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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E99EE2 it is the complementary color #16611D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E99EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E99EE2 shade: #EE9EDD, #FFB0F0, #FFC2FF, #FFD4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E99EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E99EE2 shade: #E99EE2, #D88CCF, #C77ABC, #B668A9 and #A55696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E99EE2 shade: #E99FE2, #E99FCE, #E99FBB, #E99FA7 and #E99F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E99EE2 shade: #E99FE2, #DC9FE9, #C89FE9, #B49FE9 and #A09FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E99EE2 shade matches the following richer shades: #E99FE2, #F396EA and #FC8CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E99EE2 shade: #E99FE2, #E0A9DB, #D6B2D3, #CDBCCB and #C3C5C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E99EE2 shade: #C89FE9, #DC9FE9, #E99FE3, #E99FCF and #E99FBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E99EE2 shade: #DA5CCE, #E27ED8, #E99FE2, #F1C1EC and #F9E3F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E99EE2 shade: #E99EE2, #E9B49F and #9FE9D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E99EE2 shade: #E99EE2, #E3E99F and #9FE3E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E99EE2 shade: #E99EE2, #E9B49F, #9FE9A6 and #9FD4E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E99EE2 shade: #E99EE2, #E9CB9F, #9FE9A6 and #9FBEE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 3 / 9

HEX #E99EE2

RGB 233 158 226

HSL 305.6, 0.63%, 0.77%

LAB 74.36, 38.38, -23.11

 

Complementary color

CMYK 77 / 0 / 70 / 62

HEX #16611D

RGB 22 97 29

HSL 125.6, 0.63%, 0.23%

LAB 35.61, -37.31, 31.34

 

CMYK 0 / 34 / 7 / 7

HEX #EE9EDD

RGB 238 158 221

HSL 312.75, 0.7%, 0.78%

LAB 74.73, 39.11, -19.77

 

CMYK 0 / 31 / 6 / 0

HEX #FFB0F0

RGB 255 176 240

HSL 311.39, 1%, 0.85%

LAB 81.07, 38.42, -20.28

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 32 / 3 / 9

HEX #E99EE2

RGB 233 158 226

HSL 305.6, 0.63%, 0.77%

LAB 74.36, 38.38, -23.11

 

CMYK 0 / 35 / 4 / 15

HEX #D88CCF

RGB 216 140 207

HSL 307.11, 0.49%, 0.7%

LAB 67.92, 39.09, -22.64

 

CMYK 0 / 39 / 6 / 22

HEX #C77ABC

RGB 199 122 188

HSL 308.57, 0.41%, 0.63%

LAB 61.39, 39.84, -22.12

 

CMYK 0 / 43 / 7 / 29

HEX #B668A9

RGB 182 104 169

HSL 310, 0.35%, 0.56%

LAB 54.77, 40.6, -21.53

 

CMYK 0 / 48 / 9 / 35

HEX #A55696

RGB 165 86 150

HSL 311.39, 0.31%, 0.49%

LAB 48.08, 41.35, -20.84

 

CMYK 0 / 32 / 3 / 9

HEX #E99FE2

RGB 233 159 226

HSL 305.68, 0.63%, 0.77%

LAB 74.58, 37.85, -22.78

 

CMYK 0 / 32 / 12 / 9

HEX #E99FCE

RGB 233 159 206

HSL 321.89, 0.63%, 0.77%

LAB 73.92, 34.42, -12.83

 

CMYK 0 / 32 / 20 / 9

HEX #E99FBB

RGB 233 159 187

HSL 337.3, 0.63%, 0.77%

LAB 73.36, 31.43, -3.2

 

CMYK 0 / 32 / 28 / 9

HEX #E99FA7

RGB 233 159 167

HSL 353.51, 0.63%, 0.77%

LAB 72.83, 28.59, 7.07

 

CMYK 0 / 32 / 32 / 9

HEX #E99F9F

RGB 233 159 159

HSL 0, 0.63%, 0.77%

LAB 72.64, 27.54, 11.21

 

CMYK 0 / 32 / 3 / 9

HEX #E99FE2

RGB 233 159 226

HSL 305.68, 0.63%, 0.77%

LAB 74.58, 37.85, -22.78

 

CMYK 6 / 32 / 0 / 9

HEX #DC9FE9

RGB 220 159 233

HSL 289.46, 0.63%, 0.77%

LAB 73.48, 35.03, -28.4

 

CMYK 14 / 32 / 0 / 9

HEX #C89FE9

RGB 200 159 233

HSL 273.24, 0.63%, 0.77%

LAB 71.53, 28.83, -31.57

 

CMYK 23 / 32 / 0 / 9

HEX #B49FE9

RGB 180 159 233

HSL 257.03, 0.63%, 0.77%

LAB 69.74, 22.79, -34.48

 

CMYK 31 / 32 / 0 / 9

HEX #A09FE9

RGB 160 159 233

HSL 240.81, 0.63%, 0.77%

LAB 68.13, 16.99, -37.1

 

CMYK 0 / 32 / 3 / 9

HEX #E99FE2

RGB 233 159 226

HSL 305.68, 0.63%, 0.77%

LAB 74.58, 37.85, -22.78

 

CMYK 0 / 38 / 4 / 5

HEX #F396EA

RGB 243 150 234

HSL 305.81, 0.79%, 0.77%

LAB 74.07, 47.08, -27.83

 

CMYK 0 / 44 / 4 / 1

HEX #FC8CF2

RGB 252 140 242

HSL 305.36, 0.95%, 0.77%

LAB 73.46, 56.17, -33.05

 

CMYK 0 / 32 / 3 / 9

HEX #E99FE2

RGB 233 159 226

HSL 305.68, 0.63%, 0.77%

LAB 74.58, 37.85, -22.78

 

CMYK 0 / 25 / 2 / 12

HEX #E0A9DB

RGB 224 169 219

HSL 305.45, 0.47%, 0.77%

LAB 75.66, 28.31, -17.41

 

CMYK 0 / 17 / 1 / 16

HEX #D6B2D3

RGB 214 178 211

HSL 305, 0.31%, 0.77%

LAB 76.58, 18.63, -11.77

 

CMYK 0 / 8 / 1 / 20

HEX #CDBCCB

RGB 205 188 203

HSL 307.06, 0.15%, 0.77%

LAB 78.03, 8.67, -5.36

 

CMYK 1 / 0 / 1 / 23

HEX #C3C5C4

RGB 195 197 196

HSL 150, 0.02%, 0.77%

LAB 79.34, -0.87, 0.25

 

CMYK 14 / 32 / 0 / 9

HEX #C89FE9

RGB 200 159 233

HSL 273.24, 0.63%, 0.77%

LAB 71.53, 28.83, -31.57

 

CMYK 6 / 32 / 0 / 9

HEX #DC9FE9

RGB 220 159 233

HSL 289.46, 0.63%, 0.77%

LAB 73.48, 35.03, -28.4

 

CMYK 0 / 32 / 3 / 9

HEX #E99FE3

RGB 233 159 227

HSL 304.86, 0.63%, 0.77%

LAB 74.61, 38.03, -23.27

 

CMYK 0 / 32 / 11 / 9

HEX #E99FCF

RGB 233 159 207

HSL 321.08, 0.63%, 0.77%

LAB 73.95, 34.59, -13.33

 

CMYK 0 / 32 / 19 / 9

HEX #E99FBC

RGB 233 159 188

HSL 336.49, 0.63%, 0.77%

LAB 73.38, 31.58, -3.71

 

CMYK 0 / 58 / 6 / 15

HEX #DA5CCE

RGB 218 92 206

HSL 305.71, 0.63%, 0.61%

LAB 58.99, 63.21, -35.85

 

CMYK 0 / 44 / 4 / 11

HEX #E27ED8

RGB 226 126 216

HSL 306, 0.63%, 0.69%

LAB 66.56, 51.03, -29.63

 

CMYK 0 / 32 / 3 / 9

HEX #E99FE2

RGB 233 159 226

HSL 305.68, 0.63%, 0.77%

LAB 74.58, 37.85, -22.78

 

CMYK 0 / 20 / 2 / 5

HEX #F1C1EC

RGB 241 193 236

HSL 306.25, 0.63%, 0.85%

LAB 83.39, 24.18, -14.78

 

CMYK 0 / 9 / 1 / 2

HEX #F9E3F7

RGB 249 227 247

HSL 305.45, 0.65%, 0.93%

LAB 92.48, 10.93, -6.97

 

CMYK 0 / 32 / 3 / 9

HEX #E99EE2

RGB 233 158 226

HSL 305.6, 0.63%, 0.77%

LAB 74.36, 38.38, -23.11

 

CMYK 0 / 23 / 32 / 9

HEX #E9B49F

RGB 233 180 159

HSL 17.03, 0.63%, 0.77%

LAB 77.56, 16.35, 18.11

 

CMYK 32 / 0 / 10 / 9

HEX #9FE9D2

RGB 159 233 210

HSL 161.35, 0.63%, 0.77%

LAB 87.14, -27.76, 3.88

 

CMYK 0 / 32 / 3 / 9

HEX #E99EE2

RGB 233 158 226

HSL 305.6, 0.63%, 0.77%

LAB 74.36, 38.38, -23.11

 

CMYK 3 / 0 / 32 / 9

HEX #E3E99F

RGB 227 233 159

HSL 64.86, 0.63%, 0.77%

LAB 90.37, -13.35, 35.37

 

CMYK 32 / 3 / 0 / 9

HEX #9FE3E9

RGB 159 227 233

HSL 184.86, 0.63%, 0.77%

LAB 86.1, -19.75, -9.75

 

CMYK 0 / 32 / 3 / 9

HEX #E99EE2

RGB 233 158 226

HSL 305.6, 0.63%, 0.77%

LAB 74.36, 38.38, -23.11

 

CMYK 0 / 23 / 32 / 9

HEX #E9B49F

RGB 233 180 159

HSL 17.03, 0.63%, 0.77%

LAB 77.56, 16.35, 18.11

 

CMYK 32 / 0 / 29 / 9

HEX #9FE9A6

RGB 159 233 166

HSL 125.68, 0.63%, 0.77%

LAB 86.21, -36.06, 25.47

 

CMYK 32 / 9 / 0 / 9

HEX #9FD4E9

RGB 159 212 233

HSL 197.03, 0.63%, 0.77%

LAB 82.02, -12.14, -15.85

 

CMYK 0 / 32 / 3 / 9

HEX #E99EE2

RGB 233 158 226

HSL 305.6, 0.63%, 0.77%

LAB 74.36, 38.38, -23.11

 

CMYK 0 / 13 / 32 / 9

HEX #E9CB9F

RGB 233 203 159

HSL 35.68, 0.63%, 0.77%

LAB 83.2, 4.22, 25.86

 

CMYK 32 / 0 / 29 / 9

HEX #9FE9A6

RGB 159 233 166

HSL 125.68, 0.63%, 0.77%

LAB 86.21, -36.06, 25.47

 

CMYK 32 / 18 / 0 / 9

HEX #9FBEE9

RGB 159 190 233

HSL 214.86, 0.63%, 0.77%

LAB 76.12, -0.5, -24.79

 

Description

Color code: HEX #E99EE2 | qconv.com Color code: HEX #E99EE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 158 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 158 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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