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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E99042 it is the complementary color #166FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E99042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E99042 shade: #EE903D, #FFA250, #FFB463, #FFC676 and #FFD889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E99042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E99042 shade: #E99042, #D87E2F, #C76C1C, #B65A09 and #A54800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E99042 shade: #E99043, #E96443 and #E94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E99042 shade: #E99043, #E9BD43, #E7E943, #BBE943 and #8EE943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E99042 shade matches the following richer shades: #E99043 and #F98F32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E99042 shade: #E99043, #D89254, #C79365, #B69476 and #A59587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E99042 shade: #E9434E, #E96443, #E99043, #E9BC43 and #E9E943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E99042 shade: #C36716, #E47B1E, #E99043, #EDA668 and #F1BC8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E99042 shade: #E99042, #7AE943 and #4E43E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E99042 shade: #E99042, #43E990 and #9043E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E99042 shade: #E99042, #7AE943, #439BE9 and #B143E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E99042 shade: #E99042, #49E943, #439BE9 and #E343E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 72 / 9

HEX #E99042

RGB 233 144 66

HSL 28.02, 0.79%, 0.59%

LAB 67.77, 27.34, 53.97

 

Complementary color

CMYK 88 / 41 / 0 / 26

HEX #166FBD

RGB 22 111 189

HSL 208.02, 0.79%, 0.41%

LAB 45.93, 4.48, -47.82

 

CMYK 0 / 39 / 74 / 7

HEX #EE903D

RGB 238 144 61

HSL 28.14, 0.84%, 0.59%

LAB 68.36, 29.16, 57.02

 

CMYK 0 / 36 / 69 / 0

HEX #FFA250

RGB 255 162 80

HSL 28.11, 1%, 0.66%

LAB 74.62, 27.57, 55.63

 

CMYK 0 / 29 / 61 / 0

HEX #FFB463

RGB 255 180 99

HSL 31.15, 1%, 0.69%

LAB 78.93, 19.3, 51.46

 

CMYK 0 / 22 / 54 / 0

HEX #FFC676

RGB 255 198 118

HSL 35.04, 1%, 0.73%

LAB 83.42, 11.31, 47.52

 

CMYK 0 / 15 / 46 / 0

HEX #FFD889

RGB 255 216 137

HSL 40.17, 1%, 0.77%

LAB 88.05, 3.69, 43.86

 

CMYK 0 / 38 / 72 / 9

HEX #E99042

RGB 233 144 66

HSL 28.02, 0.79%, 0.59%

LAB 67.77, 27.34, 53.97

 

CMYK 0 / 42 / 78 / 15

HEX #D87E2F

RGB 216 126 47

HSL 28.05, 0.68%, 0.52%

LAB 61.42, 29.05, 55.26

 

CMYK 0 / 46 / 86 / 22

HEX #C76C1C

RGB 199 108 28

HSL 28.07, 0.75%, 0.45%

LAB 55.02, 30.96, 56

 

CMYK 0 / 51 / 95 / 29

HEX #B65A09

RGB 182 90 9

HSL 28.09, 0.91%, 0.37%

LAB 48.61, 33.08, 55.46

 

CMYK 0 / 56 / 100 / 35

HEX #A54800

RGB 165 72 0

HSL 26.18, 1%, 0.32%

LAB 42.21, 35.36, 52.43

 

CMYK 0 / 38 / 71 / 9

HEX #E99043

RGB 233 144 67

HSL 27.83, 0.79%, 0.59%

LAB 67.78, 27.39, 53.52

 

CMYK 0 / 57 / 71 / 9

HEX #E96443

RGB 233 100 67

HSL 11.93, 0.79%, 0.59%

LAB 58.83, 49.56, 43.78

 

CMYK 0 / 71 / 71 / 9

HEX #E94343

RGB 233 67 67

HSL 0, 0.79%, 0.59%

LAB 53.75, 63.18, 38

 

CMYK 0 / 38 / 71 / 9

HEX #E99043

RGB 233 144 67

HSL 27.83, 0.79%, 0.59%

LAB 67.78, 27.39, 53.52

 

CMYK 0 / 19 / 71 / 9

HEX #E9BD43

RGB 233 189 67

HSL 44.1, 0.79%, 0.59%

LAB 78.53, 3.59, 64.57

 

CMYK 1 / 0 / 71 / 9

HEX #E7E943

RGB 231 233 67

HSL 60.72, 0.79%, 0.59%

LAB 89.71, -19.44, 75.43

 

CMYK 20 / 0 / 71 / 9

HEX #BBE943

RGB 187 233 67

HSL 76.63, 0.79%, 0.59%

LAB 86.63, -37, 71.39

 

CMYK 39 / 0 / 71 / 9

HEX #8EE943

RGB 142 233 67

HSL 92.89, 0.79%, 0.59%

LAB 84.19, -53.13, 68.16

 

CMYK 0 / 38 / 71 / 9

HEX #E99043

RGB 233 144 67

HSL 27.83, 0.79%, 0.59%

LAB 67.78, 27.39, 53.52

 

CMYK 0 / 43 / 80 / 2

HEX #F98F32

RGB 249 143 50

HSL 28.04, 0.94%, 0.59%

LAB 69.48, 33.73, 63.15

 

CMYK 0 / 38 / 71 / 9

HEX #E99043

RGB 233 144 67

HSL 27.83, 0.79%, 0.59%

LAB 67.78, 27.39, 53.52

 

CMYK 0 / 32 / 61 / 15

HEX #D89254

RGB 216 146 84

HSL 28.18, 0.63%, 0.59%

LAB 66.36, 20.29, 43.08

 

CMYK 0 / 26 / 49 / 22

HEX #C79365

RGB 199 147 101

HSL 28.16, 0.47%, 0.59%

LAB 64.92, 14.08, 31.93

 

CMYK 0 / 19 / 35 / 29

HEX #B69476

RGB 182 148 118

HSL 28.13, 0.3%, 0.59%

LAB 63.7, 8.43, 20.67

 

CMYK 0 / 10 / 18 / 35

HEX #A59587

RGB 165 149 135

HSL 28, 0.14%, 0.59%

LAB 62.71, 3.55, 9.54

 

CMYK 0 / 71 / 67 / 9

HEX #E9434E

RGB 233 67 78

HSL 356.02, 0.79%, 0.59%

LAB 53.91, 63.71, 31.88

 

CMYK 0 / 57 / 71 / 9

HEX #E96443

RGB 233 100 67

HSL 11.93, 0.79%, 0.59%

LAB 58.83, 49.56, 43.78

 

CMYK 0 / 38 / 71 / 9

HEX #E99043

RGB 233 144 67

HSL 27.83, 0.79%, 0.59%

LAB 67.78, 27.39, 53.52

 

CMYK 0 / 19 / 71 / 9

HEX #E9BC43

RGB 233 188 67

HSL 43.73, 0.79%, 0.59%

LAB 78.28, 4.11, 64.32

 

CMYK 0 / 0 / 71 / 9

HEX #E9E943

RGB 233 233 67

HSL 60, 0.79%, 0.59%

LAB 89.86, -18.62, 75.63

 

CMYK 0 / 47 / 89 / 24

HEX #C36716

RGB 195 103 22

HSL 28.09, 0.8%, 0.43%

LAB 53.34, 31.82, 56.37

 

CMYK 0 / 46 / 87 / 11

HEX #E47B1E

RGB 228 123 30

HSL 28.18, 0.79%, 0.51%

LAB 62.3, 35.04, 62.94

 

CMYK 0 / 38 / 71 / 9

HEX #E99043

RGB 233 144 67

HSL 27.83, 0.79%, 0.59%

LAB 67.78, 27.39, 53.52

 

CMYK 0 / 30 / 56 / 7

HEX #EDA668

RGB 237 166 104

HSL 27.97, 0.79%, 0.67%

LAB 73.72, 19.72, 42.28

 

CMYK 0 / 22 / 41 / 5

HEX #F1BC8D

RGB 241 188 141

HSL 28.2, 0.78%, 0.75%

LAB 79.95, 13.11, 31.07

 

CMYK 0 / 38 / 72 / 9

HEX #E99042

RGB 233 144 66

HSL 28.02, 0.79%, 0.59%

LAB 67.77, 27.34, 53.97

 

CMYK 48 / 0 / 71 / 9

HEX #7AE943

RGB 122 233 67

HSL 100.12, 0.79%, 0.59%

LAB 83.35, -59.31, 67.03

 

CMYK 67 / 71 / 0 / 9

HEX #4E43E9

RGB 78 67 233

HSL 243.98, 0.79%, 0.59%

LAB 40.44, 53.42, -81.85

 

CMYK 0 / 38 / 72 / 9

HEX #E99042

RGB 233 144 66

HSL 28.02, 0.79%, 0.59%

LAB 67.77, 27.34, 53.97

 

CMYK 71 / 0 / 38 / 9

HEX #43E990

RGB 67 233 144

HSL 147.83, 0.79%, 0.59%

LAB 82.64, -61.78, 31.35

 

CMYK 38 / 71 / 0 / 9

HEX #9043E9

RGB 144 67 233

HSL 267.83, 0.79%, 0.59%

LAB 46.75, 63.09, -71.27

 

CMYK 0 / 38 / 72 / 9

HEX #E99042

RGB 233 144 66

HSL 28.02, 0.79%, 0.59%

LAB 67.77, 27.34, 53.97

 

CMYK 48 / 0 / 71 / 9

HEX #7AE943

RGB 122 233 67

HSL 100.12, 0.79%, 0.59%

LAB 83.35, -59.31, 67.03

 

CMYK 71 / 33 / 0 / 9

HEX #439BE9

RGB 67 155 233

HSL 208.19, 0.79%, 0.59%

LAB 62.1, -1.02, -46.91

 

CMYK 24 / 71 / 0 / 9

HEX #B143E9

RGB 177 67 233

HSL 279.76, 0.79%, 0.59%

LAB 50.97, 69.18, -64.22

 

CMYK 0 / 38 / 72 / 9

HEX #E99042

RGB 233 144 66

HSL 28.02, 0.79%, 0.59%

LAB 67.77, 27.34, 53.97

 

CMYK 69 / 0 / 71 / 9

HEX #49E943

RGB 73 233 67

HSL 117.83, 0.79%, 0.59%

LAB 81.89, -70.88, 65.08

 

CMYK 71 / 33 / 0 / 9

HEX #439BE9

RGB 67 155 233

HSL 208.19, 0.79%, 0.59%

LAB 62.1, -1.02, -46.91

 

CMYK 3 / 71 / 0 / 9

HEX #E343E9

RGB 227 67 233

HSL 297.83, 0.79%, 0.59%

LAB 58.25, 79.2, -52.15

 

Description

Color code: HEX #E99042 | qconv.com Color code: HEX #E99042 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 144 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 144 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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