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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E989CD it is the complementary color #167632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E989CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E989CD shade: #EE89C8, #FF9BDB, #FFADEE, #FFBFFF and #FFD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E989CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E989CD shade: #E989CD, #D877BA, #C765A7, #B65394 and #A54181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E989CD shade: #EA8BCE, #EA8BB4, #EA8B9B and #EA8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E989CD shade: #EA8BCE, #EA8BE8, #D28BEA, #B98BEA and #9F8BEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E989CD shade matches the following richer shades: #EA8BCE and #F580D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E989CD shade: #EA8BCE, #DF96C9, #D3A1C5, #C8ACC0 and #BDB7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E989CD shade: #D28BEA, #EA8BE8, #EA8BCF, #EA8BB5 and #EA8B9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E989CD shade: #DD45B1, #E368BF, #EA8BCE, #F0AEDD and #F6D0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E989CD shade: #E989CD, #EAB98B and #8BEADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E989CD shade: #E989CD, #CFEA8B and #8BCFEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E989CD shade: #E989CD, #EAB98B, #8BEAA6 and #8BBCEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E989CD shade: #E989CD, #EAD58B, #8BEAA6 and #8B9FEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 12 / 9

HEX #E989CD

RGB 233 137 205

HSL 317.5, 0.69%, 0.73%

LAB 69.2, 45.77, -19.39

 

Complementary color

CMYK 81 / 0 / 58 / 54

HEX #167632

RGB 22 118 50

HSL 137.5, 0.69%, 0.27%

LAB 43.3, -42.23, 29.64

 

CMYK 0 / 42 / 16 / 7

HEX #EE89C8

RGB 238 137 200

HSL 322.57, 0.75%, 0.74%

LAB 69.64, 46.59, -15.89

 

CMYK 0 / 39 / 14 / 0

HEX #FF9BDB

RGB 255 155 219

HSL 321.6, 1%, 0.8%

LAB 75.96, 45.83, -16.63

 

CMYK 0 / 32 / 7 / 0

HEX #FFADEE

RGB 255 173 238

HSL 312.44, 1%, 0.84%

LAB 80.36, 39.64, -20.29

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 41 / 12 / 9

HEX #E989CD

RGB 233 137 205

HSL 317.5, 0.69%, 0.73%

LAB 69.2, 45.77, -19.39

 

CMYK 0 / 45 / 14 / 15

HEX #D877BA

RGB 216 119 186

HSL 318.56, 0.55%, 0.66%

LAB 62.79, 46.52, -18.65

 

CMYK 0 / 49 / 16 / 22

HEX #C765A7

RGB 199 101 167

HSL 319.59, 0.47%, 0.59%

LAB 56.33, 47.25, -17.8

 

CMYK 0 / 54 / 19 / 29

HEX #B65394

RGB 182 83 148

HSL 320.61, 0.4%, 0.52%

LAB 49.82, 47.91, -16.77

 

CMYK 0 / 61 / 22 / 35

HEX #A54181

RGB 165 65 129

HSL 321.6, 0.43%, 0.45%

LAB 43.31, 48.4, -15.5

 

CMYK 0 / 41 / 12 / 8

HEX #EA8BCE

RGB 234 139 206

HSL 317.68, 0.69%, 0.73%

LAB 69.76, 45.22, -19.08

 

CMYK 0 / 41 / 23 / 8

HEX #EA8BB4

RGB 234 139 180

HSL 334.11, 0.69%, 0.73%

LAB 68.93, 41.27, -5.83

 

CMYK 0 / 41 / 34 / 8

HEX #EA8B9B

RGB 234 139 155

HSL 349.89, 0.69%, 0.73%

LAB 68.26, 37.95, 7.21

 

CMYK 0 / 41 / 41 / 8

HEX #EA8B8B

RGB 234 139 139

HSL 0, 0.69%, 0.73%

LAB 67.89, 36.1, 15.65

 

CMYK 0 / 41 / 12 / 8

HEX #EA8BCE

RGB 234 139 206

HSL 317.68, 0.69%, 0.73%

LAB 69.76, 45.22, -19.08

 

CMYK 0 / 41 / 1 / 8

HEX #EA8BE8

RGB 234 139 232

HSL 301.26, 0.69%, 0.73%

LAB 70.72, 49.64, -31.97

 

CMYK 10 / 41 / 0 / 8

HEX #D28BEA

RGB 210 139 234

HSL 284.84, 0.69%, 0.73%

LAB 68.1, 42.9, -37.35

 

CMYK 21 / 41 / 0 / 8

HEX #B98BEA

RGB 185 139 234

HSL 269.05, 0.69%, 0.73%

LAB 65.53, 35.63, -41.56

 

CMYK 32 / 41 / 0 / 8

HEX #9F8BEA

RGB 159 139 234

HSL 252.63, 0.69%, 0.73%

LAB 63.16, 28.37, -45.45

 

CMYK 0 / 41 / 12 / 8

HEX #EA8BCE

RGB 234 139 206

HSL 317.68, 0.69%, 0.73%

LAB 69.76, 45.22, -19.08

 

CMYK 0 / 48 / 14 / 4

HEX #F580D3

RGB 245 128 211

HSL 317.44, 0.85%, 0.73%

LAB 69.15, 54.95, -22.66

 

CMYK 0 / 41 / 12 / 8

HEX #EA8BCE

RGB 234 139 206

HSL 317.68, 0.69%, 0.73%

LAB 69.76, 45.22, -19.08

 

CMYK 0 / 33 / 10 / 13

HEX #DF96C9

RGB 223 150 201

HSL 318.08, 0.53%, 0.73%

LAB 70.68, 35.02, -15.05

 

CMYK 0 / 24 / 7 / 17

HEX #D3A1C5

RGB 211 161 197

HSL 316.8, 0.36%, 0.73%

LAB 71.81, 24.31, -11.27

 

CMYK 0 / 14 / 4 / 22

HEX #C8ACC0

RGB 200 172 192

HSL 317.14, 0.2%, 0.73%

LAB 73.28, 13.59, -6.44

 

CMYK 0 / 3 / 1 / 26

HEX #BDB7BB

RGB 189 183 187

HSL 320, 0.04%, 0.73%

LAB 75, 2.85, -1.28

 

CMYK 10 / 41 / 0 / 8

HEX #D28BEA

RGB 210 139 234

HSL 284.84, 0.69%, 0.73%

LAB 68.1, 42.9, -37.35

 

CMYK 0 / 41 / 1 / 8

HEX #EA8BE8

RGB 234 139 232

HSL 301.26, 0.69%, 0.73%

LAB 70.72, 49.64, -31.97

 

CMYK 0 / 41 / 12 / 8

HEX #EA8BCF

RGB 234 139 207

HSL 317.05, 0.69%, 0.73%

LAB 69.8, 45.39, -19.58

 

CMYK 0 / 41 / 23 / 8

HEX #EA8BB5

RGB 234 139 181

HSL 333.47, 0.69%, 0.73%

LAB 68.96, 41.41, -6.34

 

CMYK 0 / 41 / 33 / 8

HEX #EA8B9C

RGB 234 139 156

HSL 349.26, 0.69%, 0.73%

LAB 68.28, 38.08, 6.68

 

CMYK 0 / 69 / 20 / 13

HEX #DD45B1

RGB 221 69 177

HSL 317.37, 0.69%, 0.57%

LAB 54.87, 68.86, -25.56

 

CMYK 0 / 54 / 16 / 11

HEX #E368BF

RGB 227 104 191

HSL 317.56, 0.69%, 0.65%

LAB 61.65, 57.97, -23.11

 

CMYK 0 / 41 / 12 / 8

HEX #EA8BCE

RGB 234 139 206

HSL 317.68, 0.69%, 0.73%

LAB 69.76, 45.22, -19.08

 

CMYK 0 / 28 / 8 / 6

HEX #F0AEDD

RGB 240 174 221

HSL 317.27, 0.69%, 0.81%

LAB 78.47, 31.32, -14.1

 

CMYK 0 / 15 / 4 / 4

HEX #F6D0EB

RGB 246 208 235

HSL 317.37, 0.68%, 0.89%

LAB 87.34, 17.75, -8.31

 

CMYK 0 / 41 / 12 / 9

HEX #E989CD

RGB 233 137 205

HSL 317.5, 0.69%, 0.73%

LAB 69.2, 45.77, -19.39

 

CMYK 0 / 21 / 41 / 8

HEX #EAB98B

RGB 234 185 139

HSL 29.05, 0.69%, 0.73%

LAB 78.49, 11.72, 30.07

 

CMYK 41 / 0 / 5 / 8

HEX #8BEADF

RGB 139 234 223

HSL 173.05, 0.69%, 0.73%

LAB 86.83, -30.69, -3.51

 

CMYK 0 / 41 / 12 / 9

HEX #E989CD

RGB 233 137 205

HSL 317.5, 0.69%, 0.73%

LAB 69.2, 45.77, -19.39

 

CMYK 12 / 0 / 41 / 8

HEX #CFEA8B

RGB 207 234 139

HSL 77.05, 0.69%, 0.73%

LAB 88.91, -23.72, 43.16

 

CMYK 41 / 12 / 0 / 8

HEX #8BCFEA

RGB 139 207 234

HSL 197.05, 0.69%, 0.73%

LAB 79.65, -14.61, -20.07

 

CMYK 0 / 41 / 12 / 9

HEX #E989CD

RGB 233 137 205

HSL 317.5, 0.69%, 0.73%

LAB 69.2, 45.77, -19.39

 

CMYK 0 / 21 / 41 / 8

HEX #EAB98B

RGB 234 185 139

HSL 29.05, 0.69%, 0.73%

LAB 78.49, 11.72, 30.07

 

CMYK 41 / 0 / 29 / 8

HEX #8BEAA6

RGB 139 234 166

HSL 137.05, 0.69%, 0.73%

LAB 85.55, -42.45, 24.42

 

CMYK 41 / 20 / 0 / 8

HEX #8BBCEA

RGB 139 188 234

HSL 209.05, 0.69%, 0.73%

LAB 74.44, -4.57, -28

 

CMYK 0 / 41 / 12 / 9

HEX #E989CD

RGB 233 137 205

HSL 317.5, 0.69%, 0.73%

LAB 69.2, 45.77, -19.39

 

CMYK 0 / 9 / 41 / 8

HEX #EAD58B

RGB 234 213 139

HSL 46.74, 0.69%, 0.73%

LAB 85.48, -2.87, 39.19

 

CMYK 41 / 0 / 29 / 8

HEX #8BEAA6

RGB 139 234 166

HSL 137.05, 0.69%, 0.73%

LAB 85.55, -42.45, 24.42

 

CMYK 41 / 32 / 0 / 8

HEX #8B9FEA

RGB 139 159 234

HSL 227.37, 0.69%, 0.73%

LAB 66.69, 11.58, -40.01

 

Description

Color code: HEX #E989CD | qconv.com Color code: HEX #E989CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 137 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 137 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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