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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9A8ED it is the complementary color #165712. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9A8ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9A8ED shade: #EEA8E8, #FFBAFB, #FFCCFF, #FFDEFF and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9A8ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9A8ED shade: #E9A8ED, #D896DA, #C784C7, #B672B4 and #A560A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9A8ED shade: #E8A6EC, #ECA6DD, #ECA6CA, #ECA6B7 and #ECA6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9A8ED shade: #E8A6EC, #D5A6EC, #C2A6EC, #AFA6EC and #A6A6EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9A8ED shade matches the following richer shades: #E8A6EC, #F09DF5 and #F894FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9A8ED shade: #E8A6EC, #E1AEE4, #D9B7DB, #D1C0D2 and #CAC8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9A8ED shade: #C2A6EC, #D5A6EC, #E8A6EC, #ECA6DE and #ECA6CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9A8ED shade: #D761DE, #E083E5, #E8A6EC, #F1C8F3 and #F9EAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9A8ED shade: #E9A8ED, #ECAFA6 and #A6ECCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9A8ED shade: #E9A8ED, #ECE8A6 and #A6ECE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9A8ED shade: #E9A8ED, #ECAFA6, #AAECA6 and #A6E3EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9A8ED shade: #E9A8ED, #ECC4A6, #AAECA6 and #A6CEEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 29 / 0 / 7

HEX #E9A8ED

RGB 233 168 237

HSL 296.52, 0.66%, 0.79%

LAB 76.95, 35.07, -25.15

 

Complementary color

CMYK 75 / 0 / 79 / 66

HEX #165712

RGB 22 87 18

HSL 116.52, 0.66%, 0.21%

LAB 31.88, -34.67, 32.3

 

CMYK 0 / 29 / 3 / 7

HEX #EEA8E8

RGB 238 168 232

HSL 305.14, 0.67%, 0.8%

LAB 77.29, 35.76, -21.87

 

CMYK 0 / 27 / 2 / 0

HEX #FFBAFB

RGB 255 186 251

HSL 303.48, 1%, 0.86%

LAB 83.62, 35.11, -22.3

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 2 / 29 / 0 / 7

HEX #E9A8ED

RGB 233 168 237

HSL 296.52, 0.66%, 0.79%

LAB 76.95, 35.07, -25.15

 

CMYK 1 / 31 / 0 / 15

HEX #D896DA

RGB 216 150 218

HSL 298.24, 0.48%, 0.72%

LAB 70.51, 35.75, -24.77

 

CMYK 0 / 34 / 0 / 22

HEX #C784C7

RGB 199 132 199

HSL 300, 0.37%, 0.65%

LAB 63.97, 36.47, -24.37

 

CMYK 0 / 37 / 1 / 29

HEX #B672B4

RGB 182 114 180

HSL 301.76, 0.32%, 0.58%

LAB 57.34, 37.22, -23.93

 

CMYK 0 / 42 / 2 / 35

HEX #A560A1

RGB 165 96 161

HSL 303.48, 0.28%, 0.51%

LAB 50.61, 37.99, -23.44

 

CMYK 2 / 30 / 0 / 7

HEX #E8A6EC

RGB 232 166 236

HSL 296.57, 0.65%, 0.79%

LAB 76.37, 35.63, -25.5

 

CMYK 0 / 30 / 6 / 7

HEX #ECA6DD

RGB 236 166 221

HSL 312.86, 0.65%, 0.79%

LAB 76.27, 34.24, -17.46

 

CMYK 0 / 30 / 14 / 7

HEX #ECA6CA

RGB 236 166 202

HSL 329.14, 0.65%, 0.79%

LAB 75.68, 31.08, -7.97

 

CMYK 0 / 30 / 22 / 7

HEX #ECA6B7

RGB 236 166 183

HSL 345.43, 0.65%, 0.79%

LAB 75.15, 28.19, 1.66

 

CMYK 0 / 30 / 30 / 7

HEX #ECA6A6

RGB 236 166 166

HSL 0, 0.65%, 0.79%

LAB 74.74, 25.84, 10.38

 

CMYK 2 / 30 / 0 / 7

HEX #E8A6EC

RGB 232 166 236

HSL 296.57, 0.65%, 0.79%

LAB 76.37, 35.63, -25.5

 

CMYK 10 / 30 / 0 / 7

HEX #D5A6EC

RGB 213 166 236

HSL 280.29, 0.65%, 0.79%

LAB 74.49, 29.65, -28.54

 

CMYK 18 / 30 / 0 / 7

HEX #C2A6EC

RGB 194 166 236

HSL 264, 0.65%, 0.79%

LAB 72.76, 23.79, -31.35

 

CMYK 26 / 30 / 0 / 7

HEX #AFA6EC

RGB 175 166 236

HSL 247.71, 0.65%, 0.79%

LAB 71.17, 18.1, -33.93

 

CMYK 30 / 30 / 0 / 7

HEX #A6A6EC

RGB 166 166 236

HSL 240, 0.65%, 0.79%

LAB 70.48, 15.5, -35.06

 

CMYK 2 / 30 / 0 / 7

HEX #E8A6EC

RGB 232 166 236

HSL 296.57, 0.65%, 0.79%

LAB 76.37, 35.63, -25.5

 

CMYK 2 / 36 / 0 / 4

HEX #F09DF5

RGB 240 157 245

HSL 296.59, 0.81%, 0.79%

LAB 75.6, 44.52, -31.49

 

CMYK 2 / 42 / 0 / 0

HEX #F894FE

RGB 248 148 254

HSL 296.6, 0.98%, 0.79%

LAB 75.01, 53.13, -37.2

 

CMYK 2 / 30 / 0 / 7

HEX #E8A6EC

RGB 232 166 236

HSL 296.57, 0.65%, 0.79%

LAB 76.37, 35.63, -25.5

 

CMYK 1 / 24 / 0 / 11

HEX #E1AEE4

RGB 225 174 228

HSL 296.67, 0.5%, 0.79%

LAB 77.21, 27.61, -19.94

 

CMYK 1 / 16 / 0 / 14

HEX #D9B7DB

RGB 217 183 219

HSL 296.67, 0.33%, 0.79%

LAB 78.31, 18.42, -13.49

 

CMYK 0 / 9 / 0 / 18

HEX #D1C0D2

RGB 209 192 210

HSL 296.67, 0.17%, 0.79%

LAB 79.56, 9.19, -6.84

 

CMYK 0 / 1 / 0 / 21

HEX #CAC8CA

RGB 202 200 202

HSL 300, 0.02%, 0.79%

LAB 80.81, 1.06, -0.76

 

CMYK 18 / 30 / 0 / 7

HEX #C2A6EC

RGB 194 166 236

HSL 264, 0.65%, 0.79%

LAB 72.76, 23.79, -31.35

 

CMYK 10 / 30 / 0 / 7

HEX #D5A6EC

RGB 213 166 236

HSL 280.29, 0.65%, 0.79%

LAB 74.49, 29.65, -28.54

 

CMYK 2 / 30 / 0 / 7

HEX #E8A6EC

RGB 232 166 236

HSL 296.57, 0.65%, 0.79%

LAB 76.37, 35.63, -25.5

 

CMYK 0 / 30 / 6 / 7

HEX #ECA6DE

RGB 236 166 222

HSL 312, 0.65%, 0.79%

LAB 76.3, 34.41, -17.95

 

CMYK 0 / 30 / 14 / 7

HEX #ECA6CB

RGB 236 166 203

HSL 328.29, 0.65%, 0.79%

LAB 75.71, 31.24, -8.47

 

CMYK 3 / 56 / 0 / 13

HEX #D761DE

RGB 215 97 222

HSL 296.64, 0.65%, 0.63%

LAB 60.13, 62.93, -43.11

 

CMYK 2 / 43 / 0 / 10

HEX #E083E5

RGB 224 131 229

HSL 296.94, 0.65%, 0.71%

LAB 67.83, 50.22, -34.9

 

CMYK 2 / 30 / 0 / 7

HEX #E8A6EC

RGB 232 166 236

HSL 296.57, 0.65%, 0.79%

LAB 76.37, 35.63, -25.5

 

CMYK 1 / 18 / 0 / 5

HEX #F1C8F3

RGB 241 200 243

HSL 297.21, 0.64%, 0.87%

LAB 85.24, 21.74, -15.73

 

CMYK 0 / 6 / 0 / 2

HEX #F9EAFA

RGB 249 234 250

HSL 296.25, 0.62%, 0.95%

LAB 94.26, 7.85, -5.9

 

CMYK 2 / 29 / 0 / 7

HEX #E9A8ED

RGB 233 168 237

HSL 296.52, 0.66%, 0.79%

LAB 76.95, 35.07, -25.15

 

CMYK 0 / 26 / 30 / 7

HEX #ECAFA6

RGB 236 175 166

HSL 7.71, 0.65%, 0.79%

LAB 76.83, 21.05, 13.34

 

CMYK 30 / 0 / 14 / 7

HEX #A6ECCB

RGB 166 236 203

HSL 151.71, 0.65%, 0.79%

LAB 88.17, -28.58, 9.06

 

CMYK 2 / 29 / 0 / 7

HEX #E9A8ED

RGB 233 168 237

HSL 296.52, 0.66%, 0.79%

LAB 76.95, 35.07, -25.15

 

CMYK 0 / 2 / 30 / 7

HEX #ECE8A6

RGB 236 232 166

HSL 56.57, 0.65%, 0.79%

LAB 90.92, -8.6, 32.67

 

CMYK 30 / 0 / 2 / 7

HEX #A6ECE8

RGB 166 236 232

HSL 176.57, 0.65%, 0.79%

LAB 88.89, -22.5, -5.06

 

CMYK 2 / 29 / 0 / 7

HEX #E9A8ED

RGB 233 168 237

HSL 296.52, 0.66%, 0.79%

LAB 76.95, 35.07, -25.15

 

CMYK 0 / 26 / 30 / 7

HEX #ECAFA6

RGB 236 175 166

HSL 7.71, 0.65%, 0.79%

LAB 76.83, 21.05, 13.34

 

CMYK 28 / 0 / 30 / 7

HEX #AAECA6

RGB 170 236 166

HSL 116.57, 0.65%, 0.79%

LAB 87.63, -33.94, 27.49

 

CMYK 30 / 4 / 0 / 7

HEX #A6E3EC

RGB 166 227 236

HSL 187.71, 0.65%, 0.79%

LAB 86.55, -17.13, -10.62

 

CMYK 2 / 29 / 0 / 7

HEX #E9A8ED

RGB 233 168 237

HSL 296.52, 0.66%, 0.79%

LAB 76.95, 35.07, -25.15

 

CMYK 0 / 17 / 30 / 7

HEX #ECC4A6

RGB 236 196 166

HSL 25.71, 0.65%, 0.79%

LAB 81.87, 9.92, 20.39

 

CMYK 28 / 0 / 30 / 7

HEX #AAECA6

RGB 170 236 166

HSL 116.57, 0.65%, 0.79%

LAB 87.63, -33.94, 27.49

 

CMYK 30 / 13 / 0 / 7

HEX #A6CEEC

RGB 166 206 236

HSL 205.71, 0.65%, 0.79%

LAB 80.91, -6.33, -19.09

 

Description

Color code: HEX #E9A8ED | qconv.com Color code: HEX #E9A8ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 168 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 168 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 29 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 29% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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