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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E98A0F it is the complementary color #1675F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E98A0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E98A0F shade: #EE8A0A, #FF9C1D, #FFAE30, #FFC043 and #FFD256

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E98A0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E98A0F shade: #E98A0F, #D87800, #C76600, #B65400 and #A54200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E98A0F shade: #EB8B0F, #EB500F, #EB140F and #EB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E98A0F shade: #EB8B0F, #EBC60F, #D4EB0F, #99EB0F and #5EEB0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E98A0F shade matches the following richer shades: #EB8B0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E98A0F shade: #EB8B0F, #D78823, #C28637, #AE834C and #9A8160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E98A0F shade: #EB130F, #EB4D0F, #EB880F, #EBC30F and #D9EB0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E98A0F shade: #9D5D0A, #C4740D, #EB8B0F, #F29E31 and #F4B058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E98A0F shade: #E98A0F, #46EB0F and #300FEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E98A0F shade: #E98A0F, #0FEB88 and #880FEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E98A0F shade: #E98A0F, #46EB0F, #0F72EB and #B40FEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E98A0F shade: #E98A0F, #0FEB1A, #0F72EB and #EB0FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 94 / 9

HEX #E98A0F

RGB 233 138 15

HSL 33.85, 0.88%, 0.49%

LAB 66.16, 29.03, 69.77

 

Complementary color

CMYK 91 / 51 / 0 / 6

HEX #1675F0

RGB 22 117 240

HSL 213.85, 0.88%, 0.51%

LAB 50.9, 20.57, -68.78

 

CMYK 0 / 42 / 96 / 7

HEX #EE8A0A

RGB 238 138 10

HSL 33.68, 0.92%, 0.49%

LAB 66.81, 31.04, 71.3

 

CMYK 0 / 39 / 89 / 0

HEX #FF9C1D

RGB 255 156 29

HSL 33.72, 1%, 0.56%

LAB 72.97, 28.94, 73.05

 

CMYK 0 / 32 / 81 / 0

HEX #FFAE30

RGB 255 174 48

HSL 36.52, 1%, 0.59%

LAB 77.13, 20.01, 70.98

 

CMYK 0 / 25 / 74 / 0

HEX #FFC043

RGB 255 192 67

HSL 39.89, 1%, 0.63%

LAB 81.49, 11.31, 68.24

 

CMYK 0 / 18 / 66 / 0

HEX #FFD256

RGB 255 210 86

HSL 44.02, 1%, 0.67%

LAB 86.02, 2.95, 65.21

 

CMYK 0 / 41 / 94 / 9

HEX #E98A0F

RGB 233 138 15

HSL 33.85, 0.88%, 0.49%

LAB 66.16, 29.03, 69.77

 

CMYK 0 / 44 / 100 / 15

HEX #D87800

RGB 216 120 0

HSL 33.33, 1%, 0.42%

LAB 59.92, 31.27, 66.91

 

CMYK 0 / 49 / 100 / 22

HEX #C76600

RGB 199 102 0

HSL 30.75, 1%, 0.39%

LAB 53.65, 33.69, 61.86

 

CMYK 0 / 54 / 100 / 29

HEX #B65400

RGB 182 84 0

HSL 27.69, 1%, 0.36%

LAB 47.35, 36.08, 56.81

 

CMYK 0 / 60 / 100 / 35

HEX #A54200

RGB 165 66 0

HSL 24, 1%, 0.32%

LAB 41.05, 38.35, 51.78

 

CMYK 0 / 41 / 94 / 8

HEX #EB8B0F

RGB 235 139 15

HSL 33.82, 0.88%, 0.49%

LAB 66.64, 29.33, 70.23

 

CMYK 0 / 66 / 94 / 8

HEX #EB500F

RGB 235 80 15

HSL 17.73, 0.88%, 0.49%

LAB 55.52, 57.53, 62.81

 

CMYK 0 / 91 / 94 / 8

HEX #EB140F

RGB 235 20 15

HSL 1.36, 0.88%, 0.49%

LAB 49.73, 73.67, 59.35

 

CMYK 0 / 94 / 94 / 8

HEX #EB0F0F

RGB 235 15 15

HSL 0, 0.88%, 0.49%

LAB 49.54, 74.22, 59.25

 

CMYK 0 / 41 / 94 / 8

HEX #EB8B0F

RGB 235 139 15

HSL 33.82, 0.88%, 0.49%

LAB 66.64, 29.33, 70.23

 

CMYK 0 / 16 / 94 / 8

HEX #EBC60F

RGB 235 198 15

HSL 49.91, 0.88%, 0.49%

LAB 80.79, -1.69, 80.44

 

CMYK 10 / 0 / 94 / 8

HEX #D4EB0F

RGB 212 235 15

HSL 66.27, 0.88%, 0.49%

LAB 88.66, -29.61, 85.56

 

CMYK 35 / 0 / 94 / 8

HEX #99EB0F

RGB 153 235 15

HSL 82.36, 0.88%, 0.49%

LAB 85.11, -52.19, 81.26

 

CMYK 60 / 0 / 94 / 8

HEX #5EEB0F

RGB 94 235 15

HSL 98.45, 0.88%, 0.49%

LAB 82.82, -69.6, 78.46

 

CMYK 0 / 41 / 94 / 8

HEX #EB8B0F

RGB 235 139 15

HSL 33.82, 0.88%, 0.49%

LAB 66.64, 29.33, 70.23

 

CMYK 0 / 41 / 94 / 8

HEX #EB8B0F

RGB 235 139 15

HSL 33.82, 0.88%, 0.49%

LAB 66.64, 29.33, 70.23

 

CMYK 0 / 37 / 84 / 16

HEX #D78823

RGB 215 136 35

HSL 33.67, 0.72%, 0.49%

LAB 63.49, 22.89, 61.61

 

CMYK 0 / 31 / 72 / 24

HEX #C28637

RGB 194 134 55

HSL 34.1, 0.56%, 0.49%

LAB 60.6, 15.7, 50.03

 

CMYK 0 / 25 / 56 / 32

HEX #AE834C

RGB 174 131 76

HSL 33.67, 0.39%, 0.49%

LAB 57.8, 10.07, 35.85

 

CMYK 0 / 16 / 38 / 40

HEX #9A8160

RGB 154 129 96

HSL 34.14, 0.23%, 0.49%

LAB 55.5, 4.69, 21.47

 

CMYK 0 / 92 / 94 / 8

HEX #EB130F

RGB 235 19 15

HSL 1.09, 0.88%, 0.49%

LAB 49.69, 73.79, 59.33

 

CMYK 0 / 67 / 94 / 8

HEX #EB4D0F

RGB 235 77 15

HSL 16.91, 0.88%, 0.49%

LAB 55.08, 58.72, 62.53

 

CMYK 0 / 42 / 94 / 8

HEX #EB880F

RGB 235 136 15

HSL 33, 0.88%, 0.49%

LAB 65.99, 30.9, 69.77

 

CMYK 0 / 17 / 94 / 8

HEX #EBC30F

RGB 235 195 15

HSL 49.09, 0.88%, 0.49%

LAB 80.03, -0.14, 79.88

 

CMYK 8 / 0 / 94 / 8

HEX #D9EB0F

RGB 217 235 15

HSL 64.91, 0.88%, 0.49%

LAB 89.02, -27.57, 85.99

 

CMYK 0 / 41 / 94 / 38

HEX #9D5D0A

RGB 157 93 10

HSL 33.88, 0.88%, 0.33%

LAB 45.66, 20.68, 51.48

 

CMYK 0 / 41 / 93 / 23

HEX #C4740D

RGB 196 116 13

HSL 33.77, 0.88%, 0.41%

LAB 56.34, 25.11, 60.96

 

CMYK 0 / 41 / 94 / 8

HEX #EB8B0F

RGB 235 139 15

HSL 33.82, 0.88%, 0.49%

LAB 66.64, 29.33, 70.23

 

CMYK 0 / 35 / 80 / 5

HEX #F29E31

RGB 242 158 49

HSL 33.89, 0.88%, 0.57%

LAB 71.93, 23, 65.43

 

CMYK 0 / 28 / 64 / 4

HEX #F4B058

RGB 244 176 88

HSL 33.85, 0.88%, 0.65%

LAB 76.67, 16.18, 53.81

 

CMYK 0 / 41 / 94 / 9

HEX #E98A0F

RGB 233 138 15

HSL 33.85, 0.88%, 0.49%

LAB 66.16, 29.03, 69.77

 

CMYK 70 / 0 / 94 / 8

HEX #46EB0F

RGB 70 235 15

HSL 105, 0.88%, 0.49%

LAB 82.25, -74.48, 77.75

 

CMYK 80 / 94 / 0 / 8

HEX #300FEB

RGB 48 15 235

HSL 249, 0.88%, 0.49%

LAB 31.73, 72.52, -97.47

 

CMYK 0 / 41 / 94 / 9

HEX #E98A0F

RGB 233 138 15

HSL 33.85, 0.88%, 0.49%

LAB 66.16, 29.03, 69.77

 

CMYK 94 / 0 / 42 / 8

HEX #0FEB88

RGB 15 235 136

HSL 153, 0.88%, 0.49%

LAB 82.54, -68.58, 35.13

 

CMYK 42 / 94 / 0 / 8

HEX #880FEB

RGB 136 15 235

HSL 273, 0.88%, 0.49%

LAB 40.53, 78.05, -82.62

 

CMYK 0 / 41 / 94 / 9

HEX #E98A0F

RGB 233 138 15

HSL 33.85, 0.88%, 0.49%

LAB 66.16, 29.03, 69.77

 

CMYK 70 / 0 / 94 / 8

HEX #46EB0F

RGB 70 235 15

HSL 105, 0.88%, 0.49%

LAB 82.25, -74.48, 77.75

 

CMYK 94 / 51 / 0 / 8

HEX #0F72EB

RGB 15 114 235

HSL 213, 0.88%, 0.49%

LAB 49.66, 20.26, -68

 

CMYK 23 / 94 / 0 / 8

HEX #B40FEB

RGB 180 15 235

HSL 285, 0.88%, 0.49%

LAB 47.03, 83.21, -71.72

 

CMYK 0 / 41 / 94 / 9

HEX #E98A0F

RGB 233 138 15

HSL 33.85, 0.88%, 0.49%

LAB 66.16, 29.03, 69.77

 

CMYK 94 / 0 / 89 / 8

HEX #0FEB1A

RGB 15 235 26

HSL 123, 0.88%, 0.49%

LAB 81.62, -79.98, 75.46

 

CMYK 94 / 51 / 0 / 8

HEX #0F72EB

RGB 15 114 235

HSL 213, 0.88%, 0.49%

LAB 49.66, 20.26, -68

 

CMYK 0 / 94 / 5 / 8

HEX #EB0FE0

RGB 235 15 224

HSL 303, 0.88%, 0.49%

LAB 55.47, 89.81, -51.43

 

Description

Color code: HEX #E98A0F | qconv.com Color code: HEX #E98A0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 138 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 138 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 94 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 94% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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