9

HEX #C5E935

RGB 197 233 53

HSL 72, 0.8%, 0.56%

LAB 87.2, -33.76, 76.56

 

CMYK 0 / 30 / 89 / 28

HEX #B78114

RGB 183 129 20

HSL 40.12, 0.8%, 0.4%

LAB 57.86, 12.34, 59.8

 

CMYK 0 / 30 / 89 / 14

HEX #DC9B18

RGB 220 155 24

HSL 40.1, 0.8%, 0.48%

LAB 68.55, 14.58, 69.01

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD35

RGB 233 173 53

HSL 40, 0.8%, 0.56%

LAB 74.49, 11.4, 65.97

 

CMYK 0 / 21 / 62 / 7

HEX #EDBC5A

RGB 237 188 90

HSL 40, 0.8%, 0.64%

LAB 78.87, 7.1, 55.15

 

CMYK 0 / 16 / 47 / 5

HEX #F1CB7F

RGB 241 203 127

HSL 40, 0.8%, 0.72%

LAB 83.41, 3.87, 42.74

 

CMYK 0 / 26 / 78 / 9

HEX #E9AD34

RGB 233 173 52

HSL 40.11, 0.8%, 0.56%

LAB 74.48, 11.37, 66.32

 

CMYK 67 / 0 / 77 / 9

HEX #4DE935

RGB 77 233 53

HSL 112, 0.8%, 0.56%

LAB 81.9, -71.12, 69.71

 

CMYK 57 / 77 / 0 / 9

HEX #6535E9

RGB 101 53 233

HSL 256, 0.8%, 0.56%

LAB 39.91, 62.95, -82.66

 

CMYK 0 / 26 / 78 / 9

HEX #E9AD34

RGB 233 173 52

HSL 40.11, 0.8%, 0.56%

LAB 74.48, 11.37, 66.32

 

CMYK 77 / 0 / 26 / 9

HEX #35E9AD

RGB 53 233 173

HSL 160, 0.8%, 0.56%

LAB 82.94, -57.64, 16.8

 

CMYK 26 / 77 / 0 / 9

HEX #AD35E9

RGB 173 53 233

HSL 280, 0.8%, 0.56%

LAB 48.65, 73.51, -68

 

CMYK 0 / 26 / 78 / 9

HEX #E9AD34

RGB 233 173 52

HSL 40.11, 0.8%, 0.56%

LAB 74.48, 11.37, 66.32

 

CMYK 67 / 0 / 77 / 9

HEX #4DE935

RGB 77 233 53

HSL 112, 0.8%, 0.56%

LAB 81.9, -71.12, 69.71

 

CMYK 77 / 52 / 0 / 9

HEX #3571E9

RGB 53 113 233

HSL 220, 0.8%, 0.56%

LAB 50.04, 22.73, -66.23

 

CMYK 10 / 77 / 0 / 9

HEX #D135E9

RGB 209 53 233

HSL 292, 0.8%, 0.56%

LAB 54.01, 79.9, -59.09

 

CMYK 0 / 26 / 78 / 9

HEX #E9AD34

RGB 233 173 52

HSL 40.11, 0.8%, 0.56%

LAB 74.48, 11.37, 66.32

 

CMYK 77 / 0 / 64 / 9

HEX #35E953

RGB 53 233 83

HSL 130, 0.8%, 0.56%

LAB 81.65, -72.47, 58.59

 

CMYK 77 / 52 / 0 / 9

HEX #3571E9

RGB 53 113 233

HSL 220, 0.8%, 0.56%

LAB 50.04, 22.73, -66.23

 

CMYK 0 / 77 / 13 / 9

HEX #E935CB

RGB 233 53 203

HSL 310, 0.8%, 0.56%

LAB 56.27, 80.08, -38.23

 

Description

Color code: HEX #E9AD34 | qconv.com Color code: HEX #E9AD34 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 173 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 173 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 78 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 78% 9% C M Y K

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