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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9568E it is the complementary color #16A971. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9568E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9568E shade: #EE5689, #FF689C, #FF7AAF, #FF8CC2 and #FF9ED5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9568E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9568E shade: #E9568E, #D8447B, #C73268, #B62055 and #A50E42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9568E shade: #E9588F, #E95868 and #E95858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9568E shade: #E9588F, #E958B7, #E958DE, #CE58E9 and #A758E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9568E shade matches the following richer shades: #E9588F and #F9498C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9568E shade: #E9588F, #DA6793, #CB7797, #BC869A and #AC959E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9568E shade: #E958DD, #E958B6, #E95890, #E95869 and #E96E58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9568E shade: #D31B62, #E53377, #E9588F, #EE7DA8 and #F3A1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9568E shade: #E9568E, #E9CF58 and #58CAE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9568E shade: #E9568E, #90E958 and #5890E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9568E shade: #E9568E, #E9CF58, #58E9B2 and #5873E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9568E shade: #E9568E, #D8E958, #58E9B2 and #6958E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 39 / 9

HEX #E9568E

RGB 233 86 142

HSL 337.14, 0.77%, 0.63%

LAB 57.97, 61.43, -0.24

 

Complementary color

CMYK 87 / 0 / 33 / 34

HEX #16A971

RGB 22 169 113

HSL 157.14, 0.77%, 0.37%

LAB 61.43, -49.3, 18.98

 

CMYK 0 / 64 / 42 / 7

HEX #EE5689

RGB 238 86 137

HSL 339.87, 0.82%, 0.64%

LAB 58.64, 62.43, 3.76

 

CMYK 0 / 59 / 39 / 0

HEX #FF689C

RGB 255 104 156

HSL 339.34, 1%, 0.7%

LAB 64.61, 61.97, 1.75

 

CMYK 0 / 52 / 31 / 0

HEX #FF7AAF

RGB 255 122 175

HSL 336.09, 1%, 0.74%

LAB 68.22, 55.98, -3.76

 

CMYK 0 / 45 / 24 / 0

HEX #FF8CC2

RGB 255 140 194

HSL 331.83, 1%, 0.77%

LAB 72.17, 49.72, -8.54

 

CMYK 0 / 38 / 16 / 0

HEX #FF9ED5

RGB 255 158 213

HSL 325.98, 1%, 0.81%

LAB 76.39, 43.38, -12.71

 

CMYK 0 / 63 / 39 / 9

HEX #E9568E

RGB 233 86 142

HSL 337.14, 0.77%, 0.63%

LAB 57.97, 61.43, -0.24

 

CMYK 0 / 69 / 43 / 15

HEX #D8447B

RGB 216 68 123

HSL 337.7, 0.65%, 0.56%

LAB 52.02, 61.61, 2.02

 

CMYK 0 / 75 / 48 / 22

HEX #C73268

RGB 199 50 104

HSL 338.26, 0.6%, 0.49%

LAB 46.21, 61.33, 4.79

 

CMYK 0 / 82 / 53 / 29

HEX #B62055

RGB 182 32 85

HSL 338.8, 0.7%, 0.42%

LAB 40.63, 60.32, 8.28

 

CMYK 0 / 92 / 60 / 35

HEX #A50E42

RGB 165 14 66

HSL 339.34, 0.84%, 0.35%

LAB 35.41, 58.2, 12.72

 

CMYK 0 / 62 / 39 / 9

HEX #E9588F

RGB 233 88 143

HSL 337.24, 0.77%, 0.63%

LAB 58.31, 60.7, -0.33

 

CMYK 0 / 62 / 55 / 9

HEX #E95868

RGB 233 88 104

HSL 353.38, 0.77%, 0.63%

LAB 57.37, 57.17, 21.19

 

CMYK 0 / 62 / 62 / 9

HEX #E95858

RGB 233 88 88

HSL 0, 0.77%, 0.63%

LAB 57.08, 56.07, 30.08

 

CMYK 0 / 62 / 39 / 9

HEX #E9588F

RGB 233 88 143

HSL 337.24, 0.77%, 0.63%

LAB 58.31, 60.7, -0.33

 

CMYK 0 / 62 / 21 / 9

HEX #E958B7

RGB 233 88 183

HSL 320.69, 0.77%, 0.63%

LAB 59.64, 65.52, -21.54

 

CMYK 0 / 62 / 5 / 9

HEX #E958DE

RGB 233 88 222

HSL 304.55, 0.77%, 0.63%

LAB 61.29, 71.24, -41.12

 

CMYK 12 / 62 / 0 / 9

HEX #CE58E9

RGB 206 88 233

HSL 288.83, 0.77%, 0.63%

LAB 58.02, 66.7, -52.7

 

CMYK 28 / 62 / 0 / 9

HEX #A758E9

RGB 167 88 233

HSL 272.69, 0.77%, 0.63%

LAB 53.03, 57.84, -60.96

 

CMYK 0 / 62 / 39 / 9

HEX #E9588F

RGB 233 88 143

HSL 337.24, 0.77%, 0.63%

LAB 58.31, 60.7, -0.33

 

CMYK 0 / 71 / 44 / 2

HEX #F9498C

RGB 249 73 140

HSL 337.16, 0.94%, 0.63%

LAB 58.79, 70.73, 2.45

 

CMYK 0 / 62 / 39 / 9

HEX #E9588F

RGB 233 88 143

HSL 337.24, 0.77%, 0.63%

LAB 58.31, 60.7, -0.33

 

CMYK 0 / 53 / 33 / 15

HEX #DA6793

RGB 218 103 147

HSL 337.04, 0.61%, 0.63%

LAB 58.71, 49.63, -2.34

 

CMYK 0 / 41 / 26 / 20

HEX #CB7797

RGB 203 119 151

HSL 337.14, 0.45%, 0.63%

LAB 60, 36.87, -2.99

 

CMYK 0 / 29 / 18 / 26

HEX #BC869A

RGB 188 134 154

HSL 337.78, 0.29%, 0.63%

LAB 61.72, 23.72, -2.39

 

CMYK 0 / 13 / 8 / 33

HEX #AC959E

RGB 172 149 158

HSL 336.52, 0.12%, 0.63%

LAB 63.95, 10.11, -1.57

 

CMYK 0 / 62 / 5 / 9

HEX #E958DD

RGB 233 88 221

HSL 304.97, 0.77%, 0.63%

LAB 61.24, 71.08, -40.63

 

CMYK 0 / 62 / 22 / 9

HEX #E958B6

RGB 233 88 182

HSL 321.1, 0.77%, 0.63%

LAB 59.6, 65.39, -21.02

 

CMYK 0 / 62 / 38 / 9

HEX #E95890

RGB 233 88 144

HSL 336.83, 0.77%, 0.63%

LAB 58.34, 60.81, -0.87

 

CMYK 0 / 62 / 55 / 9

HEX #E95869

RGB 233 88 105

HSL 352.97, 0.77%, 0.63%

LAB 57.39, 57.25, 20.64

 

CMYK 0 / 53 / 62 / 9

HEX #E96E58

RGB 233 110 88

HSL 9.1, 0.77%, 0.63%

LAB 60.94, 45.97, 34.92

 

CMYK 0 / 87 / 54 / 17

HEX #D31B62

RGB 211 27 98

HSL 336.85, 0.77%, 0.47%

LAB 46.33, 69.71, 8.99

 

CMYK 0 / 78 / 48 / 10

HEX #E53377

RGB 229 51 119

HSL 337.08, 0.77%, 0.55%

LAB 52.24, 70.38, 5.03

 

CMYK 0 / 62 / 39 / 9

HEX #E9588F

RGB 233 88 143

HSL 337.24, 0.77%, 0.63%

LAB 58.31, 60.7, -0.33

 

CMYK 0 / 47 / 29 / 7

HEX #EE7DA8

RGB 238 125 168

HSL 337.17, 0.77%, 0.71%

LAB 66.27, 48.11, -2.95

 

CMYK 0 / 34 / 21 / 5

HEX #F3A1C0

RGB 243 161 192

HSL 337.32, 0.77%, 0.79%

LAB 75.05, 34.62, -3.34

 

CMYK 0 / 63 / 39 / 9

HEX #E9568E

RGB 233 86 142

HSL 337.14, 0.77%, 0.63%

LAB 57.97, 61.43, -0.24

 

CMYK 0 / 11 / 62 / 9

HEX #E9CF58

RGB 233 207 88

HSL 49.24, 0.77%, 0.63%

LAB 83.26, -4.53, 60.79

 

CMYK 62 / 13 / 0 / 9

HEX #58CAE9

RGB 88 202 233

HSL 192.83, 0.77%, 0.63%

LAB 76.19, -23.14, -24.97

 

CMYK 0 / 63 / 39 / 9

HEX #E9568E

RGB 233 86 142

HSL 337.14, 0.77%, 0.63%

LAB 57.97, 61.43, -0.24

 

CMYK 38 / 0 / 62 / 9

HEX #90E958

RGB 144 233 88

HSL 96.83, 0.77%, 0.63%

LAB 84.44, -50.87, 60.38

 

CMYK 62 / 38 / 0 / 9

HEX #5890E9

RGB 88 144 233

HSL 216.83, 0.77%, 0.63%

LAB 59.8, 8.73, -50.5

 

CMYK 0 / 63 / 39 / 9

HEX #E9568E

RGB 233 86 142

HSL 337.14, 0.77%, 0.63%

LAB 57.97, 61.43, -0.24

 

CMYK 0 / 11 / 62 / 9

HEX #E9CF58

RGB 233 207 88

HSL 49.24, 0.77%, 0.63%

LAB 83.26, -4.53, 60.79

 

CMYK 62 / 0 / 24 / 9

HEX #58E9B2

RGB 88 233 178

HSL 157.24, 0.77%, 0.63%

LAB 83.74, -51.51, 15.42

 

CMYK 62 / 51 / 0 / 9

HEX #5873E9

RGB 88 115 233

HSL 228.83, 0.77%, 0.63%

LAB 52.08, 26.31, -62.85

 

CMYK 0 / 63 / 39 / 9

HEX #E9568E

RGB 233 86 142

HSL 337.14, 0.77%, 0.63%

LAB 57.97, 61.43, -0.24

 

CMYK 7 / 0 / 62 / 9

HEX #D8E958

RGB 216 233 88

HSL 67.03, 0.77%, 0.63%

LAB 88.72, -24.35, 66.28

 

CMYK 62 / 0 / 24 / 9

HEX #58E9B2

RGB 88 233 178

HSL 157.24, 0.77%, 0.63%

LAB 83.74, -51.51, 15.42

 

CMYK 55 / 62 / 0 / 9

HEX #6958E9

RGB 105 88 233

HSL 247.03, 0.77%, 0.63%

LAB 46.8, 45.45, -71.36

 

Description

Color code: HEX #E9568E | qconv.com Color code: HEX #E9568E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 86 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 86 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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