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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E987D7 it is the complementary color #167828. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E987D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E987D7 shade: #EE87D2, #FF99E5, #FFABF8, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E987D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E987D7 shade: #E987D7, #D875C4, #C763B1, #B6519E and #A53F8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E987D7 shade: #E986D7, #E986BC, #E986A2, #E98687 and #E98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E987D7 shade: #E986D7, #E086E9, #C686E9, #AB86E9 and #9186E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E987D7 shade matches the following richer shades: #E986D7 and #F47BDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E987D7 shade: #E986D7, #DD92CF, #D29DC8, #C6A9C1 and #BBB5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E987D7 shade: #C686E9, #E186E9, #E986D7, #E986BD and #E986A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E987D7 shade: #DC41C0, #E263CB, #E986D7, #EFA9E2 and #F6CCEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E987D7 shade: #E987D7, #E9AC86 and #86E9D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E987D7 shade: #E987D7, #D7E986 and #86D7E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E987D7 shade: #E987D7, #E9AC86, #86E998 and #86C3E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E987D7 shade: #E987D7, #E9CA86, #86E998 and #86A6E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 8 / 9

HEX #E987D7

RGB 233 135 215

HSL 311.02, 0.69%, 0.72%

LAB 69.15, 48.44, -25.01

 

Complementary color

CMYK 82 / 0 / 67 / 53

HEX #167828

RGB 22 120 40

HSL 131.02, 0.69%, 0.28%

LAB 43.88, -44.32, 35.29

 

CMYK 0 / 43 / 12 / 7

HEX #EE87D2

RGB 238 135 210

HSL 316.31, 0.75%, 0.73%

LAB 69.58, 49.17, -21.53

 

CMYK 0 / 40 / 10 / 0

HEX #FF99E5

RGB 255 153 229

HSL 315.29, 1%, 0.8%

LAB 75.88, 48.43, -22.2

 

CMYK 0 / 33 / 3 / 0

HEX #FFABF8

RGB 255 171 248

HSL 305, 1%, 0.84%

LAB 80.27, 42.4, -25.8

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 42 / 8 / 9

HEX #E987D7

RGB 233 135 215

HSL 311.02, 0.69%, 0.72%

LAB 69.15, 48.44, -25.01

 

CMYK 0 / 46 / 9 / 15

HEX #D875C4

RGB 216 117 196

HSL 312.12, 0.56%, 0.65%

LAB 62.77, 49.16, -24.36

 

CMYK 0 / 50 / 11 / 22

HEX #C763B1

RGB 199 99 177

HSL 313.2, 0.47%, 0.58%

LAB 56.33, 49.84, -23.58

 

CMYK 0 / 55 / 13 / 29

HEX #B6519E

RGB 182 81 158

HSL 314.26, 0.41%, 0.52%

LAB 49.86, 50.43, -22.65

 

CMYK 0 / 62 / 16 / 35

HEX #A53F8B

RGB 165 63 139

HSL 315.29, 0.45%, 0.45%

LAB 43.39, 50.81, -21.46

 

CMYK 0 / 42 / 8 / 9

HEX #E986D7

RGB 233 134 215

HSL 310.91, 0.69%, 0.72%

LAB 68.95, 48.94, -25.32

 

CMYK 0 / 42 / 19 / 9

HEX #E986BC

RGB 233 134 188

HSL 327.27, 0.69%, 0.72%

LAB 68.02, 44.68, -11.68

 

CMYK 0 / 42 / 30 / 9

HEX #E986A2

RGB 233 134 162

HSL 343.03, 0.69%, 0.72%

LAB 67.26, 41.07, 1.82

 

CMYK 0 / 42 / 42 / 9

HEX #E98687

RGB 233 134 135

HSL 359.39, 0.69%, 0.72%

LAB 66.61, 37.89, 16.1

 

CMYK 0 / 42 / 42 / 9

HEX #E98686

RGB 233 134 134

HSL 0, 0.69%, 0.72%

LAB 66.59, 37.79, 16.64

 

CMYK 0 / 42 / 8 / 9

HEX #E986D7

RGB 233 134 215

HSL 310.91, 0.69%, 0.72%

LAB 68.95, 48.94, -25.32

 

CMYK 4 / 42 / 0 / 9

HEX #E086E9

RGB 224 134 233

HSL 294.55, 0.69%, 0.72%

LAB 68.59, 49.43, -35.91

 

CMYK 15 / 42 / 0 / 9

HEX #C686E9

RGB 198 134 233

HSL 278.79, 0.69%, 0.72%

LAB 65.7, 41.88, -40.64

 

CMYK 27 / 42 / 0 / 9

HEX #AB86E9

RGB 171 134 233

HSL 262.42, 0.69%, 0.72%

LAB 63, 34.25, -45.07

 

CMYK 38 / 42 / 0 / 9

HEX #9186E9

RGB 145 134 233

HSL 246.67, 0.69%, 0.72%

LAB 60.74, 27.3, -48.79

 

CMYK 0 / 42 / 8 / 9

HEX #E986D7

RGB 233 134 215

HSL 310.91, 0.69%, 0.72%

LAB 68.95, 48.94, -25.32

 

CMYK 0 / 50 / 9 / 4

HEX #F47BDE

RGB 244 123 222

HSL 310.91, 0.85%, 0.72%

LAB 68.51, 58.78, -29.76

 

CMYK 0 / 42 / 8 / 9

HEX #E986D7

RGB 233 134 215

HSL 310.91, 0.69%, 0.72%

LAB 68.95, 48.94, -25.32

 

CMYK 0 / 34 / 6 / 13

HEX #DD92CF

RGB 221 146 207

HSL 311.2, 0.52%, 0.72%

LAB 69.78, 37.52, -19.75

 

CMYK 0 / 25 / 5 / 18

HEX #D29DC8

RGB 210 157 200

HSL 311.32, 0.37%, 0.72%

LAB 70.86, 26.68, -14.36

 

CMYK 0 / 15 / 3 / 22

HEX #C6A9C1

RGB 198 169 193

HSL 310.34, 0.2%, 0.72%

LAB 72.38, 14.71, -8.34

 

CMYK 0 / 3 / 1 / 27

HEX #BBB5BA

RGB 187 181 186

HSL 310, 0.04%, 0.72%

LAB 74.29, 3.04, -1.79

 

CMYK 15 / 42 / 0 / 9

HEX #C686E9

RGB 198 134 233

HSL 278.79, 0.69%, 0.72%

LAB 65.7, 41.88, -40.64

 

CMYK 3 / 42 / 0 / 9

HEX #E186E9

RGB 225 134 233

HSL 295.15, 0.69%, 0.72%

LAB 68.71, 49.72, -35.73

 

CMYK 0 / 42 / 8 / 9

HEX #E986D7

RGB 233 134 215

HSL 310.91, 0.69%, 0.72%

LAB 68.95, 48.94, -25.32

 

CMYK 0 / 42 / 19 / 9

HEX #E986BD

RGB 233 134 189

HSL 326.67, 0.69%, 0.72%

LAB 68.06, 44.82, -12.19

 

CMYK 0 / 42 / 30 / 9

HEX #E986A2

RGB 233 134 162

HSL 343.03, 0.69%, 0.72%

LAB 67.26, 41.07, 1.82

 

CMYK 0 / 70 / 13 / 14

HEX #DC41C0

RGB 220 65 192

HSL 310.84, 0.69%, 0.56%

LAB 54.87, 72.08, -34.26

 

CMYK 0 / 56 / 10 / 11

HEX #E263CB

RGB 226 99 203

HSL 310.87, 0.69%, 0.64%

LAB 61.14, 61.79, -30.72

 

CMYK 0 / 42 / 8 / 9

HEX #E986D7

RGB 233 134 215

HSL 310.91, 0.69%, 0.72%

LAB 68.95, 48.94, -25.32

 

CMYK 0 / 29 / 5 / 6

HEX #EFA9E2

RGB 239 169 226

HSL 311.14, 0.69%, 0.8%

LAB 77.41, 34.5, -18.42

 

CMYK 0 / 17 / 3 / 4

HEX #F6CCEE

RGB 246 204 238

HSL 311.43, 0.7%, 0.88%

LAB 86.48, 20.38, -11.18

 

CMYK 0 / 42 / 8 / 9

HEX #E987D7

RGB 233 135 215

HSL 311.02, 0.69%, 0.72%

LAB 69.15, 48.44, -25.01

 

CMYK 0 / 26 / 42 / 9

HEX #E9AC86

RGB 233 172 134

HSL 23.03, 0.69%, 0.72%

LAB 75.17, 17.69, 28.29

 

CMYK 42 / 0 / 9 / 9

HEX #86E9D4

RGB 134 233 212

HSL 167.27, 0.69%, 0.72%

LAB 86.06, -33.99, 1.11

 

CMYK 0 / 42 / 8 / 9

HEX #E987D7

RGB 233 135 215

HSL 311.02, 0.69%, 0.72%

LAB 69.15, 48.44, -25.01

 

CMYK 8 / 0 / 42 / 9

HEX #D7E986

RGB 215 233 134

HSL 70.91, 0.69%, 0.72%

LAB 89.13, -20.78, 46

 

CMYK 42 / 8 / 0 / 9

HEX #86D7E9

RGB 134 215 233

HSL 190.91, 0.69%, 0.72%

LAB 81.59, -20.18, -16.62

 

CMYK 0 / 42 / 8 / 9

HEX #E987D7

RGB 233 135 215

HSL 311.02, 0.69%, 0.72%

LAB 69.15, 48.44, -25.01

 

CMYK 0 / 26 / 42 / 9

HEX #E9AC86

RGB 233 172 134

HSL 23.03, 0.69%, 0.72%

LAB 75.17, 17.69, 28.29

 

CMYK 42 / 0 / 35 / 9

HEX #86E998

RGB 134 233 152

HSL 130.91, 0.69%, 0.72%

LAB 84.8, -45.83, 30.53

 

CMYK 42 / 16 / 0 / 9

HEX #86C3E9

RGB 134 195 233

HSL 203.03, 0.69%, 0.72%

LAB 76.06, -9.85, -25.01

 

CMYK 0 / 42 / 8 / 9

HEX #E987D7

RGB 233 135 215

HSL 311.02, 0.69%, 0.72%

LAB 69.15, 48.44, -25.01

 

CMYK 0 / 13 / 42 / 9

HEX #E9CA86

RGB 233 202 134

HSL 41.21, 0.69%, 0.72%

LAB 82.53, 1.88, 37.93

 

CMYK 42 / 0 / 35 / 9

HEX #86E998

RGB 134 233 152

HSL 130.91, 0.69%, 0.72%

LAB 84.8, -45.83, 30.53

 

CMYK 42 / 29 / 0 / 9

HEX #86A6E9

RGB 134 166 233

HSL 220.61, 0.69%, 0.72%

LAB 68.19, 6.04, -37.15

 

Description

Color code: HEX #E987D7 | qconv.com Color code: HEX #E987D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 135 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 135 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 8 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 8% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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